Rabbi Aryeh Beer
Hilchos Tefilah Siman kuf yud gimel part 1
(speaking in foreign language) Okay, tonight we're gonna begin (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) Those are the trees that are healed. We will discuss the meter sham in the latest sim, sim in, but might as well mention it now, there is another heave to bow, and that's at the end of this one essay when you step back. When you take the three steps back, you're also supposed to do that in a bowing position. Take the three steps back. But this, in this one essay itself, four times. (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) Let's say he would like to bow at the end of a different bow. Or at the beginning of a different bow. (speaking in foreign language) Then you have to tell him not to do it, because he is changing the takana of kazal. In other words, they said only these places. So what's wrong if he adds? We'll see in the Mr. Boer what we're really afraid of. (speaking in foreign language) You teach him, okay, it's a nice way to say that you stop him. No, really, you teach him not to do it. (speaking in foreign language) Okay, all right. Anyway, you tell him that he should not do it. (speaking in foreign language) Right, it says also, yes. (speaking in foreign language) Okay, I'm not sure exactly why he says this one. Okay, fine. Now, (speaking in foreign language) But let's say he wants to bow in the middle of a bow. Let's say in the (speaking in foreign language) after he saw it, after he's standing. In the middle he wants to bow down. (speaking in foreign language) Very interesting. There's no problem. (speaking in foreign language) Absolute, no problem. He wants to do it, let him do it. Okay, now let's see. (speaking in foreign language) (speaking in foreign language) When you say (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) Okay, exactly what he wants to be born. I'm not sure, but that's (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) Beginning and end not. Now, listen to what he says. (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) That means like this. (speaking in foreign language) He says, well, I want to damage the art from (speaking in foreign language) So I'm bounding it at the beginning of (speaking in foreign language) and (speaking in foreign language) Right? (speaking in foreign language) Right? Okay. What's the problem with that? (speaking in foreign language) He wants to bow down. The problem with that is, now he's deciding when he bows down. This (speaking in foreign language) Yes, I like that (speaking in foreign language) to bow down. This (speaking in foreign language) So now it looks like it's discretionary. I can decide. Once you start looking at it that way, or it looks that way, then somebody could decide, it's not so important to bow down from (speaking in foreign language) You have to bow down when you ask from (speaking in foreign language) Right? So it'll come to me, the result will be she'll be okay. (speaking in foreign language) People will think that it's up to a person. Some people are bounding three brothers, some people are buying five brothers. So I just want to bow one (speaking in foreign language) Good enough for me. Right? That's a problem. But now the second thing. (speaking in foreign language) As I'll say it about four times, and he's going to show, he looks, it's (speaking in foreign language) (speaking in foreign language) In other words, what's his point? A person might think, (speaking in foreign language) is a good thing to show in (speaking in foreign language) which is 100% true. Right? So, but (speaking in foreign language) because I didn't say to do more and everybody is doing, so it looks like he holds, he's more kosher, because he's (speaking in foreign language) himself more than the (speaking in foreign language) Okay. Fine. But now that's good. But now he said in the middle of a (speaking in foreign language) is no problem. No problem. You want to bow down in the middle of a (speaking in foreign language) Right? Let's say in the start of the (speaking in foreign language) in the middle of a (speaking in foreign language) in the middle of a (speaking in foreign language) in the middle of a (speaking in foreign language) right? So you bow down and you mention somebody, right? You add a filler for somebody who needs a (speaking in foreign language) right? That he says no problem. You