Oro Valley Catholic
Dignitatis Infinita Part 1: How the concept of human dignity aids a discussion of social issues
![](https://i1.sndcdn.com/artworks-cY2yQgcUo31GTbcU-8XUJEA-t3000x3000.png)
How does the concept of human dignity helps us to discuss current social issues in America. Part One of a two part podcast.
Read Dignitas Infinita here: https://press.vatican.va/content/salastampa/en/bollettino/pubblico/2024/04/08/240408c.html
Music by St. Mark Choir pursuant to One License Annual License w/Podcasting # A-726294
Two Young Peasant Women. Camille Pissarro French 1891–92
On view at The Met Fifth Avenue in Gallery 820
By virtue of their size, placement, and quiet dignity, these youthful laborers dominate the landscape setting—an open field near Pissarro’s house at Eragny. Sympathetic to anarchist ideals, the artist wanted to preserve the values of agrarian society that were being threatened by the rapid industrialization of France. He began this picture in summer 1891 and completed it in mid-January 1892, a month before the opening of a major exhibition of his work organized by his dealer Joseph Durand-Ruel. Many of the fifty paintings were sold from the show, but Pissarro kept this canvas and gave it to his wife.
- Broadcast on:
- 11 Apr 2024
How does the concept of human dignity helps us to discuss current social issues in America. Part One of a two part podcast.
Read Dignitas Infinita here: https://press.vatican.va/content/salastampa/en/bollettino/pubblico/2024/04/08/240408c.html
Music by St. Mark Choir pursuant to One License Annual License w/Podcasting # A-726294
Two Young Peasant Women. Camille Pissarro French 1891–92
On view at The Met Fifth Avenue in Gallery 820
By virtue of their size, placement, and quiet dignity, these youthful laborers dominate the landscape setting—an open field near Pissarro’s house at Eragny. Sympathetic to anarchist ideals, the artist wanted to preserve the values of agrarian society that were being threatened by the rapid industrialization of France. He began this picture in summer 1891 and completed it in mid-January 1892, a month before the opening of a major exhibition of his work organized by his dealer Joseph Durand-Ruel. Many of the fifty paintings were sold from the show, but Pissarro kept this canvas and gave it to his wife.