Gunsmoke Daily

Gunsmoke - Fiery Arrest

https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Welcome to Gunsmoke Daily, where we breathe new life into the dusty trails and fiery showdowns of Dodge City with daily episodes of the iconic old-time radio show, "Gunsmoke." Each day, we journey back to the 1950s to join Marshal Matt Dillon as he maintains law and order in the wild west. From thrilling gunfights and moral dilemmas to heartfelt moments and the gritty realities of frontier life, every episode features the rich, atmospheric storytelling that made Gunsmoke a beloved staple of American entertainment. Tune in to relive the adventures of Dillon, Miss Kitty, Doc Adams, and Chester Proudfoot, and experience the drama and suspense that captivated listeners for over a decade. Join us daily for a timeless trip to the old west with "Gunsmoke."

Duration:: 27m
Broadcast on:: 21 Jun 2024
Audio Format:: mp3

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Play on the train, play at the store, play at home, play when you're bored. Play today for your chance to win and get daily bonuses when you log in. So, what are you waiting for, don't delay? Chumba Casino is free to play. Around Dodge City and in the territory on West, there's just one way to handle the killers and the spoilers, and that's where the U.S. Marshall and the smell of gun smoke. The gun will smoke, starring William Conrad, the story of the violence that moved West with young America, and the story of a man who moved with it. I'm that man, Matt Dillon, United States Marshall, the first man they looked for and the last thing we want to meet. It's a chancey job, and it makes a man watchful, and a little lonely. ♪♪ You don't look like this term is going to let up, none for spell, Mr. Dillon. Uh, sure doesn't, Chester. I ain't never seen country that beats this. Uh-huh. They just ain't no halfway about it, it's either hot and dry or cold and wetting, that's all they do. Uh-huh. You like about it, you should have it a little better than that. I swear you can either fry yourself to death or get soaked to death, that's why the way it is. Well, there's one other way too. How's that? You can talk yourself to this. Well, I'm a delight in just saying how things did. Chester. Yeah, we better start looking for a place to take cover, you may be right. You just might get soaked to death. ♪♪ Uh, over there, Chester, that shack. Mr. I see it. All right, we'll head forward for the night, huh? ♪♪ But there ain't even no shed there for the horses. Let's ride around to that side, out of the wind. I'll believe them there. ♪♪ You sure ain't my shoulder? Doesn't look like the shack is either. Come on. ♪♪ Well, I sure didn't expect see no stove in here, Mr. Done. I don't expect you'll find any dry wood either. ♪♪ Right about that. They ain't a stick. Well, they can shake some of this water off anyway. ♪♪ Oh, that's some butter. Need much warmer in here and two winters out. You can always stay outside with the horses, Chester. Well, if you don't mind, I'm gonna try to get some sleep. ♪♪ All in both of you. You don't need a friend, none. You sit real easy now. What are you doing? I've dropped their guns. Me and Mosley's particular when we walk into a place. Particular. Not very friendly. We figured to live longer this way. Who are you, Matt Dolan? I might ask the same of you. Who's the other one? Well, I'm just proud to put that means anything to you. No, it don't mean nothing to me. And as long as you behave yourself, maybe it won't. I don't know who you are, Mr. but you. You sit right there where you are. Mosley, get a light going. Sure, Rod. ♪♪ That's better. I mean, we can see what we got here. There ain't neither one of them look like much to me. Now you just see... Shut up. What are you doing here? You put that gun away. Maybe we can talk. You ain't calling the play. He's hard. He's wearing a badge. Hello? Now, who told you, Mr. who sent you here? I don't know what you're talking to, Millie. Millie done it. Oh, now, hot. I don't write that. She done it. She called along me. Well, she ain't never done it before, huh? She was bound to turn me in one day and she done it. Well, I'll fix her. She's got a hard weight. You got to give her a chance. She sure didn't give me much. She'll be here with the grub for a long wait 'til then, huh? To give her a chance to talk. Now, there ain't no use waiting. Well, sure there is. Besides, how do you wouldn't want to go off and leave these two like this? They might break out. Well, maybe you're right. Sure, I'm right. Just sit down, huh? And where the millie gets here and let her speak her piece. I can tell you right now nobody sent me after you. You will know it would have been a good idea. Shut up. You better look out who you're at. You keep shut too. I'll beat your head clean off. Now, we just sit here, like Mosley says. We just sit here and wait for Millie to come. ♪♪ Uh, somebody. Uh, somebody coming now, Mosley. A buggy. It's really all right. Now, you just keep quiet. I'll do the talk. Just give her a chance. I'll give her a chance. ♪♪ Hard. I brought the food like you'd call me. You done it, didn't you? You finally done it. You sit right there, law man. Keep it covered