What We Watched
110 - Twisters
This podcast does contain spoilers, so if you're okay with that, listen on, if not, pause the podcast, go watch the movie we're about to talk about and come on back. All right, sweet. Excuse me, Brad. Over here. Hey, pardon me, pardon me. Why don't you have the popcorn? It's starting! Woo! Hey! Hey! Hey! Shut up! Shut up and listen to the podcast! There's a lot out there to see. This is what we watched. I don't know, you guys tell me, was I in a tornado or was I not? Because I was near a tornado. I'd say it was that. I'd say it was near a tornado. I would argue, you just said it yourself, I was near a tornado. He put me in the slip, corrected yourself. Was I in a tornado? Because I was near one. Wow, that's what I was talking about. That's what I was talking about. Has near a tornado. You can tell me, was I near a tornado? Sorry, it just cracked me up. Because that big tree that fell was behind the house. So, the path actually crossed over this house. See, for me, it makes a difference if you-- Okay. Because there was a random specific area that also got hit a previous year with like a-- They weren't calling a tornado. It was some sort of crazy wind gust draft that came through that was tornado speeds and stuff. Same thing happened. Huge-ass tree fell down. Wind. Not a tornado. Spinning. I don't know if it was spinning. It was like a rare weather phenomenon that they were calling. I don't know what they called it. But it was just like-- it happened really fast and really strong. And like trees and fences flew off. Like the entire parking lot next door to me. Their entire like roofing thing stripped off and it was all metal. Oh. But literally only happened for like 20, 30 minutes and it was done. Oh. But that-- I was inside the whole time because I was not going outside that whole time for sure. I can't say that I-- I don't know. I can't say that I-- when I think of experiencing it or being in it, I'm like-- I picture like driving from one place to another and I'm just like, I got caught in it essentially. Sure. Okay. Okay. Rather than hiding from it. So I don't know if-- because if I think in it, I'm thinking of Glenn Powell like this movie where he's fucking-- I just go straight forward. You know, a couple of trees got knocked down. It's like, you know, I understand-- I can sympathize with this movie. Yeah. Those trees fell down. Yeah. That was really hairy. I mean, you saw those leaves getting blown all over the place. Oh, yeah. It's crazy. All right. Welcome to what we watched. I don't know how we're going to cut this one in. Well, this is what we watched. This is a movie review podcast. It's a podcast for movie lovers and TV lovers and for those who like casual breezes in the wind. Well, I guess not today. People who like casual breezes probably shouldn't listen to today's episode because today we're talking about twisters. Yeah. The non-casualists. The non-casual wind. It's not casual. It's not casual. Professional wind. Okay. We're not those hobbyists. No. No. No. Professional wind. Professional wind. High quality. Dare I say free range wind. Yeah. I'm Brandon. I've cut Jeff and Matt with me as almost always. And yeah. Oh wait. Yeah. Thanks for stopping by everybody. Last week on the podcast, we were continuing our journey through Fallout with a couple of other of our co-hosts of our special guests, whatever you guys want to call them. Help us figure out who to call what we should call ourselves. Call it boys. Before that was kinds of kindness. Your of us land the most crazy. I don't even want to say what a triptych. That's what it was called. And we're not 100% sure what's going to be next week, might be Deadpool, might be something else. But yeah. Life's confusing. Leave us alone. Life's very confusing. Time's weird. I believe we have started our August month of movie club. What was that? What was that theme again, Matt? Time travel. Time travel. Exactly. Yeah. Yeah. I don't know if this is... Yeah. Maybe we haven't. Yeah. Time is too weird. Time's hard. Yeah. But we're going to have tenet. We're going to have the other one and the other one. Yeah. I like that other one. I like that other one a lot. Yeah. The other one's good. Well, we're falling apart real fast. Oh, I love that I did this because we already did about time. So Brandon can't do that again. I can't do that one. I can't do that one. We already did Terminator 2, so I can't do that one again. Brandon, definitely. Both of your guys' favorites got knocked off. Anyways, I'll figure it out and then... Ooh, time I figured it out. We're talking about Twisters today. Twisters. Twisters. Oh, it's a rival, tenet, and... Matt's pick. Oh. Right. What was Matt's pick? I love Matt. It was going to be Palm Springs, but then he should be the second. Oh, that's right. You did pick Palm Springs. No, I didn't. Oh, God. He wanted to, and then I made him feel bad about it. That's what it was. Everyone just had better movies. Oh, my God. All right, whatever. I don't know. I'll search for it, see if I can find it. Um... But anyways, yeah, Twisters. Twisters. Twisters. Twisters. Twisters. Yeah. I mean... Did you guys get the magnet from AMC? What? Did you go to Highland's Ranch? You're with me. I'd show you guys. Well, you're each going to be getting a magnet at some point, if I ever see you again. Wait, so... Did you go to Highland's Ranch to see it? I did. Highland's Ranch gives away all the shit. Westminster Promenade rarely does. I am getting annoyed by it. Whoa. Hey, Jeff. Hold strong. We're going to Deadpool and Highland's Ranch, so we'll get something there. Oh, are we? I... Well, that's the one. I had the open seat still. I mean, unless... Oh, God. It's even earlier now, because I got to make it down to Highland's Ranch. If there's anything left by that point, because there's a Wednesday showing, there's the tomorrow, as of when we're recording, tomorrow is when the preview comes out, which when I look, there was one seat right in the middle of the auditorium and then a few in the very first row. Of course, I'm working, so I'm not going. And then there's like a shit ton of showing Thursday. So I wonder if they do have any posters or anything like that, if it's all going to be gone after Wednesdays, or if there's anything for Thursday, or if there's... I'll be mad if they run out by the time it's officially coming out. Yeah. Yeah. Like on it's Friday, really, if they don't have anything, I'll be sad. I'll be a very sad... Jeff. Sad man. Sad boy. Sad boy. Let's do an edge of tomorrow. Oh, that's right. Oh, that's right. I'm doing an edge of tomorrow. That's what it was. Edge of tomorrow. How did you remember that? All of a sudden. Thank God, because my scrolling through our text message group was not going well. Sweet. Now that we've started the podcast. Hey, Brandon, have you ever been in a natural disaster? You know, let me ask you guys, have I been in... Have you been in it, or like near it, or...? You've been... Talked. Call it proximity. Proximity too. I've driven directly in a blizzard before. I've... I've directly in a blizzard. So does that mean you may in one specific direction, like directly that way, or you're just inside? It just inside. Now you switched it to in? Now you switch it to directly. You kept saying in constantly, and now it's directly. He's like, "Well, that word's off limits now, so long." Like, if you're in... If you're in the hurricane... Or in the path of totality of the blizzard. Have you penetrated a weather system? See, if you're in a hurricane, you have to be in the eye of the hurricane, or you're not in the hurricane. Obviously. Everybody knows that. So you... Brandon, prom solved. You can't answer in your own question. I was like, "In it, because I was actually near it, but..." I saw it. No, I have no distance. Was I in it? Brandon, I've definitely been in blizzards, and driving across Wyoming. Was horrible coming back from one of the trips from Salt Lake City. We beat the road closing, so we got on the road, 80 or whatever, across Wyoming, before they closed it, because it was horrible. Was it because it was wind? That was wind sketch. Oh, yes. It was white out. Complete white out. Oh, so I don't know if it was a blizzard. I don't know if it was a blizzard, but... White outs are truly terrifying. Like, they are. It very is. One of my ways. One of my ways. One of my ways. One of my ways. I experienced was driving to work to the Gaylord for when that... They called it the bomb cyclone, weather system came through. But man, there was a certain point when driving, when you just stop seeing the poles and the trees on the side of the road, and then all of a sudden you're just in a white void, I'm just like, "Holy shit." Like, "Yeah. Where the am I?" You lose all sense of direction. Oops, actually. Yeah, I had... For one of the blizzards, one of those white out conditions that just came out of fucking nowhere, it seemed like, and piled up, or we got, like, what, three or four feet of snow. It was one of the record-breaking ones a few years ago, and I had, like, a three-minute drive on a very, like, straight road that I've driven, you know, hundreds of times. And I literally, like, I was like, "I don't know what direction I'm actually driving right now. It got that bad. Yeah. Yeah, it gets weird. Yeah, and then there's a cycle pass on the road. Also, when we were driving, Wyoming, we couldn't see, we could see legitimately probably, like, 20 feet in front of us, maybe. So we were all getting in line, you know, put your hands on, go in line, follow the person behind you so you know A, where the road is, and B, that you're not going to hit anybody. Right. And then, we're going probably 30-ish, even then it's like, that was a little fast. And then, people would, like, a semi would build it past us, going 50 in the left lane. And it's like, you're going to kill somebody. You can't stop that quickly. Yeah. She's asleep. Exactly. It's ridiculous. Not scary. Yeah. Oh, speaking of which, I was driving back this most recent trip, because I was in Grand Junction, and that's before I got chewed. It was raining, like, crazy. And to the point, I even got over in the lane. I was like, "Okay, it's really a lot of puddles and stuff." And then, when I was pulling up to, like, there was cars stopping on the highway. And thankfully, when I pulled up, I was right at the exit, so I just, like, exited and then exited back on. But there was a car, completely sideways on the highway. And there are people that stopped earlier, there's probably, like, 50 cars stopped so far. There were people staining on the car, like, trying to open and try to get to somebody, I think. Oh, shit. Yeah, dude. On the... It's a game? So when I... when I stopped to interview him, he told me, "I don't know, Jeff. I wasn't there. I'm assuming. What the fuck do you think I'm going to know that for, Jeff?" I don't know, man. You didn't tell us the conditions if there was actually, like, deep enough puddles to hydroplane or some shit. But I said, I set this thing up, Jeff, with its raining, there's puddles everywhere, and it was sketchy. Hey, I've driven through puddles. I don't know. But again, Jeff... He's driven in puddles. I've been in puddles. I've been in puddles. So natural disasters. I don't know. I'm assuming he hydroplane'd hit somebody and then turn. I don't know. All this shit was in the exit lane, too, like off the highway, like 20 feet down, where we went down and then back up, although there's a bunch of, like, work shit, too, so I think it