Film Sack

Film Sack 657: Repo Man

Today on the Film Sack Podcast, a young punk, recruited by a car repo agency, finds himself in pursuit of a Chevrolet Malibu with a huge, $20,000 bounty--and something otherworldly stashed in its trunk.

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Duration:: 1h 59m
Broadcast on:: 23 Jun 2024
Audio Format:: mp3

My dad works in B2B marketing. He came by my school for career day and said he was a big row as man. Then he told everyone how much he loved calculating his return on ad spend. My friends still laughing at me to this day. Not everyone gets B2B. But with LinkedIn, you'll be able to reach people who do. Get a $100 credit on your next ad campaign. Go to linkedin.com/results to claim your credit. That's linkedin.com/results. Terms and conditions apply. Linked in, the place to be, to be. This summer, Instacart presents famous summer flavors come into your front door. Or pool. Or hotel. Your grocery delivery has arrived, sir. That was faster than room service. No violence in the lobby. Oh, seriously? Anyway, sit back, relax, and get delivery in as fast as 30 minutes. Starring your favorite snacks, drinks, and more. Download and skirt for free delivery on your first three orders. Rated H for hungry audiences. Offer valid for a limited time, minimum $10 per order. Excludes restaurants, additional terms, and fee supply. I never broke into a car, never hot wired a car, kid. I never broke into a trunk. I shall not cause harm to any vehicle, nor the personal contents thereof, nor through inaction, let that vehicle or the personal contents thereof come to arm. That's what I call the repo code, kid. Don't forget it, etch it in your brain. [MUSIC PLAYING] [LAUGHTER] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [LAUGHTER] [MUSIC PLAYING] [LAUGHTER] [MUSIC PLAYING] That was so weird. [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] Hello, everybody. Welcome to Film Sack. This is Film Sack, minding the very depths of film entertainment for all mankind. This is episode 656. I'm Scott Johnson, joined today by Brian. He threw the Virgin Mary out the window done away. That shink. Oh, hi. This week on Film Sack, we get punked into doing some repo man, not cool, not cool at all. Here, have some white-labeled beer for your floor. Now, pardon us as we slam dance our way to the one ads of movies over on Netflix, because we won't nay need a sci-fi action film from 1984 discussing the hot topics of the day, such as consumerism, Scientology, drugs, rebellion, crime, drugs, conspiracies, and don't forget the drug that aliens in the trunk. Also, don't do drugs. Anywho, a lot of people don't realize what's really going on. They see life as a bunch of unconnected incidents and things like auto parts. Hey, I see what you did there. I don't like it, but I see it. People don't understand there's this like lattice of coincidence lying over everything. Like thinking about a plate of shrimp and then a Chevy Malibu shows up with a trunk full of radioactive alien sausages and then you fly off into space. Why, yes, yes, I did eat a lot of acid back in the hippie days. Come on, Randy. Let's go do crimes like get sushi and not pay. Oh, I played just shrimp. What was I saying? I was just thinking about a plate of shrimp. How weird. Oh, weird. So is I. All right. Nicely done. Also with this Randy. Hey, they are racing in those LA water canal things that had the Terminator that one time and stuff. Jordan. Aloha, Scott, Brian, Brian, and thank you for coming to my seminar on illegal activities titled let's go do crimes. Today we're going to compare people who belong to a counterculture to literal aliens. And along the way, find out if you can do a lot of drugs and make the written aspect of art make any sense at all. But mainly we're going to glorify violence and masculinity through stereotypes such as men never smile and all jobs suck. But back to the crimes you want to crime and I teach you how starting with torture. Torture is the second oldest profession after giving up that booty for some tasty meats. And torture is easy as long as you follow my three punk rock rules. Number one. Touch them a lot. You know how when you have someone strapped to an electric table and you're shocking them. You just want to touch them. Go ahead. I'll make that urge. Number two. Take the time to strip off your torture victims clothes but put their shoes and socks back on them. That's just common courtesy. Number three. Usually when you're torturing someone there's a rescue party coming for them. So make sure you torture them in a shed that their friends can easily identify and storm before you hurt them too much. Oh that reminds me never shock your torture victim too much. I don't know why it's not allowed. It should just be small jolts. Little jolts. You know that make them make them squeal a little bit. Okay. Let's go do crimes. Let's do the crimes. Like we got to keep doing these crimes. Yeah. I'm actually done finally with us. Brian the old lady is still pissed. He ran into her trash habit. He ran into buy a trash. I'm going to wave a ring at him. All right. Let's do a little jazz for this one. Going into. Right here. Here we go. Repo man, repo man. That hefty car payment wasn't in your plan. While you sleep safe and sound will take your vehicle to impound. Look out. Yeah. Here comes the repo man. Are we mean? Are we rude? We've got a code that we follow dude. We don't break in and out why you ride. We don't harm what you keep inside. Hey there. There goes the repo man. In the chill of the night. We'll come for what you have bought. Get a ride. Bring some cash. You can pick it up from our lot. Repo man, repo man. Repossessing your red sedan. Come and get it from our yard. We don't take Visa or MasterCard. Just cash. Just cash. That's cause I'm repo man. Change the keys. Repo man, repo man. Import it superuse from Japan. Your car is yours for an expense. After hours you can hop the fence. No dogs. No dogs. No dogs. Just one old repo man. Just one old repo man. Oh my gosh. Yeah. Did you play a strip? Hold on. Did you just sustain that last thing? Yeah. I really did sustain that last thing. Okay. You know what? That longs on it. Direct benefit of prepping for a MS150. You know what I mean? Yes. A tremendous lung power right there for that one. That one showed new range. I'm just saying. Six vocal tracks, by the way, on that one. Oh my gosh. Even more than we don't talk about Spacey. You're basically Ruben. Rick Ruben, that's who you are. Let's get to the quality question. Does the quality of the movie, as far as your opinion goes, Brian? Does that urge you on? Does it motivate you? Oh no, I think my song is as crappy as my song was better than the movie we just watched. Fair enough. Fair enough. All right. Let's talk about the movie. It is called repo man, as you may have figured out from the song. It is from 1984, and we have a fake Fletcher to explain more so that if you're confused, you won't be. And this one's really unhinged. But anyway, here you go. A young punk recruited by a car repo agency finds himself in pursuit of a Chevrolet Malibu with a huge $20,000 bounty and something otherworldly stashed in its trunk. What even is this thing? Yeah, it's a good question. It's gone from Mario to Maria Bamford. Especially in the beginning there. Also, I think he said repo man. The movie is repo man, directed by Alex Cox, written by him, and starring Harry Dean Stanton, a great actor, Emilio Estvez, a pretty good actor, and Tracy Walters. Tracy Walters, she's a singer, right? He is. Who am I thinking of? Who's the girl? The girl is some punk rock. No, she's from TV and stuff. Oh, Olivia Barris. Yeah. Didn't she? She's in music. From the UFO. She was in the doors. Maybe you're thinking of fame? She was in the movie. She was in the movie. Yeah, but there was something else. What was it? Hold on. I'm going to find this. Fame. Hi. No, there was some. Yeah, I didn't recognize her as being. She's been a lot of TV stuff. Oh, yes. She was a songwriter singer, signed with Warner Chapel music, placing her original songs in motion pictures such as Oliver Stone's The Doors, but I don't see a member of a band or anything like that that I might be missing as I scan. Oh, here it is. Co-founded the original pixie cowboys. I don't know what that is. Oh, there you go. But that was obviously it didn't make an impact. Yeah. I like the newer pixie cowboys. Yeah. I was going to say if you haven't. If you haven't heard it, it's far better. Is it good? It was a better, a good direction for things. I'm surprised. If it does, doesn't remember her from soap. As much soap as he watched. I watched all of soap many times. She was on soap. Oh, wow. She was on soap. All right. She was on soap. Molly. In one episode, she was Molly. Yeah. Okay. She was a kid. Yeah. And that was like seven years before. No, that was. When did this movie come out? This came '84. Yeah. Seven years. The big year of '84. That's right. I should remember that because currently the Elle Modra. I'm sorry. The Sony Elle Modra Fthouse is doing their 1984 time capsule. So they're letting you come in and watch all these movies from '84. Best year. I just want to direct some love at you for calling it the Sony Elle Modra Fthouse. Your listeners are probably not hearing this immediately, right? We're like posting this a week from now. Yeah. This episode is being recorded within minutes of Sony taking over Elle Modra Fthouse. Yeah. If it already has that. I'm curious as a fan of that stuff. Obviously it's early, but do you think you're worried about the impact? Here's my take on it real quick. Number one, Elle Modra Fthouse was on the verge of bankruptcy and closing. So this keeps those places alive, keeps those people working, keeps the place in business. And they're also keeping the Elle Modra Fthouse CEO in place. And Sony has said that their goal is to keep the same feel of the place, not change anything about what its place is in the theatrical landscape as far as compared to other big chains of movie theaters. Right. Sony's not the first, you know, it's been a while. It's been whatever I can't, I think the article said 60 years since the last movie studio-owned theater chain went or closed, and I can't even remember what it was. Unite artists maybe? It's been shorter time than Unite artists. That was maybe 10, 15 years ago. Yeah, that wasn't that long ago. I remember hearing about it. But the fact that they're keeping the CEO in place, that they've pledged to kind of keep the same feel of it. I'm hopeful, obviously. If I feel like the things I love about Elle Modra Fthouse change, then I'll take my business where and I don't know where else, because this was the last bastion of we are kicking your ass out if you take out your phone or you start talking or you'd be rude to the other patrons. Yeah, they kind of had a thing. We'll throw your ass out. Yeah. Yeah. But now Sony, yeah, I don't know. It's going to have to be a we'll see kind of thing, but it may take years to see, but I don't know. I hope they retain that magic. I hope so. And I hope they expand into more places. So like, you know, in Utah, you can start going to Elle Modra Fthouse movies and see what the hype is all about and what if they start calling it PlayStation movies? What if they do that? Yeah. That'll be data. Data max draft house. Oh, man. They bring it back. We finally won the format was. Yeah. Right. And this one Elle Modra Fthouse came up on this episode because repo man is one of the best ever examples of a movie that you can show again and again at a place like Elle Modra Fthouse. Yeah. It fits. It kind of feel fits for that. And if it's kind of my and about issue, but kind of what I feel is the fundamental aspect of a cult classic is typically if you don't get in on that cult classic early on and kind of latch your hooks into it, then coming into a cult classic late, Mesa kind of go, hmm, I'm not sure I see why this is a cult classic. I think it's because of the passion of the previous people who were already there. I think it is. Yeah. It's like a little intimidating. Yeah. Go and see Rocky Horror picture show now and maybe don't go to a showing where they're doing all the stuff that goes along with it. I feel like it's they're like, Oh, okay. I guess it's a B movie. Frankenstein parody. Okay. I guess musical. Yeah. Right. Yeah. So the question is what makes a cult classic? Right. Like what is the what are the elements that make a movie not not just a bad movie, but it's a cult classic. Yeah. It has to do with a community forming around it, right? Like there's something that it doesn't matter if this one is better than the next movie, right? Or it's worse or whatever. It really creates a cult. Yeah. You need the cult part. Yeah. The cult part. The operative word of cult classic, I think is cult. So Randy's right. You got to have the people coalesce. Right. So like there's probably other movies that we've never heard of that are like Rocky Horror, but they didn't the movie didn't generate a group of people who memorized all the songs and tell you you've got to come to a Alamo draft house and bring spaghetti to throw at the screen and this kind of thing. And like those other movies are just as bad. Some of them are probably better actual movies, right? So like it's not at all about the quality of the movie, although I do think a cult classic starts with a bad movie. Yeah. You can't. You don't start a cult classic around. Usually. It's a revolt is very much like punk is a revolt against popular culture and everybody else can agree that this movie is good and the cult usually pop up around people are like, why is more people not appreciating this? And you start looking for other people who can appreciate the same thing and you kind of commensurate around that and that's sure, but the reason it also to stay cult classic and needs to not be that good, like it needs to be kind of bad and the reason it has to be bad enough to like other people will avoid it because they don't understand man. They don't get it. It has to be a barrier. Right. It has to be a barrier just like just like the punk music that was in this movie. Punk is not accessible to a lot of people because they don't appreciate the language that's being spoken there. They don't they don't appreciate, you know, the anarchy of what's going on. So very, very parallel. Yeah. When people hear punk music, if you're not into punk, you hear yelling and screaming and noise and it sounds discordant and lame and you're not into it. And that's the point is that we're cool. You're not therefore. The barrier to entry. Yeah. Yeah. Yeah. It's a it's an ancient