Your ears do not deceive you. You've just entered the cryptid creator corner brought to you by your friends at Comic Book Yeti. So without further ado, let's get on to the interview. Hey everyone, this is... Hi Byron! Who is this? I'm your fairy godmother. I have a fairy godmother? Of course you do. I'm 50 years old! Why haven't you shown up before? I appear when I'm needed. And I didn't need you in all these years? Do you want my help or not? Um, sure. Exactly. I was just about to pitch up Patreon. Why would I need help with that? Because you're an idiot sometimes. That's hurtful. What were you going to put on there? We do comic stuff, so something along those lines? And this is why I'm here. You do know what people put on Patreon most of the time, right? Honestly, no. People need something a little bit spicy to entice them to support you. Nobody wants to see me shirtless. I doubt that's true. You are in pretty good shape considering your age. Thank you. Let's see. A little spicy. I've been bugging Jimmy to figure out what he's going to do. I know lately he's been playing around with his **** all the time. He loves to take it out and show it off. There's even a specific TikTok channel now. How's that sound? Not a bad start. People like Jimmy. What else you got? I told the story recently about being in a strip club with some of the four horsemen when I was working for WCW back in the day. I picked up an infection on my- WOO! From the experience, I hate strip clubs. Is that better? Getting there, but maybe spicy shouldn't include infections you get in strip clubs. That's not sexy. We'll workshop it. Like I need more meeting. At least tell them where to find it while we figure this out. Mother Goddess, help this poor man. You can find us on Patreon at Crypto Creator Corner Pod. I'll put it in the show notes. Anything else you'd like to remind me that I'm bad at. How much time do you have? Why do you look like Rosario Dawson anyway? I appear the way you want me to look. Okay, that's disturbing. Wait, have you been showing up in my dreams? I'll never tell. And we're done here. Y'all, Jimmy, the chaos goblin strikes again. I should have known better than a mention I was working on my DC Universe meets Ravenloft hybrid D&D campaign on social media. My bad. He goes and tags a bunch of comics creators we know. And now I have to get it in gear and whip this campaign into shape so we can start playing. Another friend chimes in, "Are you gonna make baps?" It's fair to say it's been a while since I put something together, so I guess? Question mark? It was then that I discovered Arkham Forge. If you don't know who Arkham Forge is, they have everything you need to make your TT RPG more fun and immersive. Allowing you to build, play, and export animated maps, including in-person, fog-of-war capability that lets your players interact with maps as the adventure unfolds while you, the DM, get the full picture. Now I'm set to easily build high-res animated maps saving myself precious time and significantly adding nuance to our campaign. That's a win every day in my book. Check them out at arkandforge.com and use the discount code Yeti5 to get $5 off. I'll drop a link in the show notes for you. And big thanks to Arkin Forge for partnering with our show. I think I'm going to make Jimmy play a goblin boarlock just to get even. Hello and welcome to Comic Book Yeti's scripted creator corner. I am one of your hosts, Jimmy Gispero. And I'm very excited tonight because as I continue recording these episodes for the DC December as we venture into some of DC Comics that have recently come out and will be coming out as we go into 2025. I have a writer who's returning to the podcast. Super excited to talk to him. He was on here before talking about Flash Gordon. Now we're going to talk about a different Flash. But please welcome to the podcast or welcome back to the podcast. Jeremy Adams. Jeremy, how are you doing? Hey, I'm doing good. Great. Yes, I'm very excited to talk to you. I really enjoyed your Flash run. And I mean, to start off, I think any time I have a writer on here who's done indie stuff, but also writes for the big two. I'm just always amazed. It just seems like the most daunting task out of any writing in comic books. I don't know if that's true or not. Having never written for Marvel or DC, but you have to not only just come up with your story and work with the artists like you would in any collaboration or creator on comic. You have to deal with decades of lore possibly or continuity. You have to fit in in the last story. You have to work with editorial in terms of where the story is going to go. And if the job is getting handed off to somebody else eventually. I guess just how do you go about when you get tapped to take on something like the Flash? And I know you had done some DC work before, but when you get to do what could potentially be a longer run with Flash now with Green Lantern and then moving into Aquaman. How do you approach that initially when you get that opportunity? This is the thing. I had been doing film and television, and that's my big. That's where I made my career, especially in animation. And because I had done so much Warner Brothers animation, I was put on a list. It was doing this whole 5G thing. So I'd never done comics. I'd always wanted to do comics because that was like the passion as a kid. And my dad had drawn some comics, so I had there was a little bit of like, not only just the love of it, but also a little stick it to them. When they finally put my name on this list and I went in and I'm pitching and I think this is it. Oh my gosh, I'm going to get it. I'm finally going to get to do a comic book. And I was working on the show Supernatural at the time. Oh my gosh, I'm going to be able to get a comic book. And then didio got let go, AT&T imploded. And I thought, oh man, I was so close. But my name was still a list and then they asked me to do a couple of shorts because they had changed 5G into future state. And I had done two backups. One in Philip Kennedy Johnson's future state Superman World of War. And the other one was in a Suicide Squad by Robbie Thompson. And that one was really my first one. My editor at the time was Mike Cotton. Name was on a list. I think he asked my friend Tim Sheridan about, hey, there's some people on this list. And he's