was a work truck. I didn't see him because I wasn't there, Jeff. Also... He just... He just passed by. And also, Jeff. Also, Jeff, I'm assuming that that stuff got there from the vehicle. It could have been just other people stopped. Again, I wasn't there. I'm just assuming these things, Jeff. I didn't interview him to be like, "Can I get a checklist of things that were in your truck now?" Okay. Sweet. So this is the... I just like to hear your assumptions. Rather than telling me what you observed, because I'm just like, "Oh, that's cool. Puddles in the truck." Puddles in the truck. Okay. Puddles in the truck. Classic story. Puddles in the truck. Puddles in the truck. Title. Title. I did... I did... Because I just got back from Grand Junction. It was good. It was good. I met up with somebody, I got to work with Joe, who I have not worked for. I worked with him years ago, and I love Joe, because he's a weird fucking dude like me. And we've been going back and forth, like hiding something in each other's stuff. Kind of like, did you guys ever do the Smirnoff Ice, and if you hide it and it's revealed, the person's supposed to like chug it? I don't think so. I've never done that, but I remember you talking about this stuff before, because didn't somebody hide a shoe in somebody's thing or something, at one point? You fucking ruined everything. So the thing that we're talking about, we're trading back and forth, so it's going on. I forgot to grab it. It's in my car. I'll grab it once we start talking about it. But he got me so good, and I'm very upset because I think I'm going to ultimately lose. It started in Portland. We were drunk walking back from some place, I don't remember where, but we were walking through a parking lot. I found a random woman's shoe in the parking lot, and then I think I hid it in his backpack as we walked back, and then, so we've been trading back and forth. He puts it in my work stuff, and then I hide it somewhere, and then we stopped working for the same company, and I was like, "Oh, I'm definitely going to win this," because I had it when I left, unfortunately had it when I left, but somebody that we both, that I knew was going to work with him in Washington or something, and so I gave the shoe to her so that when she was saw him in Washington, so she would give it to him. So that was like last year. I thought I won, and I was so excited. So wait, did she just hand him the shoe, or did she play along and hide it in some of the shit? Supposedly, what he said was she goes, she was like, she did hand it to him, but she got him. I think she got him, because she didn't say anything, she goes, "Oh my God, I have something in my car for you," and he tells me, "Oh," he was like, "I was excited." So we walked all the way out to the parking lot, you know, we were talking, and then we get there, and then she just pulls out the fucking shoe, and she's like, "Hey, Matt set this for you," and then he got stuck with the shoe, and then this motherfucker apparently has been driving around, because I also just left it in my car just in case for the opportunity. He has had this shoe in his car for a year now, and he held it on, and when we worked together, he hid it under my driver's seat in my car, and texted me when I was two hours already driving, and he was like, "Oh, hey, I think I left something underneath your driver's seat," and I pull it out, and it was the fucking shoe, and I'm just like, "Oh, I was so upset. People, I got chewed, and I think he's going to win it, because motherfucker, he lives in San Diego now." Hey, you never know in a year you might work together again. I know. It's true. That means it's going to be in my freaking car this whole time, then. What kind of shoe is it? Is it like a high-level? I'll go get a stiletto. What do we talk? A pump. That's a pump. I found it. Okay. All right, I'm back. All right. Let's see it. What kind of shoe is it? Oh. It's not even a-- It's like a shoe for the 1950s or something. Yeah, dude. I bet you somebody walking home was like, "Had this when they were serving, maybe?" And they're like, "Damn, I lost my shoe, but I don't want to go back for it." Whatever this brand is. Well, hey, their shoe has not been in that parking lot for three years now. Maybe they went back that night of, and it's gone. So I'm stuck with this fucking shoe. I hate you, Joe. It's not an easy shoe to travel around either. Hey, Jeff, that's a good-- That's a very good freaking observation. I grew this. I don't think I'm going to try and see if I can get it in my spare tire, like squeeze it in there. So I'll just never think about it until, like, the opportunity pops up. Don't spoil this. I think I'm going to try and drive through some time and right on here, go shoe yourself and then drop it off at his-- I also don't know where he lives. It's same day I go somewhere. Just throw it in the ocean. It's a small enough chat. You can just throw it in the ocean. That's the first time you watch it. That's literally-- Oh, my God. If I could time it to a time where he's surfing, put it in the water, and then he just runs over it, that would be the greatest thing of all time. That would be great. That would be insane. Anyways, speaking of cool things, I guess. Insane things. Insane and memories. Because weather and water, speaking of people should subscribe to our podcast and YouTube channel and everything like that. We are going to-- we'll jump to Twister, the main event. Twister. Twister. Twister. Twister. They have twins. Oh, my God. Which I totally thought-- so the trailer did a good job of subverting my expectations because I totally thought the big bad was going to be more than one twister at once. Like, that was going to be the whole, like, oh, imagine if there was two twisters. Now they did that super early. It's always the F5s, man. Or what do they call it now? They called it something slightly different. Something F5s. E F5s. E F5s. I don't know if the E stands for these days, but they update the name. So electronic. Electronic funnel. Entered. Entered F5. Absolutely F5. But I like-- speaking on those ratings, I did like that they threw-- like, we talked briefly before recording about facts that they threw in. I know. I know. It's rough. Life is rough. But I do like that they-- I think I started the podcast then, right? Like, two hours ago or whatever, whenever we started talking. Sure. [LAUGHTER] But I did like that they threw in actually, like, relevant facts. Like, the one that Glenn Powell says is that the ratings aren't based on, like, size or anything-- like, speeds of the tornadoes. It's based on destruction. Mm-hmm. That's actually how they are rated. Mm-hmm. Yeah. The-- is the enhanced Fujita scale. And that's-- the US began using this scale back in 2007. So-- Did you say that again? Enhanced version. Enhanced Fujita. Fujita? Why-- I might be vlogging it incorrectly. It's like, Vegeta. Fujita. Fujita. That is a Fuji. Like, a Dragon Ball Z character. But Fuji branded. But Fuji branded. Ah, I see. Fuji sold out. And it's enhanced. Fujita sold out. [LAUGHTER] Well, we know he's enhanced. [LAUGHTER] Anyway, yeah. And they also consulted-- I think it was 12 different between meteorologists and scientists. They consulted people on this film to kind of get that science down, you know, to not just feel realistic, but to actually be realistic. Yeah. You know, that's cool. People like-- or like our friend Mel will, like, fucking love that, like, through and like, actual meteorology, terminologies and stuff like that. I assume, but maybe they messed up more stuff because I just don't know enough about it. I am tempted to text Max to tell me how Mel felt about it. Yeah. Because I'm sure there could be totally, like, other things that got, like, drastically wrong, you know. Right. I have six when it sucks up fire. Like, what do you call it? I know, right? I don't know if that's physically possible, too. I mean, it's a lot of air. You know, fire is air. But I feel like it needs to burn-- have something physical to burn, right? If not, as long as the fuel is being sucked up with it. Why not? But air-- I mean, air is-- so the gasoline that the tornado is currently flinging around is on fire, not the tornado? Correct. Yeah, the tornado is in the gasoline. It's a direct-- can I light gasoline? Anyways, whatever. Yes, it directly experienced the gasoline that was on fire. And then spin it around and have it being a free-formed gasoline ball of-- Oh, I see what you're saying. Like a fire bell. Exactly. Did you watch the-- you've seen the original, right, Raymond? I want to say I have, but honestly, I don't know. I-- if I have, it's been sold off. Oh, so you didn't recognize some of the stuff. So you also didn't-- there's so many references. So you have it-- so Jeff and I both watched it recently. I watched it today. Jeff watched it in the past. Yeah. I wish that I had watched it recently. The past becoming damaged, they have-- they reference that in the original also. But it feels like that's like the stat that everybody took from it, too. The original, amongst other things. OK. But anyways, at the end of this, Jeff and I are going to decide if the original is better than this one. Which one's better? At the end. We have to-- we're going to-- Yeah, you got to stick around for that. Yay! Chew! So my main question that I want to ask you guys, whether or not this actually is the title-- like 12 inches long or so? I doubt that. So I want to know what your results are. When I was doing my research, a lot of people reference this movie as a specific type of movie. And it's not a disaster movie by a lot of people's accounts. Is Twisters a monster movie? I think it's a rom-com. So Brandon, honest to God, I would clarify Twister as a monster movie and Twisters as rom-com. I agree with that. But I would not-- Twisters be a rom-com, though, because they actually got together. That's what I said. Twisters would be a rom-com. The original-- see, this is another question I had. Brandon's out. Oh, he's back. This is another question that I had is, oh, we annoyed by the names, which I'm already annoyed by the names. Fucking Christ. Twister and Twisters. It's so irritating. Can't wait to-- Would you prefer Twister and Twisters on Alien and Aliens? I would have preferred anything else. Could have done a colon with something. You could have gone two if you wanted, but I don't think it's a sequel. That's my problem, because I don't think it's a sequel necessarily, which we'll figure out. I would call it a reboot, probably. It's OK. The first one is legitimately, I would call it Monster Movie, and I would absolutely defend it, because one of the things that the original did with audio is they added, like, growls, and they added a personality to the Twisters. Like, when you would literally hear growls or when it grabs stuff or when it gets closer, they would call it, and they would treat it like a creature all the time. I don't think this one did that necessarily. Interesting. Because it's much more-- Less-- Yes, I think so. Interesting. That's hard. Would you call it-- I definitely think that it falls more under the Monster Movie aspect than the-- I mean, it definitely is a disaster movie as well. So the people who are saying it's not a disaster movie I disagree with. But I also definitely see it as a monster, because it does attack, and it does kill people like, right from the get-go, and yeah, it kind of does stalk these people. I mean, you know, it stalks everybody in Oklahoma, and it does almost act on its