Gemara Markings Daf Yomi
Bava Basra 22
I guess about ten lines down. The first line is Latarto in the middle of that line says Hanahu, put that Hanahu in a diamond. And then, six lines later, the first word in line is Beshuka, there's another Hanahu. It's going to be cases of different characters. Here we go. Hanahu, Dikulai. Dikulai, they sell baskets, like wicker baskets, or they sell pots. Either way, Daisu, I don't Dikulai, Daisu, Dikulai, la bevel. So they had a big supply of baskets, they bought the baskets to the city of Bevel. Al-Souponimata, Kamakvi, Ila Vaayu, and people in the city said one second. You're not bringing that stuff into our town to sell. They said, "Where do we want to?" So, what do Jews do? Hopefully, what do they do when there's Mahalka's? They take it to the, take it to the rav. Asula Kami, the Ravina, so the case came to Ravina. Amalu, when he said to them, ma'alma asula alma lizvinhu. You came from somewhere else, like outside of town, and you'll sell it to people from the world, which is basically the typical, I guess, town in those days. You'd have the locals, then you have the market day. On the market day, you'd have a lot of sellers that would come, a lot of buyers that would come. What he was telling them is you can't go locally and sell it, but on market day, you can sell it, because there's going to be a lot of people coming from out of town. Also, Fahani Mili, the Yuma Deshukha, that which she could sell it, these people who brought their baskets from elsewhere, is specific on the market day. Avalba lo Yuma Deshukha, lo. You would not be allowed to sell it. Ubi Yuma Deshukha Nami, even on the market day, Lei Amman, Elizvuni Be Chukha. Market day in the market. Aval, even if it's the market day, you cannot go. Dordidorla, Dordidorla, Dordidorla, that would not be allowed. That's pretty mis-stobber. They charge amicus. That's one of the reasons they probably want to keep their eyes on the sales. Hano, there's another group of sellers. Hano, Amo Yuroi, these were not Amorites. They were selling Ammar or Samer. They were selling, I think, a wool salespeople to Isu Amra. They brought their wool. Le Pumnara to that place. Asupenimato, the people, the locals, came out. Kama Akhvi, you love how you understand. Sorry guys, you can't sell your wool here. They said, "Why not?" They said, "You can't." We said, "We want to." So what did they do? Isu Le Kame, they came, brought the case to Rav Kahanah. Ammar Luhu, Rav Kahanah said to them, "Dina Houdem Akhvi al Aihu." Listen, the Jewish law is that the local residents would be able to prevent you from selling. Amru Layna, here's an interesting response. The people who are selling the wool from out of town, they say, "Well, listen, Rabbi, the reason we're in town is because we have people who owe us money in town, so we had to come to collect the debt from them, because otherwise we're not going to get the money back." Islan Ashri has in the Bhakma Mata in this town. And therefore, we have to be here. It's not like we want to be here. Who in the world is going to pay for our hotels, who's going to pay for our food? Ammar Luhu, so Rav Kahanah heard that, and that gave an exception, I guess, and said, "Zilu, Zavnu, Sheer, Hiyu Saihu." Okay, fine. You guys can sell, I guess we're selling wool. The amount that it takes to pay your hotel and your food and your expensive, basically enough to keep you going for your expenses. Ad de Akrisu, Ashri did glue until you get back the money that's owed to you. So if it takes you a day, you can sell a day's worth of stuff. If it takes you a week, a week's worth of stuff. Vaz Lee Su, and then skip town. Basically, leave. So yes, you can sell, but you're limited to how much you could sell. Period. Rav di Mimi Naharda. I don't know how you could mark him. Maybe a double underline under him. Nimi Naharda. He wants icy, greggarice bizfina. He imported, dried figs, a boatload of dried figs. Now, we had seen, first half of the shear, that if somebody is a taman khacham, sometimes they'll give preferential treatment as far as selling what they have. So says the Reishkalusa. Anulan Reishkalusa. Two, Ravana, Anulan, Ravana. He says, "Oh, there's this character of Dimi Naharda who has come to town. Why don't you go give him a little fahir, give him a check, see if he's like a real tourist scholar or not. Pui khasigosi. Itzormirabhananhu. If he is indeed what we consider a serumirabhan, the taman khacham, then you know