form of gatekeeping. It's really all it is. Yeah. So like I said earlier, there's a there's a really strong theme in this movie and and that is that is that is an alien culture. Yeah. Counterculture is something you don't understand. You're a normie and you don't understand counterculture and to really drive that point, we have actual aliens invading so we can all agree. We don't understand them. We have no idea what that's about and and that's a sort of a it's like a mystery, right? Yeah. And it feels destructive whether or not it actually is, right? The alien force feels like a menace, so to speak. Yeah. And that's how the normies feel about the counterculture and like it's great and everything. But then there's I mean, this movie doesn't live up to that, you know, like it's like the writer, director, like, I don't think he realized how much he could have hung on Harry Dean Stanton. Harry Dean Stanton is in a different movie entirely, which is great, which is I think works really well. This is Alex Cox's first film, right? This is a directorial debut, right? Right. Yeah. He would go on to make some real shit, by the way, this is I will defend sit and Nancy to the end. I feel like that's such a great bio pick. Oh, I didn't know he directed that. Yeah. I thought that was just a I thought he was just in it. I thought he was an actor in it. No, let me double check that because I thought that was when he direct anyway, he's really he's really into this this whole scene. And man, if you want to see somebody make a movie that integrates the ideology of what punk is into a film, I think this is about as about as best as I've seen. Brian's right. He directed sit and Nancy and I'm I agree. Sit and Nancy's awesome. I love that. Yeah. I'm shocked by that because some of this shit is so bad, like when he he comes back around to this, he means we'll get this over with, but he he made that. What is it? Chick repo chick. Yeah, repo chick, which was the spiritual successor to repo man. And yeah. What happened with that though, what that was intentional though, right? This was the what early to the mid 2000s early on in before I really had like everybody had a camera in their pocket. I mean, we were still we were talking about how are you going to film something on a super low budget, but still film it, you know, with real actors that you know, that actually get paid. Yeah. But these aren't these aren't real actors though. Have you seen him like I think that he said, okay, we've got this much money and we're not going to we're not going to not pay our actors or have some kind of, you know, freebie work or anything. I think that's the way it felt anyway, like maybe it just felt like that. It's like, well, what can we do with the money we have and still respect the content creators, even if it means that the actual in product suffers, right? Everyone at home, go watch that trailer. You'll see what we mean. It's very weird. Yeah. I don't recommend you. It's all green screen. Just imagine everything in this film is green screen and it looks weird. All right. It's very weird. It's a college video. Yeah. It looks like full motion video video games from the nineties is what it looks like. Yeah. And somehow somehow there's bit parts for Rosanna, our cat and Francis Bay who played the marble rye old lady in the Seinfeld who ran with the marble. Oh, yeah. Somehow she's in that. But okay. Back to repo man number one. Here's the thing. He made a Tarantino movie that wasn't good. That's what this is. Yeah. All the way down to the alien car being like the briefcase in that. But realize, of course, listener, we do know that Tarantino come later on. This was a closer reflection of what Tarantino would tap into later, which is what was going on during the seventies. And this was happening. Yeah. But that's talked. Yeah. I feel like what this movie is is if you took a, you basically had a map and you plotted, oh, right over here is Tarantino movie, Berg, and then over here is that movie slacker that we watched a town and then drew and then followed the highway halfway between those two towns is this movie right here. And they'll estimate plays the most in just the greatest slacker because yes, he wasn't just, he wasn't just a slacker. He was a slacker with, with, with maybe some kind of motivation somewhere in there, like most of us probably growing up. It's like most of it, you feel like everything's out of control. You don't have control over anything. And it's just like, if you, if you, this really was a really good reflection of how I felt growing up in the, in the eighties in, in, we in America all have, you know, we have different experiences in how things happened in this was a good reflection. I think that's true of anywhere. I don't think it's just America, by the way. Well, yeah. Yeah. Well, I think I'm specifically talking about America because I'm about to say, you know, if you lived during the Reagan years, you either saw it as the greatest time for Americans or you saw it as a very repressive time. And so I want to say that if you, that was your experience, that's what's represented here at this, this, you know, this, yeah, repressive time under belly. Yeah. Maybe never want to go to LA again, even though I know, you know, I can avoid those areas, but ran, they really, the way they portray LA is what I, what I think of when I was a kid and I would go to LA with my dad and we'd drive out there and then drive back or whatever. And we would always stay in the parts of town that look like this, this, these places. And boy, it gave me like, it's not nostalgia. What is nostalgia when you, when it makes you feel gross? What do you call that? It's like a reality. Like, you know what I mean though, like a feeling that you only have when you're a kid. Yeah. So obviously the nostalgic feeling is the, I don't know, is gross, gross, gross, not, not, not, not, nostalgic or gross, not, it's more like, it's more like gross, nostalgic or something. It's just a kind of a icky feeling I get when I, when I watch it. Yeah. Like we've watched a lot of this lately, like it reminded me of the hitcher, obviously, like the beginning is straight from the hitcher or vice versa. It reminded me of boys in the hood a lot because you realize, you realize it's probably just due to the nature of how cheaply you can film in South and East LA, you know what I mean? Like that we probably are seeing a lot of ghetto LA just because that's where they could go easily, make a movie. Yeah. Yeah. Yeah. You know? Probably. We talk about that some in, in some of the documentary stuff that's done on this. And they talk about filming the way they had to because they had to. They had a, he had a different vision in mind. But yeah, you just film or location where you can. Not to usurp. Not people there. That's fine. Not to usurp a potential future round table. But if this is somebody's cult classic, do you guys have one like that? Like I was just thinking of it in like spice world for some reason. Yeah. Or Hudson. Or Hudson. Even. Yeah, that's a good one. Unfortunately, most of the movies that I, I like that I like alone, I really like alone. Like sucker punch. It's like there's no culture around that. Oh, I don't know. Those Snyder people do. They're pretty culty. Although it's not, you're right. It's not usually around this movie though. It's usually around Snyder versus like DC stuff. But they're pretty, they're pretty hardcore. But you're right. I think you kind of live there alone. You're on your own on that. I live there on my own there. It's like Brian, Brian Island. It's like, well, I like it. I'd visit Brian Island. That sounds like a fun place to go. They have a summer. Come in. Welcome in. Yeah. And Brian Island. Showing bullshit all day. Welcome. Come on in. Yeah. Old video games and bullshit on VHS. Right. That's how that'll be. Is this our first viewing for everybody here? Yeah. First for me. I've seen so many parts of it. Yeah. Yes. I mix it up with the one he did with his brother that's like a garbage man thing. Yeah. And I made reference to that last week and I was like, no, wait, I did it again. Trash. Trash man. Working. Men at work. Men at work. Men at work. Caring songs by men at work. Yeah. Oh, there it is. Yep. This is working. Yeah. What? Hello. Working man. Oh, definitely. First viewing for me. And I don't think that I have ever been into a cult classic, like enough to say that I was into it, you know, like, right? I really, I did go along with my much older sister to a couple of viewings of Rocky Horror. And like, I'm aware of, like, we've sacked a bunch of cult classics, right? Like, I'm aware of these regular viewings of the room and I don't really, you know, like, I don't really go for it. I was like thinking through like, what have I seen recently, like advertised, right? So like, go to Los Angeles and everybody's going to watch Donnie Darko is one. Uh, it just don't, those just don't really, I like Donnie Darko, but I'm not like, once again, not a cult fan. I'm not like, oh, can I start dark again? Mm hmm. As much as I like Spice World and Hudson Hawk, the only one I've actually gone to cult viewing events would be Rocky Horror. I've been to see Rocky Horror in a theater with people doing stuff around it four times. And only the last time was, uh, did Tina go with me? All the other previous times were during college and pre, um, being married to Tina. But, uh, uh, so she had that experience of like, okay, I'm coming in on this thing that all these people are fully entrenched in and really, really love. And I'm seeing it for the first time. It's like, okay, yeah, it was fun, uh, but she wasn't like, yeah, I totally see why it's a cult classic. It's like very much I can see why you all like it. Mm hmm. Yeah. Yeah. Yeah. I mean, I understand, I respect that you like it. Oh, you know what? I will take it. I will say there is one. I'm looking through now. Well, maybe there's some that I don't think are cult classics, but actually are. And I am seeing, uh, one of these is, they live and I live, Brian does, they live. I, I live and they live and I love talking about it. Yeah. I knew we were going to, we were going to compare this movie to they live. You have to compare this movie to they live. John Carpenter made such a better version of this movie. Yeah. Mm hmm. Interesting. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. But back, back to this point about the Tarantino style thing. You got a crime drama mixed in with a McGuffin in a, in a car or, you know, in their case, it was a brief case. In this case, it's a car and you never really know what's going on there. Like it does take off and leave. And once again, but it's, you know, it's not before it's never explained. Yeah. Yeah. I'm not, I'm not implying it came before. I'm not. Lift it off. Yeah. I'm not saying that. Right. Right. Right. Right. Right. Right. Right. Right. I'm not saying that. I'm not saying that. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Pulp Fiction in particular is really the one I'm focused on here. But it's like, that can be, that can work really well where it's where you're what you expect is disrupted once in a while by a thing that's like, wait, what is that mystery about. Of this movie, if you take out the alien shit, because I don't think any of that matters at all. I, oh, I hated, I hated the alien shit, but it's the one thing that makes this movie memorable. If it's, if you take out the UFO part, it's like, there's a lot of great things going on, a lot of discussions, a lot of fun things in some depressing things. But if you take out the aliens, I forget about this movie. It's half the plot. Yeah. And I wanted to ask a bit. Do you, do you agree with me? Did you actually have this thought watching this movie? Wow. This is 45 minutes of plot stretched to 90 minutes. Yeah. Wait, 45 minutes even feels like very generously slathered on and out. I wasn't kidding when I complained to Dislacker as being like a, a series of conversations very loosely connected by a plot. Yeah. And that's what this movie is. The conversations in this movie obviously center more about what it's like being a repo man and time travel and stuff like that. Yeah. Alex, Alex Cox worked as an repo for a while, right? That was his... Yeah, this was from his experience. And some of this was actual like, you know, this actually happened to me kind of stuff. I think probably everything, but the spaceship car, right, and flying around the city of LA and the sky. I'm certain that that happened to Alex Cox. I am certain most of the things that are most fantastic in this movie feel like it came straight from a drug trip. Exactly. That is how you, that is how you construct a movie like this. You know, you get iron. And like, so Scott brought up the Miller character earlier, Tracy Walter. Mm-hmm. And that's a self insert, right? That's Alex Cox basically, right? Right. Yeah. That's the trope of the cloud cuckoo lander. Have you ever heard that before? Yeah, I love Tracy Walter so much. Yeah. And the cloud cuckoo lander is always the screenwriter. Sure. Like that is a person who is stating what the screenwriter thought while getting high. And then Emilio Estivas is us, right? He's a blank slate. He's an observer. We're just in there observing all this stuff going on. And so like audience proxy. Yeah, exactly. And he really like, he's really good at being a blank slate, by the way. Mm-hmm. He's so, I thought he, I mean, I like Emilio Estivas, always have, but man, in this film, I was getting raw Emilio and I liked it. Yeah, I felt like we, I felt like we missed out on not getting more role. Maybe he did more stuff like this and I just never seen it, but I really liked this. Yeah. Like my experience with him is right around the same time one year later, he would be in, a breakfast club, right? Breakfast club. Yeah. And then you would, then you would sort of attach him to all things Brat Pack and, you know, any time there was a... Did you guys ever see speaking of that? Yeah. Yeah. I was gonna say, do you guys ever see Judgment Night? Uh, no. Yeah. With our coop of Gooding and Steven Dorff and Dennis Leary and Jeremy Piven and they're like, they kind of like, is this the greatest movie? It is really good. And it's perfect for film's sake. Oh yeah. That would be a great own sack watch. The, yeah, the funny you bring up the, well, it's not funny that you bring up Brat Pack. We were definitely brown about to bring up Brat Pack, but have any, is it good? But me, watch the new Brats. Oh yeah. It's on my, it's on my list to watch soon. It's out now. Right? As of a couple of days ago. It's out now. Yeah. Randy, were