own. Well, so can I ask the question? What are we putting as the standard for a disaster movie? Because when I think of a disaster movie, I think of, like, maybe Dante's Peak or something like that, and it's got the-- Wow. Like, it's got, like, the same-- Wow. What a pull. I'm sorry. That was just a random one to go. It's a disaster movie. It's because it's Twister. It, like, it reminds me of it. It's got, like, the same steps, like, you open up with a scene, and then someone dies from, like, a geyser because this volcano is about to erupt. And then it goes on, and then they try to, like, it's basically very similar. They're, like, scientifically trying to figure out what's happening, and then, like, disaster happens, and people die, people live, people kiss, whatever. Yeah, I don't know. I don't know. Realistically, I would call this a, I would say, you know, disaster rom-com action, probably. That would realistically. I mean, that's a ton of them. I do really think it's a disaster. To me, it doesn't scream creature, maybe just because I'm comparing it to the last one, and it didn't feel like it-- I feel like if it's a creature movie, it's got to have at least, like, a little bit of personality-wise. Well, because, I mean, this one, they're literally fighting the tornadoes, right? They're literally going out there and trying to stop the tornado from happening. I get what you're saying. Yeah, they're trying to actually turn things around, like, something. Right, and they do actually in the undefeated, right? And that's what a lot of classic monster movies or creature movies, that's usually the plot is it attacks it, you know, it's, I can't think of what I want to say, torments people. And then they have to figure out how to defeat something that is, you know, ultimately more powerful and supernatural. And I think that that, you know, kind of ticks a lot of these boxes. I mean, Tyler even says, you know, that tornadoes are part science and part religion. They're, you know, somewhat supernatural in a way, because we legitimately still don't know how tornadoes are actually formed or why they form, which is also super fascinating to me because we, you know, now actually have teams of people chasing these storms and studying them and doing as much data collecting as they can to understand all of this. And yet there's still not that understanding, which is mind-blowing. How do you fight something when you don't know where it comes from? That's kind of terrifying. Yeah. Yeah. I see what you're saying. It just doesn't, it just doesn't like, you know, I feel like I could, you know, bend this to that into shove it into the box if I've tried to. It just, when I walk out of it, doesn't feel like a creature moving to me. And you know, maybe that is just a also a, you know, greater thing of that is wasn't my favorite in the world. So like, I personally think the, I'm not going to answer that now. So maybe like it rolls, maybe it rolls into that kind of side of it where I just, it wasn't my favorite movie in the world. So I don't think they did that well enough to be considered like, you know, technically I could clarify it as a, as a creature movie, but I could do that for a lot of things. Yeah. A lot of different jumbles. We could do it like in a lot of ways, they're very much the same. Yeah. And I want to get you guys' opinion on this before dropping the, the truth fact on you is so the director, Lee Isaac Chung, does what he says to consider it himself to be a monster movie. Good. The fucking now. Yeah. Let's, let's, I would love to ask that dude about the room and see what he says about that movie. Yeah. It's a, it's an epic. Okay. Well, now it's an epic, you know, just because he says it, I mean, the way I see it and what came out are two different things. Sure. The way I see it at this point is that I think they're all actually very similar. They're very similar to structure, just one classified as disasters because it's natural, like world phenomenons versus the actual tangible creatures, animal things. Sure. Otherwise, I think they're very similar, like there are all essentially. I agree. Yeah. Absolutely. Yeah. I think you're, you're spot on Jeff. Go to Jeff. Yes. Yes. We want to, do you want to go on the, the, the story or like visually how it looked? Would you anything scream to you guys right now? Well, let's, let's talk visual because Matt. You brought up to something to me before we saw this movie about the fact that some people. Oh, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, hey, Brandon, what's up overall? What did you, how did it look? I want to just want to see what Brandon's on, on, on, what did, how did it look Brandon visually just like, you know, just visually, how did it look? What did you think? Yeah. Just short answer. It looked good. It looks big. Okay. Do you know what, do you know what, do you know what they shot on at all? No, I know nothing about the technical specs. I was hoping Jeff looked that stuff up so he could tell me. So yeah, I know nothing about that, but it looked pretty modern, right? But it definitely looked pretty, it felt pretty modern and it felt very, it did feel very realistic. Again, going back to our, you know, comedic open or bonus or whatever, wherever we put that I've never seen or a tornado in person with my own eyes touch the ground. So I can't say, you know, that looked fake or whatever it looked realistic, that was digital. But also, I wish, I wish Brandon had seen, I wish Brandon has seen the first Twister movie at this point now. Recently enough to actually have an opinion on it because, yeah, because there's a comparison, like because, okay. So what you were, what I was going to explain was that Matt told me that some people aren't liking the look because people are saying it looks too, too clean, too new, too digital. What I read as Netflix-y. Yeah. Yeah. Which is interesting because of the fact that when we watched it, I could see film grain on it and then we looked it up. Do some film brands. They all shot it on film. Did they really? Yes. And, and it shows like, because then there were some, like other people on the other side that were saying they liked how they kept the looks very similar to the first movie, which they, it was obviously like shot on film then as well. But I mean, I could tell like it was shot on film, they had that graininess and granted it had like a newer, like it did have a newer feel and look to it because obviously they were able to do some things and post-production technology that they haven't been able to do early on. Sure. But, yeah, I would have looked at film and scanned it pretty quickly. Mm-hmm. Yeah. I mean, but yeah, it looked good and it was on film and it did look to me. I personally did not see the grain. Oh, really? I don't think it looked, I would never, I wouldn't call it Netflix-y to me. Yeah, I wouldn't either. I would have called it, honestly, I would call it closer to like maybe Lovelace bleeding than, you know, hit man. Because I, I get what people are saying by that. Like when people say it looks Netflix-y, I also equate it to the same thing as like saying Marvel. It's got it, they're using the hot, like the newest digital technology, a lot of it's red, a lot of it's like the new RA sensors and stuff like that, digital sensors and they do look good. Like clean compared, like super clean compared to specifically red looks very clean, saturated, contrasty, as far as like a modern slick polished look, whereas this movie still had some grain and some grittiness to me. You don't see like all the crazy imperfections like you may be used to, but it was a clean film look. Yeah. Yeah. I, yeah, I definitely kind of am in the same boat with Matt, like I didn't see the grain, so I guess I just wasn't maybe looking for it, but it didn't look like it was shot on film to me. But I mean, there's a, there's a point we wrong, we've made brain and Jeff could be wrong. Totally. That's true. That's, there's a point that we make multiple times is, you know, how can you tell and how can you say one's better than the other because they're, they, they look so similar at this point. Very true. Very true. How did we feel about, you know, I, yeah, I definitely didn't look Netflix-y. I will say part of the thing that I personally didn't like and I feel like it shouldn't be a shock shock at all. It was very shaky and yeah, to me, it was very shaky and, and, and like the handheld style, I think goes better with gritty and less, you know, epics personally, like smaller budget indies. I think that works out better than when I am doing, you know, showing up to the Adobe for this big epic, I kind of don't love it as much. Right. Cause when you have it on a larger canvas, you, you know, those shakes are, you know, accentuated 10, 20 times because I almost don't mind it and didn't notice it as much in this movie. Like there were a couple like scenes where I could visibly see the shake because they were going through a tornado and then as it goes away, it stops shaking. Like that was an intentional move, but I, I also equate storm chasing to somebody running through the fucking wind and rain with a camera and it just like, um, it doesn't, it like it translates for me in a way that works. That story is an indie to me rather than kind of what they gave us, which it didn't feel like, you know, kind of a smaller budget, indie, like they were living out in Oklahoma. I'm not saying they didn't shoot it on set. I mean, I mean, didn't shoot on location because I mean, look, I'm assuming they did. They did. Um, it just doesn't like give me, it gives me, it didn't give me that feel personally. No. Yeah. I mean, as far as, as far as like being on location goes, um, yeah, they were in, in Oklahoma, they'd get, they did get interrupted by multiple storms multiple times. Um, there was the strike that happened, which then they had to come back in December and shoot. Is that the storms we're talking about? What's that? Was that the storm that you were talking about? The strike. Oh. Ha ha, pair, were you in the strike, was it a lightning strike? Well, um, but yeah, the, uh, as far as the production value goes, you know, being on location, I think really helped, um, getting to see a lot more of a grand scale was really nice. And I think led to me liking it more than if it wasn't indie and used, you know, with the shaky cam, everything with that, I think that, that it, uh, just the, the budget and the, it was used really well. Nice. Nice. Whatever. So overall did like the, the, the handheld shake didn't, uh, bug you as much. No, I, I also didn't really necessarily catch it as many times. I think I was pretty invested in everything and that felt like, you know, when, when they use it, they felt like we were actually, again, for lack of a better term in the tornado and initiate, you know, really, really in their perspective. Um, and I guess it just didn't stand out as much to me. Yeah. That's why I don't know. I think that's why it blends and like feels like something I, I didn't quite notice, um, as much. Jeff, ever since I casually asked mentioned to you, Oh, I should watch this in 40 X. I'm getting so many ads for this movie and 40 X ever since I mentioned it's so irritating. Um, I like, I feel like they used it to enhance the, the storms and the panic and like I get why they did it, the anxiety and stuff, but it just felt a little bit like they relied more on that than the, uh, the, than the rest of the things. And this, I'm sure this is going to be another thing