Zichru4Life
Bava Basra Daf 75
Zilchiffalayva Abbas Nafaiyan Hay, the first sugar on the daaf, the giant precious stones of the gates of future Yerushalayim, and the Talmud who was Mesopic. Eby'echan and Serenasheer, through a British loom would bring one day precious stones and pearls, which are 30 by 30 Amis, cut out an opening of 10 by 20 Amis, and put them by Yushalayim's gates. A certain Talmud asked, "Nowadays you can't even find a small amount. How are you going to find so many?" Another time he was traveling at the sea, and he saw the Malakhreshar is cutting precious stones of this size, and they explained that they're for the gates of Yushalayim. He came back and he told Abhe'echan that you should continue darshaning because I saw, like you said. Eby'echan and said, "Reika, if you wouldn't have seen, you wouldn't have believed it. You're obviously making fun of the words of the Khramim." He looked at him and he became a pile of bones. The second sugar on the daaf, the future canopies for the Tzadikim, and each one is near Chvamir Repossa Shaqaveer. Eby'echan and Serenasheer are going to make for each tzadik shevakhupas, according to his covet. He explains why the Pasek mentions smoke, because anyone whose eyes are stingy towards the midachamim in this world, his eyes are going to be folded smoke on Eilamabal. And the reason why it mentions fire is because each one's burned by his friend's rupa which is greater than him. Eilay Sabushah Eilay Sabclimah. The third sugar on the daaf are Makhleikus about the required Mshiha for ships versus animals. Regarding being Kaino's ship with Mshiha Raav says, "If you're Moshikha cultural, you're Kaino." Shmul says you have to move it out of its original place. The Gomor wants to say a similar Makhleikus between Tanaim about Mshiha of an animal. Tanakama says, "Once it lifts a yacht in a regal, you're Kaino." Avakhe says it has to walk Malaikay Masa. The Gomor answer to the Raavkin say Avakhe is specifically the animals. That even after moving two legs, it stays in its original place. But a ship, once you move a little bit, the whole thing moves. Shmul could say, "Even according to Tanakama, because my animals, once it lifts, a yacht in a regal, it starts moving." As opposed to a ship. Zuhr-filay-vobas-da-fai-n-hai, the first Suga on the Daf, the giant precious stones of the gates of Fuchir-Shalayim, and the Tamarua's Mesopic. The second Suga, the future, ruppas for its Adikim, and each one is Nuhr-ve-muhr-pas-a-shahr-dare. The third Suga the Makhleikus is about the required Mshiha for ships versus animals. The symbol for Abas-da-fai-n-hai is in Amorets. The skeptical Amorets who died after seeing that, in fact, there were massive precious stones and pearls cut to be the gates of Yushalayim, went to Shemaimi who was burned by the canopies of those greater than him, while someone back down on Earth was making a Kenyan on his boat from his Yarshim by pulling it out of its original place. Amorets reminds us of Ayan-hai. He died after seeing the massive precious stones, reminds of the first Suga on the Daf, about the precious stones that the Tamar didn't believe. He was burned by the canopies of those that were greater than him, reminds of the second Suga on the Daf, about the ruppas that every time they get. And the king that was made on the boat from Yarshim reminds of the third Suga on the Daf, the Makhleikus about the required Mshiha for ships versus animals.
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