Ribble FM
Sun Sets
♪ I'm always making you like a monster ♪ ♪ I'm not bad young here ♪ ♪ Please don't worry about it ♪ ♪ Ripple FM ♪ Hey guys, this is Nick Shukane and you are listening to "Ribble FM." (upbeat music) Join us on a journey from the beach to the dance floor. Shukane presents SoulSets. (upbeat music) ♪ Slow down ♪ ♪ This is ♪ ♪ This is ♪ ♪ This is ♪ ♪ SoulSets ♪ ♪ SoulSets ♪ ♪ When we are the SoulSets nation ♪ ♪ You are ♪ ♪ The SoulSets nation ♪ ♪ The SoulSets nation ♪ ♪ The song has set ♪ ♪ And it's time to turn up the tempo ♪ ♪ With Nick Shukane ♪ ♪ This is ♪ ♪ This is ♪ ♪ SoulSets ♪ ♪ When she came ♪ Hi guys, welcome to another sunset with me, Nick Shukane. We're back in the studio. I'm drying off, actually. I got very wet on the dog walk this morning. It's very autumnal here and the rain is hitting the roof of the studio fairly hard here. Anyway, no time for worrying about the weather this week. It's been very busy for us here in Shukane HQ. Lots of good music and news. I'll talk a bit later, but we're finalizing the details and launching our very huge one-off show at the Royal Festival in London. I'll talk about that in a minute. But the big news is, is that love, love, love, a single from a couple of weeks ago, has become the UK club chart number one. So thank you for everybody for supporting that. Freefall is also number six, so we've got two tracks in the top 10 of the national club charts. So thank you very much for everyone that's supported that. That's really, really cool. But guys, next year, March the 29th, the Shukane symphonic trucks roll into town, into London at the Royal Festival Hall. Now, I recorded the rehearsals to this show last year, and we put it out and you guys loved it. I am going to be playing all the tracks from the Far from the Madning crowd album, from beginning to end, as if you were playing the record, with a 28-piece orchestra. It's going to be pretty crazy. And then I'm going to DJ as well for an hour and a half after the show. So it's very, very special. I really don't know whether we're ever going to repeat it. The venue's not massive, so tickets may well be scarce, guys. Now listen, if you'd like to join us from wherever you are in the world, this is a really, really special event. This is going to be none of that dynamic ticketing pricing, as we saw recently with certain Oasis sales. So don't worry, we've got none of that rubbish going on. If you really like to come, I'd really like to see you all. Tickets are going to be available through gigsandtours.com, ticketmaster.co.uk and southbankcenter.co.uk. And I'm also hopefully going to put a link for tickets in the description for this week's show. So yes, really, really excited about that. Now, back to next hour, though. We have a week episode of Sunsets. I picked out music from a mixed bag, guys, some new stuff and some old stuff. We've got some Tangerine Dreams, Momboma, Jack Wellard, Faithless, Avenue 1 and loads more. And we've got the usual soundtrack selection now. I shall let us get underway with something from me. [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [SINGING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [MUSIC PLAYING] [SINGING] [MUSIC PLAYING] [MUSIC PLAYING] ♪ Let go ♪ ♪ You know ♪ ♪ You see ♪ ♪ Let go ♪ ♪ Let go ♪ ♪ Yeah, yeah ♪ ♪ Yes, yeah ♪ ♪ See your thoughts on ♪ ♪ The love God always lives ♪ ♪ Me, the God ♪ ♪ Long deep under ♪ ♪ Long deep years come ♪ ♪ How God always lives ♪ ♪ Deep under ♪ ♪ Long deep under ♪ (gentle music) (singing in foreign language) (singing in foreign language) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) (gentle music) ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) - Well that was the brilliant as ever, Ben Beaumont, with Rain which features Mac Milner, and it featured on his latest album, Bloom, and we were talking a lot about that last week, so it came out a couple of weeks ago, and it's one of the best albums we've heard for a little while, so please go and seek him out. Also a couple of pieces from the 1983 film, Risky Business, Sound Tracks by Tangerine Dreamstarring Tom Cruise. Oh, legendary, legendary stuff. Now talking of Sound Tracks, it's time for you guys to choose this week's soundtrack selection. It's a little bit different, and we're bending the rules somewhat. I had a wonderful message going on voice model from Julie in Seattle over in the US, and she's a senior member of the Sunsets family and told a little story about a work project she put together back in the 1970s, although not a soundtrack from a movie, TV show, or computer game. It does kind of fit the brief, and we thought it was really nice to hear. She also picked up something we never played before, so please take it away, Julie. Hi Nick, this is Julie from Bamford, Gyland, Washington, near Seattle. I've been a fan since the beginning. As a senior member of the Sunset family, I would like to give our younger listeners a music lesson. In 1976, I was asked to produce a multimedia presentation for new food recruitment. This entailed taking color-slide photos of Tampa Slides and recording music tracks the narration onto a cassette tape. I then loaded the slide into two Kodak care cells, and then electronically synced the photos to fade between two projectors when queued by the tape. This was the height of technology at the time. One song I used was Little Martha by the Omen Brothers. It was on the 1972 E2P album. I hope everyone can appreciate a great song from yesteryear. Thanks Nick, keep up the good work, cheers! [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] Taking from my 2018 album The Place, you can't remember the place you can't forget. That, of course, was I came here for you, and we also heard glass goes fantastic, chiverches with gun from their debut album Bones of What You Believe. Believe it or not, over a decade ago, that was. I'm not sure what they're up to, or if they even exist, let me know on the socials. Before that was this week's soundtrack selection, a rather beautiful and short and delicate little piece of guitar music. Way back in 1972 by the Allman Brothers Band, called Little Martha, recorded just before its writer, Duane Elman was sad that it wouldn't have been a motorcycle accident. It was chosen by Julie, one of the sons that's family members in Seattle, and she used it as a soundtrack to an early multimedia display for the University in California, way back in 1976. And although it doesn't quite meet the usual criteria, we enjoyed hearing her story and about how using early technology to combine pictures and sound. Now you think if you've got a soundtrack idea that we'd like to hear about and some sets, give us a call. Leave me a message. The voice of my number is plus 44-800-7765-112. Doesn't matter if you mess it up. I'm a past master. You can just go and do it again. Right now into some beautiful, progressive house that was doing the rounds earlier this year after it was compiled on Movement Volume 1, Live from Goa, which was mixed by Juni Deep's James Grant. This is Mike Rish, and Tuaterre, I think that's meant to be French actually. 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