that everyone disagrees with me. I don't feel like I thought the, I don't feel like the storms. I didn't feel like I felt the storms necessarily. Interesting. Um, there's. You didn't see it. 40. What? You didn't see in 40. That's why. Yeah. I mean, that was definitely the problem. Like it was definitely, they definitely did shaky. I felt like they, you know, them picking music over, um, actual like environment sounds kind of took me out of it. So do you think the audio mixing could have been better in terms of making you feel more immersed? I would have loved to pull back on the, the, the music like a motherfucker because I want like, you know, the wind to be the biggest thing rather than like I felt like I was hearing, you know, dramatic music and stuff, um, so almost maybe the combination of like a quiet place. Day one, when those monsters were like running through the fucking streets, like super loud, you want like that dramatic amount of sound design for the tornadoes, essentially. Well, I could be wrong, but like in an EF four, three, four, five, I'm pretty sure with those high speed winds, like it's pretty deafening. So you know, being able to hear people, you know, very clearly in crisp, you know, audio, again, kind of goes back to it when, when we hear a studio version being played over, over somebody, you know, lip syncing to it, like, I think that if we, if it felt more authentic, if it sounded more authentic, then it would have felt a little bit, uh, more realistic. Maybe, maybe I'm wrong, Matt. Yeah. I was expecting us to go back to me after I said my thing and then you did it. I was trying to tie into what you're trying to, you're wrapping up my question and then double checking that I was agreeing on that. Well, yeah, I was just trying to make sure that I was understanding and seeing if maybe I could. I'm going to be honest, Brandon, I was looking at a note to move on, like, what the next thing we could bring up. And then all of a sudden I heard in my right mat, I apologize. I thought you were talking to Jeff. So yes, Brandon, I totally agree with whatever that you just said. Love it. Love it. Hey, Jeff, what'd you think about the color grading and also do you think that was enhanced or anything because they shot it on film versus digital? Um, I mean, I thought there wasn't anything particularly that stood out to me as far as color grading. So like I didn't notice any specific color cast or anything outside the realm of like what a storm would look like. I so I thought it felt pretty natural in that essence. So yeah, I mean, I don't know, is there anything in particular you noticed that I that I did not? No, I do agree with you. I was not, you know, I feel like I was expecting something to pop. I think the green grass and the road kind of popped a little bit, but other than that, it was pretty mundane, which is what I was like kind of more looking for, which I was happy with. I liked the coloring. Yeah. Like now that we're thinking about it, it's like the stuff that like when the like angry clouds and storm clouds were in like it got like the shadows and everything got darker. The hues got like a little grungeer, which is all like standard, what I imagine that to be in like a natural essence, like world look, but then I was a scene that I do remember actually as far as color, like something that was a little different was when the fire went up into the tornado and there was that like orange, like fire glow coming around and it did look nice. I think I think that it the colors were fairly muted to kind of accentuate where we were like again in Oklahoma, it's very dusty, it's very brown, you know, kind of barren. But I think that it was also a little bit too well lit and we could see things a little bit too well, like when when we were the tornado was ripping through like the town and Tyler and Kate were trying to save people, I feel like that was a little bit too bright because I think when the power goes out, I feel like it'd be pretty much utter darkness, which may or may not, you know, be less, less interesting film wise, but I think it's definitely more harrowing and a lot more difficult to survive something like that. So I love the idea that the screen is just black and it's like, yes, yes, the real is true. Like one person has a flashlight way back in the corner and then you see them fly up into the tornado. Sure, sure. Obviously not to go that way that far, but you know, something more along those lines because don't back down Brandon, I would have liked that because well, because the director Chung, he kind of hinted at, you know, he was watching Jaws a lot with Spielberg being the executive producer talking about, you know, what Jaws did really well to make it more, you know, of a horror movie. And so it sounded like he kind of wanted to move in that direction to make it, you know, this ultimate, you know, epic disaster, horror, thriller, and then kind of backed off of that a little bit too much. So if you if you leaned in a little bit more in that direction, I think I would like it a lot more and like the color schemes a lot more when you really are playing with a lot more of the realism instead of, hey, we just need to see these, these actors. Hmm. Yeah, I kind of, I would have liked if they went like either they went super gritty handheld, you know, get in there, mate, you know, or gone epic, like, you know, wide interstellar shots, like, like a whole gigantic landscape, you know, something like that, I would have liked to go either of those directions more. And I felt like it kind of like landed in the middle for me, not in a way of like, oh, they did it so poorly. I just, it felt too down the middle for me, which is kind of one of my complaints for this. It just feels very down the middle. Hmm. And there's nothing that really, you know, the most exciting that I enjoyed was like Glen Powell and woman, uh, their chemistry, Daisy Andrew Jones, Daisy, that's what it was. Yeah, their chemistry, I thought was like my, my favorite part probably, which I doesn't say a lot for a Twister's movie. Whoa. Don't say that about Glen Powell correctly. No, I kind of liked him. But we are continuing on the, the, the, go ahead, Brandon. Um, I, I, I, before I guess before that, I had one, one quick, quick thing. Uh, do you think you would have liked, including more of like, uh, footage from people's phones? Um, because we, you know, we're, it's set in modern day and we got a little bit of that when they're, you know, doing their YouTube stuff. Uh, but if we had seen like the storms from a cell phone perspective, would that have done anything good or bad? So, uh, good. Sorry. Yeah. Um, so I would say personally for me, I would not have enjoyed it as much. And we kind of roll into story and like acting side unless we have more visuals for free fuel to, uh, bring it back. But like, uh, it would 100% of make sense. Like I totally get that and the, the, the YouTube stuff totally makes sense also. And I'm just not like if the YouTube stuff I thought was at a fine level, like we got some of their cameras every once in a while, um, you know, it felt real. But if we had start doing camera footage, it absolutely would have been like made sense in the universe. I'm not saying it wouldn't. I just probably would not have, I don't think I would have enjoyed it as much. Yeah. Do I think through somebody's camera? I think if they went that direction, you'd be bordering the line of like paranormal activity or Cloverfield, um, yeah, versus keeping more of like, keeping more of the aesthetics of the original into this movie. If they went that direction, it would have changed the, I think overall feel of keeping it within that same twisters franchise. I totally agree. But don't you think that that might be what this movie would have should have had to differentiate it from the original? From what I remember seeing from the scenes, I remember seeing of the original here. Here comes the man that went. I think. I might have seen it. I've seen that. We've seen scenes. I know that 100%. I don't know if I've seen the whole thing. I don't know if I've seen the whole thing all the way through, but have it's been a long ass time. So from what I remember, it does feel very much not necessarily copy paste, but very, very close to how it was, how it was, you know, shot and how it was filmed and that kind of aesthetic. So doing something like that might have helped kind of break the shell that the original had. Um, I could be, like I said, completely speaking out, out of line here, but I mean, um, I'll jump on board with that having seen both recently. I do think it was similar. I think they did use some similar aerials. I think they did use some similar car camera mounts and stuff like that. Um, the CG was tremendously better, but I think, but I think it works like I, I think I'm starting to get the impression I liked this movie better than you guys, but I'm more than me. I, I, but I liked the similarities that they had in the little, like I think they put in the appropriate amount of like, um, callbacks to the original, like Dorothy five and then the little sensors in the very beginning. That was all in the intro, a lot of the money was going to be a real, always going to be a conversation. Cause I don't know how I feel about that. Um, okay. Well, anyways, um, I, I think I agree, well, I think I agree with you, brand, uh, what is your name? Jeff. I think I agree with you, Jeff. Yeah. That's me. Um, that it, like the beginning felt very similar and there's depth, absolutely like similar beats here and there and, you know, similar car mounts, but like, I don't know, what are we doing? We're going to go like inside the fucking motor. Like, I, I, I'm, I know that there are venting new car mounts and stuff, but like, damn, like, I, you know, at some point, let's just have a freaking regular car mount. Like I'm okay with it. Um, so I do agree with you that they hit some of those here and there and it feels like it is, you know, if you were to cover the two names, I would be like, absolutely it felt like this was, was inspired and doing homage to the, the, the first one, the 1996. Mm hmm. Yeah. To that one. Yeah. But it doesn't feel like they copy pasted it to me. Yeah. And in that essence too, like they, I think they changed it enough, getting more into like kind of a story situation, they like, um, kind of swapped some of the, like opposing factions and with the care, like characters involved, like, um, in the original, it was very much like, here's the corporate storm chasers. Here's the, like people doing it for the sake of science and like, not, like, not necessarily profiting. But just the absolute love of it. Cause they're psychopaths. Yeah. Exactly. And so like in the original Twister, we're following the ones that are just like the science people and not doing it for profit and stuff. But then they switch it in the sense where the army character in this movie joins the corporate side and then you slowly start to realize the corporate like priorities. And, um, and then she swaps over back to like our who initially were like, ah, screw those guys. But then we're like, oh, they're cool still. Yeah. I know. So that, so I found that really fun that they did that. Yeah. I'm glad they didn't, I think I'm glad that they didn't just copy it. But like, yeah. I feel like they tried to do too much and they tried to have like, they had, they kind of want to have their cake and eat it too. And it's like, I honestly would have just liked if they