Vintage Sci-Fi Radio

The Falcon - The Case of the Worried Wife

https://www.solgoodmedia.com Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! 'Vintage Sci-Fi Radio' offers a nostalgic look back at the classic stories of science fiction that captivated audiences with their innovative ideas and fantastical worlds.

Duration:: 29m
Broadcast on:: 06 Jul 2024
Audio Format:: mp3

(water splashing) Ready for an audio experience like no other? Dive into the world of infinite sounds with crystal clear high fidelity only on Saul Good Media. Visit SaulGoodMedia.com today and start exploring the boundless universe of sounds that will soothe, inspire, and revitalize your senses. Start listening today and experience uninterrupted serenity at SaulGoodMedia.com. (water splashing) Hey there, it's Solomon from Saul Good Media. A lot of our listeners have asked how to get ad-free access to our podcasts. You asked and we answered, we're offering an exclusive one month free trial to our ad-free streaming platform, packed with over 500 audio books, meditation sounds, and engaging podcasts. No strings attached, just pure listening pleasure. Sign up today at SaulGoodMedia.com and dive into a world of stories and sounds that inspire and relax. Don't miss out on this limited time offer. It's your gateway to unlimited audio enjoyment. That's SaulGoodMedia.com. S-O-L-G-O-O-D-M-E-D-I-A.com. Check it out, we hope to see you over there. (phone ringing) - Hello? Yes, this is the fault I'm speaking. Oh, dinner. Thanks for calling, but it can't be tonight, Angel. I'm on the case of a guy who's due to the girl. You'd think it would break her heart, but instead of being sad about it, it looks like she's trigger-happy. This is Ed Hurley, he friends, inviting you on behalf of the craft foods company to listen to the adventures of the Falcon. Starring West Demon. You met the Falcon first in his best-selling novels. Then you saw him in his thrilling motion picture series. Now join him on the air when the Falcon solves... the case of the worried wife. Before the Falcon solves today's case, I have a question for you. Have you tried Velveeta lately? Isn't that the finest cheese food you ever put in your mouth? That rich yet mild cheddar cheese flavor is good. Really good eating. You see, Velveeta is made by craft and that's something pretty important to remember. Because you and I know the craft name on cheese and cheese foods means the very finest you can buy. So remember this. There's no other cheese food like crafts, pasteurized processed cheese food, Velveeta, because craft and only craft makes. Velveeta. Now the case of the worried wife. It's Sunday night in New York when pretty dark here in Penny Layton pushes the button of an apartment overlooking the East River. While she's waiting for someone to answer, Penny opens her handbag and takes out a small pistol. She closes the bag and fluffs her right-hand in with the pistol into the pocket of her fur coat and gnaws nervously on her lip as she hears someone approach the door. Yes. Are you, Mrs. Sheffield? Yes. I want to see your husband. Well, what's it about? Just tell him Penny wants to see it. He'll know what it's about. All right. Away here. I'll see what he says. I'll wait inside. But I don't know what he says. I said I'll wait inside. All right, now you can close the door. I'll wait right here. What are you waiting for? Who are you anyway? I told you. Penny. Penny, whom? Ask Arnold. He'll tell you. And you can tell him I'm not leaving until I see him. Alone. All right. I'll tell him. Maybe he can explain what this is all about. Arnold. I guess like that. Who was it? Penny. Penny. That's what she said. Who is she? Well, a girl I knew in Florida. I don't want to see her. She says she won't go until you do see her. She's in the living room. All right. Might as well get it over with. Are you wait here? I'll get rid of her. Penny. What are you doing here? Well, Arnold, is that any way to greet me? After I followed you all the way from Miami? I wrote you. It's all over. Figured as much when I saw on the paper you got married. That's why I came up. What do you hope to gain? The one thing I wanted to see is she's pretty. Oh, thank you. I've never forgiven you if you turned me down for a horse space. Yeah, she's pretty, and I'm in love with her. There's nothing more for you and me, so why don't you be a good girl and just run along? Be sensible. You call it sensible to give up the man I love to somebody else? You don't love me. That's right, Arnold. I don't. But I did. So I'm not giving you up so easy. There's nothing you can do. Isn't there. That's a little fool be kept. She's not going to have you, Arnold. I'm going to kill you, and then I'm going to kill myself. Don't be