can bow. But the people that are looking, they don't know what peace is beginning of the day. All right. So we're not, we're not talking about the people that are looking. The (speaking in foreign language) the people that are looking. (speaking in foreign language) Right. Wait. No, no. (speaking in foreign language) But he says it's okay. (speaking in foreign language) But he says it's okay. (speaking in foreign language) That it's okay. (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) (speaking in foreign language) We're not good. (speaking in foreign language) (speaking in foreign language) So what's going to happen? So in other words, we forget about what people see. It's two different things. It's two different things. The takhanas were at the beginning and the vabracha. He's sticking to that. The metal, they didn't say anything. So you're not going to be okay takhanas. Fine. (speaking in foreign language) What? (speaking in foreign language) Which model? (speaking in foreign language) Which one has that? (speaking in foreign language) That's one of the takhanas. (speaking in foreign language) Oh, oh, why? Oh. It has a good question. What is the purpose of the chris? Okay. So, I saw a nice, I don't remember now, who says this? I think it's a, at the beginning, at the beginning of bach, at the end of bach, you're approaching the abishta, so you come to him, you start with akhno. Now, when you, I don't know if he says this by Modi, but I think the idea by Modi is that you find, and this is off the top of my head, I don't tell me to this, you find, for example, that when Elieza got the shitter, what did he do? He bound to the abishta. Right? In other words, akhno, I think the idea of akhno by Modi means, I know I don't deserve it. You do me so many things, right? I'm bottled to you. And I, it says, so you find that for Hodor. You find that? Yeah, it's a thank you. It's a way of saying, it's off, it's not me, it's you. So, those two bachas. So, the beginning is your, you claim the shim's kingship, it's like a mouth, it's the good. Right? So, you become very humble. And that's, you should be humble. You start thanking a shim. Okay, now, in fact, the first one wouldn't bow down, I'm afraid, it's like scooting me. You didn't do me, right? You bow me down, you feel, you feel akhno. Okay, now, I had a problem. So, he says, in the middle of a bach, it's not a problem, you won't be okay, takka nus kahabim. But I had a problem. What happened to the Mexican? Everybody else doesn't do this. That's, that's, they're staying nice, nice and straight. And this guy, in the middle of every bach, he goes down with the shit. What happened to the yoga part? So, it's interesting. I didn't have an answer for that. So, he's talking to a young man today, and he said on his own something, and I said, "I don't know, let's look it up." And then I found the taz, he says essentially what the young man says. What's the yuara, if you bow down more than the regular? So, he says, because there were people who were supposed to bow down more than the regular. If you learn the Gemara, Masechus, Prochus, the Korean Godel, and the Melech, if you bow to their position, brings them to Giver, they have to show even greater akhno in front of the Abish. So, for example, it's a maclokus in the Gemara, but some say it was by every bach. So, one opinion says the Korean Godel did it, the other opinion says the Melech did it. The second opinion of the Melech once he went down, never didn't stand up to the end of this one. He had, because he was the Melech, in front of the Abish, he has to show greater akhno. So, the problem is, if you're going to do more by hilab isayf, then the halakhay requires. So, it looks, who is required to do that? A person who started at a very high madrager in terms of power and prestige, et cetera. So, that's the Yoon. You are great. And that's what the town says, to answer these questions. But since nobody, it says nobody about a mill of a bachah, the king didn't do it. I mean, if you hold it, if you hold it, it was hilab itself and all the bachahs, then not in the middle. That's what the town says. Very interesting thing. The town says, to fend for this question. It was bothering him, why aren't they? Because he says, "nearly, the dark is a task that is based. The dark is a hilab itself, hishin, and leew of a." He gave him the matsinu between God and Umelech. She showed