just focused on Glenn and, uh, what's your daisy daisy, they just focused on them and we could have just, you know, the bad guys could have just been faceless bad guys again. You know, I know it's going to, where we come out of it and everyone be like, Oh, how cliche, they just copied the other stuff, but I, I would have been fine with it. I think it would have been, you know, I think we should have taken the, the bad, the good bad guy and just brought him over and he could have just been funny. Like I liked that dude. I liked that actor and they could have just let him be a comic actor instead of like trying to do this serious, like love triangle kind of half ass, this love triangle story. It was very half assed and it was, it was wedged in there to try and get, you know, some kind of sympathy for, uh, Ramos's character. And then that was just kind of abandoned and yeah, I totally agree with that. And, um, I didn't feel like there needed to be any sort of romance between, um, what's this face? No, um, what senior transformer, yeah, Ramos and, uh, Daisy Edgar Jones, like, I don't think there needed to be that, like there's only one line that he said. And I was like, Oh, they just had to throw that in there, didn't they? It was very like, well, like, it was very odd that they did that. And then on top of it, um, another thing that they fought, you know, the cliches, because it felt like he was kind of like, he fought cliches here's in there. They cut out, um, the final kiss, right? Um, yep, they did have a version where they kissed. Yeah. Well, Spielberg, I think was the one that suggested that they could, should cut it. So it's not, it's not as generic and, and, uh, and cliche, how do you feel about that Brandon? Cause that's your, that's what you want. That's my, that's my sweet spot. I love that they didn't kiss. I love that. I think that it absolutely, uh, would have made a tooth cliche and very boring. And again, I've seen it a million times. However, I think if they were going to go without the kiss, then they needed to dial back the romance, uh, at least a little bit. They needed to scale it back because it was very much like, Oh, these two are meant to be together and then you take it away. And so I see, I see where, you know, some people could be upset that they didn't get together in the end, but I personally really liked it because I didn't think that it was about that at all. That to me felt more like a science story. Yeah. That to me felt like the B story, um, that's then, then, um, Kate coming back to enjoy what she actually does, you know, uh, go in chase storms and the thrill of it. Cause she's this, you know, tornado whisperer and this prodigy. So why waste those talents and oh my God, you're amazing. No, do it. Do whatever you like. Do what you love. Um, well personally, I thought they did it like delicately enough that it didn't feel that cliche. Like you could, uh, personally, like, you know, I've only seen it once in theaters at this point, but it's like, you could tell there was some sort of something going on there, but then there were, like you were saying it was a B plot line. Like there was the A plot line of like, um, chasing down these twisters and like figuring out the science of how to like, um, stop them from destroying several towns. Like we saw multiple towns get destroyed, um, and then, yeah, I forgot what other point I had. I was on a roll. Yeah, I don't know. It felt to me, it felt like the romance was the A plot and the tornadoes was the B plot to me. Cause I felt like it was very centered around, oh, you know, he just shows up the house and it's like that. Oh, wait. I told him I have him keeping, uh, staying over. Oh, hey, they interact like immediately. Oh, you know, it just felt like it was very, um, it's like they wanted them to be together and like humbly, but not, they didn't want to start it with them being together and hum happily. Right. They wanted it to like start, which I think they should have just started with them having a relationship. But again, that would have been cliche. Cause I just, I just remembered part of the storyline that I was going to get to. Um, that's involved in this, but she was also overcoming her like fear of tornadoes and like the traumatic experience that she went through in the beginning, which does have a step into relationships because she lost her boyfriend that I called it from like the minute we saw them kiss. I was like, this dude is dead. There's no way that Glenn Paul is in this movie. Sorry. I had shut up. I got it. We all know he's going to shut up, but I had to let, I had to let you know right then and there that I was right. I appreciate it. I was really glad that they did kill so many people right off the bat because it really did feel like, oh shit, like there are actual stakes at hand. Like there are consequences. Yeah. Other than just want just the guy like they killed us, like all the other friends, basically. Yep. Yep. I thought she was going to be in the movie longer than just like the first 15 minutes right. Right. Sure. Sure. I do. I will say about the opening scene felt very like personally, the opening scene felt the most of Hey guys, remember the old one like it felt like they were copying the same scene. Even to the extent of her going, Oh yeah, mom's got barbecue at home. I know. Oh my God, guys. Yeah. I think they chilled out with that after the fact, even though they still had references. Yeah. But they threw their main ones out all at once in the beginning, which I'm okay with. Like it's like, oh yes, like here's all the nostalgia for people and then let's go on to the rest of the movie. Well, I'm glad they, yeah, I'm glad they pulled it back. But I mean, they did some other like when he was like, Oh, to somebody said it, but it kind of felt out of context where he's like, Oh, good to see your back. I mean, and the person, I don't remember who said it, but I was like, Oh, I'm not back, which is such a thing in the first one. Yes, it is. All right. Which she said. Yeah. Daisy had a cute little character. Yeah, that's what it was. But it's a cute little nod. But the first, the opening scene to me, it also, it changes the mindset so much from the first one. In the first one, Helen Hunt's character is like she was a child when her dad died for no reason also. But that's the whole thing. We were not covering Twister, so we'll do that some more time because there's no need for him to do that. And so then she became obsessed because the door flew off, Jeff, and nobody else died. So the door didn't need to be there. The other people in the bunker lived. So you could just sat there and not die. I agree. Fine. Yeah. Anyway, hold on to that door and he followed it out there. He's really obsessed with my door. My favorite door. He's like, I built the shit. But so then so then that happened and she came out and went, No, this I am going to be on the door. Thanks. Yes. She watched this. She did the person died and then she became very obsessed with it. And it was like, you know, out of fear of losing more people, she became obsessed with it. And then this one, she didn't feel like she had the passion because that like a disaster happening, something happening because we didn't get to see her beforehand. Someone just casually in the line was like, Hey, you love this stuff, right? Even though we didn't see any of it. And then it was just, Oh, now I don't like it as much because bad things could happen. And instead of bad things would happen. This is my passion. This is what I'm like, I just really want to stop this from happening to other people instead of her just being kind of scared. And so I don't, I didn't, it didn't feel like that was a consistent because later on, they were like, everything I care about is defeating this to save people. But it's like, you know, you wouldn't have disappeared and not done anything. So I get it in the sense they brought it up like with a Ramas's character saying that he he he put like imposed the blame on her for the friends dying earlier on because of the fact that she she was the one that recruited all them to get this grant. And she was like super motivated to like do this all this like science projects and stuff to figure out these how these tornadoes work and such. And I think that guilt in particular carried over with her and in the essence of also this fear of like trying to chase more twisters is like, is anyone else going to die because of me kind of situation versus the the one in Twister where her dad dies, that was just her experiencing. I mean, like, fuck, I don't want this to happen to anybody else. Like, I understand it. She's watching towns get destroyed and be like, Oh, thank God, I didn't do anything so that nobody close to me. These people aren't close to me. So who gives a shit? That's just feels like it feels weird to me. But I hear what you're saying. I understand what you're saying. Fuck those people. I speak another another storyline thing. Can somebody explain to me because clearly I'm misunderstanding the bad guy, the corporate people, right? What was his so what's the guy's plan? Because the way I understood it was the guy shows up and he buys land from them because it's cheap. It's destroyed. I'm going to buy it at a lower value, give you some money. That's what I'm justifying. So you can get your life back together and that's that's the whole thing, right? And then, unless I'm wrong, and then they, the storm chasers are giving him better data of where the storms are going. Is that what it is? So he has, so why, what are, what are, what advantages the technology giving that corporate guy? Oh, yeah. I don't, I couldn't answer that question because that doesn't make sense either. Because he just, yeah, as far as insurance goes, it's branded. I don't want the insurance guy, the insurance company is going to come in, swoop up, buy land it cheap, and then force people out of their homes or out of where they were living. So yeah, what the, what the data does, he's not going to get there before the tornado to buy stuff. Right. He's just following the tornadoes anyways. That's all he's doing. Maybe, you know, to the best argument I, best argument I have for it is that he's getting people on this, like on the ground as soon as possible so that he can swoop in there. That's the only thing that he could be, he could be their first and then maybe so it could look like, Hey, this company is actually doing research. So that, Hey, don't hate us because we're, you know, just a scummy insurance company trying to buy cheap land is, Hey, no, we're actually using this money to, you know, go into funding to stop these tornadoes, even though that's not our ultimate goal. Well, that's not even what they were saying. They were just saying we can, we could predict like where they're going and stuff. That's what hit the research. And then I, I thought and then what's his face, uh, Javier was like also doing the other project on the side kind of like quietly. That's what it felt like to me. Yeah. Well, actually they didn't even have, they weren't even trying that. When he brought her back, were they even trying that to disrupt the tornadoes? They were just planning on, Hey, they're trying to create a 3D model to like, how to understand data again, what, yeah, whatever makes them tick and they said data. That was it. They didn't say that I got to get the data. Okay. Hey, that's just to me. I'm like, I'm like, I don't understand the villain is confusing to me. Right. So that was a lot more