what we'll do? Nikhoyt le le shukha. Well, basically, equivalence is in the shul, you bang down in the standard, but make an announcement in the marketplace that whatever he's selling like greggarice, nobody in the marketplace can sell greggarice until he sold his. We'll give him tremendous preferential treatment if that's the case. Okay. And that's what the Reishkalusa said to Ravana. So I'm gonna lay Ravana. I circled Ravana now. And Rava tells Ravada Barahava to go check this guy out. Check out this Ravana Dimi Minaharda. And I actually also double under Vada Barahava. So Rada Barahava, he is now in charge of checking out this new guy who showed up in town. Ravana Dimi Naharda, is he a serumirabhanan or not? Rava says to him, "Poke, tahele ba kankane." Literally sniff his barrel. So I guess when you have wine that you're aging and turn a grape juice and come back six months later, poke a little hole. If you know what you're looking for, you know what you want the smell to be. You take a sniff and if it smells good, you know it's good. Like sniff his barrel. Basically check him out. So, nafak, Ravada Barahava, when Azal, ba minah, and he asked him the following question. It's an interesting question. Like, "Shul, wait a minute. Oh, how are you?" I just got a question for you, Ravana Dimi. "Pil shibalak fifa mitzres." Let's say you have a elephant that swallowed a reed wicker basket, which was tame. And then it went through the system and it came out the other end. That he key a direct base heart rate. So normally a key would be, let's say, up the way it came. Not the way it came in, the way it normally comes out. Mahu, and the Mahu is specifically as far as... Is it considered as though it was properly digested? And therefore, things come out the other end. I call glala. And glala might not makabal tuma. Or no. That basically looks the same as it did when it went in. Like a day or two ago. And therefore it would still have its tuma. And you know what answer he gave? He had no idea. Sorry, I don't know. Lohave biyate. Now, that's not good if you're being given the test of your tamahaha. So he's not 'amar lei'. Now, Ravdimi Nahar dawg, who was sort of new in town, he knew that this particular town had a gatala door named Ravah. So he said to the questioner, he said, "You wouldn't happen to be Ravah, would you? Marni who Ravah?" question mark. I was like, "Is that you right here?" I heard of your reputation. Was it Ravah? It wasn't Ravah. It was actually who? It was Ravada Paraba. So tafak lei bizandal lei in a very demeaning sort of way. He gave him a little kick or a little smack on his shoe. 'amar lei in Ravada Paraba' said to him, "Listen, bendi di la ravah." Me ravah? Ha ha ha. I'm not Ravah, but between me and Ravah, ikatouva, there's a significant amount of hachibus. He's much more hachibu than me. Me, whatever, I'll tell you something, buddy. Al corka hana rabei. Ay, certainly no more than you. So I'd be your Rabbi. And Ravah would be Ravah de Ravah. Ravah is like your Rabbi's Rabbi. Okay, bottom line. Did Ravah de Ravah de Ravah pass the test? Being a tama hachib? Not really. And therefore, loin nak de lei shoka. They didn't hold up the market for him. He had his Gregorace. His Gregorace were not able to be sold. Pusted Gregorace today, and he was a dead loss on that investment or that business that he had in trying to sell the Gregorace. As-sal-lakame di raviasif. Now this Maravah de Ravah de Ravah knows that there's a senior rabbinical figure in town, Raviosif. And he basically comes to complain to Raviosif. Like what's going on over here? It's supposed to hold the market for me. Stop everyone from selling Gregorace. Well, I'm trying to sell mine. I'm Alay. And he says to Raviasif. Kazimar. Mayav de lei. What's going on in this town? Look what they did to me. I'm Alay. Says back. Raviosif to him. Monde lei sha. Now I guess Raviasif knew who this redeeming our adult was. It was basically one of the gudaylem. So the response Raviosif gives to Raviosif. Monde lei sha. Lei sha. Lei sha. Lei nis. Lei nis. Lei nis. Lei nis. Lei nis. The one. Like capital T. Capital O. The Rabundish lei. Who didn't hold back from defending the honor. Even of the king of eddy shouldn't hold back from defending your honor. Or taking your insults to heart. Dexiv. If the passek says klei amar ashem. This is a passekannamos. Let's just say it to the Lord. I'll show you what peace you may have. There were three things that Moab did