ridiculous. Now, give me that gun. Stay back, Arnold. Don't try to get it. Sit, get it. Let's go. When you drop a gun. Arnold. Arnold, what happened? I'm just trying to teach Penny not to play with guns. The bullet went into that chair. No great damage, son. Now, Penny, you'd better get out of here. You'll be sorry about this. I am sorry. I thought you had better sense. Now, good night. (dramatic music) - For coffee, darling? - No, thanks. Arnold, I couldn't get that girl out of my mind all night. - No, stop worrying about her. - But suppose she comes back. - She won't come back. - Well, you can't be sure. Maybe we better call the police. - Why, I don't want to make trouble for her. - Oh, you don't still, I mean, it's all over you. Sure it is now. - Oh, but heaven's sake, darling, that'll be ridiculous. - She must've cared an awful lot to follow you all the way here. - Yes, I suppose she did. - You must've done something to make her care. - Will you stop worrying about it? It's all over. - I hope you're right. - Now, look, if there was any question about it, last night certainly settled it. You don't think I could be interested in her after that, do you? - I hope not. - You sure she won't come back? - Yes, I'm sure. She worked herself up to a pitch where nothing came of it, she was bound to cool off. - Maybe. But I'd feel happier if you'd tell the police. - Darling, would you answer one question? - What? - Are you afraid that if she comes back, she'll try to kill me again? Or are you afraid that this time she won't? (dramatic music) - Hello, Mara. - Drinking alone? - Oh, how about, Chef Hill? - I'll join you. - Okay. Hey, you're looking good. Guess marriage agrees with him. - Yes, great institution, I'm all for it. But it has got us little problems. That's why I'm looking for you. - Oh, looking for me. I thought this was a coincidence. - No, no, I need my money. - You need money. Millionaire playboy needs money? - Well, you say most of my cash is tied up and I really went overboard on the wedding and the honeymoon. - Huh? I always heard too could live as cheap as one. - Try it some time. - I have enough trouble. - Well, I hate to add to it, Mara, but I'm going to have to insist on my money. - Well, I don't know what I can do. Things haven't been going so, huh? - I don't like to put the heat on you, but, well, your notes been overdue for a long time. I don't think it's too much to ask. - Not sure, right? You gotta have your champagne, your private state-- - What kind of an attitude is that? - Well, it's my attitude. - You've been drinking too much. - That's right. I'm just a no good drunk. - Now, look, I lent you that money in good faith. You had big ideas as of my fault. They didn't pan out. - That's right, Papa. Give me a lecture. - Don't worry, Pearl, I will. When you're sober enough to know what I'm talking about, it'll be a long wait. - It better not be. You're going to get this settled. - Of course, Sheffield. We'll get it settled. For Kate. (dramatic music) (alarm blaring) (buzzing) - Hello. - Are you Michael Wearing, the detective called a falcon? - That's right. - Well, thank heavens. I had the awfulest time finding you. Don't you have an office? - No. - Why not? - Well, if I had an office, I'd have to have a beautiful blonde secretary. If I had a beautiful blonde secretary, I'd have trouble keeping my mind on my work. If I didn't keep my mind on my work, I'd lose business. Then I wouldn't be able to pay the rent, so I'd lose the office. So I'd just save myself the trouble, come in. - Thank you. - Your name? - Liza Sheffield. - What can I do for you? - My husband Arnold spent December in Florida. - You didn't go with him? - But we weren't married then. In fact, we didn't even know we were going to be. But while he was there, he started going with a girl. I guess it was pretty serious. Last night, she showed up in New York and she tried to kill Arnold. - Tried to? I got the gun away from her and then he threw her out of the apartment. - Well? - I'm afraid she may come back. I asked my husband to notify the police, but he refused. He says he doesn't want to make any trouble for the girl. That's why I came to you. - Well, what do you want me to do? - Well, I thought if you could find the girl and talk to her. - Well, what do you want me to say to her? - I don't know. Find out what she's planning to do. - Where's she staying? - I don't know. - Oh, what's her name? - Penny. - Something, I don't know her last name. - You don't know her name, you don't know where she's staying, you don't know exactly what you want me to say to her. This is a sort of case I love. - Well, if it was easy, I wouldn't need the Falcon. - I think I'd better have a talk with your husband. - No. - He can fill in some of the