murky. Hey, that's how I took it is, is, you know, we're, we're saving face. We're pretending to be a company who cares when really we're doing a whole bunch of shady shit that, you know, you don't see right up, right up front. And so I kind of understand that, but that definitely could have been fleshed out a lot more that one that that could have been boosted or taken out entirely. And something that I found to be a little irritating after I was reading it was, I agreed with, with the reviewer saying, you know, this is a disaster movie set in modern times that doesn't talk about climate change at all, even though these massive tornadoes are a direct result of climate change of, you know, these things are going to happen a lot more and more and more because of what we're doing. And yet we're not going to handle this because of politics and we don't want to get on one side or the other. And that kind of irritated me. I think that there was a lot of things that you could have used and a lot of, a lot of ways you could have implemented that to make a lot stronger case for your character. Um, yeah, I don't know. I mean, I was fine. I was personally, I think it was fine out of it because it's like, yeah, I think that would have just been, it would have been like kind of preachy to preachy because it's like, what are they really doing, like chasing tornadoes and being like, God, it's, we got to fix the climate, uh, you know, here climate change here kind of thing. It feels like it would be two different storylines around tornadoes. You know, I agree that it is in a big part and it does affect it and you do need to fix it and everything. That feels like it's set like a different like whole turn rather than, Oh, I can't believe they didn't include it kind of thing, um, you know, that's a different aspect. For me, I thought they honestly did it relatively well in the sense that like they pointed at all these different like teams or factions, right? Like, yeah, initially you look at Tyler and his team and you're like, Oh, they're just out for making videos and making money and whatever and just doing this for like, you know, like they even just point out there just like, look at all these tourists that they bring, like, this kind of sucks. Um, and then later it turns into the fact that like, Oh yeah, we only like sell the shirts to like the tourists so that we can raise money to help, like, help these people that go through these. Right. Yeah, the disasters. And then on the corporate side. More into that. Yeah, exactly. But like I thought with the amount of time that they have to focus on these, all these different things happening, I thought they did it relatively well, that you have these initial understandings of these factions and then they flip them like, um, yeah, and they worked out for me when on this initial screening. So yeah, that's my two cents. I also like, like, I like the, the dual, um, I guess factions is a good word. That's the way that they were able to, you know, say, Hey, look at, look at this corporation. They've got all the technology and it's my old friend and they're doing so well. But then they flipped it and go, Oh God, no, they're actually not in it for helping people. They're in it for the money versus, Oh my God, look, these popular people don't give a shit about about helping people. They just want the flame and Oh, wait, no, they're actually the good guys. That was, uh, and I think they actually twisted it, uh, at a good time, uh, I think that they spun it. No, that's, dude, man, um, it's interesting to me because it's like when I saw the, the, the, the one, the guy with the hat and the headset or whatever, where he had like, I forgot, whatever you call it, uh, his, um, hobby is like partner dude, right? Yeah. Princess bride from the first movie. Yeah. I saw him and he looked so much like the kind of like the bad guy in the first one. The other one or yes. No, I agree. You know, Allah, the, the bad group in the first one and I was like, Oh, they bad guys. You know? Yeah. That reaction was like interesting because honestly I slowly figured out during the, um, the trailers, like the first trailer I saw, I thought Glenn Powell was going to be like the cocky douchey bad guy, quote unquote. And then another one came out and I was like, Oh, he's a love interest. What's going on? I guess he's one of the good guys. I don't understand. What's going on? Always the good guy. Come on. Yeah. That's always the good guy. Even when he's the bad guy you can find out when he's the bad guy and, uh, with our episode one hit man, hit man, uh, I do think he, you know, I think he did another good job. I don't know how much I love the like individual dialogue writing and stuff. I thought the best stuff to me felt impravy to me, um, you know, when he was like, when he was like, Hey, put your seat belt on or whatever. We're going God, put your seat belt on. We're going into a tornado for God's sake. Yeah. That was hilarious. Like those small comments and stuff. Yeah. The little quips and stuff. Yeah. Yeah. She was pushing back at him when he was getting cocky and stuff, you know, and they all laughed at him when she walked away. You know, shit like that. I thought that was like my favorite. So I really would have loved, I really would have loved to dive more into the good crew, quote unquote, and, um, their relationship and stuff more than trying to kind of fit the other team in, fitting Javier, fitting this mystery corporate bad guy. Yeah. Well, that'll be in twisters is twisters. It is. It is. Twisting. Twisting. Twisted. We go back and look at what these people have done just twist. Just twist. That's the prequel hers, which will spawn the cinematic universe with bop it and whatever else. That is. I'm annoyed. I laughed at that, Jeff. I'm a little bit older. I'm a little bit older, but I also, I, I, I want to echo kind of what Matt said about, about the acting performance is that they were, uh, as far as Glen Powell goes, I feel like at times he was flat and at times he was extremely dynamic and really interesting to watch. And I'm trying to pinpoint. I think I think you, you said it, uh, really well, Matt is that when it was like felt more improv is when it felt more dynamic and it felt a lot more interesting to watch, whereas a lot of the boring stuff really did feel generic and basic and like it was really watered down dialogue. And I wish that I, I could pinpoint exactly what I, what made me feel that way, but there were several times that I rolled my eyes at it. Basically you got bored with him once he fell in love with, uh, what's your face? He was like, I can't, I can't have him now. I can't have Glen Powell. Yes, I can. They didn't kiss. All right. They're not a couple. It was very true. It was very true. That is definitely how people are excited. If you feel it, if you feel it, you think he, you think he, that's a hit up, that's a hit line, a cod T flirts with people saying, uh, if you feel it, ride it. Yeah. Feel, feel the, uh, I think he'd be, I think, hey, he'd do good. Even if he's a creepy stalker that just shows up at her house randomly. What the fuck? He just turned around. She turned around. I was like, Oh, I'm here. And everyone was chill with it. No one that we like guys also, it was so, it was very hot, it was very hot to me. Yeah. See, see the big romantic gesture works. If they're into you, otherwise it won't be a shit. If you look like Glen Powell, you can do whatever you want Brandon, but good to know. Good to know. Uh, I like how we can actually drill his truck into the ground at the airport and walk away from that situation. Yeah, I don't, I don't think that's how that works either. I don't, I don't, I mean, hey, maybe that truck is super heavy and, but the amount of force to drill into like asphalt, I feel like is more than the weight of a truck. Yeah. Yeah. Yeah. Also how deep do those go? Cause I feel like as you're digging in there, you're kind of loosening up the soil a little bit. Yeah. I feel like you got to go pretty soon. So that's what I thought when like it started dragging in the dirt when the tornado was pulling it. I was like, how's that thing not flying up right now? It's pulled all these other semis and other things like from a further distance and that's not picking this truck. I don't know. Which twisters, twisters also can keep kept up the cliche of like picking up the heavy ash that are three feet away from me and heavier got picked up me. I'm fine. Just I crouched. That was what happened. Yeah. I know how, how convenient it was for, uh, Kate's car that she was borrowing was the only vehicle in that town that didn't get destroyed as she was driving, so she could drive away and go home. Mm-hmm. Like, come on, guys. Yeah. How do you even get there? That's right. Well, technically, yeah, I don't know how that got built. Like forward pulled up, put someone build up, pulled up from the disaster side and like backed in. You know what? I'm going to parallel park right here. I think this works perfectly. Yeah. Somebody might need this soon. You know, I did like, I like the technology that they, that they brought like the drone and stuff. I thought that was cool. It all made sense. Felt there. It felt, it did fail very modern to me. Yeah. A drone I couldn't have imagined would have done well in that scenario as though. Especially that light of one. Yeah, exactly. Yeah. Well, with that big of like wings and everything too, it's like, yeah, it's like height. It's like becomes like height and is a styrofoam plane. Um, so I, whenever I see, you know, news about, about wildfires, about floods, about tornadoes, about hurricane, you know, anything like that, I'm like, why do people live in these, in these areas? You know, why wouldn't you just move because it's so prone to this kind of disaster? And I got a little bit of an answer from this interview that I read with the, with the director. Uh, and, and he said, so he actually asked a lot of people because, uh, in that, in that theater scene, um, there was a law, I think they're all were actually extras living in, in Oklahoma. Um, and so they asked them how many have, uh, been in an experience kind of like this and every single person raised their hands. So then, then they asked them again, you know, so then why are you doing this? Like, why, why are you in, why, why would you want to be in this movie? Are you guys traumatized, you know, uh, that kind of stuff? And I guess people just love tornadoes. Like, uh, they said that there's an interesting, interesting mix of having experienced and being very resilient to these devastating storms. Um, but then they also have this deep, you know, and, and, uh, respect and, and admiration for nature. And that really kind of answers my question is, you know, you kind of feel maybe more powerful because you've lived through something like that because you can take it on because you know how to experience it or because you get to witness something like that. Do you feel more powerful having witnessed a tornado? Absolutely. You kidding me? I'm on top of the world. He was in it. Yeah. He was in the state when it happened. I would. Also, it's not, it's not the cheapest thing in the world to just move, you know, pick up your life and move family, friends, lives, you know, you've, your families lived there for generations. It's not just a casual like, oh, let's just move to Denver. But then you got people looking at Denver and going, why would the guy there? There was flash flooding, there was a forest