wrong. And I'm not going to necessarily exact retribution right now. Valar boa. On the fourth one. Low sjivanu. I'm not going to turn away. I'm not going to turn aside. Al. Sarfei. Ats manis melach eddyimlessed. An incident over there where they did something very improper. Or did something very demeaning to the bones of melach eddyim. And the same Hashem looks after retribution. For that Gentile nation. So certainly exact retribution on your behalf. Okay. Shortly afterwards all the passekannamos went up. That the Ravada Baraba passed away. Ravada Baraba was the one who had really insulted him. He started tathim on his shoe and told him like basically a nobody. Nachnashid Ravada Baraba. And now we have a fascinating demore from here. Really till the Mishnah is a whole slew of characters who popped up in the story here. Each one of them attributing the demise of Ravada Baraba to something that they themselves had done. I guess it's the Jewish guilt syndrome. Which if used properly is a good thing because it keeps us straight and narrow. So each one of them is going to feel terrible because they attribute at least part of what happened to something they had done. The Yosef way underlined. One line later. I don't know if Dimi Minahardah. One line below that. I don't know why. Abhayye. And then the first wide line. I don't know why. And two lines later under. I don't know if Nachnashidah. Basically like everyone who appeared in the story plus actually someone who didn't even appear is going to feel that they are somewhat responsible for this. So Rav Yosef says, "Ana Anishte." It was because of me that he was punished. Ana La Taisei. I'm essentially one who gave the curse. It was Yosef who said, "The God who exact retribution from Melechmoov should exact retribution for you." So that was his sentiment. Rav Dimi Minahardah. I underlined him. He says, "Ana Anishte, da Afsid Gragursdidi." It was basically my dried face. It got ruined because Ravada Baraba told me that they wouldn't hold the market for me. And therefore it must have been something that I'm responsible for. Abaiya Yamar. I don't know if we had Abaiya, but Abaiya was, you know, in the picture also. He says, "Ana Anishte." Why does he feel that it was because of him? Da Amar La Hula Rabanaan. Ravada Baraba used to tell potential students who would come and ask them, "Should I go learn in the Yeshiva of Ravah or should I go learn in the Yeshiva of Abaiya? Who should I go learn by?" And I used to say, "Ada Ghamrisu Garmi Bayabaiya," instead of going and chewing on, you know, dry bones in the Abaiya Yeshiva, Suakhlu Bisterishminah. Go have some nice Fadi meat, Bayravah. A different approach to teaching. And apparently Abaiya felt, I don't know, a sense of guilt or felt bad or something. Maybe that he had insulted him that way. Ravah, who I underline Amar, Ana Anishte, sort of, I'm responsible to see having Azul Lebei, Thavra Lamishkalunza, when Ravada went to the butcher to buy some meat. Ammar La Hula Thavrai, he said to the butcher, "Ana Sha'kelna Bisteramikamishamay to Ravah." You know what? I guess we got here at the same time. For me, first, before the Shama Shahrava, to Ana Difnaminae, I am better than him. And finally, when I was in Azul Lebei, Ana Anishte, it was kind of my responsibility that they got punished. When I was in Azul Lebei, I was in charge of the... I guess the archi-kala. We call now the archi-kala. You're getting together in the Yeshiva saying the Sheer, "Koluma mikami denayo lakala." So every day, before he would go in to give the Sheer, Marjid Bahadeh, Ravada Bar, Abba. He would go over what he was going to say with Ravada Baraba, Lish Mysi. So in other words, let's say you're preparing a talk, you're preparing a Sheer, and you have your trusted sounding board that you go over with it every day, and then you go in to give the Sheer. Bahada, Aya Lakala, and then you would go and then give the talk. Hula Uma, that day, Naktua, Ravpupa, Ravunamir Yeshua, Ravada Baraba. So that day, there were two other Ravunamir Yeshua, who kind of held up Rav Adabaraba. Now, why? Why did they delay Ravada Baraba from being able to go over the Sheer with him? Mysi-kala, Vibhupa, Siyu-mah. They weren't there at the conclusion. Marjid gives a few... I'm sorry, they weren't at the conclusion of what? But essentially, they needed to speak to where they wanted to speak to Ravada Baraba. Either they weren't there in the Sheer yesterday, and they wanted him to catch them up on it, or they weren't there when it was understood that he would be going over the next day's Sheer, with the Rasheva Amrulai, and they said to him, 'Aim-a-laan, Han-i-shmi-sa, de mysir-be-he-mah, he-kim-ri-nu-rava.' So, like, you would know, how does Rav-a teach over those? Amrul, who he said to them, 'Ha-kim-a-rava, ra-kim-a-rava.' Basically, went over the whole Sheer that they had missed. 