you expecting, did you, did you go Jeff Goldblum style? Yeah. Yeah. I actually, yes, I had way higher expectations than it could possibly be. What really bugged me about it is in the end, I felt like maybe I'm being lied to. Maybe there's, there's like, this is like this one guy's take on reality, you know? Yeah. Yeah. I mean, yes and no. Just like everybody, if they could have gotten, Judd Nelson, if they could have gotten Molly Ringwald, if they could have gotten, boy, not even a mention of Anthony Michael Hall, who I would say because of 16 candles and breakfast club should absolutely be considered a member of the, the Brat Pack. Yeah. It's kind of felt like an outsider, even then. So that was good. Yeah. I suppose. Yeah. Like, if a wife, this one, I mean, this is, this is in the trailer for it. So hopefully not a spoiler, but basically, out of where he spoiled it by saying you don't judge, judge, judge, or judge Reinhold, Judd Nelson or Molly Ringwald. But you, Emil, you asked of his even more put off and pissed off by the Brat Pack label than Andrew McCarthy and, and I feel unrightly so based on, based on things. I feel like it was a, I don't know, the movie may have been a little bit of a nothing burger as far as like, here's, you know, how it felt to be a member of this group that was unfairly labeled the Brat Pack. Yeah. And, and the whole time I'm saying, you know, well, it was based on the Rat Pack and they just found something that rhymed and brat because you guys were young. It wasn't meant and was like, eh, I mean, maybe it was meant by this one guy, the, the author of the article that penned the name as, well, these guys have had a lot of stuff handed to them because they're young and they capture this movie audience. But, but really that's kind of 10% of it, 90% of it is it rhymed with Rat Pack. Yeah. I mean, that's, you're right. Just 90% of it's it rhymed. It was a, you know, some way it's a headline, you know, it's so, yeah, exactly. And mainly it's, it's because people liked the Breakfast Club, right? Like that had really, this whole idea exists because that movie is so beloved and you just like you want every one of those actors to be together again and again. Yeah. But then you wouldn't have your. And then well, yeah, but no Andrew McCarthy even in that movie. So I feel like you're, you're right. But I think it's seen almost fires, kind of the one that everybody thinks of. That's the, that's the one that the most throughout that movie to show. Brat Packdom. But I'm saying, I'm saying that like when you talk about Brat Pack movies, right, like pretty and pink has a couple of them. Some kind of wonderful has one of them. You know what I mean? Like it's like, it's not really a ton. I didn't need that. I didn't need the full Brat Pack to get a taste of them. I, I preferred getting chunks and it's like, how do you mix these three together? Okay. Let's mix the three of them. This one. That's how I enjoyed the Brat Packdom. I didn't say no most fire. Who watched that? A bunch of weirdos. Well, yeah. But that's, but that's my point is I think that the term came from that and then we just assigned whatever we wanted from it. Like, you know, when I remember the time, it was like a term of, a term of like it didn't it wasn't negative when I was of age. I was like, oh, no, these guys are cool, man. Calls Brat. The group you wanted to be part of and that sort of thing. And zero mention also of the frat pack, the Will Ferrell, Wilson brothers, Paul Rudd. Oh, right. Yeah. We did all those, those frat things. Yeah. Yeah. And then we have the Seth Rogen offshoot there. Like, I guess the Judd Apatow is really the frat. That's why. Yeah. He's all part of that too. Yeah. Right. What's his face? We just, we really like associating people. We see a movie that's got two or three people in it, but they do a good job. We want more of them, you know? Yeah. I mean, we want Matthew Lillard, Freddy Prince Jr., Sarah, Michelle Geller, and, you know, we want all those people to form a pact, right? Dewey? I don't know what we do or not. Having said that. One of the things about repo man that really stuck out for me was I didn't want to ever see Harry Dean Stanton talk to Emilio because ever again in my life, like, I'm like, how did someone cut this together and go, "Oh, this is a good movie." Well, based on the trivia, he hated it. Right. Terry Dean Stanton was constantly like grumpy and pissed. And when the scene would end, he'd be like, "Oh, my gosh, I'm out here. I freaking hate this." Yeah. And then he'd take him out of it toward the end. And you notice he was way in, he was in way less toward the end of this film. He's unhappy to the point that the trivia states Harry Dean Stanton in the baseball bat scene wanted it to swing a real baseball bat at his fellow actors. That's how upset he was. He wanted to actually physically harm his fellow actors. Yeah. He's a grumpy old cuss known for it, like famous for it, but also that dude's really interesting. I could watch him eat a cake, you know? I really like that. He really is, yeah. Yeah. Yeah. The Harry Dean Stanton cake. He'd get it from like some box cake that was from the grocery store that just said cake on it. That'd be great. Probably just cake. Just a white box cake. White box cake, mom. Yeah. Good. Thanks for the cake. You put on a plate. Do you guys all have a favorite Harry Dean Stanton film? Paris, Texas, probably is my favorite, but I also really liked him in Alien. So kind of perfect. Yeah. He was really good at it. Yeah. He was really good in Alien. Yeah. I like Wild at Heart, the Nicholas Cage, David Lynch film, where basically he's sent across the country to track down Nicholas Cage and rescue Laura Dern from him, basically, but she doesn't want to be "rescued" from him. Oh, right. I forgot about that. It's just him driving across country for so much of the film, Smoke and Cigarettes, and Ridin' in his car. Yeah. From what I remember. Yeah, it might be different. Yeah. Now, it's not a movie, but my favorite role was Roman in Big Love. My God. Oh, yeah, dude. Awesome. He just ate it. He just ate it. I hated him so much. I'm like, are you doing it so good right now? Oh, he was an horrible man in that. He was good. He's too toot in the green mile. I remember that. Oh, yeah. Oh, yeah. Does he please? Walk in a mile. Yeah. Give me Harry Dean Stanton in Down Periscope. He is... He loves that movie. He loves that movie. He loves that movie. Because it's so good. Yeah. Harry Dean Stanton is like an old Navy man who's like career Navy, and he served on submarines for like 50 years at this point. And he's like... He's got all these young recruits coming on to an old boat, and he's the guy, like the cook. And he's like the cook who teaches them how submarines work. Oh, he's so funny. Yeah. For a guy that I got... I guess I need to see Down Periscope. I think you're cooking... Yeah, we have to. You know what? I'm with Randy on that one. I like that movie for... I don't know why I even like it. It's stupid. It's great though. I like that movie a lot. Can y'all make a cult around it? Can y'all do that? Probably do a little cult, yeah. I think so. But Harry Dean Stanton... I see grammar as a weirdo with a tattoo on his dick, it just doesn't get funnier than this. Yeah. It's pretty great. By the way, I always forget this until I see it again. I'm like, oh, yeah, right. I played a security guard in the Avengers when the Hulk landed and turned back into Bruce Banner. Oh. And he's laying in the rubble and the security guy comes up and... Oh, right. Yeah. That's Harry Dean Stanton. They didn't get you rough low and he's like... Yeah. I mean, it's very much a cameo and not a role really, but I love that. And he also came back. I just had mad respect for this, but in 2014 when they put out Alien Isolation, one of the greatest horror games of all time, my gosh. Yeah. He came back as Brett and did a voice for his original character, and I thought that was kind of cool. So yeah, he's awesome, or at least I think that was the character. It might have been a different guy. Anyway, I think I lived until '91, died in 2017, hadn't been that long. Good job. Way to go. Yeah, I love it. He was in that Twin Peaks revival that... Yes, he was. Yeah, but loved, yeah. All right. Just haven't seen it. You know, he was so good in that I had to remind myself, was he ever in the original Twin Peaks? He wasn't, but by God, he feels like he fit so much in the original Twin Peaks. Yeah. He's just such a weird looking dude, and just, yeah, especially the older he got, the more I was into it. Yeah. Yeah. He looked always. Yeah. Yeah. He just got even better as he got older. I keep hearing that we should all see the movie come out in 2017, The Year He Died. We should all see Lucky. Apparently, that is a... Oh, I've heard that. A great movie. Yeah. Directed by John Carroll Lynch, who you usually think of as like comedic roles. He's actor normally. Yeah. And it's full of these weird actors, like David Lynch is in it, a Bagley Junior, Ron Livingston, Tom Skarret, bringing the alien team back together, like, I keep hearing about this thing. People say, "Dude, I shouldn't skip that one. That was a great movie." Still haven't seen it. Well, that's okay. We'll get to it. Now I'll tell you who wasn't old, Emilio Estefez. He was so young in here. Oh, my gosh. He's running around. So young. Constantly trying to insinuate he was going to be Jake. I was like, "Still down, Emilio." Yeah. I love that this movie has some negatives to say about religion, while Emilio Estefez is wearing a crucifix earring, the entire movie is wearing a crucifix earring, right? Oh, yeah. Big church. Oh, is he a Scientologist guy? No, no. They just brought it up a whole... Oh. Well, he brought up a kind of Scientology that's definitely meant to be... Yeah. Yeah. And then the evangelist did it as well. I'm going back then. I thought Scientology was newer than the native... Diuretics, right? It was... Oh, because they called it Diuretics. That's right. That's right. Yeah. Right. They made the reference to... I love that they called it Diuretics. Oh, yeah. Yeah. Yeah. Yeah. Because Diuretics, the movie, the book, "Diuretics." That's right. I totally forgot about that. But I don't think the actual organization was a thing yet. I think his book was... Right. Right. Yeah. Right. It was just the book. But we saw where it was going, right? I mean, we did see where we were all... Where it was going. Where it was going at least. Right. Right. I didn't know about it. I'd never heard of it until probably... I don't know. I think maybe the very first time I really heard about it was when Tom Cruise was jumping on couches. I think that was the first time. Yeah. It's like, why is he doing that? Scientology? Oh, okay. I just... I just looked it up and the Church of Scientology developed through the '50s and '60s. Well, it's when he wrote his book was in '52, right? But what... And this... Yeah. This movie comes along after Scientology had kind of swept through Los Angeles in the '70s. Yeah. It must have been... It must have existed. It just wasn't like it is now, like... Oh, yeah. Not like... Yeah. Most of the rest of the country wasn't really aware of it until a little thing. But watching like the old crap of what was going on, how it got built up. Yeah. Why do I watch that stuff? Why do I watch that? Because I like to be mad. Yeah. I like to be mad. You like to be... You like to be outrage-farmed. You've been farmed. Yeah. I'm so outraged right now. Yeah. You're so pissed. One of the people ought to be pissed. Each peaches out of an open can that have been left in the refrigerator. That is the worst. Isn't that like... Like, like, can you poison or something freaking eating open can food out of the refrigerator? It sounds like a terrible idea. Yeah. I don't know. The microbes fall right in. Yeah. And then they... I'm like, that's not a good idea. They grow in that sugar water. Yeah. Ah. I don't like that yet. I'm not a fan of that. That's good. Yeah. I mean, I don't think you would kill you, but it's like, it doesn't... It doesn't... It doesn't help. It doesn't. It's a nice cold can of cling peaches. Slice cream. Slice cream. It sounds really really good. Yeah. And what sauce heavy... Heavy sauce or heavy... Yeah. Oh, what do they call that? All the heavy... Heavy... Heavy syrup. Heavy syrup. There you go. Heavy syrup. It's definitely not sauce. Heavy sauce. Peach sauce. No, I agree with you. There is nothing quite like that in the right situation, right? As long as it's canned well, it should be okay. Yeah. Yeah. This movie almost... Fortunately, I'm talking about once you've taken the can opener and opened it up and ran around with it a couple of times and fought a couple of spoonfuls out and then threw it in the refrigerator, then it seems like a recipe for a botulism. I don't know. Something bad. I have some... I've never... I never want a whole can of peaches. I want to eat about two-thirds of a can of peaches. Yeah. And so like... Somebody's figured out how to sell the most peaches, right? You're not wrong. It's the amount of packaging... It's the amount of package peaches that I don't want. You know? Yeah. I have felt regret after having a complete serving or what I assume is a complete serving, which is the whole can, right? I have had regrets for peaches. Yeah. Two-thirds of a can is a little heavy. A little heavy. Yeah. You feel very heavy. Yeah. Why do I feel so heavy? Yeah, I don't like feeling heavy. I want to... I want to feel light is what I want to feel. Right. There's a bunch of trivia in this movie for this movie about the car being stolen. Yeah. And it must have just... it must have been an instant legend for Alex Cox to tell people, right? So I had this one Chevy Malibu that they were using, and he decided to drive it himself somewhere in Los Angeles and Parkit, like he's inside eating a meal, and the car gets stolen. Was eating a plate of shrimp? Probably. Probably. Right. The West Coast. Right. Yeah. There's so many pieces of trivia about the car was stolen. We get it. The car was stolen. Oh, no. Yeah. The car was stolen. He must have told this story a thousand times. Mm-hmm. For the... I think it's gonna be so heavy in the trivia. Yeah. It must be... It must have felt like it was ironic or appropriate because, you know, the movie gets... The car gets stolen constantly. It's constantly changing hands, and I tried not to dig too deep because I know there's probably nothing there. I was like, "Well, what is this constant change in of hands in the car?" I mean, like, "Shut up, Brian. It doesn't matter. It doesn't matter." It's an alien in