fires, your house almost got burned. There was a blizzard where your pipes froze and you didn't have power for, you know, and they would go, why are you still here? Why? I like it. You know, I'm okay with it. I, you know, it is what it is. I know how to deal with this. You know, it doesn't happen all the time. You know, it's more of a rare, more of a rare occasion than every single day. We're going to, oh, here comes a tornado Tuesday tornado. And I think that's this argument for every place I would think is like, it doesn't happen all the time. I agree. Well, that's what I'm saying. Yeah. Everyone has their own versions of it. Right. Because I think the one, I think of the one that would freak me out the most is like the southeast, like, U.S. where they always get hit by hurricanes. I can't imagine my, like, having something come through and having to pack up and leave my place and it might be under water or something when I get back, like, I can't imagine living in something like that. Right. Exactly. So I would argue that everybody has a different version of it. Everyone else that everyone else thinks is that crazy. Like, that's what to me. That just feels like, you know, why are people in Florida if it might flood, why are people in, you know, why do people live in Alaska? Because it's, you know, two degrees. So yeah, that's beautiful. Exactly. Shut up. We've all been to Alaska. So beautiful. Shut up. So beautiful photos and whatnot. Not bragging. I'll go back to it. I don't want to do all like the references. I wonder if they showed cows at her farm because that's a counter of what was in the first one. So when they went to the aunt's place, they showed her with cows. And in the first one, they're like, Hey, where'd you go all this steak? And she's like, do you see my cows outside and go, no, well, that's why. I kind of, there's a little bit of it. Jeff can contest this when they were, when she was driving to her aunt's house, I got extremely giddy because I think I wanted something to happen more than anything. And I think I would have been pumped by it. But I don't know if God, if she had shown up and her mom or aunt, I forgot what they made it. Her mom or whatever. If her mom was Helen Hunt, I don't know what I would have done. I think I would have loved it with a passion, but I would have, oh my God, that would have been interesting. It would have changed a lot of stuff because I like, so there's, there's a lot of homages, lines or like they kind of do something in a similar situation. But I think that that I know of, there's only one direct connection to the other one, but they don't necessarily state it. So is it a connection that's the same world? Because Dorsey, that's straight up Dorsey, that's, that's in the movie. That's the first one. That's the fifth gen Dorsey and they went through four in the first one. Well, was it fifth or was that the fourth one? I think it was the fifth. Like I think I remember seeing the V. Oh, I didn't know if it was IV or V. But I just, it is a straight copy of the other one, which again, hey, prop, I would like that prop. I'd be, that'd be gangster. Which one? The container with all the sensors? Yes. Yes. You don't want the twister? No, that seems problematic, like I'd have to deal with that. Twister in a jar. Twister in a jar. Ooh, I'm done with that. You can do that, Jeff. Work on that and then I'll pay you. What about the little, what about the town thing that she had where like the actually created a little funnel of wind and going up now? Yeah, that would seem intense because there was a top thing too. So like you needed like both sides of it. Anyway, shut up, Jeff. So it doesn't make it part does, are the two universes the same now and it's just in the few, do you think so? Because they didn't reference, they didn't reference it. Oh, this is from, you know, when, remember when they get this and it broke, you know, it was such a monumental thing, they referenced it being old. That's all they referenced it. Yeah. I think honestly, I think it was like Twister came out in what, '96, I think that movie would took place in '96 and this one takes place in 2024. I think that is the time gap because I'm on board with that, Jeff. Yes. So I'm just laying out the, laying out the foundation. And then so when they have Dorothy Five, they, they talked about it being old tech and stuff, which makes sense. But then the, the sensors and everything had that new, like, you know, in the first one of how they cut up the cans to give it little fans and stuff like that, they already had a newer, like aluminum design for that. Well, I think it looked closer to the original ones that they made for the original movie. So the original movie, they have like the, the really good, nice ones that they make and then those get fucked up and then the climax, they make their own. Well, they, they, then that's the bottles. They created the fans and put them onto the sensors basically, right? That's what I remember it. Like they like, because they're little fans and they like had them fly up. So the sensors were my mind. I think the things make out of the can, but that makes sense. Aluminum collects data, damn it. Especially at FC. Sorry. I, I'm jumping back in. I kind of, I kind of spaced out there for a bit because we were, you, you were mentioning cows and I remember seeing somewhere, it was like, uh, when I was starting to do research, um, see, like, where is, you know, is, is there a cow homage, um, and, uh, there actually is one. There actually is a cow in the store in this, uh, uh, tiny. Oh, this is the same CG cow. Anyways. Sorry. Go on. Sort. I'm just going to read it, read it verbatim. For the climax of the, of the film, um, there is a, uh, cow caught up in the storm and it's like kind of in the background. It's just kind of in that flying debris somewhere. So it is snuck in there. Yeah. I was looking for it. And you have to actually like know where to look for it. Interesting. So sorry. I'm back. What do we move on to her? No, I mean, unless you have something else, we, you know, we got to, we definitely need to get to ratings at some point, uh, unless you guys got something else. Go ahead. My, my last thing is would you guys have hated it? If the movie that was playing in the theater was Twister. Yes. Uh, yeah. Cause I think I would have loved it. I'm not going to lie. I don't know why. I haven't seen it. But I think I would have loved it. Like, watch, watch, watch, he watched Twister and he was like, that like looks great. It looks a little old. The CG kind of sucked, but this movie, this movie, oh my God, you're mad. Great. She did. All right. First off. She did look great. I know. But like for, for the 2024, I can imagine. What? That would be hilarious. Oh my God. That'd be so funny. Um, I personally see that would be too fourth wall breaking to me. Like even the homages are where we're getting close to the fourth wall. And then I think that would have been way too like, that would have been like Deadpool level of. Yes. Yes. Exactly. That would have been super comical. And it wouldn't have fit the theme or anything like that at all. I wouldn't call it comical. I would call it very, I would have been very. I would have been like, I've seen this. Damn it. Do you guys know what film was playing? Have you seen this one? Yeah. Twisters. No. Jam on you. Eh. Twisters too. Twisters. Twisters. It was. It was the original 1931. Twisted Boaloo. Frankenstein. Oh, yes. I did know that. Yes. I know that you said that. I remember. And I was like, why did they pick this one? Yeah. Hi. So I. Oh, sorry. I missed the rest of the question. So you're talking about the movie that they were watching in that theater when I was like falling apart. Yeah. What? So not the movie that in the theater that we sat in. Yeah. Sorry. Oh, boy. Oh, yeah. Yeah. Sorry. I missed this whole, I think, conversation, I think. Yeah. So was there a reason why they chose that one? I mean, the monster movie. Exactly. Yeah. The article. It's not even original. Right. Or exactly. Boo. They kind of make it akin to a monster movie is, you know, that it's alive and that. Right. It contrasts whether that, that, um, I would like to say John's certain Frankenstein and now in Twisters, science is trying to defeat a monster. Um, so that kind of aesthetic. I'm sure I, I would love it if that actually was the reason why, but I mean, that's what he said. Isn't that what he said? That's what this just reviewer had had put in it. Oh, I mean, I can see that. I, I would have liked since you brought him up saying like he talked about Jaws and reference Jaws for a monster movie. I would have preferred if that was showing in that theater. That had been great. Couldn't get the rights to it. Even though Spielberg was. Because they're also doing the science and trying to figure out how the world could they not have gotten the, the, the rights to that. I know it was Amblin, I think was part of this. Yeah. It's Spielberg. Yeah. Cause that Spielberg owns all of it. Same with Michael Crichton. He was on the writers, which I, I, I'm assuming he didn't do any writing on this, this movie. I don't think I didn't see anything about that. I saw that Joseph Kazinsky was credited with the story and Kazinsky was the one who directed Top Gun Maverick. He originally was supposed to, to actually direct this movie. And then I guess they got tangled up or he wasn't available or something. Hmm. Hmm. Can I explain? Michael Crichton. Yes, you can. Oh. Michael Crichton died in 2008. So he definitely didn't have anything to do with this one. That's where I was going to go with that. Okay. He took it. Yeah. He's sure. Maybe he's a sec. No, he laughed at my jokes. I'd explain it. Right. Right. Who, who wants to go first? Jeff, you love this movie. Set the bar. Um, okay. Let's see. Do you need to think? Jesters. Are you good? Um, I need to pull up the, well, you're pulling up and thinking, you just let us know when you're ready. Brandon, do you think he, uh, do you think they're going to make money? Um, uh, uh, on the butt, do you know what the budget is for this one? I think. I thought I saw that it was 200 million. Mm hmm. 200 million. Cool. And hey, they had a great opening. They're on their well, well, well, uh, they're doing good. So the opening was like 81 or something like that. Domestically. Okay. Um, so do you think they're going to get to four because it's going to be a big thing with Deadpool coming out and does this, does this hold up against Deadpool is Deadpool just going to wipe everything that's currently going on? I think this will hold up. I think that they're going to get close. If they don't break even, you know, honestly, it wouldn't surprise me. But if it hit 500 million, I would, it wouldn't be surprised either. It's a strange strategy to go the week before Deadpool and only get a week in, but I mean, it all depends on where, when everything was going to be released. And also they might've just finished it, you know, fucking three weeks ago. So they probably might not have been able to. I don't know what like moved around because I feel like it'd be more likely that twister would move to get away from Deadpool rather than Deadpool move. But you know, maybe Deadpool just jumped up recently and we don't realize it. We didn't realize in last month or so they moved everything forward and twisters like, well, what the fuck are we going to do now? Like nothing we can do. I don't think it's just a casual, we're going to drop it here. I think there is a lot of strategy. We're