Cloak and Dagger Broadcasts

Quiet Please - I Always Marry Juliet

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Duration:: 30m
Broadcast on:: 02 Jul 2024
Audio Format:: mp3

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Just head over to solgoodmedia.com and sign up to start your free trial today. No ads, no interruptions, just fewer, immersive audio content. Don't miss out. Transform your listening experience with Solgood Media. Visit solgoodmedia.com and start your free trial now. We can't wait for you to join our audio community. Happy listening. Quietly. [Music] The mutual broadcasting system presents Quietly, which is written in directed by Willis Cooper, and which features Ernest Chapel. Quietly, for tonight, is called, "I Always Marry Julius." I did knock. I assure you, I knocked several times. I can read signs that have knocked before entering, and I knocked, and then I entered. Third of my name is Rambo Bainbridge. I give you my card. Honestly, I may say that my name is not unknown in the theatre. The Shakespearean theatre, that is. I am most rolling player, dashing feudal and white flannels today, and I'll believe I'll be back in a straw hat tomorrow. I have devoted my talents to the creations of the immortal bard, the sweet singer that struck for the bonny part, the immortal shakespeare himself. I take it you are not unfamiliar with his great works. Perhaps you have even seen me threading the horns in Macbeth tomorrow and tomorrow and tomorrow crepes in this petty face from day to day, or possibly as the noble Mark Antley in junior season. The evil that men do lives off to them. The good is often ferred with the gold. I have great success in the biodiversity. However, my greatest triumphs have been in the romantic role of Romeo. Lady, my yonder blessed moon, I swear, the tips with silver, all these fruity flops, a fruit-free top. But soft, what light through yonder window breaks? It is these, and Julius is the sun. I always be better with that one. I beg your pardon. I was trying to say, what can I do for you? Why, my dear sir, I was given what a standard casting was going on here. Why else would I pay a visit to this, uh, murder must be cubical, eh? And you talk a great deal, that you're disturbed, speaking of my professions, thinking of my life, my being, my, uh, my machine. You speak French? I even told I speak it like an idiot. Whose soul and gaze don't harm me all. Let's speak to myself briefly. I am prepared to deliver on short notice any one of a large number of shakes spreading in parts. Or, hello, Romeo, Romeo, but on the weaver, gee, Henry, the fourth, fifth, sixth, the Tokyo, oh, and, uh, Henry VIII. I am reasonably familiar with the characters of Shakespeare, sir. Ah, good, good, good. Can you say you have, uh, played, Romeo? In normal times, sir. Two packed houses. I recall one time in, uh, I believe it was the Moline, Illinois, uh, is Moline, the Illinois? When they placed kitchen chairs in the aisles, in addition to the hundreds of occupied seats in the house, when did you last play, Romeo? The last sit has been sometimes since. But I am a very quick study, sir. That's why you're showing, uh, I could be up in several days, uh, say three days. What have you been doing recently? Uh, I have just concluded a very successful round as, uh, uh, Andre, uh, Shakespearean, Miller, no doubt. I am sorry to say it was not. All of it was very interesting, you know, so I say, sort of way. What night were you on? This, sir, was an afternoon presentation. Don't? Fornograph needles. And your part? I play the part of Clapper Claude Duttish. Uh, very heavy, naturally. A part I didn't like, uh, uh, sort of, uh, poor man's macmeth. Perhaps a touch of Shakespeare. And, uh, the part is finished now. Uh, a regard for the truth compelled me to admit I was replaced by a young man who had a different conception of the character of Clapper Claude Duttish. It, uh, didn't appreciate your technique, I didn't. That direct cost. But, I also read a commercial message. My, my indeed. Also, shall we look over the contract? Uh, we've seen it today, bitch. Uh, I, uh, seem deeply to record your name? Yes. I was afraid of that. I don't remember just how. Uh, I am the man whom that ain't. You're it. Ah, yes, that's it. Oh, yes. Mr. You want a man of the world? It's being said that I am. I, I always wanted to grow up near myself. I, I think I'd be very distinguished with a man. No, damn. But always playing Romeo, you know. It can't be done. It's, I, my beard always comes out straight. Uh, this hat comes out red. Oh, uh, you're the man who married Julie. The man who always married Julie. Would you care to tell me about it? I prefaced my remarks by suggesting that you are the man of the world, uh. As I myself am, I was young and, uh, a brilliant when I first played Romeo different units. The study that had been aimlessly to explain that it was in central Illinois, a