the freaking trunk, and it's made out of sausages. That's what's important. Yeah. That's the important thing. Sure. Don't forget the important thing. Right. There's some trivia here, too, that's interesting about the lobotomized guy that drove the car around. Yeah. By the way, the lobotomy behavior is nothing like what that guy was doing. That was... No, no. That was weird. It's hard for you to be able to drive. The body doesn't... The body doesn't split the spheres of the brain. It splits the emotional center from the rest of the brain, right, because in the frontal cortex, it doesn't like that. Yeah. It just chills you out. If it's done right, you don't have any complications. We don't do this anymore. It's considered cruel and horrible, but it's supposed to just make you kind of docile and care. It detaches your emotional part of your brain, which is the front... But not your spheres, because that's what they're implying, because the guy's got... He's talking to himself about the guy driving. He's got a shade on one side of his glasses and not a shade on the other. It's supposed to be the split person out of the eye. Yeah. That's the idea. But they didn't get that part right. Anyway... Let me expect from a repo man. The point is, the whole point I was getting to is Lance Hendrickson was supposed to play that guy. Oh, he'll be perfect. Something fell apart in the last second. Dennis Hopper was then considered, but according to this, his erratic behavior at the time ultimately made him unusable or unsuitable for the part. He was out. Which is perfect. Yeah. I mean, he was a mess back then. Right. Dennis Hopper. He was like, "Oh, I don't know. There's a guy." Yeah. But here's some... I got scrutiny. All right. Here's some scrutiny. Screw me. It says here, "The company that makes Christmas tree air fresheners was one of the sponsors of the film." This movie... Yeah. Yeah. Why? Why? No. There's no way. This movie did... This movie had zero sponsors. This movie... Right. No chance. It just somebody said, "Wow. They sure have a lot of those tree air fresheners. I'll bet they were a sponsor. I'm going to put that in the... In every car... In every car. Yeah. It was pretty good about being accurate with that kind of stuff in the final film, making sure they said something, they kept it true. And it was even like... After they said that about the tree, then they popped over to the cop who had taped one to his motorcycle with his hilarious course. That's pointless. Mm-hmm. Yeah. Yeah. But he had no sponsor. It was a new idea. Yeah. The Christmas tree air freshener was a new idea. You know, same with the word dildo. My God. Oh my gosh. Alex Cox was overwhelmed by the newness of the word dildo. Like Alex Cox. Oh yeah. He loved the word dildo. He loved that word. That's a Dutch word basically. Yeah. Crouch word, really. Crouch word. Yeah. But it was all the time. I think I captured a few, but that dude really was fond of the word dildo, and he really thought the gang members in 1984 were a combination of listen, hair, see, and punk. He was really confused. I'll play clips later where I can show this, but it was like, what is the dialogue you are speaking? Yeah. It's an interesting time because we did have, in some larger cities in the US, we were coming out of a time of really high crime, and cities were really cracking down on crime. So trying to figure out what they were going to do with certain areas and regions. There were some things they wanted to talk about in this movie, and they just didn't do it because instead they were running around, following a glowing Chevy Malibu with a sausage. They showed us for a second. And I kept thinking, do I want to pause this and see exactly what's so brief, so quick. Yeah. What exactly they are representing as a picture of the aliens. I'm like, no, I think I'll leave that as a mystery. Yeah. I'll just let that one wash over you like an idea you'll never get named. It's dead out. I'm going to sit here and think about that baby alien in the UFO place where Milio Espez is trying to get a BJ. A BJ in his underwear. Yeah. Yeah. That was something. So bizarre. Yeah. That was very weird. I also found out there is a Canadian town. Randy, you may near it right now where you're recording us today, but there's a Canadian town called dildo. We talked about this on court, but it's like an island. Well, I think it was the mayor for a while. The mayor of dildo. Fantastic. Yeah. They also said here there's an alternate ending. I just may need some scrutiny, but anyway, alternate ending had the entire city being annihilated by a nuke, the whole thing exploded in a big nuclear explosion. Yeah. Yeah. I mean, I think this is factual compared to the other interviews that we had heard or they didn't quite have. They didn't have the budget. They had to like, you know, do different things. What can you do? Well, we can. What can we do? We can't blow up a city that's going to be expensive to even replicate. What can we do? We can make a Malibu glow and then shoot it low. So it looks like Emilio Estebes is flying through the city. How does that sound? Also, filmmakers don't like to get to the end of a project and eliminate all of their characters and everything that they've established. They actually like to preserve all that stuff. Yeah. Like filmmakers will go out of their way to keep characters alive and give you a sense that they're still kicking, you know, the thing because otherwise it makes the whole movie pointless. It's like, well, great. Watch this if all the characters are going to die at the end. Oh, my. The original, the original little shop of hers, well, not the original, not the Corbin one, but the. Yeah. Yeah. The Frank I was trying to say one right from the eighties. The original ending of that was that the was that Audrey too was going to grow so huge. She was going to eat everybody in the in the city and they filmed it and they for a hot minute put it on a DVD special edition that the production company, the whoever was Warner Brothers or Kim or who was yanked from the shelves, making that DVD a collector's item for people who have it and who can finally watch that alternate ending of a little shop of hers. Really? That's what I own. Oh, yeah. Yeah. I have a copy of that DVD. Nice. Go ahead. Talked about weird production stuff. The thing that probably made me laugh the most because I was trying to figure out if this was a product of what they had to do. But literally they said that it is raining ice cubes. It is hailing ice because I'm like, did they just not have any other way to do that? They just had to go with ice cubes or something like had a whole bunch of ice cubes that were frozen and they just dumped them out. When did that happen? I missed that one. At the very end, there's like, oh, before they, was they're all approaching the car, right? Yes. There are folks in the car in the final scenes at the, at the repo. I wondered about that too. That's funny. Yeah. I was like, what a weird thing to do. And I was like, oh, I wonder if that was because they had, they got ice and the, and they had to use cubes. They said, well, we need to write that in, you know, because it doesn't look like hail. It was like ice cubes. Yeah. That was weird. I thought. Weird and funny. The dude, who's the guy? Sorry. You said his name before and I love that actor and I can't find his name. Tracy Walter. Tracy Walter. That guy, I knew him mostly, I think from, was it one of the Bob, Bob Newhart shows or something? Was I might think of the wrong guy? No, you're thinking of Darryl, my brother. Oh, yeah. Might have had a cameo on that too, though, but I don't know. And so easy to get him confused with the guy, the guy from Blade Runner, Sebastian. Yeah. Yeah. They kind of feel the same spot. Very much do. Yeah. We, I don't know if we've watched as soon as I saw him as like, oh, it's the dude from Conan the Destroyer, which I can't remember here, but he was the, the, the humor member of the party. Yeah. Yeah. We 100% did. We did watch that. And he is in that movie. That movie is great. Is that a cult classic? Yes. Is that a cult classic? Yes. Because I'm very culty about that one. Yes. I love that. This was, this is only our third Tracy Walter movie. And previously we sacked Batman and the Octagon. He was in the Octagon. Oh my gosh. We got to go. I don't remember that. We haven't watched Conan the Destroyer here. Did we watch? We watched one of the Conan's here, right? No, we did too. We watched Conan. Didn't we? Cause we saw Redstone. Yeah. Yeah. And we just watched. Oh, destroyers the sequel. The sequel. Yeah. With Will Chamberlain, Grace Jones, Olivia Dabo and, uh, you're right, dude. We didn't. Yeah. Which is far the more film-saki of the two. Yeah. Yeah. Octagon, we have not done. I don't know why we have that down. Let's see. Octogon. Yeah. We don't have Octagon. We should watch the Octagon. We should watch that. That's a, that's a classic. There's a classic with cold, cold classicness in it. Well, if you search for it under Octagon, you won't find it, but Octogon, Octagon. No. Octagon? Octagon. Octagon, right? Octagon. Octagon. That's what I have. What do I have? Okay. Yeah. Oh, no, we did. Did we really see this? I don't remember this at all. Shit. Yeah. What was the reason why you don't remember that was 10 years ago, Scott? That was 10 years ago, brother. Chuck Norris. I don't remember this shit. Yeah. Completely. Don't remember it. Lee Van Cleef. Yeah. Where the hell, where is this memory? Was it that unnotable that we just completely? Probably. Wow. But on the other side of that concern, Scott, I want you to know, this is our sixth Amelio Estevez movie. And every one of these are bangers and we need to, we need to make Amelio Estevez a priority. Judgment night. Let's do it. Let's do it. We have now seen him in this free jack maximum overdrive, mission impossible, the breakfast club and young guns. Yeah. Those are... That's an amazing listening. He may be the will in the spoke of the films I like, he may be it. He might be the one? Hmm. Yeah. Might be the one. I mean, what was the... Sorry, you just mentioned and I forgot the name already. The one with the machines that take over? The Stephen King one? Maximum overdrive. Maximum overdrive. That was one of my favorite live sacks we ever did for nerd tack, that was one of our stage ones. Was really good. Is that also a cult classic? See, I don't even know what a cult classic is. I just call those movies. Maybe I'm just doing it wrong. Maximum overdrive is the perfect example of a movie in the right tier of goodness. Yeah. But you have to have people get together and watch it, right, for it to be a cult classic. And I was thinking about this, like, we want to say a cult classic is a legit bad movie. And that unfortunately rules out some movies that fit the bill, like The Big Lebowski is not a cult classic by that definition. It's a good movie. Right? Yeah. Right. Fair point. Well, yeah. I mean, it depends on your point of view. But yeah, I noticed that he's not doing much. Like, it kind of just chills out. He's got... Chasty Walter? Yeah. He decided to focus on directing. I got you. Yeah. I mean, even, but even then... I don't know, man. Like, he came back for that Mighty Ducks series in 2021, previous to that 2018. But that was just deleted season for Breakfast Club thing. Prior to that, something called The Public, where he played something in 2018 in this, like 2012, 2008, 2005, like, he's not sitting around cranking shit out. He strikes me as a guy who's maybe like, I don't really feel like doing... I'll do a project if I like it and everything. Yeah. Forget it. I don't need... I don't need to be seeing the way my brother does or the way my, you know, people expect this to be. I feel like Emilio is better than his dad or his little brother. Like a better actor? Yeah. I know that is dad, but not his brother, for sure. He's more compelling for me. He's definitely more compelling. Definitely better than Charlie. I don't know about Martin. Martin. Martin Sheen. It's close. It's just my opinion. But like, the one who didn't change his name is the one that I think is the better actor. Interesting. Yeah. Maybe he's the... Because he's more my generation, maybe it's the reason why I appreciate him. Maybe. But I'm going to say he's the best of them. But that's just me. His was the most impactful... No one ever says this because they think they are like everybody else in that movie. But in Breakfast Club, his story is the most impactful for me because there's something really raw about coming to realize what a piece of shit you've been and having to acknowledge that. Yes. God, Estebes really killed that, I thought. He was really, really good at that. The jock who thinks, "Well, I'm with all my friends and we just gave this kid the wedgie and locked him in his locker." Ha, ha, ha, very funny. No big deal. You just don't think about it until somebody really points out the cruelty of it. And he was so good at acknowledging that and then internalizing it. It's showing remorse from it. Yeah. It's really one of the best things in that movie and I think he gets overlooked but I really like that about him. You're right about his directing. All kinds of shit going on. Let's see. Got two things coming up. Something called Guns 3 Dead or Alive, is that what I think it is? Hold on. Young Guns 3. Absolutely. Just guns. No, it's all just guns. Guns 3. Dead or Alive. And it's got... There's not enough anymore. I so wish they were making it. Smart. Called Old Guns. Old Guns. How do you... That's a great title. He's already got Lou Diamond. Lou Diamond Phillips and Christian Slater are signed. He's of course in it and he's also directing. Yeah. That's... I mean... Was Christian Slater in any of the previous ones? I know... I thought he was in the first, maybe the second? Was he in it at all? Maybe he wasn't in any of them. Maybe you're right. I don't know if he was... I don't remember him but I mean, no key for Silverwood. Yeah. Not yet anyway. He may still... Oh no, he died. I'm curious because... I'm curious because the characters, you know, didn't... Didn't Doc die? Doc died. Yes, some of them kind of... Some kind of like have unanswered just like, oh, maybe we think he did. We're pretty sure he did. We'll see. I guess we'll find out in Guns 3. Yeah. So he... I didn't know he directed Men at Work to one with his brother, the garbage one. He's directing a lot. You know what? I'm glad we looked this up because... He's smart. He's got some shit. There's something called... Something from 2010 called The Way with Martin Sheen, Emilio Estebes, the one they did together and like