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Daily Gunsmoke

Gunsmoke - Don Mateo

https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Welcome to Daily Gunsmoke, your go-to podcast for diving into the legendary tales of Marshal Matt Dillon and the untamed landscape of Dodge City from the classic old-time radio series, "Gunsmoke." Join us every day as we explore a unique episode filled with high-stakes gunfights, complex moral issues, and the raw drama that cemented Gunsmoke's place as a cornerstone of American entertainment. Experience the adventures of Dillon, Miss Kitty, Doc Adams, and Chester Proudfoot as they navigate the challenges of life and law on the frontier. Don't miss a moment of these timeless stories—tune into Daily Gunsmoke for your daily dose of the Wild West.

Duration:
27m
Broadcast on:
28 Jun 2024
Audio Format:
mp3
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It's your gateway to unlimited audio enjoyment. That's Salt Good Media dot com. S-O-L-G-O-O-D-M-E-D-I-A dot com. Check it out. We hope to see you over there. Around Dodge City and in the territory on West, there's just one way to handle the killers and the spoilers. And that's where the U.S. Marshall and the smell of gun smoke. Gun will smoke, starring William Conrad, the story of the violence that moved West with the young America and the story of a man who moved with it. I'm that man, Matt Dillon, United States Marshall, the first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful at a little lonely. Why, you ain't doing me, I don't know if you're out and you're staying out. You took my money right now, now stand aside. Your money you couldn't have to pay for the ruckus you was called, not going yet. No, not hardly, hold on there. But that gun away. Well, who is, but other way? That's better. Well, it ain't no job for the law. Well, see, that's the trouble, Sam. He was getting too rough, Marshall. Miss Kitty ordered him out. No, saloon gals can get me through it out. And she says you're out, Mr. You're out. You better do your drinking someplace else. No saloon gals got any right to do any of, Jack. I don't do them, mister. I go along. If you want them, it's got any better than she ought to be. I said move along. And Kitty putting on air, having a man through it out. Well, I aim to get even with her. You listen to me, you get away from the long branch and you stay away. If I hear you coming back, I'll be the one to throw you on. I'll be throwing you out of dodge at the same time now you go on. All right, Marsh, all right. But it's a funny kind of law. It's not funny to me. Now you keep moving. [MUSIC PLAYING] Can you think of anything else we need, Sam? Might as well spend all our money as long as we're ordering. Seemed to me that ought to do it, Miss Kitty. I don't suppose it's a subtle thing ought to be any better just because we're getting a new batch. Well, I don't suppose our customers will turn out to be any better either. Yeah, I guess you'll write about that. Whiskey. I will have whiskey. Come on up. There you are. This is the best whiskey. That's what we got. It's not the good whiskey. Like I said, it's what we got. It should be better saying it before you take the money. Listen here, but I'm not here to fight about the whiskey. I'm glad to hear it. No, this time. I've come to find a man. Maybe you know him. Maybe. It's been a long time. But they tell me he is in Dodge City and I will find him. Who is he? His name is Dilla. Sam. What? I'll talk to you. Sure, Ms. Kidney. You will talk to me in Señorita. You are looking for Matt, Dylan? See? Is he here? Yeah, he's here. He's a US Marshal. Then it is true. What's true? He's with the law. This is the difference. You know him? Oh, I know him, Señorita. But I do not like this talk of the law. I will have another not good whiskey and then I will find this US Marshal. [MUSIC PLAYING] Matt, Matt, wait a minute. Huh? Oh, hello, Kidney. I'm glad I ran into you, Matt. Oh, something special? Well, yeah, there is. Oh, that's the trouble. No trouble yet. But I thought you should know. I don't know what. Well, Matt, there's a man in the long branch asking about you. Yeah, you know who he is? I've never seen him before. He's Mexican, and he's wearing two guns and a knife, and he says he's going to find you. Maybe I better find him first. Yeah. Thanks, Kidney. Matt. All right, Kidney. I'll take care of myself. Matt, feel it. It's done, Matt, feel it. Huh? A stab eye. Oh, it's been a long time on my day of being here. A long time is right. It's good to see you, Steve. I'll tell them I will find you. Have your bed. I heard you were looking for me with guns. Ooh, he's gone. Yeah. For you, though, Mattel. Oh, no, damn it. What wait a minute, there is a great chain. Oh. Oh, what's that, Steve? Well, it's-- it's different now. Oh, what do you mean? What do you think? It's called you Marshall, now you-- you were the Vatch. Oh, that's different from the way it was on Mattel. Yeah, but things aren't different between you and me. Yes, Steve. Well, come on. I'll buy you a drink. Come on. [MUSIC PLAYING] So this