like, oh, Jeremy's great. And so I did that backup where I introduced gold beetle and all this stuff. And I was just like, they let me be a character. Like I was just flabbergasted. And then afterwards, he said, you know, I was not the first person they came to about the flash. I'm sure I wasn't the second person. I probably wasn't even the third. But he said, hey, you have any ideas for the flash? And I'm like, bro, I'm a nerd of a certain age. I've got an idea for everything, you know. And I kind of pitched to this quantum leap. And he just quiet for a second. And he goes, well, that's better than what we got. So you get to take over the flash. And it wasn't, there was no indication it would last long. There was, if anything, I was told up front, you'll be lucky if you get 12 issues. That was kind of like what they said. They said, usually we change creative teams after 12 issues. And, but I, I very early on, you know, there's a certain amount of like self-loathing and, you know, this, this lack of self-confidence that writers had. But there's also a bit of an ego there too. And I was doing this thing and I was, I was super excited about it. And I started working toward kind of retconning Wally. And I was also thinking in my head, I wanted to, and I said it. I said it once we were having, when we're doing Flashpoint Beyond with Tim and Jeff. And I said, I really want to get to issue 800. That was my goal. I said, I really want to get to issue 800. And they, and, and I got chastised. It was like, you know, it's like going to happen. Oh, wow. Yeah, it was kind of like, it was like, don't get, don't get over your shoes, buddy. And, but it kept going and fans seemed to respond to it. And I was just having a great time. And it helped that the parent company kept shuffling, like it kept getting bought out. People were getting fired. And I'm just this knucklehead nerd that's turning things in on time. And I think because I turned things in on time, there was a level of, we don't have to worry about, you know, there are other books we can worry about. This guy's turning it in on time, fans seem to like it. And so they just kept me on. Yeah. Then I got, then I got really, you know, invested in it. So when they asked me to move off of it, I was devastated. I was pretty, I was really sad about it. I was really sad because the first thing I said was, are the kids going to be okay? Like, because I was so invested in Wally's kids. Oh, yeah. Maxie. Well, I mean, look, as a comic fan myself and, you know, my growing up, my younger brother and I, Bobby, I was always a green lantern fan. He was a fan of the flash. And I've had different favorite green lanterns. He was always more of a Barry Allen guy. But, you know, he, I would collect Green Lantern, he would collect the flash. And, you know, I look, they're comic books, right? I try not to be somebody, I'm 45 years old. I try not to be somebody who's like screaming about characters on the internet. Let them tell the story. But I will say that like, when they, when the continuity, when like, Wally went away and then kind of came back, and I guess it made for some good storytelling. Like, he didn't have like his family or everything. But I was just like, to me, as an, you know, an, as an older person with like two kids, like, I always think like that was, that was more interesting storytelling as like an adult. Like, yeah, like, how does, how does somebody do that? How does Wally deal with these things? Like, oh, and like have, you know, a wife and, and a family. Um, yeah. And, and I thought that was interesting because like, nobody else was doing it. In the DC universe, nobody was really doing it. It was like, here's the most well adjusted superhero that has gone through absolute trauma. But I would, back to your first question, I was just saying like, how do I do it? I didn't know how to do it. That was it. That was like me just learning on the job. I was just a huge fan and diving into continuity and diving into the history and trying to, to fill holes and just, you know, make these characters come alive for me. Like, I'm very blessed because I oftentimes I, I'm the first person that gets to experience these stories and they're not so much me going like, I'm not a careful planner. You know, I kind of have like, oh, wouldn't this be cool or wouldn't this be cool? That I try to like, piece it together a little bit. Yeah. And, um, but working for the big two, I mean, that's all I've known really. Yeah. I did clash Gordon, but that, that came after, you know, that's for Mad Cave. And it's still a big, you know, kind of IP. But, but all I know is the big two. I want to do more trade your own and indie stuff. But right now there's a little bit of the golden handcuffs. Like, I'm not going to stop because they wasn't in the door of these schools. Right. You know what I mean? Oh, yeah. I was like, you're letting me write Green Lantern and now Aquaman. And like, I'm like, and I'm always gutted for the Batman. Some Batman title. You've got 12 Batman titles. Just give me one. Yeah. Doesn't that doesn't have to be the main one? Like, what do you got? No. They got floating around them. You know, like the sort of tales of the dark night in the shadow. You know, it's like, I'm in, whatever. Give me, give me something. But yeah, I, you know, I'm having a blast in and with, like, with the Flash, I was able to, I think it was more conducive to doing a lot of weird, wild things. I could do like a one off or two, two one offs, you know, whereas with Green Lantern right now, it presented an interesting challenge because Jeff Thorns Run ended and there was a lot of like loose threats. And I found myself and it was funny because, you know, my editor was just like, just write a paragraph. This is everything went back to normal. I'm like, no, bro. Like, I'm a nerd. Like, I'm a nerd. Well, like, my story is going to be about the loose threats. Like, I want to take that in. I, I love that. I know, I know for a fact, there's some people that other writers that hate that. They hate having to deal with the continuity before it. But I, to me, it presents not just a challenge, but a wonderful opportunity because that's what's so cool about comics to me is it is a continuous story. When I read the X-Men, it was fairly seamless growing up. It seemed like a writer change and