real good, Mosley. All right, hard, but take it easy. No use bully in her for something she didn't... I told you to shut up. ♪♪ That'll keep your big mouth quiet. Time up, Mosley. Both of them. I want to talk to Millie. You sure? Do what I tell you. All right. Millie? I ain't done that. He's here, ain't he? The law's here. What's none of my doing? I ain't believe in that, Millie. You've been just crying to get the law on me. I ain't done it all. You've always been too nice and nice, Millie. You ain't never took to my right now. I'm not over with Steve and I gotta say that, but I didn't... I know you finally told the law. You finally tried to fix me. I'm just tired. I didn't do it. I just brought the food here like you told me, please. You're lying. No, hot, no. Leave a bee. Stay back, Mosley. Listen, Tommy. You waste any more time. We won't be there when the stage comes through. Yeah, I guess you're right. You better. I'm right. Come on. Now, leave a bee. That's right. Mosley, all right. But I ain't leaving her here like this free with the law. You tire up. She won't do nothing. I said tire up. Then we'll get out of here. [MUSIC] Yeah, Chester. You all right? Yeah, I'm all right. I can just get this rope loose. He hit you off the heart of that gun. I thought you wouldn't ever let him move it. Well, I deserved it. Well, let them catch me like that. There. It's good for you, Mr. Dillon. I can't get my ass even to Wiggling. They're tired so tight. No. Wait a minute. There. Oh. There you go, Chester. Oh. Sure, dude. Thank you. I'll make up the woman on side. Yes, sir. Nothing. Thank you, Marshall. You all right, ma'am? I'm all right. That man. Odd. Odd Muller. Hey, your husband. No, Marshall Yang. Husband couldn't be so heavy-handed means. You want to get free of him? I'm feared to. I'm feared to death, too. You tell me where he's gone. He'd kill me, Marshall. He'd just plain beat me to death. Now, if he was arrested, you'd be free of him. But maybe only for a little while, when he got out, he'd get me. Somehow, he'd get me. All right, sir, Ma'am. Chester. Yes, sir? I want you to take her into dodge. Right now? Right now. Tell Kitty to take care of her till I get back. You going after them, ma'am? I'm going after them. Well, the tracks are still clear. Well, I'd have to go with you, Miss. Take the woman in the town, Chester, right now. Well, if you say so. I say so. Now, get going. Sure could have picked a better day for it. The gold don't wait for good with it. And here in these rocks, it's like lining a barrel of water. Shot up, mostly. Next time, I'll pick me a man to do the job with me. Any man can get cold and wet. Just shot up and watch for that stage. What's that? Some rocks washing down, I reckon. Sure would be nicer if it was dry. When you quit, you're moving. I'm standing there. The more she'll get him. Odd. Odd. Odd, I'll be here. No. I'm not hot. Marshall. You're the Marshall. Yeah. I'm the Marshall. You're the hot? Not yet. Where is he? He's running, mostly. You run off? Yeah. I shouldn't have done that, Marshall. You sure you'll run off when you left me? Huh? Maybe. You shouldn't have run off. No, man shouldn't. I'll tell you one thing. He's not running fast enough. Oh, Marshall. Hello, Marshall. Hello, Sam. Kitty around there. Oh, I know she isn't right now, Marshall. Said she'd be here about now, though. Well, I guess I'll wait a little while. Have a drink, Marshall. I don't have beer, yeah. Sure thing. Oh, thanks, Sam. Oh, man. Oh, hello, Doc. Well, glad to see you finally get back. How you been looking for me? Oh, no, no, no. Want a beer? No, thank you. No. Say, Matt, you know that woman you sent in with Chester? Oh, no. She sure needs a lot of help. In bad shape, is she? Oh, for that, she... She's been beaten, hard and off for a long time. It's a brutal thing. Well, I'm not surprised. How's that? She was living with a brutal man. Oh, yes, right. She must have been. She must have been. Where is she, Doc? Well, she's up in Kitty's room, but not as small as Matt. I'm having her stay in bed for a few days. She's got a lot of strength to catch up on. All right, if I talk to her, Doc? Well, I don't think you'll hurt her, man. Oh, there's just one thing. Yeah, what's that? Try not to scare the dead. She's scared enough already. I'll try, but seeing me isn't what she's scared of. No, I guess you're right. I'll try to take it easy, though. Sure, Doc, I will. I'll see you later. All right, if I come in. Oh, Matt, sure. Come on in. All right, if I come in. Oh, Matt, sure. Come on in. Oh, how are you, Kitty? Oh, I'm fine, Matt. But that's more than I can say for that poor thing upstairs. Yeah, I know. How's she feeling? Oh, she doesn't feel very well. I don't suppose she'll be feeling very well for a long, long time. She's been through a lot of times. I don't think she's feeling very well. I don't think she's feeling very well. I don't think she's feeling very well for a long, long time. She's been through a lot. Yeah. Doc says I could come over and see her. Yeah, sure, Matt. Be easy, you know. I'm not going to beat her, Kitty. Of course not, Matt, but those questions. Listen, Kitty, it's time you and Doc realize something. What? I'm not asking questions