details, Falcon. - But he may be angry about my hiring you. I don't want him to know. - Well, if you can't give me anything more to go on-- - I thought you were supposed to be such a good detective. - Well, I won't argue that point. But even Sherlock Holmes wouldn't guarantee quick results with what you've given me. - Well, do the best you can. - What happens if Penny catches up with your husband while I'm still looking for him? - She'd kill him, wouldn't she? - That's right. - Well, then Angel, do I go see your husband or don't I? - You win, Mr. Waring. Come on. [MUSIC PLAYING] - This is an early he, friends. Well, now, Mike won his way all right. And you know, I'll bet you mothers would certainly like to win your way, too, when it comes to getting your family to eat those green vegetables that are so good for them. And you can. Just glamorize those vegetables a little by melting delicious Velveeta. Press famous pasteurized processed cheese food for a smooth golden cheese sauce to pour over them. And it's such an easy sauce to make. All you do is melt a half pound of Velveeta in the top of your double boiler. There's no need to cut it in little pieces because Velveeta melts easily and smoothly without any lumps at all. Then simply stir in a quarter cup of milk season. And there you have a perfectly wonderful cheese sauce that'll add Velveeta's fine rich yet mild cheddar cheese flavor to cauliflower or spinach or broccoli. Velveeta makes them taste better than ever. And you'll be giving your family extra nourishment this way, too, because Velveeta is so rich in important food values from milk. Even the smallest youngsters can enjoy their vegetables a la Velveeta, because Velveeta is digestible as milk itself. So, mother, make it your handy helper. Get Velveeta in the economical two pound loaf so you'll have plenty for cold snacks and sandwiches, too. Just be sure you get genuine Velveeta. It's the pasteurized processed cheese food of top quality made only by craft. [MUSIC PLAYING] Now, back to the adventures of the polka. 40 minutes have passed since Mike and Liza Sheffield started for the Chefry Department to see where the Liza's husband Arnold would object to his wife's average to keep him alive. Now, as they approach the apartment, they see a sharp, beast little man standing at the door. Oh, dear. Hey, Mr. Ballot. Unwelcome guests. Derry. Well, Liza, no wonder you didn't answer the door. Have you been ringing? Yeah. Funny. I thought Arnold was home. He ought to be here pretty soon. You can come in and wait, Mr. Waring. Right. As for you, Mr. Ballot, I can't see you now. I'm going to be busy. Oh, I'll wait. Call me tomorrow if you want to talk to me. Now, is that any way to treat an old friend? Please. I have a time. Let me take a minute. But I don't have anything for you now. Call me in the morning. Now, look, I want to get things set. All right. Tomorrow. Now, you heard what the lady said. Tomorrow, I'll scram. I'll listen, Mr. Scram. OK, OK. You don't have to get tough, I'm bored, I'm bored. What's with him? Oh, he's just somebody I used to know. It's not important. Well, let's go in. He's not exactly the sort of character that I've-- [SCREAMING] What's the matter? [SOBBING] Uh-oh. Is this your husband? [SOBBING] Well, Mr. Sheffield, I'm afraid we're too late. He's dead. [MUSIC PLAYING] [MUSIC PLAYING] I'm a side sergeant, Corbett, speaking. Hello, bright eyes. Uh-oh, it sounds like Mike wearing. Well, what do you know? You're detective. What do you want wearing? At a corpse for you. I'm busy. Why did you have to take one up today? I didn't take him up. He hasn't been buried yet. The boy's sharp. Anything to brighten your day, Corbett. How soon can you get here? As soon as I finish my report, you're not the only one who finds bodies. Oh, you got another? Yeah, and I bet she's cured in yours. Could be. Of course, she may not be as dead, but she made a good try. Suicide attempt? Yeah, jumped out of the four-story window. Oh, because some guy gave her the brush. Love. It's wonderful. Did you leave a note? No, I talked to her. She bounced off an awning. Doc says she'll live. What's her name? Penny Layton. Why? Penny. Yeah. It could be a package, do you? Let's get together, maybe we can wrap it up. [MUSIC PLAYING] All right, in here. OK. Well, there she is, Mrs. Schaffield. Yeah, no question about it. That's the girl. Well, Mrs. Schaffield, what's this all about, Sergeant? It-- he'll threaten to kill her husband last night. You don't have to worry. We won't try again. Just want to die. We know you won't try again. What we know want to know is, did you? What? Did you go back to Schaffield's today? Of course not. Why do you ask that? Never mind. Why, Mrs. Schaffield, where are you? She killed