just like, you know, they, they were continuing the story. And I think that's a cool, that's a cool way to go. So when, when, you know, John split himself in two and the Green Lantern Corps, or Green Lantern, the John Search Green Lantern series, and he made this giant source ball. And I had no idea what it was. No one had any idea what it was. There was a lantern that changed colors. And I'm like, what could this be? And that, that propelled my story in a way. So I love it. I love it when somebody gives me. And by the way, getting a character that hasn't been around for a little bit, like with Wally, Wally hadn't been the main flash for a long time. And what a thrill. What a, what a real blessing for me to be able to be the guy who gets to write about Wally. And the same thing with how, how hadn't been the center of the Green Lantern book for a long time. So being able to like bring, you know, Wally back. I mean, Hal back on earth and, and do that has been so much fun too. And then with Aquaman, it's the same thing. I mean, I'm nervous because it's like, I, you know, Aquaman is hard. I mean, I, I feel like it's a hard character because I don't know how many people are like, yeah, Aquaman, there are some, trust me. But, but I really want to make it a book that people enjoy. And I'm absolutely, every time I turn into script, I'm just like, terrified, A, that no one will like it, B, that I'm going to get in a fight with my editor. You know, and I'm just, I'm just having fun and trying to do the best I can. And, you know, they're like, they'll let me play with a lot of characters. Like, you know, I'll be like, well, what's happening with this character? Like there's a, I think one of the absolute power tie ins that I did. I was like, well, what are you doing with Hawk and Dove right now? Can I just use Dove for a minute? And they're like, yeah, absolutely. I'm like, right? Yeah. And then what's terrible, what's absolutely terrible, and this is totally unfair to every reader, is that I immediately start thinking of a story that that is going on with Dove. And so I'll put a line. It's like, you know, after what happened to Hank, and people are like, well, what happened to Hank? I'm like, yeah, I know. I have this whole other story that's going on. I don't even have that book. I don't even have the, there's no, nobody even even saying like, hey, you want to do a Hawk? And nobody's saying that. But in my head, I've got another story going on. I've got a story with like somebody mentioned the other day like, hey, why does the unseen in OA keep talking about the star hurt? I'm like, I know why, you know, it's terrible. It's terrible because I've got all these other stories in my head that someday I hope to exploit, but I love, I love planting Easter eggs and getting like really astute readers are like, wait, what was that? Like, wait, what was that? Like, get you excited about that. And I'm generally somebody that I'll keep bringing stuff back. Like, I am terrible. Nothing's wasted. I'm like, all right, remember 12 issues ago? Time to pay it off, guys. But see, I love that. I mean, I'm kind of, I mean, look, I'm up two minds about about continuity. I don't think continuity should ever stand in the way of a good story. But also when you can do things like that, when you can mention something in issue two and bring it back, however many issues later, like, you know, so that you can, you know, astute readers can pick up on that and be excited about it. I mean, I do love that too. And especially, you know, Green Lantern in particular, how Jordan's history and since rebirth and he came back, all the different like iterations and the different things that have been done. It almost seems like, you know, a writer would be hard pressed to be like, all right, well, what? What hasn't how on the Green Lantern Corps been through? I mean, they got, you know, there was the war of the first lantern and then like the third army, I think they were called. And then they broke through the source wall and then there was relic and all these different things. But when I started your run and house, you know, or the recent run and house, you know, back on earth again, after everything from like, from dark crisis. I really, I don't always like when they reset things, you know, so we can have a younger character. Like, I feel like Hal has been through this stuff. There is that history. I love the scene with him and Barry investigating, you know, Ferris Air when Sinestro shows up. Like, there's just so many really great moments that I feel like, oh, these characters, they have been around. They still have that camaraderie and friendship. And those moments I felt were really like exciting to read and to see. And not to mention the fact that you get to play with all these other, you know, as the issue goes on and readers will see, you get to play with all these other different characters and start to, you know, I think introduce these new elements with what's coming in January is the, is it the fractal lanterns? Yeah, yeah, yeah, for the fractured spectrum. Yeah. And we've kind of, we've kind of seen some of that with the appearance of Carol's ex, Beyonce, and start making sense of some of the stuff going on in the universe. But, you know, you never close off the story. You're, it's like the story is ending, but there's another story behind it, right? Yeah. And, but I agree with you with the Barry Hal thing to me, when I first started at DC, there was, there was the monoc, the monoc, it was like, hey, everything that's happened happened. That was kind of what they told me. I was like, what? That doesn't make sense. But you kind of like, you kind of pick your, you know, the greatest hits. And for Hal, especially, like you said, there's all that stuff. And I don't see why we need to sweep it under the rug. I think it's kind of an interesting thing to keep going. I, I will say that I think what's, what's really interesting to me is that you have all the silver age stuff. You have all of the, the Bronze Age stuff. But really the next big shockwave is when Jeff, you know, Jeff John's reinvented that character and reinvented the mythology. Oh, yeah. I think will permeate the character until the end of time. And, and so, you know, obviously, I, I feel like that, that was when I were reading it really heavily. Yeah. So