him the hilab itself. He is a hilab itself. He is a hilab itself. He is a hilab itself. But she ain't came to answer. She ain't came to steal a coin godhood. It's okay. Very interesting. But anyway, he addresses the question. What? The mill, he says, has to go straight to the middle. There are two opinions. The first opinion is to... No, no, it says coin godhood. It's coin godhood. See? It's not even a coin godhood. Okay. But that sounds like a calm down. It's simply there. When? When? When? When? Oh, no, no, no. Wait, wait, wait, wait. One second. You're raising a different question. We have... I'm going to do it right away. There are other places where we bow down. We'll discuss that. So, maybe I should do that. Maybe I should do that. Okay, I guess we can do it now. Okay. Let's analyze this a little bit. He says, but what's a lacha? A lacha is you bow down four places. And then he says, you cannot bow down any place else in Chocano, in Chocano, at the beginning of end of a baja, middle of a baja, no problems. Okay. Take a look at the first viola. Embalicious. I ain't been given any rabble. Oh, no, no. We don't need that. We don't need that for now. Second one. It's all cobra. Any other baja that you're making, you should not bow down at the beginning. You should not bow down at the beginning of a baja. Any other baja that you're making, you should not bow down at the beginning of a baja. You should not bow down at the beginning of a baja. Any other baja that you're making, you should not bow down at the beginning of a baja. Any other baja that you're making, you should not bow down at the beginning of a baja. I feel like she ain't a baja, honestly. Because he's afraid I'm also... There's not the kind of to do that. Le caja, ni oima. Now listen to this. He says, she toi yim, cola shei yim be bia casa toi. There was a minute. It brought down. And simim, cuff, lamet, test. The Magna Brahm brings it, that they bowed in the middle of vie casa toi ro. As kavat a toi ro. They're like bowing to the safer toi ro. So he doesn't like it. It's the beginning of the baja. Maybe at the end, they bowed. He says not to do it. Ayayim, ash khasab, nish toi bhura, siv khaten. She changes. Test, bishayim, atas. De l'hoir sausil, is it? Okay, so we have to see what that is. Let's skip down. Okay, we're skipping a little bit more on things. Take a look and siv kim. I'm skipping siv vie for, so we can cover this in here. We'll come back. Siv kim, al usho vernau. Hacha korea, the ho kaimo, lifnakha tustacha be. Ennishmas. Kila khasa kha kha bere, right? The ho komalifnakha tustacha be. Or, is bhura l'hoir la vatra nakna muy di. I mean, although it's his mentioning muy di. Nantra nesset. If he bows down there, hobo hobo hobo hobo, hobo la shim kito. He bows down. Again, because he thinks that hobo will be quiet by hoboing down, right? Hobo bere khasa muzen. Nodo la hobo. Arise migu. Nantra, you shouldn't do it, it's miguen. Parish. Shain le hobo maku shitif no kha kha. That's a shur ano. Take a look in the michnabhura. Bhura dawr dawr dawr dawr bhura khasa muzen. Hasp. Third wide line. Hain le hobo hobo shim kitoib. Bhakas muzen vinodhwa ha. Oh, shain le hobo la hobo nakna muy di. Once a bowelil. No, don't bow. Miguna. Ennishmas a rama shi tiknukha ha. Azal didn't say to do it. Don't do it. O mei hai tama ennishras bhura shalaim. O ban shalaim kiddokha mavil. A very interesting thing. I don't know where the mario got it from, but I don't even know the muzak. You can bow down in shimon ese, or maybe even in bench, when you mention you go shalaim. Very interesting. Dr. Moshe says no. Do not do that. It was never such a takana. So don't do it. Not like the mario. Khasa m'alil of rome. Yeshrim aat. Maybe you can get away with it. A little, like a little bow. Not a regular bow. Khasa, now, says the shi tiknukha. It's really a tau's. Khasa bhishman ese. Ama shalobhishman ese. Yawlil hawlil. Shtaka muskutsana. Vishamakhim aat sine bhurhab ea kiva. Famous kumara. You would find that the kiva started in one corner and you wound up in a different corner. Because you've used to bow so much. Right in the mario. But it means you're not allowed to. Just in the first, right? And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. And then you have to go to the other side. So what's wrong with all these modems? What's wrong with buying them? Right? I'll call them "No De la Chaux". What's wrong