Father Sun deal. He's probably... It's reviewed really well. I've never seen it. I want to see that now. You've come a long way since eating canned peaches out of his parents' brainwashed house. Is that what you were bringing us back to? Yeah. Pretty good. Hey, do you guys have like a... So this is interesting. I don't remember there ever being a time. I never really lived in a big city like this, though. Like the pick and pay grocery store. The security guard with a gun? Oh, I'm in that part of town, maybe. I don't know. Yeah. Well, I didn't live in like those big cities like that. So I can't, you know... You would never see that here. And if this is the thing you want to pick apart the movie for, like... Oh, I'm not picking it apart. I'm just like, that's a different... Like I said earlier in the show, I'm like, I had a really different experience in the 80s under Reagan's rule than people in other places, other places because I've learned that as I've gotten older. It's like, oh, well, that's not how my America wasn't like, okay, I didn't know that. Yeah. I don't know. In case the movie tries to shock you with how dangerous and how unsteady everything is, like right from the beginning, the first thing you see is a police officer get evaporated. And then when we jump over to this grocery store and it's not necessarily a realistic telling, right? You're supposed to just get that these two characters are like they're literally being shot at while working their job. Yeah. Yeah. But it puts you into this mindset that Emilio Estefes' character has. And right now I am giving this movie so much more credit than it's due, but I mean, sometimes a good drug trip can lead to some good writing and at least there's a point here, right? Like Emilio Estefes is now a grown man, right? And he's trying to find his way, he's trying to make money, he's trying to like survive. And it's a pretty good way of starting all of that. It's ridiculous and it made me mad, you know, but it's funny. But that's they're listed in an emotion. That's good. So that's that's what art's about, right? Listening conversation, emotion, that's what art's going to do. All of the generic brand names were so fun. Yeah. Yeah. Yeah. From the beginning to end, the movie was just filled with these fun little moments. You guys remember growing up having those black and white generic food versions? Yes. Not to that degree, but yes. Yeah. Not that. But I remember beer being, you know, the black and white beer and black and white toilet paper and black and white, probably cling peaches and stuff. It's funny that in the grocery store where everything is generic hanging above every aisle is a big sign for Del Monte. I know. Exactly. Del Monte was seriously featured in this. I was like, wow. Del Monte, if the if the trivia would have said Del Monte was a sponsor of the film, that I would have believed. Del Monte must have had a huge marketing budget back in the early 80s to be able to put those kind of really cool things. I was like, wow. Yeah. There was a lot going on there. It was a big cutthroat. Yeah. They were, they're okay showing Heinz ketchup and there's one point where Harry Dean Stanton swung around and hit the Heinz with his elbows and just shattered like four dozen bottles of Heinz. Yeah. It was such an interesting. I was trying to deconstruct that scene as well because when he does it, where he grabs the side of his head, so it's like, oh, is it going to get to the bottom eyes? Is it going to get separated to, you know, like the way the movie portrays it? And I'm like, but then he hits his hands on the ketchup and that spills everywhere and it's like, oh, did he really get hit with blood? Because then we saw the, the, the attendant there was hilarious because he pulls out this big old shotgun. He's smiling about it and a bloom and he blows up everything. Then he gets shot. I mean, he, he busts into a lot of liquor and there's actually blood there as well. Yeah. And then once again, I found myself trying to deconstruct a scene and it shut up. Think about plate of shrimp, plate of shrimp, a truck, plate of shrimp, plate of shrimp. Yeah. Scramps. That one guy that died, the, the gang leader, little bald kid that finally died and then did his long ass freaking death, brattle breath was crack. Yeah. Yeah. Up dude. That made me laugh so hard. That was a funny thing. Like, I guess the, the method of my demise is finally caught up to me or whatever, like is lived by the sword, died by the sword. Yeah. And those, there were a lot of characters like that where you're just like, what do you, what is your point? What is your reason for being in this movie? And again, they got to do like done away and just think of plate of shrimp and forget about it. Yeah. Well, there, there is a lot of just stretching for time. It's, I mean, the movie is just filled with like these long drawn out shots of a car parking and then you walk into an office from the parking lot with the character. And it's like, we're used to movie being much faster paced. Is this, is this stretching? Is this stretching of time or is it a product of a plate of shrimp? Is it a product of a early, you know, this is a director. This is like, you know, 84. I mean, some things have changed about movie making, but a lot of us stayed the same. And we used to make movies that would, would have those long set of scenes. It's like, well, people won't know what's going on unless we show them parking, getting out of the car and walking inside. And I actually felt like the earlier part of the movie did that really well. And then later on in the movie, we, we started hopping around places and I'm like, wait, are we in a drug dream at this point? Because nothing feels like it's grounded. No, it's like, you know, the overuse of establishing shots at the beginning. And then, and then it thins out. That's interesting. I didn't even think about that. Yeah. Yeah. The downside of it, of seeing baby driver right before seeing this is that it's a much better heisty kind of film, you know, where it's done so well and all those techniques you were talking about done away are kind of long in the tooth and they don't use them anymore. And that movie is so good at it. And this one is so weird and not good at it that it's just like, it's hard, it's hard not to notice, you know, the difference. The high this movie is the rumble scene when the, when the two groups of repo men get in the rumble. Yeah. And this is such a, I don't know if it's just got lucky with the lighting or what, but if like a totally different movie that, that, that whole scene, the energy out the shot, it was just, I felt like, wow, there are a few, there are a few moments like that where it's like, well, you know, why aren't you coming into this next scene with that same energy, you know, because that was really good or whatever. There's also a very, very big chick in the bucket. Let's call them two chicks in the bucket and I'll play the thing for it now. Grab a bucket. It's his parents. What the hell are we going to, we need some resolution on those people. Right. Hold, giving all your money to the Savangelist and that evangelist, of course, dies in the There's this. And the thing. Yeah. There's this undercurrent going on in the movie that I couldn't quite follow of people. It's almost like they were projecting a little bit of invasion of the, of the body snatchers. Mm hmm. So it's kind of like a body snatchers thing. People are becoming zombies in the background. Right. Yeah. It's easy to see. You don't really understand what's going on, but it's like, it's happening. So I was curious as like, is that what happened to them? That's kind of what I felt like that they just kind of got body snatched, body snatched. I guess, I don't know. See, they're not really interested in giving us that resolution in some ways. I'm fine with it. It's like a true McGuffin, but in other ways, I'm like, you didn't really earn it. Like you didn't really. The reason Pulp Fiction works with the stupid suitcase thing is because the rest of it is so masterfully told that don't you just go watch Pulp Fiction. I mean, it's hard for me. It's hard not to compare them. I can't help it. I wish I would. I get it. I get it. The whole movie though, Scott, is written while high. Like there's it's like this, you know, this really, I mean, you know how you get high and you're like, man, tandem bicycles or someone should make a tandem blue jeans with four legs. You know, like you write that down and then you make a movie out of it and it's not going to make sense because it never made sense in the first place. Yeah, but it can in the right hands. I've seen some weird movies that really work and this may be well, I guess it worked for people like it. There's a cult. And once again, a cult has formed around it. I did a lot of reading about this trying to understand that and there are people who love this thing. I think it's one of the most influential films of all time. It's like number 50 on cult classics list, like all this kind of stuff and I just kind of go, yeah, but it's a little bad. It's got. It's got. Okay. So a couple of things that does really well is is have this conversation even as outrageous as it is about what's going on in our society at the time in 1984 and for that I really appreciated it. And it does. It takes a lot of chances. It's really risky. But to me, it's like he said, let's take a punk rock song and make a movie. And that's what it feels like. It feels a little disjointed. It all feels very intentional and I'm probably giving it way more credit. But since the since it just sometimes things just happen really well, regardless of your intention. And I think that's what came out. It feels like a punk rock song that turned into a movie to me. I did like that as the backdrop of the soundtrack for most of it. They didn't use real any kind of real orchestration or you know, you know, you know, what's the word? Yeah, I like that circle jerks and nailed it. I liked that stuff a lot. So it was never called an asshole love hearing love hearing that and is like, oh, awesome. Nice pick. Nice pick for us. Yeah. Gave a nice edge. You were you were saying a bit that this is like down the street from slacker and up the road from whatever. Did you say from Tarantino Bergen? Yeah, I was just thinking about link later. He's got a new movie on Netflix. This hit man thing. Has anybody seen that? Yeah, I haven't watched it yet. It's on my list though. Oh, yeah. I am not to watch it. It's gotten such rave reviews. Yeah, everybody's screaming about this thing. That's what got recommended after I watch this, I think, isn't it? I think so. Mine was really not for me. I mean, I'm a big link later fan. So I'm kind of in no matter what, but I didn't realize he and not take all the video game people are confused. Hit man. You mean like the one where you got the barcode on your neck 1847 and all that shit. No, it's not that you guys attack her fans. 1% tomato meter, 93% audience score really doing well on rotten tomatoes. Yeah. Want you to see what rotten tomatoes says about repo, man? You may will surprise any guesses before I pull it up. Oh, I already know because I've already looked. Yeah. So don't you guess? Yeah. Don't you guess? I also already looked and it blew my mind. Yeah. It made me rethink everything about my reality. I haven't had any guess. I haven't pulled it up yet. I'm going to guess 90% audience score, 30% critic. Okay. Let me, let me, I like that. I'm going to say 30% critic, wow, 60% audience. Let's do that. Okay. Okay. Wow. You guys were way off. Yeah, we were way off 98% tomato meter. So 78% audience score, 98% critic score. Damn. Damn. That does blow your mind. I don't know what to say. That's a version of the movie that we didn't see right now. I mean, you know, that's a very reasonable question given what we're talking about. It's not. I mean, am I crazy? Maybe again, I missed the win. Like, you know, what you said earlier, totally rings true. Cult classic is a lot about that is when you saw it and when you jumped out because otherwise, you know, like the feelings I have for time bandits, Randy couldn't share those. Well, why? Well, he didn't jump in then, you know? So I think this. Yeah. I don't want to besmirch anyone else's opinion, but I just, I think this thing is. Yeah. I don't know if Randy went back. You know, Randy is a big fan of Cisco and you were like, I am, we probably all are. But yeah, they, they talked about it and there may have been some mention of maybe one of the best move in 1984 and I'm like, what was a pretty good year? I mean, you know, I mentioned at the top, it's part of the time capsule for Elmo draft house. Yeah. Hey, I noticed while I was watching it that it was a very well constructed movie, like it didn't, it didn't include a bunch of like a film school student mistakes. You know, like it was like the cinematography was really good in this movie, but much better than you would expect. And that's a thing that especially in 1984, uh, rings through for someone like Cisco and Ebert, you know, the, the, they're, they're watching a well crafted movie and they like that. Yeah. Are we going to get the kind of response from people that we got for bashing wet hot American summer after the same people, not the same people? Oh, I mean, I still have a fair question, like I hate that that was crazy to me. Yeah. Not from the same humor, but are we still giving get people like, yeah, you guys just really didn't get because that's a, there's an example of cult following for a film, right? That people are really into it or really not. So yeah, I think we might hear from a few somebody out there really likes this and it might be just done away, but it might be the world. I don't know. I don't know. Which American summer I feel like we've said this many times, so please forgive me. But what hot American summer as a 38% on Rotten Tomatoes for some really good reasons. And the, like the main thing is that it's, it applies to you. If you had already been following Michael show Walter and cruise comedy as you come into this movie and since none of us had, we were all kind of stymied by it. That's it. That's different. It's like, that's building on something. It's like, if, if the TV show community ever made a movie, there would be people who would go and watch it having never seen the TV show, right? This, they're supposed to be one going on, right? Yeah. That's right. That's right. They've been working on something and I can't remember if it's. Okay. Wait. They have to take back. He died. He died. They don't have to. He died. Yeah. Yeah. I find the bring it back. The, the, the