obviously I think my run is heavily influenced by the mythology that was set up there. Yeah. But also, I'm also trying to move a different direction when everybody else moves this direction. So I was doing Wally and it was a family book. And it was, you know, it's becoming fantastic for at a certain point. And that was because there was nobody doing that. Yeah. Like everybody, it was kind of like, you know, it wasn't. And then I don't think because of me, but like when I left that book, it was like the super family was huge, you know, Green Arrow's family was back. You know, it was, there was a lot of families suddenly. Yeah. And everybody was also focused on legacy characters. Like Nightwing was leading the Titans. And I thought, this is interesting now because I'm now writing a character that's not a legacy character, not really, you know. And, and so having that discussion with Barry is more of, hey, you look at us, we're getting older, but these guys are now stepping into their own as heroes. So where does that leave us? And with how, especially because he's this kind of like delayed adolescence, you know, it's like, hey, buddy, you've got this girl there that you keep leaving. And, you know, you love her. And I mean, I was a little older when I got married and stuff because I was a knucklehead, you know, and I just feel like I can commiserate with, you know, it's kind of time to put some of those, because I don't know, part of the, part of the reason I was writing it that way was this guy probably had no money in his bank account. The idea that like, no one needs a test pilot anymore because no one's going to be making jets anymore. You know, it's all going to be drones. It's all going to, that's the way it is. So fundamentally, that character is going to change. And what does that mean for the character? And so his whole world's changed. And anyways, it was fun because I felt like you get to put a little bit of more maturity on how in a way that he doesn't necessarily, he's never really had. He's a leader when it comes to his like role as a green lantern. But his personal life is kind of a mess generally. But it's been fun during the floor and kind of think about, oh, maybe he's maturing. Maybe some of that wisdom he's gleaned, you know, this guy's died, you know, in the specter. Then this did not, you know, I think it's interesting. I think it makes for an interesting character who's still willful and still a little arrogant. But I don't know, I like exploring a little bit of that maturity, even though, you know, the entire universe is melting down right now in the green lantern corp. So I, well, I really like it. And just to touch on something you said earlier, I mean, I was, I think I was, I was a wet, you know, I liked comics as a kid and then through school and high school college, even law school, I got away from it. And it was, it was actually, I went to like a, just happened to go to a convention in, in Philly just for something to do. And I saw all the ads and like merch for like Blackest Night. And I was like, well, what is this? Like, this looks neat. And I was like the green lantern and I, I went and bought like all the hard cut, the whole, the collected hard covers of Blackest Night. Of course, I had to sit there reading them with like the internet open, because I didn't know who like, right? It's like, you too catch up videos. Yeah, I tried to figure out, I really liked it. But then I went back and I started reading like all the stuff that I, you know, had, had, had missed out on most of it. Yeah. And then I go to reading it. Yeah, I have DC infinite and Marvel and limited just for that. Because there are huge gaps, because exactly like you, like, I, I came out here, I came out to LA after I graduated. I had no money. I couldn't spend it on comics. And, and then there was a moment where I had money and I was just like, oh my gosh, it was like during the countdown to new 52 and all that stuff. And I was just like, this is so awesome. And I was buying everything. And I, and it was like DC was doing that. And Marvel was doing, I think it was, it was Civil War. And I just, I was like, this is an awesome thing. Yeah. And then I was buying everything. Just spending gods and money, you know, that I didn't really have. And then, and then there was like, it was like a two or three year run. It was just like everybody was knocking out of the park as far as I was concerned. And then, and then life got, you know, and then you dip out. But I feel like there's, it's a real exciting time at DC right now. There's a lot of, I agree. Marvel stuff, I agree. But it's like it, Marvel is a little more impenetrable for me as a fan. Like, it's hard to figure out where to read and what to start. And I'm not sure. And they keep doing number one. So I'm not sure which number one this is and what version of continuity. DC, I'm appreciative because I've started, in some of the books, they have the legacy issue numbering, which I really like. But also like, I feel like there's a concerted effort between a lot of writers to try to keep, you know, try to keep the continuity going and talk to each other. And then I am the luckiest SOB because I get to work with like these freaking phenomenal artists that, you know, sometimes they get lost in the shuffle talking about these stories and stuff. But to me, like, Zermatico on Green Lantern, he's undeniable. Like he made fantastic. Yeah, he's so cinematic. He's so good. And I'm constantly like, what do you want to draw, man? Like, I want to keep you happy, bro. And there's a whole thing with like the power battery. And it's like in his hometown. I'm like, yeah, let's put it in there. You know, I'm all about, I'm all about somebody. I stayed with Will on Flash Gordon. I'm like, bro, what do you want to, what do you want to draw? He's like dinosaurs. I'm like, dinosaur guards. Let's go, you know, I'm constantly doing that. I'm doing that with John Tim's like, what can I help? And Fernando Passeran, who he is so excited to do Green Lantern Corps that he's just like, whatever you want to do. I'm like, nope, Fernando, like you're my man. Like, what do you want to do? So it's been great. It's been great to like work with these guys that just, they're so much better than my stupid words. It's like, it's such a thrill because there's such a, I said