'A-de-hach-i-na-ga-laa-laa-laar-nach-bar-yitza.' Meanwhile, Rav-a-nach-bar-yitza is waiting for his sounding board that he would always go over the Sheer with before he would give it over to the masses, and he wasn't coming. It's like, here's a change. As-sura-ban-an. Amrul-laa-laar-nach-nam-bar-yitza, so, you know, the Rav-a-nach-am-aan came and said, 'Listen! Like, you know, the Rasheva's not giving his... his Sheer, because he hasn't gone over it with you. Like, you should comb de-na-ga-laan. You please, like, get up and go over with him, because it's getting late. 'Lama Yasimar, what are you doing sitting here?' 'A-mala-hoo.' So, he responded and said, 'Yasif-na-va-kah-min-t-rah-laar-say-dravada-bar-yitza.' 'Oh, boy.' He said, 'Well, you know what I'm waiting for? I'm waiting for Rav-a-bar-yitza, because I can't say the Sheer until he comes for me to go over with him.' Now, this video is strong, basically waiting for the 'koth-in' of Rav-a-bar-yitza. Like, there's no way he would be late to go over the Sheer with me unless he pays the bad-god.' Hit by a truck or died. Ad-a-kah-min-t-rah-yitza. In the meantime, Naf-a-kah-la, the car driving around with the bullhorn, or the... It started being announced in Naf-na-shih that, actually, Vad-a-bar-yitza had passed away. Now, we had a whole bunch of Rabana with guilty consciences, or at least feeling that they were somewhat responsible for his demise. But the more it concludes me, 'Stab-rah, d'Vad-a-kah-mar-yitza-kah-na-shih. D'Vad-a-kah-mar-yitza-kah would go over the Sheer with him and essentially said when it was very late and he hadn't showed up yet. 'Oh, ready for his koth-in' and then surely afterwards his koth-in' comes through town.' Is that a case of, uh, is that a case of, uh, you should have said it, or you wouldn't... Aye, aye, aye, aye, aye. Whatever it is, it probably better not to have been done. Don't repeat the same mistake twice. Things that you shouldn't say. Yeah. I would say any of the things that were said here are probably better not to say. It's always better to, uh, you can be very, uh, conversant, but, uh, just sensitive to, especially when we're talking about other people. All right, says the Mishnah. And this is not exactly a list of, uh, rum-dums. This is, like, the, the door of fourth generation on my rhyme in, uh, in Bevel. Mishnahiah Kaysalayhi, back to, uh, Bhavasra, real estate law. Uh, let's say I have a Kaysal, some of the Kaysal Kaysal Kaveh, right? Near... your wall. Uh, lo yismak, like, Kaysal Akhir. That's not exactly clear. Whose wall, is this one wall, is this a second wall? There's a third wall, but I had my kosa next to yours. Um, I cannot... Yismak, like Kaysal Akhir, have another wall. (speaks foreign language) Uh, you have your wall, I'm your neighbor. I have to distance myself, arba amis, for amis, away. Kama, ha-ha lo yismak, and let's say there's windows in your property. I have to, if I want to build, uh, something, even though it's in my property, I have to... be bain mila malaan, bain mila matan, bain connectan, arba amis. So if I want to build a wall between me and you, um, I can't have the top of the wall being the same level as a haloan into your bedroom, or if that matter, into your house. It either has to be at least four amis higher than your window, or four amis lower than your window, and also four amis away from your window. Um, you certainly don't want me or any of my kids peeking into your house, 'cause that's very uncomfortable, especially before they invented blinds, or tristan. Um, and you also don't want me blocking out the light into your window, and that's the four amis away. Okay, now it's not so clear the mission of what exactly the case is. It sounded like, um, I have a wall, and I want to build, uh, another wall, and my first wall is closer than four amis to you, and I can't build this other wall closer than, uh, it has to be at least four amis away. So that's the first wall, though, is closer. So, well, how did the first wall get built? If, if you're my neighbor, and it sounds like on the