section of our great country at that time somewhat lost to culture. However, a group of young seekers after the light, uh, the otherwise, ventured to put on Romeo and Juliet. And I was summoned from Chicago where I'd been playing. Game Shakespeare? And don't jump in my career. I was singing illustrated songs in a small house on South Street Street. I shall never forget my first meeting with a young woman who played the part of George. And Elizabeth Beetner. What? How did you know that, sir? One week. Oh, the newspaper. Ah, publicity, publicity. Ah. Well, Anne Elizabeth was young, Anne Elizabeth was beautiful, Anne Elizabeth was unsisticated. I thought. I was introduced to her at our first rehearsal meeting. And I'd tell you, sir, I was bold over. I can think of nothing to say to her, but that lovely speech I first quoted to you, from act two, scene two. Lady, by under blessed moon, I swear that trips with silver all these booty. And she picked me up at once. Oh, swam not by the moon. In constant mood. But monthly changes in these circled orbs. Yes, but I love through likewise variable. And we went right through the scene, the entire scene, letter perfect, down to. Good night. Good night. Fighting is such sweet sorrow that I shall say good night. Could it be mild? Sleep, swell upon thy eyes. Peace, and I rest. And so on. And I tell you, sir, the place of ruts was the applause of our fellow players. And so we were married, and we played to be in our costumes on the stage, in the setting for act two, scene two. The romance of Romeo and Juliet was at last consummated in our rehearsal. I like to think that the mustard himself Shakespeare would have liked that. If Shakespeare had married him, there wouldn't have been any story. Well, like, uh, you know, I never thought about it. Perhaps he wouldn't have liked it then. I expect. Well, our marriage flourished for the time. And then there came the rest within the loot. Uh, Tennyson, idols of the kingdom, continued. I thought that was Shakespeare too, Tennyson. I expected all of that. Well, I remember we were playing in Dodge Center, Kansas, or Dodge City, Iowa, some such place, uh, St. Dodge, uh, Port Dodge, Minnesota, I think. I am at a young woman, the daughter of a factory contractor, in one of our previous stands, and we found a great deal in common. She was interested in what a color painting. Her name, uh, hangs, please, I don't remember after all these years. By a strange coincidence, she turned up in Lake Dodge in Nebraska, where it was. As a man of the world, I could, you know, less than invite her to stop her back to the performance, you understand? Of course, of course. Then we were leaving the restaurant much much later, when we ran directly into Ann Elizabeth. It was literally the gentle genius about this. Well, I was speechless. Ann Elizabeth, what? So this is the family game of cards you were going to indulge in after the show. Well, I think I'll just shuffle you around a little bit. Oh, here's an end for you too. You stay away from my house but you here. It was intensely embarrassing. It was even more embarrassing when two weeks later Ann Elizabeth found me kissing the plasterers, daughter, and union station in Minneapolis. There are those Minneapolis police men out there. Well, rough and tumble. And what did you do about it? Thank you. The crowning glow was when Ann Elizabeth purchased the traditional weapon that they outraged white. A rolling pin. Raining the sin I asked her if she intended to bake a knuckle pie or two in our humble lodgings as we fared across the country. What did she say to that? No, darling, Romeo. That I'm going to use to beat your brains out of fire or catching with that woman again. So you'd better wear your crock over there than you'd rather dare again if you don't want to wear this rolling pin for a horse. She had a remarkably hunched mannered speech. I was both sorrowed and relieved when the balcony collapsed in act two, seen two. And she broke her neck. How did that happen? For some unaccountable reason the stage but race seemed to have been removed. It was very depressing. And then you married another unit? It seems to me I've been marrying units all my adult life. Yes, I married another. They'd smacked up. I was playing and framing and you have fewer Massachusetts or somewhere when I met her. Faith was not young. Faith was not beautiful. Faith was an exact verbal actress. Why did you marry her? It seemed a good idea at the time. As a matter of fact it was leap year and she asked me. Grandma, if you'll marry me, I'll start a Shakespearean company of our own. You'd be the manager and do whatever plays you ought to. I thought what would we use for money? But she answered that before I asked. My great-ad route in Stafford Springs, F.E. $89,000, Mambo. Well, I assure you that put a different face on the matter. So we were married. We were married the day after we opened in Oromio