this before, but you know, I'm superficial. If I, even if I hear a book is really, really good and I open it and the art sucks, I don't know if I'll keep reading. Like, I'm very, I'm superficial like that, you know? No, it's so, oh, it's so great that, you know, I know they're going to steal them from me at some point and I'll cry and cry, but what I'm really grateful. I'm really, really grateful. All right, let's take a quick break. I love comic books. Hey, children of the algorithm. I wanted to tell you about another great comics-related podcast. Our friends, Dan, Dwayne, and Siena, with comics over time have a great show that you should definitely check out. Dan has been a comic book editor since before I was around and the show delves deep into comics history, analyzing it from the wider cultural landscape at the time. I learned a lot just listening in and they are keeping it fresh too with Siena reporting in about the current Marvel offerings. I love seeing the next generation excited about comics and it's cool to see a family participating in comics journalism together. This season, they are focused on the history of everyone's favorite Hell's Kitchen vigilante Daredevil. It's a fantastic show that you're going to want to add to your rotation. You can find them at comics over time on your favorite podcasting platform or at their website, comicsovertime.podbean.com. I'll drop a link in the show notes to make it easy for you. He's a Daredevil Ned! After a string of unexplained disappearances in the southern parts of the United States, retired detective Clint searches for his white trash brother. While searching for him, he ends up being abducted by aliens. He is now in the arena for Big Guns Stupid Rednecks, an intergalactic cable's newest hit show which puts him and he other humans in laser gun gladiatorial combat and his brother is the reigning champion with 27 kills. That's the premise for a new book from Band of Barns Big Guns Stupid Rednecks. I got a chance to see an advance preview of this book and being from the south, honestly, I was a bit skeptical going in, but they won me over and nothing is more powerful than an initially skeptic convert to my book. In Jimmy's words, Big Guns Stupid Rednecks is many things, but it isn't subtle. It tells you exactly what it is up front, then it delivers with a great premise, fantastic art, and a whole mess of fun. I had a great time reading Big Guns Stupid Rednecks and what I thought was going to be an indictment of Redneck culture quickly showed it was actually a love letter. A family mystery, brother, pitted against brother, aliens, fighting for profit and a big arena, this truly has it all. Issue one is out already, but you can still pick up a copy on the Band of Barns website and current issues are available via your previews or lunar order form, or just ask your LCS. Don't miss it. Let's get back to the show. Yeah, there are work in terms of, because I think you worked with a few different folks, but I mean, they're working flash. And I've just, like I said, I've gotten through volume one. I really loved it. So I'll get volume two. Yeah, but I read the Civil Corps one shot and I mean, I could pick up what was happening, what was going on. I love it. Well, Scott, it helps because you did all the fill up stuff. You know, Phillip and I were. Yeah, I know the war journal stuff from John Stewart. Yeah, I mean, there was a big conversation with Phillip and I were talking a lot and I'm just very much like, you can't, you know, you just did a big run, like we can't just leave that stuff. Yeah, you know, and so it's, it's, it's, it's kind of crazy because people that were just reading Green Lantern are probably like, what is happening? You know, he's got a cron struck of his dead sister and like the soul of his mom and a ring and dark star ring. Like, if you weren't reading it, you're like, what is happening? You know, and it is a lot, but I mean, it's a lot. I love seeing the scenes of everybody, like some of the lanterns together. Um, you know, there's a couple of moments in this, the, the Civil Corps. There's, uh, you know, with John and how and guy and, um, shepherd and I really love all that stuff. So to see, like, to think that we're getting the Green Lantern core book and it's going to happen. Yeah. And, you know, some of the other lanterns, like Joe Mullen and, uh, yeah. Um, yeah, we're excited about that. Jessica Cruz, I think has become my, my new, my new favorite lantern. I love whenever, whenever she shows up. So I'm excited to have her back. I think she's cool. I, I think what's hard is, uh, you know, fandom's heart because their expectation is that every lantern, like, you know, this is what I hear. It's like, there's too many earth lanterns, but you better give everyone. You know, enough time. Right. And then also some aliens and you're like, you know, so I think what Morgan and I have thought of it. It's like we're doing these like mini arcs that the A story is concentrating on, you know, John and the B story will concentrate on, you know, guy, and then we'll flip it and we'll go, okay, well, this one's about Baz and Kelly, maybe, and then the B plot will be about something else. And so we're trying to evenly distribute it. And yeah, there'll be alien lanterns, but like, um, it, it's hard. You got a one book every month and it's going to tie in closely with what's happening in the green lantern book. So they're both going to be kind of the meta narrative or the, the macro narrative is going to be similar. They're both having to deal with the fallout of the fractured spectrum stuff. And it's going to be really interesting. I'm, I'm excited, you know, I'm excited to, you know, my goal and what Morgan and I have talked about and what my gold green lantern and not just green lantern, green lantern core is like, I want this to be the space that if you want to know what's happening with space characters, you come to green lantern. You want to see space cabbie? What's happening with the omega man? Like, I want you to, like, everything that's going on. Because sometimes, sometimes I think there's been runs of green lanterns where it gets so siloed. It's just green lantern. And it's just emotional spectrum. And it's like, yeah, but what about the reach? What about like all these planets? What about these other aliens? What