him. I know she did. You know, that meant she got another gun. Why didn't she shoot herself instead of jumping? Maybe she counted on the awning, saving her. A four-story jump, I don't think so. But she must have killed him. Who else would have done it? How about your slimy little pal? Who? Ballad. What, yet nothing to do with Arnold? What did he want? I'll tell you, it has nothing to do with this. Who is this we're talking about wearing? A character who was very determined to see Mrs. Schaffield today. Ah. Gonna tell us what he wanted, Mrs. Schaffield. It has nothing to do with the murder. Was you let us decide that? Was it blackmail? What makes you think that? Well, it certainly wasn't a friendly visit. And you said you didn't have anything for him. What would he be expecting from you? Well, it doesn't matter. I wish he'd believe that. OK, if you won't tell me, I know somebody else who may. Who? Ballad. Oh. Slice is Fred. Yeah, hello, Ballad. What do you want with me? What you wanted with Liza? Didn't she tell you? I think I came here because your company is so charming. I don't know why you came here. Who are you anyway? Mike Waring. What a focal. That's right. It lies to hire you? Mm-hm. Why? To find out a few things. Not about me. She knows about me. He doesn't know if you are coming or going and we met you at the door today. What difference does it make? Well, if you really don't know, it doesn't make any. I look, Wernie, you're going to tell me what you want. Are you going to get out of here? All right, Ballad. What did you want to see Sheffield about? I didn't want to see Sheffield. I didn't see. Well, somebody did with a gun. Oh, oh, so that's it. That's it. Well, it wasn't me. You got to believe that. Maybe I do. But you struck me as a sort of character who sticks his nose into things. So if you really want to clear yourself, here's the chance to put the knot on somebody else for the honor. Yeah, yeah, yeah, yeah. And have you tried to marry? Who's Marra? Joe Marra. He borrowed a mid-fall from Sheffield to open a pool hall. It's at fault. I was thinking, what if Sheffield wanted his money and Marra couldn't pay? It's the thoughts. What do I find, Marra? You might find him at Freddy's bar on 43rd Street. Only please don't tell him I tipped you. No, I won't breathe the word. I hope not. Because if you do, I could stop breathing for keeps. There it is in the next block. Yeah, I see it. We make pretty good time, huh? Haven't made any better time. You'll be doing time. No, I'm fast, but I'm careful. Well, don't put down your flag. If my man isn't in there, I'll be right out. OK. But what if he is in there? Wait anyway, it may not take too long. Right? Hey, Mr. Laka! Mr. Laka, you all right? Yeah. When you shot it, that drops. Yeah, those shots came from that alley. Yeah, I know you get back. Then maybe more, I'll go see. You see anyone? Oh, the alley's empty. Did you get a look at who fired those shots? No, whoever it was was standing close to the building in the alley. All I saw was the gun that had come around the edge of the balloon, my holler. Or could you tell if it was a man or a woman? I wouldn't know. Like I say, all I saw. I know, I handled the gun. I hope whoever it was thinks he got me. I'm not anxious to have him try, try again. Oh, you drove me around. Huh? Oh, worrying. Oh, you seem surprised to see me. What's the matter? Do you think I was lying in a gutter with a couple of slugs in me? I don't know what you're talking about. I have your description. Maybe you'll get mine. I don't. I hope not for your sake. How come you know my name? Everybody knows the falcons. I'm naturally very modest guy, but even I can't help thinking there are a couple of people who don't know me. Well, I'm not one of them. All right. How did you know I was looking for you? I didn't. I asked for you at Freddy's bar. They told me you left there ten minutes before I got there. So I wanted to get cleaned up, so I wanted to have dinner. That's crime. That someone tipped you, I was coming. What makes you think you'd start me rolling? I know about you and Sheffield. Huh? What about me and Sheffield? You're in hot to him. You got your tenses wrong, wearing? I was in hot to him. Oh, you paid him off? That's right. When? Today? Would have been this afternoon around 3.30. It would have been this morning around 10. And you can prove you paid him? Yeah. Here. Here's a receded note. Now, just what are you trying to prove? I don't know what I'm trying to prove, but it looks like I have proved that a certain character named Ballad is going to have to improve his singing. It looks like he's way off key. This is Ed Herlicky again, friends. Well, now maybe Mike isn't quite sure what he's trying to prove. But I'm sure of