with them? They're not in the bish. They're in the bish. They call them "No De la Chaux". They call them "No De la Chaux". What's wrong with them? They call them "No De la Chaux". What's wrong with them? In the bish. In the bish. When you're praising the Abishter, it's just the Abishter. It's just the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's just the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. It's the Abishter. The Abishter. When you say, "Bhanach du kohrim, wishtach habim," you're talking about yourself, us, as a Tibor's bahri, "Yohr-hul-hul-hul-hul-hul." Interesting thing is, it's Yohr. It's probably Prabhul. And by the way, the post can bring down that the same is true, and you know in the Hazar-sashat, for Rosh Hashanah, when we say Alainu, we talk and go down, and some go down underneath, and some go flat, right? And that, in Yohr-sashanah. The post can bring down that when you're saying it in the middle of Musa, the silence when they're saying, "Yohr-sashanah, you don't go down all the way." But you're also saying, "Yohr-sashanah kohrim, wishtach habim." So they say, "There's a mukhamfukhi." That's what he means here. Do you know what I'm talking about? No, no, I'm talking about the silence when they're saying. You don't go on the floor, but you should bow. What's up there? Yeah, you should bow. Yeah, you should bow. Okay, now. So now take a look. So that's what the Bialoch is quoting, what we are doing, the second Bialocha. So he says, "I am Ashgadam mishtabhurs, I've gotten tests, bishaymatas. If it's not Ashgadam sashay, he says no problem." So the lekhamfukhi rannudha says, "No, any braha, namishtabhana sashay, you should not bow down in the beginning at the end of a braha." Now, let's go discuss a little bit. It's not all brought down here. Let's discuss a little bit where we do bow down. Okay, we start from the beginning of the operative. The meaning is to bow down by braha. Now, let's go discuss a little bit. It's not all brought down here. Let's discuss a little bit where we do bow down. Okay, we start from the beginning of the operative. The meaning is to bow down by braha. Right? Oh, no, before that, kaddish. Now, the meaning, mishtabhurs meaning great man. He brings down to bow down in brahu at five places. It's supposed to be in kaddish, in kaddish. In seminun brahu, he brings down. It's kaddish when you say, "Mirabha," "Mibrihu," "Mibrihu," I mean. There's a plan about that. The go-in-- Do the answer? What? Do the answer? No, everybody. What? Then the one who's saying kaddish. The one who's saying kaddish. Yeah, it's what then. The one who's saying kaddish. Now, the go-in, the go-in helps not to do it, because he said he was makmir. That's called mosephala kriyas. Since this is part of davening, right, since it's a part of davening, he helped that this was mosephala kriyas. Even though, even though it's a shokonoh, kishonoh, my cousin is gaddo kriyas. Reine heish mirabha, reine bibrihu, reine omens. So he has four places. I think there's a fifth one. But anyway, the makhabha says to do it. The go-in said not to do it, and I saw brought down that up shonoh was makmir for the go-in. He did not bow in kaddish. It stands in straight. He said straight. But-- No. No. I can't answer for the world. The world. I do it because I follow this problem, and I did see some people do it. In general, you write the world is not so much. The world is not so much. The world is not so much. What? The world is not so much. No, oh, so let me see what I'll tell you what to put down. You want to avoid the problem, right? So you can do in kaddish. You don't do like you do by motive, right? But you should bow your head a bit. That's what the makhabha says to do it. It doesn't say not to do it. It's like Skabu. He says the makhabha says when you say it's Skabu, it's Kajmirabha. When you say, yeah, it's Mirabha, Burikhu and Ami. And of course, when you finish the kaddish also, when you finish the kaddish, you bow it. That's the three steps. But the rats mentioned with the fire lines. That's a good question. I didn't see that. Some do and some don't. It's probably a makhrokus. Some, it's poor town, I think. Some do and some don't. It doesn't seem to be. The standard minig is not good. It's not a standard minig is not good. It's a shawm with it. What? It's a shawm, I do. Also, shawm, you always do it. Part of it. I'm thinking maybe, yeah. I think