about the Thanogarians? What about the Iranians? Like all that stuff? It's like, what's the start trick of it? What's, what's happening? And, you know, all that stuff, which, by the way, is hefty. There's a lot. Yeah. Well, I mean, you have to tie into what's going on with, you know, you know, the United planets and, and all this storyline and I'm an idiot. Like, because again, it comes down to I could have wrote a paragraph that said everything was back to normal. You know, I had to sit there and, and it's funny, like, people were given some crap to about Jeff Thorndt. I know there was different opinions. I enjoyed it. I thought it was this really, I read it in a sitting and I, I actually think as a book, if you read it as a singular story, I think you would be like, man, this is, this is really ambitious sci-fi, like high concept sci-fi. I, yeah, I just felt like it was just something that I hadn't seen, especially in a Green Lantern book in a while. And look, I've said it before on this podcast, something may not work. It may not be for you. I did like it as well, but I'll always appreciate a writer and artist, whatever, taking a big swing, you know? Yeah. And that's what I agree. I agree. I'm the same one. And there were so many interesting little Easter eggs in there that you know, whether it was the United Planets, whether it was the Guardians of the Table, I'm like, I, you know, I, I talked to him a couple of times at convention, way before, I think, I think I was doing the Flash maybe. I don't know. But I hadn't, I haven't seen him or talked to him since then, but I'd be, you know, he always had to be sensitive too, because it's like, hey, I took care of all those ideas that you had and I did my own thing with them. And I don't want to feel, you know, Mark Wade told me after, after he wrote the Flash for ages and said afterwards, it was, it was, couldn't read it. He said he was too close to it. I feel the same way. Like, I can't, I think Simon, not only is he incredibly handsome and intelligent, like I met him, I was like, hey, knock it off. You can only be, you only get so many points on your D&D character, buddy, because I was a tall, brick guy. And I'm just like, geez, but like, I can't read his, I can't read it. No, because I'm just too close to it. I'm just too close to it. And I bent a couple years ago, well, I'll go read it now. You know, I probably love it, but, but I can't do it. I mean, I get it. I think it makes sense to stick with your Flash run real quick. There was something I did want to say in terms of, in terms of the end, the time heist storyline. - Oh, yeah, yeah. - Which was rushed, but yeah. - I mean, what I wanted to say is it screamed to me like, a creative team that was having a ton of fun. And as a result, like, I like, I just love, I loved every character that showed up that I didn't necessarily like expect. And, you know, the villain of it all. - Like the man, man. - Omega, man, man. Did you, are you credited as like one of the creators of that? That's like, the first time that guy I ever showed up, right? - Yeah. You got read the issue of the Flash when the, wham, the wrestlers across the multiverse slam on the Earth. - Yeah. It's just like, I have, like, I literally have a custom belt on my wall I made with like the Grant Morrison map and it has all the stuff. And I, my mentor, Jim Craig and I, in the, in the garage and Warner Brothers, I thought, you know, we were, it was before New York Comic Con, I go, dude, you got to help me. I'm going to, let's cut a wrestling promo for this issue. And I got like a mullet wig. And I did my best almost like, all right, brother, you know, whatever. And we did this, this wrestling promo. We thought, oh my gosh, people are going to lose their mind. I think two people have seen this promo. And, you know, no one, no one watched this promo at all. And we posted it about, you know, right before, I think I was on the flight to New York. And I thought, when I get off this flight, people are going to be like, oh my gosh, this is the maze. No one, no one said it. And I, so, yeah, I did this thing. And, and so when Omega Band Man showed up there, what's hilarious is if you read Green Lantern, there's a Green Lantern backup in which I explain how Omega Band Man got knocked out of the stratosphere. But I had, and because I was like, I got to, I got to keep this continuity go. I love Omega Band Man. I love gold beetle and I love the terrifics. And I had a whole like six issue arc. And I left it back door, obviously, because you can see that last couple frames where Wally has like a beard. Yeah. And like, and he's like, someday I'll tell that story. I think it's hysterical. I think it's a great story. I know exactly what it is. And I think it'd be really, really funny. But yeah, with all that, those crazy characters in that, it's just ludicrous. Yeah, I mean, I just thought it was great. And I wasn't like, when they first showed up, I just didn't, you know, the, I just, it felt like something that could have been like in an issue in like 86 or 87. And like, you just like put it in. You know, I'm like googling. I'm like, WAM, Omega Band Man, it's like, it's like, no, no, just me. And in fact, when I wrote it and I sent it out, I was like, son of a gun, that would have been a great independent comic. Like, what are you eating them up? I just handed it over to the multi-million dollar conglomeration, you know? And I, this guy that, you know, because he's the, you know, WAM belt holder, he gets, you know, they enhance his power set. Like, you know, it's so stupid. I mean, the fact that I got a custom belt, and I was, I was actively trying to challenge wrestlers to a match. Like, hey, you want this belt? You got a fighting for it. Like, what? You know, but it was so fun. I just, that, you know, I mean, your whole run, but that, that, that wrap up. Yeah, I really, I just, I just felt, I just really enjoyed it. Like seeing Wally, you know, react to everything, granny goodness, who, well, metamorphose, they're plastic. Yeah, everybody in that last issue, I just think it just, I just felt. Well, also at the time, like, when I issue. The funny thing is that was the story, the, the original conceit for the story was, I knew, I had known that our man had, the robot, our man had disappeared off of continuity, and I was reading