what I'm trying to prove and what's more, I can do it with your help. All you have to do is this. Make yourself a big, hearty sandwich of your favorite kind of bread, spread with a little craft mayonnaise and filled with a good thick slice of velveter. Crafts, delicious, pasteurized processed cheese food. Now, take a bite and see for yourself if what I'm trying to prove isn't true. That velveter is a specially good tasting with a fine, rich, yet mild cheddar cheese flavor. And velveter is good for you, too, because it's so rich in important food values from milk. These good velveter sandwiches are perfect for everyone, even the youngest children any time of day, because velveter is digestible as milk itself. So make velveter your handy helper for delicious snacks and sandwiches and for fine, hot dishes, too. Get genuine velveter made by craft. Now, back to the adventures of the Vulcan. It's 20 minutes since Ballard's lead led Mike no place. Now the Vulcan has dropped in on Sergeant Corbett to swamp information. Corbett seems to be enjoying Mike's report of his interview with Ma. So you went off half-cock wearing it. All right, all right, before you break a rib laughing, I still think it's mirror. Where's this motive to be paid off Sheffield? I don't know, but it must have been the murderer who shot at me, and that couldn't have been either of the girls. Why not? Well, you were questioning Mrs. Sheffield. What time will you shot at wearing? Now, quarter to six. I left the Sheffield woman a little after five. Well, at least it couldn't have been Magnolia Blossom. She's in the hospital. I have news for you wearing. Don't tell me Penny's been released. At five. Isn't that just peachy? I think there's Ballard himself. Yeah, tell me something about Ballard. Did you learn any more about him from Mrs. Sheffield? Yeah, when you said you were going to see him, she cracked. Admittedly, he's been blackmailing her. I thought so. Glad I was right about something. What do you have on her? Scandal in her past. She didn't want Sheffield to know about it. Oh, the little guy likes sweat money, huh? Hey, what's the matter? The tip off could have been to protect his pickings. Why? Well, we'd better go see Ballard. I have an ID. He can give us the answers we're looking for. Yeah? Yeah. But we better hurry because we want Ballard to talk and they say dead men don't. Well, here we are. Yeah. Oh, wait a minute. Don't get out of the car. Right now. Look, Ballard's just coming out. Oh, yeah. If he doesn't notice us, maybe we can follow him. He didn't say us. I'll let him get a little lead and then I'll follow. All right. You better start your motor. He's yelling at Taxi. Yeah. I wonder where he's going. Now there's one way to find out. I don't want to follow too closely. Hey. Enough of all the dumb drivers. You see that guy cut out right in front of me? Yeah, to a police car yet. Never mind him. The Taxi just turned the next corner. We better get going. We better get going. Yeah. Hey, the guy who cut in front of you is going to get the corner, too. See? Following Ballard, too? Could be. It's a nice parade, huh? Look behind us wearing. Well, what for? I just wonder if anybody's following us. They're already in the elevator. Hope we have no more of them. Now they came into this building. Where will they be going? Except to see Mrs. Sheffield. But that was Mara following Ballard. They recognized him when he got out of the car. Oh, why? So look at the elevator indicator. Basement. Yeah. That's not Sheffield's unless she's moved since this afternoon. Wish the button could. I wonder what they're doing down there. That's not a maple dance you can bet on that. All right. They're slugging it out. Why? Mara wants to find out what Ballard knows. Here we are. Get in. Okay. But I still don't see how you figure it wearing. Ballard knows about Mrs. Sheffield's past. But what's that got to do with Mara? Nothing. Eh. Gets clearer all the time. But we haven't time to discuss it now. Here we are. Hey. There they are. Come on. All right, Mara. That's enough. Let him go. Where did you put that gun? Then we'll talk. Go on, drop it. Do you want to see if I'm only kidding with this one? Okay. There you were. Take it out wearing. Now what's going on here? He was trying to kill me. He's lying. I was trying to make him talk. Come on, what? My paper says Sheffield was murdered. Wearing was asking me about it. Ballard must have figured me and I wanted to know why. He put a gun in my back. He made me come down here in a place. We know that, Ballard. There are a couple of other things we know. But you were blackmailing Mrs. Sheffield, for instance. You can't prove that. You forget that now that Sheffield is dead, she's willing to talk. And we can certainly