mission, Amisha Hayak Kuesloi, my wall is somewhat closer, okay, let's say it's two amis away. And I want to build another wall, I can't build it, unless it's at least four amis. Well, how did in my first wall get built? That's basically the most question. Vakama, that first wall, hehi, samir. Right, uh, the, uh, what happened? How was that put up? So Amor of you, who done reviewed explains? I struggle to do his name. He's gonna be a first attempt. Anamud Bayes, the fourth line will have rava, it'll be a second attempt. Vaviyudas says hakikama. This is way to understand the mission a little bit different than the way, uh, it sounds. Haba lysmai, loyusmai, hala, emkain, hir hakimenu arba amis. We're not talking about there was a previous wall, now you want to build another wall. There never was a wall there. You want to now build a wall there, okay, it's your property, but you have to be at least far amis away from your neighbor's window and the top of the wall cannot be within foramis either above or below. Maskefla rava, I don't like rava. The rava says that's like really nice suggestion. Vaviyudas. But that's not what the mission says. Read the words. Vaha. That's quoted. Mi shahaya. Kaisle. In squigglin' on the shahaya, it sounds like, that's the way it is already. It's not you coming for the first time to build the wall. It says here, hai hakis is hala, kaisle, hakimenu arba kittani. Ela amarava, and we had already circled the wall. This is going to have to be a second shot. Rava says that the case in the mission must be hakimenu kittani. Mi shahaya, kaisle, sama, hakisle, hakimenu arba kittani. So, you're my neighbor. And I had my wall, and it was two amis away, or three amis away, or the way we're understanding. And now, bery hakimenu arba amis. Where was my first original wall? 'Cause there had to have been a first original wall. Four amis, and I double underlined a regal garba amis. So, if I have a wall, and it's four amis away, is that where it's supposed to be? Yeah, that's where it's supposed to be. Okay, well, what happened? Why are we doing anything? Venafal! And I triple underlined venafal. You know what happened? That original wall fell down. I need to build a wall up again. Lo yismukle, kaisle, hakisle, hakimenu arba amis. I cannot build up a replacement wall. L.M.K. here, kaisle, hakimenu arba amis. Unless I distance myself. Four amis from you. I think this is like picture 335. Picture 335. You have a roofing on the left. You have shimmen. Shimmen. Now, you see it all the way on the right side of the picture. Now, two of 357 for the picture is 335. This is an addition that I have. It goes to picture 334, 336, 337. It really should be 335, but I think it's a 357. I don't know what... I can't remember down there. Oh. So, anyway, in this picture, this is where the wall used to be. If I want to build a replacement wall, and I'm shimmen, even though this is all my property, I cannot build it right here. Even though I had a wall before. I had a wall before the wall was over here, and I replaced it. I think, actually, I'd like to maybe expand this area a little bit. Can't do it. That is the... Doesn't form armor, so why? So, right, it has to be. If we're moving as a wall here, and I'm a neighbor, and I want to put a wall, it has to be four amis in between them. So, I could not build it here. What is in this picture would have not been correct. Not been allowed. My time, huh? Why in the world is my property? Why can't I build a wall? If it's, I'd say, two amis away from you. Three amis away from you. You're only my neighbor. You know why? Dadaabshah, da ha-ha-ma-li-la-hasam. The pounding of thousands of people over time walking on the dirt will solidify the foundations of the wall. And here, I don't know if you need the picture, but picture 236 is. When you have so many people walking here, it basically compresses the dirt, which will give more of a key to the foundations of this wall. Is this a good thing? That's a good thing. I think even nowadays when they need another couple of names, let's say they want to put all the events off out, so they'll have the sand and then they'll compress it down, and they'll then put the stones on it more much better that way. Certainly the thousands or tens of thousands of people walking in an area will help solidify the wall. I'm a Rav, I don't know in Rav's name. Laitianuela chaisal guina. That's only if it's out in a less inhabited area. Avalkoycezler hotzer. If we're