all the stuff and I'd been doing this stuff. If you, if you go back, it's really interesting that I like gold beetle and, and time point and planet flash and all the stuff that I seeded from my very first issues where, you know, the moment where he sees Iri later on and like he sees his future daughter and his daughter goes, come with me and you see planet flash. And from that time, I was like, yeah, planet flash is actually time point. And that's where they're going to do all their stuff. And I was seeding that over, over years. Yeah. And, and I had this kind of like, just thinking about all of that. And so the story where Wade is born, I remember pitching this, it was to my first editor, I said, yeah, I want to do an issue where it opens with Wally and he can't slow down, and he can't slow down, and he's haggard, and everybody around him is kind of frozen. And you realize he's been, he's been running, because his kid is like, there's an explosion in the delivery room. And he knows the minute he slows down. And he doesn't have enough energy to go back in time. He knows the minute he slows down. His kid is dead. And, and then I go, and then of course, at the end of it, he, he falls from exhaustion, place explodes. And then I was like, and then the next issue, you know, the titans are there with, with them at the, at the grave site, you know, blah, blah, blah, and then suddenly, they turn on the machine, our man shows up and says, your kid's not dead. He's been abducted. And at the time, I remember my editor going, nobody wants to see a kid's funeral. And I was like, whatever, you don't, you don't know, drama click, you know, and I was like, I don't have the phone. I was like, it was like within seconds. I was like, yeah, but I love the idea that speedsters run so fast that everything slows down. Wouldn't that be interesting if somebody attacked them in a way that was so fast that they are just normal speed, or at least, you know, even a little heightened speed. That's where the one that it worked came from. So then after that, where I introduced Wade in that, because Wade is in that, having been captured by the fraction, and then really pushed the whole gold beetle, saving everybody from heroes and prizes, time point, you know, blah, blah, blah, blah. Now it's planet flash. You know, I was really trying to button things up because I was a few issues into one minute ward when they told me that I was, I was, I was few issues writing one minute ward when they said I was going to be like, ocean to take it off the book. Right. So that time heist, I knew I only had a couple issues, and I had this whole bigger idea, and I was like, I'm just gonna, I'm just gonna speed through it a little bit, because the whole idea with Donna's kid, and Mr. Trippik's kid, and there was one other, it was, there was another kid, who was it? Donna's kid, Mr. Trippik's kid, and I think it was Aquaman's kid, maybe. Okay. No, it was Garth's kid. It was Garth and Dolphin's kid, I believe. And so the fact that granny goodness was plucking these heroes children out of time and then training them and be these male theories, I thought was super cool. And at the time when I was thinking about it, I had reached out and asked like, everybody seemed to be fine with it. And then suddenly I did it and they're like, you have to say these are from another universe, except for Mr. Trippik. They said I could, I could keep fair play. And I was trying to make this kind of like interesting autistic son of Mr. Mr. Trippik, and which still has gotten me in a lot of trouble, hilariously. But, you know, I thought, oh no, you know, I couldn't tell that sort of it was fun when I did the Jay Garrick miniseries pairing fair play, Mr. Trippik's son, with Quiz Kid, which is a Golden Age character from that Jeff Johns brought back, it came to life. And I was like, oh my gosh, these two are awesome together. They are awesome. And even in Green Lantern, it's been really fun because everybody is seeing these characters, Ellie, who's the construct of John's dead sister, has met Kelly inside her mind, who is Teen Lantern. And there's something there that that sparks, it's just like having ace or kid flash and impulse, riding them together and suddenly I'm like, Oh my gosh, I love these two together. I love these two. So there's something about some of those pairings that really sparked for me as a writer being like, Oh my gosh, they're great. I love having these two. And the same thing with Ellie and Kelly, I'm finding them to be really interesting. Oh, that's awesome. I can't wait. I'm really excited for more for more Green Lantern, but yeah, I did just want to mention I about your flash run. I really do. I mean, I can't believe they let me like gold beetle and omega band man go after like the and like the most powerful creatures at all the DC universe. Yeah. And it's great. We don't even get to see their fight. We just see them like, yeah, we beat up. And I was like, I absolutely thought when I threw in the anti monitor, that's and somebody was coming back like, no, Jeremy, right? They can't beat up the answer. But no one did. Oh, man. So just to talk to turn a little bit, you know, because we have the continuation of your Green Lantern run, we have the Green Lantern Corps, Morgan Hampton with Morgan Hampton also writing. And then now, and you know, we mentioned Aquaman. And yeah, I agree with what you said earlier. I think Aquaman can be, you know, a tough character. I mean, you know, that was another character that Jeff Johns with the new 52 going back to 2011 kind of really, I think, had another reinvention of that character when he came out in 52. And then there's been a, you know, a ton of writers have taken the reins of to try and tell, you know, a cohesive Aquaman story with various degrees of success. Some I've, we're okay. Some I've really liked. And yeah, but now I've read the solicit for like your first two issues. And it sounds very good. They don't make sense. Even if they only make sense a little bit, it sounds like you are again, taking on a lot here in terms of the world of Aquaman. Yeah, I mean, sort of, I'm, I think with like all those characters, like whether it was Wally Howe or now Arthur, it's like, I try to, I try to strip it down to be about that character, at least at the start, so that that the reader gets