to hurt anybody. The questions I ask may just save her life. Sure, Matt. All right, let's go upstairs. Milly. Milly, Marshall Dillon's here. He'd like to see you for a minute. Can I bring him in? Bring him in. Oh, hello, Milly. Marshall? I, um, like to ask you for questions. You didn't get him? No. No, I didn't get him. I killed Mosley, but, uh, hard got away. He'll be back. He'll be back for me, Marshall. Milly, I want to keep him from hurting you. You believe that? I believe it, but nobody can stop him. He'll be back. He'll hurt me again. Not if I find him first. You won't find him. Well, I might. If you tell me where he might be, or he goes to hide out. I can't tell you anything. You know where he came from, Milly? Milly. Milly, if you tell me, it might save your life. Marshall, I, I like to tell you, but, I can't, I can't. All right, get him. I'm scared to death. Yeah. Uh, Kitty, you'll know where I am, Milly. If you decide you want to talk to me. He'll be coming. I know he will. I know it. Milly, Matt'll take care of him. He won't let him get you. What do you mean? I sure hope not, Kitty. I sure hope not. I sure hope not. [Music] Another whiskey. Sure. [Music] I sure don't think much of your whiskey. I don't think much of your town either. Ain't nothing keeping you here. Is that strange? I got business here. What's too bad you're not liking it, no? It ain't gonna be too bad for me. Who you aiming for? I'm aiming for that big Marshall. Well, now I'll tell you, Mr. There are men in you of aim for Matt Dillon. They're keeping company on Boot Hill. He got my woman. He was. Now, what's funny? Well, it just don't sound right. Matt Dillon taking your woman, that's all. He's a man, ain't he? He's a man enough so that he don't have to go around asking for other folks' women. She must have been willing. I aim to find her. Besides, there's Miss Kitty. I don't think she'd like it. Who's Kitty? She'd been a friend of the Marshall's a long time. She'd know about any other woman? Kitty? She knows about everything that goes on. Where is she? She ain't hard to find. I said where is she? She owns part of the long branch down the street. She's here most of the time. I believe I'll pay her a call. What do you have, Mr. Whiskey? Yeah. You, uh, got a girl here named McKitty? Miss Kitty ain't here right now. Now, they told me I'd find her here. You got some business with her? Yeah, I got some business with her. And I come a long way. Well, it's a fact. She's here most of the time. She's been staying up to her room the last few days, though. Tending a sick lady. A sick lady? Yeah. She don't like to leave her much. Well, where does she live? My, um, Miss Kitty keeps the room at more smallies down the street. But she ought to be in for a long. I ain't got time. Well, hey, you didn't pay for your whiskey. Miss Kitty's paying for it. [MUSIC PLAYING] Is that you, Matt? Matt, who are you? I want to see the sick lady. Now, just a minute, didn't you? Get out of my way. You can't go in there. There ain't nobody keeping me out. Now, you just stay right down there and you won't get hurt no more. No. Oh, please. And don't worry, Millie. I ain't going to hit you. Hard? I ain't going to hit you no more tall. You deserve it, though, don't you, Millie? Running off with a marshal that way, turning me in. I didn't do it. I didn't do it. Don't hurt me. Why, Millie, I ain't going to hurt you hardly at all. At least why you won't hurt long. Not at night. Leave her alone. I'll get to you next. Don't worry, you won't. You put that lamp down. Fire! Pull her fire! Come on, Millie. Come on, Millie. Oh, oh, fire! Somebody, pull it out. The mad boy! Just fire! All right, stand aside, Clay. Chester, throw the blanket over it. Oh, that's the alley. Come on. Carry on, Millie. I think it's out all right. Yeah. All right. Get up, you. Come on. She had no call to burn, Millie. It didn't burn you bad enough. I'm sorry, Maddie. I didn't know what to do. He had that knife. It's all right, Kitty. But it's a terrible thing to burn a man. Don't worry about it. Is it? Is it gonna live through it all night? Yeah, he'll live through it. Long enough to go to trial anyway. All right, come on, Chester. Let's get him out of here. Gun. Produced and directed in Hollywood by Norman McDonald, stars William Conrad as Matt Villan, U.S. Marshall. The story was specially written for Gun Smoked by Marion Clark, with a editorial supervision by John Meston. Featured in the cast were Big Perron, Gene Bates, Harry Bartell, Barney Phillips, and Sam Edwards. Harley Dair is Chester, Howard McNair is Doc, and Georgia Ellis is Kitty. May we take a moment to welcome three new affiliates to the CBS Radio Network. K-B-E-E, Modesto, California. A-F-B-K, Sacramento, California. And W-A-T-V, Birmingham, Alabama. We're very happy to have you with us. This is the CBS Radio Network. Owning a rental property sounds like a dream until you realize how much work goes into getting it ready. Determine a competitive rent price, market the property, schedule the showing screen tenet, draft the lease at a collection, handle maintenance, request maintenance, and communication. Whew! Sound complicated? 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