longevity of those cult classics is about quotability and reliving those moments with the other cult members. You got to have scripture, right? And I don't think repo man, necessarily has quotable scripture, whereas like wet hot American summer, you can instantly. Yes. But with one exception and that is my entire life, I never knew that plate of shrimp came from this movie. Yeah. Oh, yesterday. Yeah. I didn't even know that was a thing. Even still. Was that us? It's okay. You say that when you say that to recognize, acknowledge something that is coming up repeatedly. Yeah. Interesting. It does in this movie. It's even outside like when, when one of the, the brothers, the repo brothers are outside using the phone call in Marlene, there's actually a big sign that says plate of shrimp. And it's just, it's, it's very pervasive throughout the, the whole movie is a running gag. I guess the whole, just the, I'm trying to think like you usually movies that are considered called classics. Yes. I've heard somebody make a reference to them, you know, like they'll say a phrase and then I'll finally see it and go, Oh, I get what they were doing. This doesn't, I've never heard that plate of shrimp thing until I saw this movie. So I don't know. I'm in the wrong circles. I guess. I only shrimp. I think it got overwrote once we saw a forest gump. I mean, there was no, there was no reference to shrimp. Yeah. And then it's like it got overwrote and your memory made, I could see that. Um, all right. Anything else we want to talk about before we do the, uh, the deal, I could go on for days. Yeah. You touched on the, the water basin, the LA water basin thing at the beginning. But, uh, and you brought up how you had terminated, had their thing, we've, we've seen buck grew bonsai stuff happen there. And I guess we haven't watched Greece here, but Greece had their famous race. It's the word the Greece lightning, uh, race at the end and that, and that, uh, basin. Oh, right. That's a popular place to stick your cars and do shit. It must be free to, like, basically say, I mean, it's very, it's, it's smart because it's very open. If you need to dance, you know, it's, right, you've got two angles and stuff. There's always water splashing on the bottom that you can drive through and yeah, if you're filming it and, you know, if filming in town, you're like, Oh, we're already here. Some filming locations. Hey, we got some open space down there. Who cares? Randy, any, any thing to add being in LA, being a Los Angeles, uh, and Lino, the Ryan Gosling movie drive. Oh, also goes through there. Yeah. Oh, I need to see. I've never seen drive. I've got to watch drive. I always meant to just because the, the thing, the LA river, like you say, it's a big wide open space, you know, and it's relatively safe. Like it's almost never flooding, right? Yeah. Yeah. My idea is, is it's there just in case, right? But it's so funny as, as time has gone on, it's become this, this place and it's kind of iconic. We brought bow down for a Blizzcon one year and he'd never been to America. He'd never been anywhere outside of Canada. So we bring him down and he's in the car and we're driving past one. It wasn't even like this canals, like one of them and somebody, I think John or somebody goes, Hey, that's where they film Terminator and he was like a little kid with his face smashed up against the window. He was so excited, man. He was so stoked. It was a real bow down. Yeah. It was a real bow down. Yeah. Yeah. But you got any more bow, bow name, uh, and the things you want to do done away before I move on. But, um, I like potato rounds. That's good. No, I think keep those going. Like it. Also, nobody, everybody wanted to just, they're all indifferent to littering. This is the most literary movie I've seen a long time. Oh, yeah. That was also a problem during the, that was also a big problem. It was coming out of still trying to train our populace to not litter as much. I mean, if you don't stop, we'll get a Italian actor to look like a Native American. It wasn't Italian. I think that's right. Yeah. He'll have a little cry right on screen. If you don't, if you don't stop littering. He'll have his little fake in the interior, if he sees it. Right. Yeah. Yeah. Yeah. Or of that. No, that's correct. He's an Italian guy and they hired him to look like a Native American. It was terrible, terrible. And if that doesn't appeal to you, then, uh, hey, don't give a hoot. Don't pollute. And it's another example of the movie commenting on something, but not saying anything. So like there, there were a lot of scenes you could tell that before they started shooting, they went and just dumped trash everywhere. Yeah. You know, like there were a lot of scenes like that. You're like, come on. That's, I'm sorry. Is that what that old lady was mad about? Was that what she was going on about? Sure. Yeah. Yeah. And they literally, they literally have the main character make a, make a trash or mess. Yeah. Right. Yeah. Yeah. That's what they say. It's just like there's some commentary. Okay. Next thing. Yeah. Yeah. Sure. I did. I mean, Emilio Estebes refused to pick up the trash. He was like, he was offended. I mean, we were having a really serious conversation about that. And then of course, the next scene was him making, making out in the backseat and fast forward. Yeah. But I still. Yeah. What was with that speed, sped up film bit there? Why'd they do that? I kind of enjoy. I kind of enjoy. I know. Of course you did. Of course you did. Of course you love that. I don't know what I attribute it to. In fact, this is executive produced by Michael Nesmith of the Monkeys. And this is his way of putting some monkeys. What a great connection. Look, yeah. Stuff in there. I forgot about that. You're right. Yeah. I haven't had my notes. And I was like, oh, gotta bring up the monkeys and Michael. That was great. It was always the weirdest of the laws. Yeah. And the director of one of my favorite music videos of all time, which is Lucy and Ramon and Sunset Sam. He directed that. I know that. I didn't know that. Yeah. Oh, wow. I didn't know that. It's his song. He directed the music video to go on with. He maybe had the most interesting non-monkeys career, I guess, out of all those guys. He really did. Yeah. The most outside of what the monkeys were doing. And the rest of the monkeys, the living monkeys, anyway, after the break up. That's scary. The living monkey. We just basically tore as the monkeys and go out and sing Daydream Believer and Vicki Dolan's might. I don't know. It's a great idea for a band post, one of your members passing, call it the living whatever. No. Oh, yeah. The living monkeys. The living. We would be bringing a band. Yeah. Yeah. No kidding. Boy. The living runner, Leonard Skillard. Yeah. This was our first Michael Nesmith movie, believe it or not, but our second movie for the director of photography, that's Robbie Mueller, who shot this movie. And I'm curious if anybody wants to even guess what the other filmstack movie is. Now that I know what it is, I can tell you, looks very similar. Interesting. This is something, but it's not something we've already brought up, right? Correct. But it is something we've seen in, let's just say, the last year or two. I don't know. Something that's the same similar vibe you're saying, the era and everything. Oh, gosh, I don't know. I don't think I could. Super trooper. Oh, it's a good guess, but that's a good guess. This Robbie Mueller cinematographer also shot Ghost Dog, the way of saying that. Oh, what? Oh, well, we saw that. Wow. That's impressive, actually. I love the cinematography in that movie. And that's another one that makes the city just the city as a character in it, you know? Yeah. I will give this movie credit for that, I suppose. There's one last person I'm going to talk about real quick. Who's that? Kevin. Kevin. Kevin, the nerd friend, yeah, not even barely a friend, more like shitty roommate who, you know, once in a while. He's a roommate. Perfect. Because that's how you feel about it. It's like, oh, I hang out with this guy. Why? Because, you know, and it's like, you don't have any of this because you have, he was in a lot of other these movies. He even came back for the repo chick. Scott. Yeah. That's right. Lando. Sorry. Xander Schloss is his name. Yeah. Xander Schloss. He's mostly music stuff. He does tons of music. Yeah. But he's an actor as well. You're right. Repo check on a bunch of shit, you know, stuff you don't know stuff you have no clue about. Nope. I did think the whole thing in the grocery store at the beginning was pretty funny. I like that. Yeah. I like the seven up song over and over again. Yeah, dude. That's stupid. Jingle. So what was I? Okay. So this is a problem I had here in the movie. I was watching this on Netflix and I was like, oh, what is this? What is this guy singing at the beginning because I couldn't quite make it out. And I was like, I'll turn on closed caption. Only closed caption is Spanish. I'm like, well, that's not going to help me any. And so, which is weird too, by the way, did you guys do that? And notice that? No. No. So I was trying to figure out what he was singing because everybody was singing a jingle or, you know, some kind of some kind of earworm that was in everybody's heads and I was trying to figure out what that guy was singing. And I have no idea. It's not important. There's a place in the trunk. So you didn't find her. You didn't find the seven up jingle that he was singing is what you're saying. Yeah. I didn't. Yeah. Once I once I noticed it that they were he was doing jingles because, you know, basically Milo Estebes gets up at one point in time after he's been fired and he starts yelling out every every name of every series with great jingles. Oh, yeah. Well, yeah, it was a weird it was like a weird another weird song as he's kicking the can basically. It's like, and we are, you know, pledging our allegiance to United Airlines and something and I couldn't, I don't know what that was about either. I could have really used some closed captions is what I could have done. Yeah. And this didn't have me. There was no like, uh, Spanish Spanish Spanish, yes, Spanish closed captions for some reason, but that's weird. That's weird. That's weird. I thought it was weird. Yeah. I bet if I watched on plex or something, there's probably a community, uh, probably loaded one or something like that. 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And with Warby Parker's free home trion program, you can order five pairs to try at home for free. Shipping is free both ways too. Go to warbyparker.com/covered to try five pairs of frames at home for free, warbyparker.com/covered. Alright, well, I think we can do some clips now and the fun about clips is we get to hear bits from this film and that, you know, if you miss these or whatever, it'll be a nice refresher course, you know? Sure. So we're going to start with this one. You don't want to look in there. You don't want to look in there. Okay. I don't remember what that was about. You don't want to look in there. Is that the nerd? What was that? I don't remember what that was. You don't want to look in there. No, that's the driver telling the cop with the with the wide pants. Oh, right. They weren't wearing more. I'm assuming. Right. Not looking at Trump. You're right. You're totally right about that. I completely forgot that whole intro just completely forgot about it. Yeah. No one talks like this. We're so tense. Guy. Why are you so tense? Guy. Guy. No one calls anyone guy. No. Ever. Not an a for either. That was bullshit. All right. We don't want to know. Don't want to talk. What'd you say? Who? Is this true Canadians? No one says guy. I don't think. Listen guy. I don't want to be your pal friend. I'm not sure. I'm not your guy. I'm not your guy pal. All right. Here we go. Don't want to talk about anything else. We don't want to know. That sounds like you could have pulled it out of any Brat Pack movie. Yeah. Yeah. This voice very, I mean, it immediately takes you back. Very unmistakable. Yeah. You can say it's Amelia Stovis right there. It doesn't sound like Charlie Sheen or Martin. Martin Sheen. Yeah. When he yells, you get a little Martin Sheen if you think about when Martin Sheen yells in like Apocalypse now or something, you can kind of hear it, but Charlie Sheen, I never even I never think of him as even related to Martin Sheen. No, so he feels just so grown in the lab different. Yeah. Good way of putting it. He was grown in the lab. That's perfect. All right. Tiger blood. That's right. Tiger blood is the base for all Sheen growth. All right. Here's this. He took me two weeks to get this money up so I can come and get it. This guy is on the... Oh my God. That guy was great, right? The best car. It's the best car in the yard. Honestly, for my money, that's the best scene in the movie. That black couple coming to retrieve their car, they are so real and the acting is so perfect. Yeah. The whole like... Who does that guy though? He's given the money, swaps at the same time and both of them laughing after they didn't like they just pulled one on the other one. I don't think he was anybody big, Dunaway. I think he was just... No, no, he wasn't. He looked familiar just like, oh, there's a couple of actors in here. Helen Martin was in here and she's been in tons of TV. She's the mom with the rollers and her boys come home and Emilio Estevez tries to repo the car and he's on blocks essentially and the boys come out and beat them up. Anyway, Helen Martin, she's in tons of stuff. But that guy looked familiar too like he was in a bunch of TV shows from that time period. I couldn't find him in the... I could neither. While I was hunting him down, I found out I didn't know this when we haven't talked about it. There's a bunch of these blonde agents. They're like government weird agents in this movie and one of them is... One of them is a parrot. One of them is freaking Jimmy Buffett himself, man. Yeah. Was it... Okay. Was it really... I saw that Jimmy Buffett was listed as that. Is it the actual Jimmy Buffett? What's it really? Yeah, it says something... Yeah, it says... It says... No, I looked at it. Jimmy Buffett, additional blonde agent, I clicked it. It says... Yeah. It's to the actual Jimmy Buffett page. Yeah. He just died last year, right? 