very invested in who this got, who these people are as people. And then it gets bigger, right? It always gets a little unwieldy. With this, with this run, I can say that I have three, three acts of it, three stages that I want to tell. Okay. Whether or not I get to tell them is all going to be about sales, you know, like if people are on board by the second issue of people are like, Oh, we're in, we're in, then I think I'll be okay. But I think the second issue is going to be a big departure for Aquaman in a lot of ways. Okay. And I think, I think, you're the kind of like, you're not going to, you know, and, and, and, but it's not, it's not, it's not, it's not Aquaman just, you know, saving people off of a ship, you know, and it's definitely there's more of a, a high fantasy feel to it, I guess, a little bit, a little cone in the barbarian vibe going on. So I'm, I'm having fun with it. I know what I want to do with it, personally, but again, you know, you always have to, you're dealing in a collaborative universe, you're dealing in a continuous universe. And I don't know, man, I hope fans and I hope readers go, wow, this is great. I want, I want to read more of this. But they may not. So, you know, so I may only do act one of the two acts, the three acts I want to do. I don't know. I hope not. I really, I really think if, if it does well with, I really think there are going to be three acts that are going to be like, oh my gosh, when you look back on you, that's, that's really wild that he did that. Well, I, I hope, well, I hope you get to do it. I mean, I've just, I love your writing. I mean, I told you when you were on, on the Green Lantern, you were involved in the, I mean, Supernatural is one of my favorite shows of all time. And I, it was before, but if any listeners didn't hear the, the Green Lantern episode, you were involved with the, the Scooby natural episode, which I really, I felt when I first, I, I told you this before. So this is really just for the listeners who didn't hear that last episode. I had no, I was excited about it because I like Scooby-Doo and I like Supernatural, had no idea how it was going to work or if it was going to be just a little too gimmicky and it worked. It worked so well. And especially for a show that had been on so long and you know, I'm sure there was a contingent that was like, oh, they've, they've done so many episodes. Now they're doing a cartoon. But damn, if it wasn't a delightful episode of TV, it worked so well. And it did work so well. In spite of like the, the mixture, it like it just, it worked so well together. It was unreal how good of an episode it was. So, so, sir, I will, I will, I will follow your, your, your flash, your Green Lantern, your, your Aquaman. When they, when they give you your Omega Band Man Black Label Series, I'll be there. I really appreciate you coming on to talk about DC Comics with me. I wish you the best of luck with the, the Green Lantern and Green Lantern Corps and Aquaman. To listeners, let us, let me know what it is you're reading, especially if you, you're picking up Green Lantern or Aquaman, let us know that you like it. You can find me on blue sky or, or TikTok with pictures of, you know, I talk about comics on TikTok and also there's plenty of videos of my, my new puppy, Barry. He's a golden retriever. So there's a lot of run Barry run being said in my head. But yeah, thank you, Jeremy. I really appreciate it. Thank you listeners for listening and I will, I'll see you next time. This is Byron O'Neill, one of your hosts of The Cryptid Creator Corner brought to you by comic book getting. We hope you've enjoyed this episode of our podcast. Please rate, review, subscribe, all that good stuff. It lets us know how we're doing and more importantly, how we can improve. Thanks for listening. If you enjoyed this episode of The Cryptid Creator Corner, maybe you would enjoy our sister podcast into the comics Kate. Listen and subscribe wherever you get your podcasts.
DC December ends with none other than returning guest Jeremy Adams! Jeremy and Jimmy talk about Jeremy's incredible run on The Flash, his current work on Green Lantern, the Fractal Lanterns, the new Green Lantern Corps series, and taking over Aquaman. If I were Jeremy I'd be looking to Blue Lantern Saint Walker and hoping I could keep all these different balls in the air! (Jimmy made me include this Saint Walker reference). Jeremy is a nerd's nerd when it comes to comics. It's clear in all his work how much he loves these characters. This conversation is an incredible way to end DC DECEMBER and hear about some of the great DC Comics fans have to look forward to in 2025.
Green Lantern #19 out January 29, 2025
From the publisher
A NEW ERA OF THE GREEN LANTERN CORPS BEGINS HERE! Go all in with Green Lantern as Hal Jordan and the Green Lantern Corps are given a new mandate to patrol the galaxy, fight crime, and stop the rise of "fractal" lanterns throughout the universe. An exciting new status quo for the DC Universe begins here!
Green Lantern: Fractured Spectrum out January 8, 2025
From the publisher
Following the events of the Civil Corps, a new era in Green Lantern mythology begins! Once again, Oa has become the epicenter of the Green Lantern Corps, bringing justice to the furthest corners of the galaxy. But a new threat has emerged: beings that manifest uncontrolled parts of the emotional spectrum have randomly appeared throughout the universe. Dubbed Fractal lanterns, Hal and a reformed Green Lantern Corps set off to police this strange new phenomenon while uncovering a sinister plot that could eliminate the very essence of sentient life.
Green Lantern Corps out February 12, 2025
From the publisher
The corps is back! And just in time for the deadly new fractured spectrum saga to kick into full gear! Join the newly formed Green Lantern Corps as they head out into the galaxy in order to stop Sorrow and his master from creating a power battery. John Stewart, Kyle Rayner, Jessica Cruz, Guy Gardner, Jo Mullein, and all your favorite Lanterns are back in the most incredible ensemble cast this side of the cosmos! All brought to you by the great galactic creative team of Jeremy Adams (Green Lantern), Morgan Hampton (Cyborg) and Fernando Pasarin (The Flash)!
Aquaman out January 8, 2025
PATREON
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