is the office of the U.A. Marshall of Dodge City. Ah, this is it, a seven. That's it, huh? There are many guns on the wall. Yeah. There are more guns than we had down near the border than Mattel. Do you remember? Yeah, I remember all right. You know, our men just needed one gun and one fast force. That's right. Yeah, things were different then. It was a different time. We would go out to get a man and we would get him. Told there were some fine rides on Mattel. That's right. And at the time, we brought in El Coyote. Remember? Yes, I remember all right. Six men, he had with him. Six men and hidden high in that rock castle. Yeah, that was quite a ride. Ooh, you're right. It was quite a ride. You and me on Mattel against them all. It was a good time. Yeah, as a step on it was a good time. I wonder then how it is you come away. You come here to Dodge City and become a U.S. Marshall. Oh, I don't know how to stay by now. I guess maybe a man finds a time when he wants to settle down. He cannot be as good as much enjoyment. No, it's not as much enjoyment as stable. He'll be right there. But sometimes it's good, not very often, but sometimes. I don't understand, but I have come to bring you the enjoyment again. Well, what do you mean? I've come to ask you to ride with me again. Well, you're going to have to tell me more than that. It is a simple thing. I've come to get a man. I followed him a long way on Mattel, and I will find him. If you ride with me, it would be like the days we used to have. Who is the man? Oh, he's a nothing. He doesn't sound like somebody you'd bother to go after. Well, you know how it is with the insect, Don Mateo. It's a nothing, but it's a bother. And it causes discomfort. And if it causes discomfort enough, if it hurts, you kill it. Well, that's the way it is with this man. What's he done? Ooh, many things, a nuisance like an insect. And finally, he causes discomfort. He causes hurt to Maria, my Maria. So I've come to get him. What's his name? They call him Ralo. Ralo? Oh, yeah. I can believe it. You know him? No, I know him. Well, he's here now? He was here a couple of days ago, but I think he's moved on. Oh, we would find him. Look, Steven, I don't blame you if I wanted to get this man, but I can't ride with you. Why not, Mateo? Because he hasn't done anything to me to ride after him for. But he's no good. He's a nothing. He deserves to be killed like an insect, as I've just told you. No, I know, but that isn't enough, Esteban. A man who is bad should not leave. Maybe so, but I still can't go out with you after this man. I don't understand you. I'm sorry, Esteban. I'll tell you something else you want to understand. See? I can't let you go after him either. Well, what are you saying to me the mother? I'm saying this if you go after this man. And if you kill him, I'll have to come after you. You? Come after me? If you kill anybody, that's the way it'll have to be, because that's a law. It is too bad. Yeah, it's too bad, Esteban. But you'd better remember what I said. I will remember the Mateo with the sadness. It is true. You do not have the enjoyment anymore. I'm sorry we cannot have the good ride. Yeah. But just be sure that I don't have to ride after you. [MUSIC PLAYING] [MUSIC PLAYING] You're going to have a steak, Kitty? I guess so. At least you have some idea what you're eating, though. I'm not sure it helps, Mother. All right. Uh, two steaks, eh? OK, Marshal. I tell you, Kitty, you always having such a fit about the food in here. You ought to open a nice little restaurant of your home. Me? Run a restaurant? Sure, you can cook all the steaks, just the way you think they should be. Oh, no, all right, mad. All right, quick complaining. Anything to keep from cooking. Oh, there comes Shasta. Been wondering what's kept him away from the food this long. Sit on, Chester. We'll order another steak. Well, that's not what it come for. At least we're not right, all. You didn't come to eat? At dinner time? Oh, I could eat. All right, but I got this message from Mr. Jones. Oh, what is it, Chester? The doc wants to see. Oh, where is he? Up in his office. I mean, he wants me to go up there before I eat my dinner? Well, I don't know about that, Mr. Jones. But Doc's got something to fill up there. It's been shot. Oh. You know who he is? Oh, sure I know. Doc just told me some dirt promise from out of town, summers. He got shot here in Dodge. Oh, no, sir, I don't think you did. How do you know who shot him? No, sir, they didn't say no names. Some writer, though, weren't messaging out for you. You go ahead, Chester, and eat my steak when it comes. And I'll see you later. [MUSIC PLAYING] Oh, hello, Mac. Come in. Come on, Doc. Matt, I thought you ought to know about this. Yeah, thanks. This man, his name is Grimes. It's pretty bewildered about the whole thing. Come on, come on in the other room here. OK. Is he bad hurt? No, he'll be on. Grimes, he's Marshall. Oh, Marshall? Hello, Grimes. You, uh, you want to tell me how you got shot? Now, I don't want to get in no trouble, Marshall. It seems to me you've already had the trouble. I don't