talking about an a hotzer like in a house or a courtyard, Inbalismai is saying, "If I want to put a wall up, it's my property. I can put it up right near you." Revolishu, the underlying Aimer. He said, "No, whether it's a wall out in a guina or even if it's a wall." He said, "If I want to build a wall, it's my property. I cannot do it unless I diss myself from you for Amaz. Kama. Amravy aisibar bhannina. Or Bahannin. Bahre bhannina. Viloquighi. That which Rav said, which was, it's only a chaisal guina, and that which Revolishu said, which it's even a chaisal and a hotzer. There's no makhlokas. Are we talking about a brand new city or an already established city? Ha. Rav. Who had said that it's only by chaisal guina, by chaisal hudzer. You can put it right near us, but you're Yushana. You know why I can now put it right near you? Because it's already been there forever. A lot of the foundations are solidified in place. Whereas Ha. Revolishu, who had said it's whether in a guina or even a chaisal hudzer, has been here. Khadashr, it's a new city, which it basically hasn't had time to be solidified or trampled down by the people walking back and forth all the time. It's none. Put a triangle on this to none. This is back to what Rav had said on the fourth line. That you have to have this forama distance. Foramas away from somebody else's haloan. More than formus above the top of their haloan. More than formus below the bottom of their haloan, if you want to build a wall. So it's none. A triangle on this to none. And about eight lines later, first where the line is achas, there's a tashma. And that'll be a second to make source. Questioning rava. Let's do the first. It's none. It's boxed off. It goes for about a line and a few words. The Mishnah said haloan. If there is a opening in the wall, what we would call a window in the neighbor's property, and you want to build a wall, banemila malan, banemila matan, banemi kinectan, arba amos. If the wall is going to be tall in the window, it has to be at least four amos taller. If it's going to be shorter, at least. Forama shorter, the top of the wall, or if it's across, at least four amos. Vittani ala, we have another little price. Those are almost two lines explaining why these four amo limitations. Well, nila mala, it has to be the top of the wall is at least four amos above the neighbor's wall. So you can't sort of like, you know, peeping tom or stare in a picture of 341 is a good indication. Here's the guy. If that's the kaiso, it's kind of really hard for this fellow in the top of the wall to get a good view into that room because it's at least four amos taller than the window. Obviously, if it was only, let's say, two amos or one amos, you could much more easily look directly in. Nila mata, shila yamawid vira. If it's just three, forty-two, if it's lower. Also, we want it to be at least four amos lower so that if he stands on top of it, he also will not have such a good view in. And we connect on shila yafil. If the wall is across, that's also be at least four amos away from the wall. So it's not to cause a shadow or shade unnecessarily. Like a picture, three, forty-three onto the neighbor's house. Now, you'll tell me the sun sometimes is lower in the horizon, higher in the horizon. That's a share that kaiso gave to keep whatever light writes the neighbor has through those windows. Now, that's in the next door. So why can you, therefore, not have the wall, not too close to your neighbor's house? Time, moshila yafil says the yumar. So it's not to darken his rooms. Avamishum davshah, we didn't see anything here about all the people trampling and being able to walk back and forth and solidify in the base of the wallow. So that would be a question on what Rave had said up above. And just look, amora haqaba mayaskin. And what is the case over here? Now, why would Rave have required that four amos? The ba min hatsad, which is, I'm very happy to have the picture. So this picture is three, forty-five. Up until now, we've thought that here's the neighbor's property and you want to build a wall parallel to it. Actually, bombing outside, you're coming perpendicular to the wall. So even though Rave was talking about all the benefits to a wall, if you have people trampling, well, since the wall is in this direction, if the wall is in the same parallel direction, two walls like this, then the trampling or the walking in between will solidify the base of both of them. But here, it's