and Juliet in South Boston. The most unfavorable officers, I must say. Mine were adequate, but for faith. I wish you could have heard her read that scene. Oh, swear not by the moon. The incompetent moon that monthly changes in her and circled. Circled orb, let's not find out proved likewise variable. To borrow an expression from the street. Oh, boy. I pleaded with her to resign the permanent lead partner to allow me to find another actress. I told her she could lead a manager. She could do anything she wanted to. I answered that in you, Mambo. I really have anything I want to. It's my money. There is very little one can do. You argue with that sort of thing, sir? Yes, yes. Yes, I should think so. The woman had no shame, sir. Nicely, I went on and suffered the torment of the, uh, on. She had no sense of timing. She forgot lines. We had to hide properties behind every tree under every bench outside the window, and fire lords' cell. And I daily grew more and more haggard. That voice. I can't hear it yet. But it could be a poem which the writer suddenly has administered to have me there. Act four in print. That's right. Enjoy your chamber. Well. Leave I like four. The nest. I like the day. She's dead. She's dead. She's dead. Mm-hmm. Well, you, uh, you've got quite a father on the Julia, sir. Shakespeare, Tim, her, too? No, he didn't. Well, I, I don't know why I'm telling you on this, really. Probably because I asked you. Well, uh, there were really only three of them. Oh, is that so? I thought it was more. It just seems like more. Oh, if I never played Romeo and Juliet again, I'll be happy. How about coriolanus? I don't exactly understand coriolanus, but then I don't really understand much of Shakespeare either. You don't age just words, a lot of it, sir, to me. Well, uh, what about Juliet number three? Oh, yes, sir, that, Juliet. Well, her name was really Juliet. And I'm afraid she's the only woman I ever loved in all my life. Tell me about her. Well, I suppose she was as close to the Julia Shakespeare wrote about. Has any woman could be? You think so? Yes. Yes, I do. There wasn't a thing wrong with our marriage. We loved each other. There wasn't room for another woman in my life. Then did you, uh, did you dispose of her, too? I never fully realized my own inadequacies until I married you. Why do I marry you yet? Why is it that makes me do it? There is such a thing as, uh, destiny. Destiny Shakespeare was always talking about destiny and things, things I don't understand. But, uh, they work out. Do they not? They often? I have a picture of Juliet. Here. Three words, dear Romeo, and good night and day. If that I bent of love be honorable, I purpose marriage. Send me word tomorrow by one that I'll procure to come to thee. Where and what time I will perform this right. And all my fortunes that I see how they and follow thee in an odd throughout the world. It is my soul that calls upon my name. Romeo. How silver is to read this. Sound lovers' tongues by night. Like softest music to attend in here. Romeo. Yes, that's a very beautiful picture. And she's doing it. I wish I never had to play along with Romeo and Juliet again. I could play. You're doing Shakespeare, of course. Yes, nothing but Shakespeare. Well, I... What kind of run do you expect? How can anyone tell? With Shakespeare. That's so, I remember once in Shabogan, Wisconsin. In Michigan, I can never tell him apart. We played five solid weeks. And when we came back the next year, we had to cut the last act of a mission to Venice because a burr-esque fruit from Chicago was coming into town. How about King Lear? I'm faulting me. Shiled or rollin' until the dark tower came. His word was still, I, oh and oh. I smell the blood of a British man or the hamlet. To be or not to be. That is the question. But I suppose you'll be wanting to do it wrong, your and Juliet. I, uh, do need a Romeo. Well, then, they sound me, sir. And you tell me all about your latest unit. Frankly, I would be very happy to be back in the theatre. I must confess that I murdered this unit one. My son, you kids? Well, for goodness' sake, I mean, my, you know, what kind of people are we? Did you really? Yes. Did you marry her, though? Oh, no. Oh, well, yes. My married, all of mine. Three of them. And, uh, Alaska. No. You tell me about the Julia. You killed her. Oh, no. Go off, please. You, sir. Well, I told you I loved her very much. She, she was good for my ego. I remember those nights after the show in hotels everywhere. It was always the same. Rambo, let me get this, let me get this for you. Thank you, my love. And would you? That's me, a cold bottle of beer, too. Oh, darling, I'm so sorry. I'm afraid there isn't any beer left. I'll run out from the corner and get some. Oh, thank you, dear. If you're going to do that, would you mind the picking up the cigar or two for me? Uh, how to tell it, please. Of course, dear. Anything else? And I would love