76. Yeah. He stepped on a pop-tart. I don't know why any... I don't know why this dude is... Pop-tart! What? Wait. What? What's the pop-tart reference? I don't get it. He stepped on a pop-top. I know. I know. We... I've heard so many people say. I... I have two and I love that and I don't know why I'd forgotten about that. That Monda Green. Oh my God. Weird. Yeah. I can't find this dude that was... I don't see tennis player. Harry Pace. They just not... They don't list this guy. The guy with the car. Yeah. I swear I've seen him and a million other things. I just couldn't place it. Why do you think that some guy lived down the street or went to school with or something? Oh, that's why I know him. By the way, all the guys at the repo place that were not Charlie Shane, were not Otto, or sorry, Amelia Westervez, were all named after Beers. Beers, yeah. Oh, I didn't... I didn't notice that. Yeah. And it's funny. I would... You think I would have picked up on that one. There was a guy named Oli or Oli or whatever his name was. Wow. Like, short for Olympia. He's a killer and bud. And is there a guy in light? Light. Yeah. He's a black guy. Yeah. Great. The girl, the lady, maybe not... Marlene. Yeah, Marlene. My appreciation for this film is growing. Yeah, it should. Keep growing. Keep growing. Yeah, you could do that for all of us. Yeah. I loved that there was a character named Plutchner. Why did they call her? Why did they just name him Pilsner? Pilsner would have been... Yeah. That would have been good too. His Pilsner... His Pilsner... He was the cop guard guy that worked there. He was the rent a cop with the open shirt and the knitting habit, right? Yeah. Where's he crocheting? Crocheting. I didn't look that close. It looked like crocheting to me. I could be wrong. But I think that was crocheting. So what happens in the other... I think he's been in MASH because his photo looks like a MASH photo. He has. I can't tell. He has been in MASH. That was... That's his IMDB photo. He was... Is that MASH? Because I can't find it. I can't find the actual reference in his list, though, that he was in... If it's not... If they stole it directly from that Korean War. His name is Richard Farrangi, and we saw Richard Farrangi in Ghostbusters 2. Oh. Did we see him in Serpico? Did we watch that? We haven't seen Serpico. We haven't watched that. Oh. He's great in Midnight Run. Night movie roles. Dude, I could watch Midnight Run three times a year. I love it. Oh, that's so good. Yeah. Have we seen Carlito's way? No, we have not. No. Every time I think... Oh, we're gonna run out of movies. We're never gonna run out of movies. Oh, he's another guy in the love boat the next wave. My gosh, that comes up a lot. Wow. Gift that keeps on giving. Yeah. Died this year at the age of 86 just in May. Just barely. Like, not even a month cold. Not even a month cold. He's not part of the living for his no band, right? So that's not... For his no. What the hell's for his no? For... How do you say his name? It's the last thing. For who? For who? For who? For who? For who? I'm gonna slowly print it. Foronnaji. I don't know. He says they... He's in a sentence. Can you give me the... It's actually a origin. No, I cannot. Moving on. It's really fun. Here's something about auto parts. I hate this joke, but here it is. Auto. Auto parts? That guy thought that was hilarious. Yeah. All right. How about fine wine in every car? Fine wine in every car. I guess I just said the thing. Oh, that was, uh... That was about... Fine wine in every car. That's our dude, yeah. I like Francis. We like that guy. I know, Francis. Whatever. Uh, what is this? Tracy Walter. That's a... Tracy, right. Uh, the girl name sorta. Not really, but sorta. You know. Uh, here's, uh, people just explode. People just explode. Hey, sure do. They just explode. Whatever. Whatever. Metal hands that gets licked later and Scott freaks out. Oh, yeah. You guys want to know what... That's 100% it. That... That grows me out. That's gross. I thought that was horrible. Spittle coming off of that shirt. Yeah, that was disgusting. Don't do that. I don't care what that's made of. I don't care where it's been. Do not show me that ever again. Yeah. Uh, here's a nice offensive clip. You probably need to... That's the other thing. This movie is very raw on the language and all that stuff. You don't really know it going in, but man, everybody's cussing up a storm. Uh, here's a nice version of one of those exchanges. Goddamn shit, Rodriguez! Gents ain't still no puns! Yeah. Gypsy dildo puns. Gypsy dildo punks. Good Lord. A lot of... A lot of terms we don't use anymore for gay people and stuff. Oh, yeah. The alternate F-word scene was something. Whoo! A lot of that. That's a lot of... I guess we're coming... That used to be... That used to be a weird discussion, right, about whether or not... Why am I blanking on Meat Man's name? Meat Man? Meat Man? John Wayne! John Wayne! He was gay or not. Meat Man! He has colon in his... Oh. He has colon... Oh, yes. Impacted Meat in his colon. Yeah. That was an urban legend, but it doesn't matter. It's amazing. That was an urban legend. Yeah. It's amazing whether it's true or not. I don't care. I love the idea that someone's got a mile of meat packed in their freaking cups. That was the other urban legend that he was gay as well, so that was, I guess. I mean, it may have been true. Who knows? Right, right. Let's bring that one up again and see if we can get it wrong. Yeah. Yeah. Here's a rhyme for you. Argh! Argh! The rhyme is "Maced to the Face." Argh! Argh! Yeah. That's what you say. Almost always works. Yup. Here's your play to shrimp. Play to shrimp. Play to shrimp. Oh, there's a nasty barf in this movie? Argh! Yeah. That was the lobotomy guy off screen, but... No, that was the melee rest of it. No, no, no, there were two. What was that? They both puked. Okay, there's two, okay. Yeah. He puked later and didn't make much noise. He just ran to the ledge and did it. He spit it. He was walking around with a mouthful of whatever puke. Yeah. He didn't really... He's not a good... That was not good acting for a puker, but the other guy really let it rip. Yeah. These guys cracked me up. Oh, that's not the best. This is Joe forever man. He shakes hands with the homeless guy. That was Duke and the gang. Yeah. A lot of the warriors here. I kept coming around to that. Oh, yeah. A theme gang. A lot of mixed... And all coming together, you know, at the end for Big Dattle Royale. Yeah. That's very weird. Oh, my God. Was the girl... Oh, my gosh. Is this true? I was trying to figure out the punk rock girl that was in the gang. The British. Was it Debbie? Was that the character's name? Because I'm assuming it was. I think so. She's the one in the big... The tin foil overcoat thing or whatever. Yeah. And it's Jennifer Ball-Gobbin. I think that's what it is. Yeah. She was in... Ball-Gobbin. What's the ball-goblin? Anyway, she was in Cherry 2000. She was the glory hole clerk. Is that what it says? Glory hole clerk. Good Lord. That's what it says. I think that's what it says. That's a hell of a job. Glory hole clerk for Cherry 2000. I don't remember that at all. Wow. Big glory hole clerk. Yeah. I mean, look, you need a job. You know, jobs, they're out there. You can get... Yeah. They're out there. You got a position. What are you hiring for? You got a position. We got somebody who even needs to man the glory hole. We need a clerk there. Right. The clerk. And Jennifer Ball-Gobbin was in a third movie that we've sacked. Oh. And that was contact. Oh, man. She's been here a couple of times. That's a movie. Still no IMDB photo, though. No. No. Not even an IMDB page. Just a... Or an IMDB page. No Wikipedia page for her. Yeah. That's a real step up, though. From this garbage. Yeah. Let's see. We got another one here. This is that old gun sound that Hollywood used every time for everything. [Loud gun shots] [Laughter] A notch. [Loud gun shots] From my watch in Death Wish. What is this? [Loud gun shots] It's the same every time and ever. I just shot you with my 1910 Western gun. Is this win... Is this win Emilia Westervez is trying to repossess a car and someone shooting at him from the house? No, that was later. This is the one where his partner, the other guy he hung out with that wasn't Harry Dean Stanton. It was him firing at... Oh, I guess it was that scene, but he was firing at the house, yeah. Right. So light pulls up. Light pulls up and just starts shooting at a house. Yeah. It's amazing. Don't worry. It's blanks. Don't worry. Yeah. It's blanks. It's all blanks. All right. Here's the sound of a dude getting hit in the gut with a baseball bat. It's the guy that ran the grocery store and this is the sound he made. Oh. It's a pretty good sound. I tried to figure out what was going on there because Emilia had gotten beaten up a couple of times. You know, a big goose egg on his head and then he got like a... When he later ran into some people and I was like, when did he get beat up like that? Was it when he was trying to repossess Lady Rollers' car? And I was like, I wasn't sure, but then he sucked. He sent everybody to go beat up his ex-boss instead. I guess he didn't want to cause me more trouble. I don't know what that was about. I don't know why I went back to him at all. Like why... Why... That's why. That's why. They wanted just to go. He wanted to make that sound. Uh, the singer guys. Do you betty-doo-wop-wop, say what, yeah? It's so weird, dude. That horrible thing. Or those guys, Ibit? Were we supposed to know those guys? No! The circle jerks. They were? That was? Yeah, isn't it? That's them doing that. Do you betty-doo-wop? That's them? Yeah, so... They never are in the nightclub, right? Yeah. Yeah. Yeah. Wow. They never looked up, so I wasn't quite sure. I meant to look back. I said, eh, it will let me know. It's also kind of dubbed. And something else, and they're playing that instead, so yeah. I feel like that's the most overt expression of the counterculture versus the squares. In the whole movie, the fact that you go here, nobody likes those guys. That people on stage, everybody hates them. Why are they even here? Yeah. Yeah, there was a bit of that. Uh, ain't afraid. I don't know what this is. I ain't afraid of nothing, see? Oh, yeah, that guy. Freaking, what are you? From the '40s? And see, I'm in charge of this gang. See? Ain't afraid of nothing. Yeah. It's like, come on. You could do better dialogue than that. Travis says that Director Alex Cox was all about letting him do some improv. He's like, I'm not writing anything. Okay. Well, some of it was a mistake. That's all I'm saying. Yeah. Some of it, yeah. Sometimes you have to go, okay, that's not working. Let's try it again. I know. I'm looking at the waveform of this next file, and I just realized I'm not playing it yet. And I can't hear it on my own because you guys will hear it. No, I think I forgot to beep a word. So warning to everyone out there, if the kids are in the car, meet this, yeah. So you can see the F word in waveform? I can see the missing, well, I know what the name of the file is, so I know this is the one, but also I'm missing the waveform. This is a very hard-rated movie. Yeah, it's super hard. If you're listening to this and you don't like cursing, I'm surprised you're still listening. Yeah. Yeah. But the thing with this file is I can tell when I put a beeping because it's a very specific waveform. And it's not in here. It's rare, basically. Yeah. Yeah. So since that's not here, that's all the warning I'm giving you here. Enjoy. Enjoy. Fuck you, Archie. I'll do it. Yeah, you definitely. You definitely did not believe that. I'm better than I thought. All right. Yeah. You want to have my baby? I want you to have my baby. Okay. I want you to have my baby. That was that same. This is the same guy, right? This. Where is he? Yeah. Yeah. That's Kevin who got shot from you. It's that guy. I know. No, that's actually the other guy that's that's that's the other weirdo. What's his name? Duke? No, it's Kevin. No. That wasn't right. There was a guy. There was a dude in the background that kept going. He sounded like goofy the whole time. Yeah. I can't remember. Yeah. I don't know who that guy was, but he was. Yeah. That was the guy who said, see how this weird crap out of me. Weird. All right. Grown out death sounds. Oh, yeah. Thank you. And by the way, you all at home thought that was going to end, but it just goes on. I want you to remember that Duke's real name, the actor's name is Dick Rude. I just want you to remember. Yeah. Yeah. Dick. Right. Rude. Dick Rude. Yeah. Just like you'd think. That's amazing. He should be in a movie with Riddler. He should be with a Riddler. Yeah. Dick. Dick Rude. Should be Dick Rude and Riptorn present. Best of names ever. All right. What is, what is the background sound in the van? I freaking hated this here. You'll know what I mean when you hear it. Here you go. I'm going to have to torture you, but I want you to know it isn't personal. Yeah. Yeah. Yeah. When you order Kate Mulgrew off wish. That's exactly who you get. That is a. Her name is Kate. Private chain way. Yeah. Private chain way. Kate Timu. Here is a great line at the end. Holy shit. Holy shit. Holy shit. Holy shit. That was the preacher, right? Yeah. When the Bible burst into flames. Yeah. I assume though, the sub story there was that he was working with the aliens or something. Right? No, he was definitely not, but he was in pursuit of the power, right? That's what the government was in the pursuit of the power. He was in the pursuit of the power because this was all taking attention to him. I think that's what they were. That's so weird. What a weird movie. This is very weird. All right. You're not it's the film sack checklist. This movie makes you never want to go to L.A. ever again check. He broke a lot of ketchup bottles in that store check and finally never seen so much sheen undies in my life check. Is anybody is anybody listening that doesn't remember glass bottle catches because I remember it was such a game changer when they started coming in plastic. You can still get them. I mean, it's like, yeah, it's still okay. It's not as common. I mean, you wouldn't. I don't know. You seem in restaurants and stuff, but also you can buy at stores. I just I don't think I've owned. But yeah, you're right. Back in the day, we were kids. It was all glass bottles. Yeah. There was a time before, before, before. Yeah. The before times. The before times. Yeah. Yeah. We never think speaking these before times. Actually, we do it every week. Let's see. Let's get to the Star Trek connections. You know that there must be one or two or Harry Dean Stanton or somebody, right? Yeah, I got two. So one of the blonde agents, Agent B, is played by Biff Yeager. Nice. And Biff Yeager was in an episode of Star Trek the next generation. Nice. And I'm looking at the wrong copy of my notes. Hold on. That's fine. Which I do have any copies. There we go. Biff