going to do these campaigns when it leads up to, we're going to get to this point, you know, stuff like that. Right. So I do. I don't know. It's hard. You know what, 122 or 30 million worldwide so far through four or five days now that we're recording it. So I would be shocking if they didn't make their money back and start making money. But the original, I just want to throw out there that the original made a just shy of $500 million. Wow. Wow. Shit ton on a $92 million budget. Wow. Wow. That's amazing. Yeah. For real. 1996, too. Hmm. Yeah. And to jump on that, I feel like the dates, because usually when I see trailers, I put the dates in my calendar. I don't think I hadn't jumped any of these dates since like earlier this year, but it's also interesting to think about because you guys had told me Inside Out 2 is probably the highest grossing movie this year so far. So that's another Disney competitor that came on earlier. So they might have been trying to fit in the summer like spot between those. Yeah. It's very true. It's like, yeah, there's so many bad variables. If I was arguing, I would say that they're different demographics. But yes, I do. I can understand that, you know, it's a good point actually. Surprisingly. Surprisingly. For the first time, a good point. Hey, I have some so far so far, so far, so far, we're at one, Jeff. Yeah. Yeah. I do too. So my rating here. Hey. Damn, I use more time. Go ahead. So yeah, no. I mean, just based on our conversations during this episode, I think I liked this movie a little more than you guys did, but, and the reasons being, I think the acting was great between Daisy Edgar Jones and Glenn Powell. I loved their characters and their interactions, the whole movie. I was just along for the ride. It was a lot of fun. I do like the visuals, like the handheld and like the filmic look and everything like it all felt very nostalgic and like the, like to the original. I did like all the references that they did to the original. I thought they put in some fun work towards like the scientific information that they had their characters leaning on and like basing a lot of the story around. I thought that was fun. The CG. I kept thinking the entire time. I was like, these tornadoes look honestly really good. I agree. I get. Yeah. That was great. So yeah, I mean, just even based on like, it's like almost like there's a nostalgic factor into it. And that's why I'm looking at, in looking at my ratings, I'm going to think I'm going to place it in the same tier as what I have Indiana Jones in the dial of destiny at because it's not my, like it's good and it's, it's like it was fun and it was entertaining. I had fun. And so yeah, I mean, it's going to be a 7.5 for me. Oh, I was so close. Yeah. You were really close. Oh, I went 7.75. That was my guess. No, I don't think I could put it that high with some of those others I have there. Yeah. It was fun. It was fun. You were going to be in the eights. No, not quite that high. Like I enjoyed it. Yeah. And it was, it was good. It was solid. Sammy, you have to calibrate to the person. Okay. Oh, right. If you say one nice thing, then we're guessing eights or so. Jeff's got to say a lot. Yeah. If honestly, if you guys were to guess some, a seven something most of the time, you'd probably be right. I think most of my ratings are in the sevens for movies. Sweet. You want to go next Brandon? Sure. Be Rizzle. So. I'll start by saying I enjoyed this movie. I was entertained by it by the end by the end. I did feel like it was a little bit basic plot wise and character development wise at least to start. But I like where we, they progressed. I liked that there was progression. I liked that there wasn't a big romance story. It wasn't centered around finding love, but more centered around finding yourself and rekindling something that you like yourself. I thought that the production design was pretty fantastic. That was enjoyable to watch. We didn't talk about that. The one or either. That was, that was awesome to pull off the feet that that was in the pool. That whole pool scene was, yeah, that, that was all a wonder. So that was pretty fantastic. So to pull something like that off, definitely, definitely helps. Snow 1917. It's no 1917. It's close. It's close. They only did it once. They started in a pool. Yeah, the visuals were good Brandon. Was it closer to 1917 than a moon fall? Yes. Okay. Yes. So you just put that this movie in 1917, the same breath, wow dude. But yeah, I didn't love it. I thought that it could have taken a few different directions. I feel like we talked about how they were trying to, you know, spend too many plates at once. And that kind of diminished some of the overall storytelling. Acting-wise, there were moments where I loved them. And there were moments where I was just really bored by each of the actors. Some of them were a little underutilized. Some of them definitely didn't need to be there. So it was definitely a mixed bag. I was entertained by it nonetheless. So I think I'm going to give this one a 7.5 as well. Ooh. Wow. Have we ever matched before? I don't know if we have Jeff. I don't know if we have either. I don't remember this feeling. I'm having a movie club. I'm feeling it. And I'm chasing it here. 7.5. Should I just do... Okay. Yes, you should. One of us. Teenage Mutant Ninja Turtles, you guys. Match. Maybe this is the most shocking match for me. I would have figured his would have been lower than mine. Yeah. The way he was talking about it was like damn moving. But anyways. Anyways. Anyways. For Mateo. Mateo Turn. Match us. Match us. What? What did you say? Match us. Oh. I know. I was debating on it. I wasn't going to go 7.5. But I'm not really thinking about it. Do it. Do it. Actually, Jeff, we have more matches than I realized. Yeah. We don't talk about it enough. Starting. Oh, right. So. I think... Yeah. I think the acting... I think the acting was good all around. I really like the two main chemistry. The problems I had with some of the writing, I would equate it more with the... I mean, sorry. Some of the problems I had with characters or acting would be equate to me is writing instead of acting necessarily. I think some bad dialogues and bad lines here and there. But I mean, I think they were solid. I think it looked... I think it looked good. Obviously, I didn't love the shaky cam. Shakiness. Whatever. Sorry. I thought it visually, like the color, it felt appropriate other than that. Everything else, like visually how they did it felt appropriate. The colors, they didn't go crazy, you know, superhero color pops or anything. They kept it pretty plain. I think it felt it fit the general aesthetics of the scene and everything. I think my big issue with this one is that the story as a whole, I didn't think the villain was a real character. I felt like they tried to fit too many people. I would have liked more of following the team around rather than the two of them specifically, it felt like. We were following their relationship. I personally felt like the romcom was the A storyline and then tornadoes was the B storyline realistically. Honestly, I thought it was more of her mental health than was B then it was tornadoes. I liked a lot of it felt intense, but it didn't feel as intense as I was expecting. And I honestly, I wonder if I just went in with higher expectations than I showed up. Because I was getting a little amped when I saw how big the previews were, how big the opening weekend was going to be and what I heard about it. So I was expecting much more of an intense like CG experience than I got. I feel like I got a little bit more of like the mixture of it was big disasters, but in reality also it was like a smaller love story. I just felt like everything was, you know, I don't know, I wanted the music to be turned down. I wanted this. I wanted, you know, I wanted a different movie. I wanted them to focus on different stuff. All in all though, I walked out of it, you know, more or less enjoying. I'm not going to go 7.5 for like you guys. I'm going to go ruining it. And I know I'm sorry. I'm going to go. Honestly, I'm going to go with seven flats. Oh, I was so close. I wasn't guessing. I should guess. No, it's on the same level as cocaine bears, flaming hot challengers, ghosted. I like stuff about it, but you hated it, man. I'll ultimately, it's hard for me to put up against some of the other movies that have come out this year, especially ones, whether it makes money or doesn't make money. I think it's hard for me to put up against, you know, kingdoms and freaking other stuff that came out this year that I can't think of. Civil war, you know, I don't know, I think other things. Ghostbusters. Did I put Ghostbusters ahead of it? Yeah, you did. Hey, I got, hey, at the end of this year, we're doing, we're doing rating changes. Yeah. You can already have that list. I already have 14 written down. I'm reshaping my ratings. It is happening because some of this shit is bullshit looking at my own. Yeah. 7.5 is a lot, but I do think anyways, anyways, yeah, I'm going to stick with seven. I was disappointed whether it's rightful or not. I was disappointed and maybe I just liked Twister, the first one too much. Maybe that's the problem and I was, it just didn't live up to what I, what I was hoping for. So, 7.5. 7.5. 7.5. All right. Sweet. For you. Oh wait, Jeff, we have to answer. I have a clear answer. I think the original is better than this one personally. I'm torn. That question is so difficult. I like, I don't know, they did, they changed enough things in each one that I, that makes it difficult. Cause I liked, the CG is probably one of the things that bugged me the most in the first one. Yeah. It was really bad. Whereas this one is exceptional. Like I thought the tournament was like amazing. There's definitely some cheesy stuff in the first one. I think if we didn't watch it, you know, in the 90s or whatever, we would probably watch again and go, okay, well that's kind of not fantastic, but as a whole. Yeah. I don't know. The deciding factor for me that's like making me have issues is um, I liked, I liked, well he's half of it. I liked the both of the performances, um, together. God. So. He was just walking through the sprinkler at one point. Like the fuck guys. No. Anyways. Their, their rain kind of sucked, I thought their fake rain sucked. Anyways. I don't remember what it looked like. Bad. Oh. Oh, I think is it? Yeah. No, I, I, yeah. Yeah. I remember the same. I think, I think the fake rain was pretty, pretty, pretty shitty. I'm torn. I'm leaving it. I answered the question. I answered the question. Jeff did not. But I would say, uh, you know, everyone should let us know down below comments if, if you think this one was better than the original or, or what, I bet you that's going to be very age based. Maybe this is just me showing my age because I'm a whole 33. Right. Yeah. 33. I can't keep track of my own. Congrats. But yes, no, please, uh, everyone, let us know what, what you thought of Twisters. If you liked it more or less than the original Twister, uh, if it's a, it's own thing, if it can truly be rated on its own, or if it's impossible to do that because the, the first one was so iconic, um, we're all over social media. So come find us somewhere. Let us know what you think. Say hello, tell a friend to listen. Hello. Hello. Hello. Don't forget to like and subscribe. Enjoy the movies and, uh, we'll talk to you next week with, uh, possibly Deadpool. We'll find out. Bye. Bye. Bye. Bye. (upbeat music)