the sandwich, that if the restaurant is still open. Do you want a magazine, too? No. Just give me peppers. Or would you see a racing form? Bring it along to, uh, will you? Of course we are. I'll be right. I hope you will, darling. That pink shirt. I want to do it at tomorrow. I'll be back in time to iron it for you, dear. We'll let me help you with your slippers first. Oh, no, no, no. All right. I guess I'm capable of taking care of myself, dear. Uh, you run along. All right, dear. Uh, wait. You didn't kiss me. She sounds wonderful, sir. She was always buying anything. Such necktie. I remember one. Oh, my dear, sir. And such a cook. How many, many times I fell asleep to the town if I'm watching the few dishes we had. After a succulent midnight meal of beefs to Rogenoff, or chicken meringue, what you grew to gardening. Cooked, my dear, to order a gas flame in a room as often as night. And she never asked for a stamp for herself. Always had a few extra dollars when I had a band session of the track. And such an actor. You know, it's amazing. I never thought of her, play anything else the junior. I wish you could have seen her. I'd like that very much. Yes, you would. And what did you say happened to her? Well, she died. Did you? It was very odd. Singular, I mean. What happened? It was a Saturday night, sir. I remember because we had no performance that night. We played only a Saturday matinee and a matinee on Sunday. I'd been playing cards with some of the prominent citizens of the city we were playing in. And I came home about 10 o'clock. I expected to find junior to sleep. She wasn't. She was standing in the center of our room with a strange matinee. And her arms were around each other. And they were kissing. It was very bad. Very, very bad. You killed her? Oh, no. I am afraid I was rather violent. So are you. Tom enters the same goes. The man who was somewhat smarter than I, I rode downstairs. You're just trying to explain, but she thinks. I was sorry she hit her head on the corner of the table court. That's what killed her. Oh, no, no. I stormed out of the place and went out to a restaurant for dinner. And then after a full meal, I felt a little better. I went back, they determined to forgive her. I was a little late. He got hanged herself. That's too bad. Yes, it was. How was, I don't know that the man she was kissing was her brother who had just got him to see his mouth. No. Sometimes I can hear their voices like you do. Analytica. Oh, it's ran not by the moon. In a constant moon. Late. That monthly changes in her insect. Circle org. Children. Mr. Pylum proved my kind. Well, uh, don't let me. Am I, uh, quiet? I think so. But I want you to read against Julia's first death. I'll see her. To the stage. Why, you, uh, got it all dressed, haven't you? Act two, seem to. Oh, over there by the balcony to please. Uh, take it from, uh, lady by Yonder Blasted Moon. Well, where's Julia? Speak the speech I pray you would I pronounce the truth. I say, that's the language. He seeks it. Go on. Well, that's him. Lady, by Yonder Blasted Moon, I swear that tips with silver all these fruit tree tops. Oh, it's ran not by the moon. It's in constant moon. That monthly changes in her insect. Yeah. What is this? You, uh, talked about destiny, remember. Here's your destiny. And mine. What? This is the destiny we spoke of, please. This is your fate, your punishment. There are the three humans. There is the one I slipped. I don't remember. Julia had to die to make play. So, I found her poison. Who the devil are you? Perhaps I bought you new friends. My name is Shakespeare. William Shakespeare. At your first. Quietly for tonight was called. I always married Julia. The man who spoke to you was Ernest Chappell. And James Mox played Shakespeare. The three Julia's were Margaret Vapere, Abby Lewis, and Nancy Moore. Music for Quietly is played by all the german. Now, if I win about next week's Quietly, here's my good friend Bill Cooper. First, I must tell you that the characters on Quietly's are not intended to represent any person living or dead. With the possible exception of Mr. Shakespeare. And there are certain people who doubt he lives anyway. The other characters are complete with a shield of my own imagination. If you happen to have the same name as one of them, it doesn't tend to be you. Quietly for next week is called 12 to 5. Now, why did you have to be a legalist, Mr. Cooper? Well, until next week at the same time, I am quiet for yours. Ernest Chappell. Quietly has come few from New York. This is the world's largest network serving more than 450 radio stations. The mutual broadcasting system. Judy was boring. Hello. Then, Judy discovered Chumbra Casino.com. It's my little escape. Now, Judy's a life at a party. Oh, baby, mama's bringing home the bacon. Oh, take it easy, Judy. Take it easy, chumba. The chumba life is for everybody. 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