Yeager was in two episodes of Star Trek the next generation. In one episode five, where no one has gone before. And season one, episode 12, Data Lore. Wow. So that was an early, Biff Yeager got into Star Trek early, and that's it. All right. But the other is Tracy Walter. Tracy Walter is our head in the clouds miller who stands around a fire and tells you about how the world works really works, right? Yeah. Tracy Walter was also in two episodes of Star Trek the next generation. In season one, episode four, The Last Outpost. And season six, this is a legendary episode. Season six, episode seven, Rascals. Now, Rascals is the one where four of the crew turn into kids. And then Tracy Walter, Tracy Walter was one of the forengi that takes over the ship. All right. I'm going to ask you to name the four characters that turn into children. I can do that Picard, whoopi Goldberg's character, Geynon, Little Ridge Knows Junior, girl. What's your name? Shit. The one that she was for Angie, sorry, Bajoran, and she was in true blood. And I cannot think of her damn name. The battle started to lactica. Yep. Big mole. Got a big mole on her lip. Two letters. - TJ Miller, no. - Nailed it. - I just need to know the name of the character, right? - Roar, Lieutenant Roar, or Roar, Roar, Roar, Roar. - You don't want to go. - All right, Roar, and then the final one is, hold on. The last one is, oh! - You'll never get it. - I don't think I will, I can't think of the last one. - I have a guess, I'm pretty sure it's Beverly Crusher, isn't it? - No. - Oh, no. - Beverly Crusher is one of the adults that gets taken off the ship, like leaving these four people as children behind. - Well, it's definitely not Data. - There's a war. - Nope. - That'd be great, baby Data. - Okay, hold on, Sheldon. - Oh, baby Data. - Oh, it's not, aren't they all hanging around Wesley or something, but he's not shrunk though, he's not turned little. - This is not a Wesley Crusher episode at all. - Okay, shit. I have all my, done away, do you know? Final one? - Yeah, I can't think of anybody. O'Brien, I don't know. - Troy. - Oh, I'd love a little Irish O'Brien. - And we've got to turn some person around. (laughing) - You're actually surprisingly close. The answer is Kayco. - Oh, Kayco. - Kayco. - Kayco. - Another O'Brien. - Right. - Max Klinger's wife, what are we doing? Jay's a little wheezer. - And it's just a legendary episode, and I just love that Tracy Walter was in that episode. - Yeah, I don't remember him being a forangie, but I'm gonna find, let's see, Walter Star Trek. Let's just see if there's a clip here I could play for funsies. Well, guess not, there's not. Is there? No, there's not. There's a lot of Star Trek clips. It comes up with nothing. So nobody's captured this or thought it was important, but I wanna know. All right, well done. Let's move on to these titles. No, we're not doing that yet. Social media posts. Let's sum it up in 280 characters or less, and let's have each of you do that, but let's start this week with Randy. - Repo Man. One day while I was running down the street, a handsome boy drove by and we did meet. It was almost maybe love at first sight, but he was standoffish and didn't bite. So I pushed him into backseat car sex. Then he went back to repossessing Rex. I just don't understand you, punkie boy. There seems to be nothing that you enjoy. Why do you leave me and get in that car door? For that, you're not in the gang anymore. - Oh, man. - Oh, we're out, buddy. You're out. - That's a dark one, man. - I don't know, my Congo's ready. I'm like, "Bongo's ready." - Your bongo, your Congo. - My my Congo bongo's. - Your lava tubes. All right, moving on. Let's get to the Brian Dunaway. That's who we're at now, so. The alternate, the alternate Brian Dunaway. Oh, Kipo, man. Putting the cake in United Fruit Cake Outlet. Now, let's go do some crimes. High tag, play the shrimp. - And that played a shrimp, getting some mileage today. - Mm-hmm. - For sure. - Brian did but take us home. - Repo, man. What you gonna do with all that junk? All that junk inside your truck. - Got that truck. - Sweet, you did it. - That's right. - You got to do it. - What kind of sausage you got down there. - Two covers today, yeah. - That's great. - That's right. Yes, that was, that was, I wrote that down originally as one of the options for the song, well, is watching this and is like, nope, we're gonna do the Spider-Man theme and we'll save that for the Twitter phone. - Very efficient use of your words. I like it. - Thank you. - Thank you, I try. - Nice job. Let's get to the alternate titles now. These are right here. Hold on, what's going on? There it is. All right, these were just handed to me. This was almost called Poop Fiction. - Poop Fiction, that's actually really good. - Then they thought better of it went with natural born killers. Oh, I wrote that wrong though. Bored, of natural bored, like bored, yeah, I wrote, I wrote the actual title of the movie, like a dipshit, it's supposed to be bored. - And you rip on me for saying time to one and then bun go. Okay, all right, just check it. - That wasn't a rip, that wasn't even close to me. - You just want to point out that, like, Scott really associated this with Poop Fiction and I never once thought of Poop Fiction. - I couldn't help it, to me it felt like very, I'm not saying anyone copied anyone, but yeah. - The glowing truck was the only thing. I have a feeling that wasn't the time that we didn't film, like that was. - I mean, the glowy truck, yes, or a glowy car, yes, but for me it was also just the tone shift of everything, like just kind of hard core crime and then what's in the car and then back to crime and I don't know. - Okay, right, 'cause they're always pursuing the car, right, and just like this briefcase. - Yeah, there's something about that. All right, let's now move on to emails. I got some emails here, enjoy these, okay? David Wells wrote in, "Hey, Sackers," he says via filmsac@gmail.com. I just finished the episode featuring The Hitcher. Love that movie, saw it on release day in the theater. Also, as usual, all of you had great views on the film. I am now thinking that Anton Shiger from No Country from Old Men, John Ryder, The Hitcher, and Gayer Grimmsrud from Fargo, I can't say his name right, the last guy, the crazy Fargo guy, are from the same tribe and they release one of them every so often to wreak havoc in the world in each of their own special way. It might be time for a psychopathic, psychopathic twice. Psychopathic, psychopathic, cinematic universe. Keep up the sack. - That's exactly when, that's exactly what you say when you talk about psychopathic. - Oh, sociopathic, he's the same thing as me, man. - Oh, oh, sure. - Anyway, keep up the sack and he says, "Dave, yeah, no, they're all cut from the same cheese. In fact, there's a scene in the latest season of Fargo where he's using a timer that is the same one Anton Shiger uses in, or not timer, tracker that he uses in No Country for Old Men to try to find the well in. And it's the exact same blue little device with a crappy antenna. It's like, it was clearly a plant, you know, to tie the two together. It doesn't mean they're all cut from the same cloth, but it kind of does, so. - Yeah. - I like this theory. - Observations, very good. - Yeah, good theory, Dave. Here's another one from Josh Prez, or he says, "Pez, like the candy." It's like Prez. - Cool. - He says, "Hey, Sackers." - This kind of open and candy comes out of his head. - Yeah, exactly, like a little brick. "Hey, Sackers, I discovered the podcast about a month back and I've been working my way back through the catalog. I'm not sure if this has been done yet, done yet, but I would love if you guys would sack a walk to remember. It easily grew into one of my favorite movies and I'll watch it whenever it is on. Thank you for your consideration, says Josh. I don't know what walk to remember it. - That's a great rom-com thing. - No, can't be, right? - What are you talking about? No! - Remember, come on, hold on a second. - There's a bunch of these. There's like 10 of these. - Absolutely. It's a Mandymore movie. - Are you sure it's based on a Nicholas Sparks book? So I saw it back, you know, like 25 years ago and I would love to sack that movie. - Really? I mean, it sounds like a-- - You feel like it's sackable? - No, I'm not even. - Oh, I absolutely think it's sackable. - Really? I mean, it's a rom-com guy. - I mean, I like Nandymore. I've never seen this. - I smell a teen's jib at over here. - I always want to watch it leading into Christmas. It's like, this is the closest the hallmark we've ever been. - It's like a Holber Christmas movie kind of does, doesn't it? - I always want to sack movies that are notorious for something. A better example-- - What's this notorious for? - Yeah, what is that? - No, no, no, no. - Just being a ridiculous romance movie. - Okay. - Like, a better example would be my girl. I've always wanted to sack my girl with you guys. - Crushing, so good, love that movie. - My girl's all right. It's one where McCullough Culkin gets eaten by bees or something like that. - Spoiler! - Well, it's an old movie. But right, he gets swarmed by bees and dies with-- - Yeah, he doesn't get eaten by bees as to how bees work. - But okay. - I want them to be-- - What bees don't eat? - Yeah, no bees work because they come out of the mouth of Candyman, come on, let's get this great. - Ooh, don't say that anymore. - Here's a quick text that came to 8014710462 from Jeannie. It says, "Genie here again for film sack regarding Paul Williams. He is one of the biggest participants in establishing song licensing for musicians." I didn't know that. - Oh, I didn't know that either. - We talked about him last week as part of Baby Driver. So yeah, I wonder if he-- - That's cool. - All right, let's go look that up. - That's a big distributor. - I mean, he's probably both hated and loved, right? Because some artists don't think they get enough. Some think it's great to get any. Yeah, I don't know. I didn't know that that was his or he had a role in that. That's good, though. Makes sense. - It strikes me as a guy that has a bigger footprint in the entertainment world than we give him credit for. - I think so. - I sure. - Yeah, which is interesting. 'Cause a little weird guy. Anyway. (laughing) Patreon, thanks, goes out to some brand new folks this week, patreon.com/filmsack has accepted the following people. Chris Piven, not related to Jeremy Piven as far as I know. Sean Selders, Sergeant Ed Mayberry, Midnight Shift. - Ooh. - That's his full name. Sergeant Ed Mayberry, Midnight Shift. Nick Palmoreau, or excuse me, Palmoreau, Palmoreau, Palmoreau? Something like that. - Palmoreau. - Paul Quigley, who is definitely not down under. And Stuart Caswell have all joined us. And boy, it's good to see some new faces during a week. You guys, I want you to enjoy the following. No commercials ever. Cool art sent to you in the mail that is a movie related. Monthly episodes from the host. Randy just gave me a brand new one that's going up on Monday. - Ooh. - What? - I know, I'm so excited to check it. I haven't even heard it yet, but I'm sure it's great 'cause it always is. So check that out, we do those on the monthly and you don't get those any other way. They get shared with no one. You also get to know commercials ever and some pre-show content every week. So please sign up today and support your favorite film show that's patreon.com/filmsack. Our next episode is a round table. And we're gonna talk about what Randy did remind us. - Well, so last week we did a round table about women in action movies, right? Women led action movies. And in the middle of the discussion, we found ourselves talking about soundtrack movies. We're like, okay, hold on. This is a whole other thing. And so next week we're gonna talk about soundtrack movies. - Yep. Can't wait. - Cool. - It's gonna be awesome. Really enjoyed the last one. I think we should hold on to today it came up briefly, but the idea of what makes a cult classic film, I think it'd be a really fun. - Yeah, that would be good discussion. I feel like we've done some similar talk, but never a focused one on that, so. - And then the next movie we're watching is another Emilio Estavez movie, guys. - What? - I promise with this wasn't like planned specifically, but we're gonna watch The Mighty Ducks. - Oh. - Next time. - Next time. - This will be the first time I've seen it. - Me too, a lot of team jibbit today. I've never seen Mighty Ducks. To me, when The Mighty Ducks came out, I went, all right, that ain't for me. That's for a bunch of people that like bad sports movies. Goodbye. (laughing) - And I'm sure I'm wrong. - I'm gonna guess that they face immense odds and they win in the end. (laughing) - You don't know nothing. - Look, if they lose, I'll, well, you know what? I have that same feeling. Let's just say if they lose their final game, I'll be impressed, okay? - Well, who won the end of Rocky? - Well, Rocky did not. - Like you did not win, right? - But he came back in two and did, and so that works. - You didn't know that when you walked out of the theater in the Rocky one, you didn't go, I can't wait to see the sequel. - No, you're right. - I would argue that at the end of the first Rocky, Rocky won love. - Oh. - Oh. - Oh, he won a jude. - Oh, yeah. - Then we had to go get the thing. Anyway, that's next week and the following week. We got a lot of fun stuff coming and our hot movie action summer just getting crankin' guys, just startin'. You know, it's gettin' real hairy up in here. So we hope you-- - I hope you-- - Startin' right. - Lookin' down our list for this hot action movie summer. I spotted Robocop 3, and I'm like, oh, we gotta hurry up. - Oh, wow. - I can't wait to watch that with you. - Yeah. - That's the one, we never even did mention the fact that this movie, and it's a little late now, but Repo Man leaves Netflix at the end of this month. So-- - Oh, shit. - Yeah. So if you've listened to this entire episode and said I'm gonna get around to it, well, you better get around to it quick. - Yeah, your time is running out. That clock be tickin'. - Yo. - Yo. - That's it for us. Big thanks everybody for listening. Filmstack.com for all links to everything. So go check that out and leave us reviews wherever you go that always helps our show. It's gonna do it for us, for me, for Brian, for Brian, and for Randy. - Let's go do crimes. - We'll see you next time. (upbeat music) - Play to shrimp. - Play to shrimp. - Play to shrimp. - Neat new glasses or want a fresh new style? Warby Parker has you covered. 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