not going to be the case, because it's a wall that's coming in not parallel, but perpendicular to the fellow's halo. The kama, how much space do you have to leave? Amora viyevah kamua de Ashen Barnadmach. So says Raveevah, who was the father-in-law of Ashen Barnadmach, in the name of Ravemach, where they're off, kamua de rahov, haloin, like the width of a standard haloin, which was not that big. And like, you know, behind us, the tafach by tafach, so it has to be a tafach away. Look, it's going to be a tafach away, or a tafach above, or a tafach below. Yeah, I'm worried about the guy being able to climb up on the wall, or look over the wall, and be able to peer in to the neighbor's window. Follow Mates, it's a picture, well, 347, if it's only a tafach away, you can have some guy peering in through the window. Amora viyevah, well, no, because the miradade is closely. The miradade is closely, is, it's at a slant at the top of the wall. It's very easy to kind of propel yourself on the top of a wall when it is. Parallel to the ground. Once it's almost like a slide, it becomes much harder for any person to sit with themselves on the wall. The haanansan, one second. And I'm just going to say that the shir is arbamos, for almost a way. Well, loy kasha, kanmi ri hachas, kanmi shtei ri hachas. Is there only one wall coming in, or are there parallel walls coming in? So this would be ri hachas, there's just one wall. If you have two walls, where do you know even to look? Do you look to the right to see if there's someone peering in? Do you look to the left to see if there's someone peering in? Certainly the ability of losing the privacy would be much more if there were two walls than if there was one. Tashma, so we try again, another triangle. This is going to be, again, questioning what Raza had set up above. It says the mission, which is actually, I'm going to stop before you get there, but it's the mission on this page. So it says like this. That if you have a wall that you want to build, it's in your property. You have a neighbor. The neighbor has, kaisel minamas rela. You have to distance the wall from his roof gutters, which would be like if you have a roof and there's that piece of material that you would have at the edge of the roof. I'm sure there's a picture of this. Let's say picture 358. Picture 355 or 358. You have a roof and you certainly don't want the water to puddle on the roof. So you build a mosquito, which is a side pipe. Drain? The gutter? Okay. It's a gutter off the roof. A gutter off the roof. That's the case and you would have to distance yourself, says the snake source. Your wall has to be at least four amas away. It's a ladder, which is funny. I always let the roofs reflect. One of the reasons why you would be able to access to it, maybe you would do it well. Access it many times. It's a ladder. You have to get up and clear out all the weeds and the bird, the pigeon pool that gets in there. That's what I end up cleaning off of my roof and my garbage emmish. Probably all of us off the window sills. So you have to do forms of why, so that he could angle his ladder and be able to get up there. Okay? That's the end of the snake source. So it sounds like time amishum sula. The reason you need the form is because of this ladder being able to stand up properly. Avamishum davshalai. It didn't seem like there's any indication that there's something beneficial about having people trample right next to the wall. It answers the tomorrow. Well, how can I ask you now? What is the case? Be maest chela me chupas, which is a... Brain that is coming off an angled roof, which I think if we have a picture, there we go. If it's coming off an angled roof. So then an angled roof often doesn't just end right with a wall at the end of the houses. It goes beyond, and this way most places build, the emishum davshahu, if the issue is the davshahu, which you kept saying, like what happened to davshah? Davshah was where you'd have people trampling in the area. How are you going to have that here? Hakka azova asi tutte. There'll be plenty of people doing the davshah in the area directly underneath. The roof, because when you have a slanted roof, the slanted roof protrudes beyond, and therefore you'll have... Under the roof. Under the roof, you're also going to need the foramis, but the distance between the wall and the edge of the roof gets to the foramis, and then the area underneath the roof is the davshahu area. Right, Hakka.