know why he'd come along and shot me, Marshall. Well, that's what I want to find out. I ain't never bothered nobody. I'm a man to mind my own business. Well, this is my business now, Grimes. You tell me what happened. You just don't make no sense. Come on, Grimes. You sure I ought to talk, Doc. You sure it ain't too hard on me? No, it's not going to hurt you bad. It'll probably make you feel better if anything. You sure? I'm sure, yes. Come on, speak up, man. All right, then. I was sawing some wood off the back of my place. How was that? Well, 12 miles west on Branks Creek. Ain't never know what her, though. At least why he's not when you need it. No. Go on. I was sawing this wood when a fella rode by, asked could he fill his canteen from the well. I said, why, sure, you go ahead. I ain't want to be selfish, Marshall. Did you know this, man? Never seen him, Marshall. He told me, though, that he was on his way to Colorado. I figured he was one of them drifters and didn't pay too much attention. He's not the one who shot you. It's more like he was the one that was shot at. All right, just tell me the story, huh? Well, we was talking there at the well a bit, and all of a sudden this other fella come riding up. He didn't even slow his horse down, none. And he was yelling and hollering, and he started shooting. Did he get the drifter, too? Well, I'm not sure, Marshall, to tell you the truth. I just started running for the barn. I got on my horse, and I come into town. I didn't do no looking around. All right, Ryan, thank you. What? You wouldn't blame a man for looking after yourself first, would you, Marshall? No, not if you don't. You take good care of him, Darkin. Oh, yes, sure. Want him as a witness, I'll see you later. [MUSIC PLAYING] Ryan, Jim, Mr. John, I'm sure what to help is that grime as fella just took the time to look around a little bit and seen who was shot and who wasn't. He was too busy staying out of trouble, Chester. He sure did leave a lot of trouble for us. I'll say that for him. Don't worry about it. We're paid to take care of trouble. I guess you're right. Well, there ain't much of a house, is it? Somebody will be far out of front here. Yeah, we'll ride up to it. [NON-ENGLISH SPEECH] Who in the world is that? You've come to join me after all. You know, I haven't come to join you, Esteban. My head tells me you will not join me, but my heart still hopes it is so. What is he talking about, Mr. John? Never mind, Chester. You are a friend of Don Mateo de Marshall. What am I sure I am? To be friends, it is a good thing. Is it not Mateo? Yeah, it's a good thing. I welcome you to share my fire. You would like some coffee? No, thanks. Esteban, there's a farmer in the doctor's office back in Dodge who's been shot. This is his place. Well, I did not think he would make it all the way. He was riding so fast, he was nearly falling from the horse. He says you shot him. He was a very frightened man. Dead you, surely. See, I told him to stand still. He started to run. Oh, yes, shot him. He got in the way of Don Mateo. Yeah, he got in the way. It is not good to run. How about Rollo? You mean the man who is nothing? Did you shoot him too? It is possible. What do you mean by that? I mean that he was running too, Don Mateo. You don't know if he shot him. Not yet, but I will shoot him that much, I know. Where is he? He's out there. In him rocks? See, he's in the rocks, hiding in a cave in the rocks. And you figure to go get him, huh? No, I do not have to go get him. He will be coming to me. Well, how's that? There's no food there, Don Mateo. There's no water. Even a man who's in nothing, who's an insect, must eat, and he must drink. Even a man who runs will come back for that. And he might get you, statement. Oh, I forgot to tell you. While he was running, he's gone. He just happened to drop. Just happened, then. You didn't shoot at all of his hand. It would have to be a very good shot, would it not? Yeah, a very good shot. Step on, we're going to bring him out of here. You're a good friend on Mateo, but it would not be wise for you to interfere. That's my job. I do not like this job of yours. Well, right now, I don't like it much either. Justin, can you see? You go on, I can get rid of out of the cave. I'll stay here with a statement. All right, sir. I'm surprised that you don't, Mateo. Don't let it worry you. You should worry you, son, your marshal. You're forcing me to shoot your friend, Chester. You know me better than that. You make one move and I shoot you. You'd have to be the first one on Mateo. In the old days, you were not always able to beat me or they drove, they gone. I'll take a chance. Now, then. What are you doing? It's all right, Chester. You got him. [NON-ENGLISH SPEECH] Yeah, I stay back. Today, you are a fastest shot. Yeah, today I am. I'm sorry. It was my job. It's a sad thing for a job to come between friends. Yes, it is. It's a sad thing to see a friend take a job without the enjoyment. He's-- he's dead, just don't. Yeah. And he was right. This was a job without enjoyment. 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