prove you're at the apartment today around the time of the murder because I saw you. I was there after the murders. Maybe. Anyway, you better go along with Sergeant Corbin. Now wait a minute. Wait a minute. I didn't kill Sheffield. I didn't say you did. You know who did when you talk. Come on, madam. Come back here. Nice sitting back here. You're not going anywhere except with Corbin too. Cause, Mary, you're the murderer. I'm sorry to spoil a little joke, Robert. It was never after all. Doesn't your arm ever get tired wearing? Who was? Padding yourself on the back. Oh, I'd just like to give credit. What credit did you do? You weren't so sure it was Mary yourself when you saw that receipt. Well, I admit it took me for a while, but I bounced back. It was cute of Mary. Sheffield wants this money, so Mary scrapes it up and gives it to him, gets the receipt for it, then plugs Sheffield and takes back the money. Do you think that it was safe enough? Because he'd read in the paper about the late-and-girl threatening Sheffield. And he counted on her taking the rep. He might have gotten away with it too, if Ballad hadn't cleared the deal. Yeah, in fact, I still don't think you saw this one wearing. You were simply lucky that by following Ballad, we happened to stumble on Mara. Well, that's what I was calling on. Yeah, yeah, sweetheart. See, I knew that Ballad had tipped off the person shut at me. How did you know that? Because the person was waiting for me at Freddy's bar. That meant he had to know where I'd be going. And Ballad was the only one on you. Couldn't have been Ballad himself who was waiting now. Because I went straight to Freddy's from Ballad's. And my driver drove fast. Ballad could never have beaten me there. All right, it wasn't Ballad. No, but it was somebody who had been tipped off by Ballad. At first, I thought it was somebody working with him. But you confirmed my suspicions about him being a blackmailer. I changed my ideas. You figured Ballad was following a pattern on blackmailing again. Yeah, that's right. He was out in the scene at the time of the murder. It was perfectly possible for him to have seen the murderer leave the apartment. So I figured it was blackmail. And he tipped the murder that I knew too much of the murder to get rid of me. He didn't want me nabbing the killer and sporting a chance for blackmail. But Ballad's the one who put you on to marry her in the first place. No, I know. He could rattle when I was accusing him and try to get out from under. But after I left, he couldn't see that nice opportunity for blackmail going out the window. I say, well, it's all of us to it. Once I realized Ballad was up to the old game of blackmail, and all we had to do was follow him. And sooner or later, we crossed paths with the murderer. Yeah, wearing it all adds up except couldn't marry. I have been telling the truth when he said all he was trying to do was find out why Ballad sent you on him. How did he know Ballad was the one who steered me to? No, Corbett. The marinine Ballad, he put his head in the noose. He got the wrong metaphor wearing in this state. It's not the noose, it's the electric chair. I'm gonna let you hang around for it. Good night, Corbett. This is my wearing, friends. Our welcome program is bringing you stories of the detection and prevention of crimes. And right now, I'd like to say another word or two about preventing crime. You can help, you know. You needn't give money. Just give you a sincere support to the boys' clubs of America. These clubs feel good citizens with strong, healthy bodies in mind. Boys were completely honest who respect property and individual rights and who realize that America is a land of opportunity if you're willing to learn and work and try hard. These non-sectarian, non-profit boys' clubs are operated by groups of public spirited adults so that boys from eight to twenty can enjoy the right kind of recreational companionship in their own clubhouses. If you and your neighbors would like to establish a boys' club in your community, get in touch with the boys' clubs of America for help. Think about it, won't you? Thanks a lot. The case of the carved hem. The case of the carved hem, that's the title of next week's adventure of the falcon. When Mike Waring learned, sometimes a gun can change a great comedian into a bad actor. So be sure to listen at this same time next week to another exciting adventure of the falcon brought to you by the craft foods company. The adventures of the falcon are based on the famous character created by Drexel Drake, produced by Bernard L. Schubert, written today by Jerome Epstein, and directed by Richard Lewis. Music was by Arlo. Last Dayman was started as the falcon with Ken Lynch at Sergeant Corbett.