I seem to remember fahi. I see only fahi. But anyway, that's number one. Number two, the minig is biborghu. Even though there are some who find it, there's no makhro for that. But there is. There's an alma, there are makhrokus. And that's the minig, biborghu. You also, that's another place. And that's part down. Even though some claim there's no... But the Mr. Boobings, that one, that you bow. So again, it doesn't have to be... It doesn't have to be like a real kriya like we do in the middle of the schmonastic. But you do do it. You should. Now, okay, so we have that one. There's a kriya for borghu. Now, a leinu, it sounds also. Again, the minig does not seem to do... You want to know about bending the knees. All right. It probably makes sense, yes, too, because that's what you're saying. You're saying korimushtaka biborghu. But I don't think the minig is to go that far. But it probably is probably correct to do it that way. Now, we have also... That doesn't bend on the floor, but really... Oh, no, no, sir. I wanted to point that out. We mentioned it when we learned it. It used to be that there were, like it says by Shlomo Malach. We mentioned when we learned it, that he went down on his knees and he spread his hands to Shamayim. So I stayed. That was a tools of feeling. The knees on the knees were the hands spread out. So hands spread out. Both of these things, we stopped. The hands spread out and brought down because the goyam did it. And the same thing with the knees. The knees became the sai, sai, sai, ace of the hosts now. They both go down on their knees. So it became... We don't do it. And therefore, at no time... Except when we bow down in Yom and Reim. And the reason there is different. There, we are saying... Oh, there's a few more times. Wait, wait, wait. And I remember one second. One second. When we do it in the Khazal-Sashat on Musov, there, it's because we're simulating what was done in the base Amiktash. It's not a he of Kriyas, it's not. But since we're describing the avoidant of Mr. Biknash, then that's what they did. So simulating what was done in the base Amiktash. So we do it there. And that's why it's interesting. It's an interesting Shilah. I don't know what your meaning is. When the Khazal says on Yom Kippur, "The vidui of the Khoyangal." Do you clap? "Ah, no, I shame her to argue Prashu." So some hell that you're supposed to clap. Because he did. The Khoyangal was somebody did. And we're saying he was Musvada. So that's for them. Now it doesn't seem to be the standard meaning. No, no, you say you clap. You clap when you see it. When the Khazan says, "On a cap and all, avoidant of Shilah." When he talks about Khlal, he talks about Shilah. I talk about Shilah. I talk about Shilah. I talk about Shilah. So that's for them. He brings it. And the reason why it's not a problem is because we're doing, we're trying to do what they did. You know, Bishas, the avoidant in the base Amiktash. Then that's interesting. He says that you can do it. And the task is because of somebody's, somebody's decent. But that one is brought down. And the same thing, that's where we bow. And in the avoidant in Yomiki Purim. Even though it's not a heave career. Because we're doing, we're doing what they did. So those, those, then we have, there's a Shilah in Bishmay. Because he, his point is when we say that we're bowing, you're supposed to do it. Bishmay, it says that you bowing before, I forgot. So I give Nikkameh, but holy don't be done, right? So you're supposed to give a bow then or not. Right? So the main standard meaning seems not to, but it is brought down. The Pishketubers brings it down. There's a makkum to bow. This is I give Nikkameh. So that's another place where we have. I think that's about it. [NON-ENGLISH SPEECH] As I said, [NON-ENGLISH SPEECH] the Mishtubur does bring it down. [NON-ENGLISH SPEECH] When they say [NON-ENGLISH SPEECH] Not just the bow. [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] When you say the, when you say the [NON-ENGLISH SPEECH] Now someone is say to avoid the problem. Don't do it at the beginning of the end. Do it in the middle of the bow. Then you anyway, unsafe ground. [NON-ENGLISH SPEECH] When they say [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] [NON-ENGLISH SPEECH] That is the meaning, but I told you that. Some question it, but that is the meaning. 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