Golan-Globus Theater
F/X
(upbeat guitar music) ♪ People just ain't no good ♪ ♪ I think that's well understood ♪ ♪ You can see it everywhere you look ♪ ♪ People just ain't no good ♪ ♪ We were married under cherry trees ♪ ♪ And a blossom we made our vows ♪ ♪ When the blossoms come sailing down ♪ ♪ Through the streets and through the playgrounds ♪ ♪ The sun would stream on the sheets ♪ ♪ Woken by the morning birds ♪ ♪ We'd buy the Sunday newspapers ♪ ♪ And never read a single word ♪ ♪ People they ain't no good ♪ ♪ People they ain't no good ♪ ♪ People they ain't no good ♪ (sighs) - Go Gloveys, welcome back. The Detroit lines are the Super Bowl favorites. Your favorite podcasters are back with another great episode. This one, not in the hills of Italy, a spaghetti dystopian future, but right here in our own backyard of LA. Zargotha Alley is everywhere. You got porn stores. You got the churches next to the porn stores. - I thought it was New York. - It was in New York. - I thought it was LA. - All this shit happens in LA. - It would make more sense to LA since he was in the movie business. - Right. - But, you know, this is good. (sighs) - Grip, grip. - Lift, grip. - Whoa, whoa, whoa, whoa. First of all, why are you packing your Cobra Commander and your lunch box? We're just starting this show. You're not supposed to be packing. - I've got some bad news for, well, I think most people, because there's bad news. Some people, migrants are good news. - You can't-- - Here's the thing, Griff. - You can't do this. - When they came for the illegal alien Mexican rapists, Griff, I did nothing because I'm not an illegal alien Mexican rapist. When they came for the middle-aged transgender basketball players that wanted to play on a girls community college team, I did nothing because I'm not a middle-aged transgender woman who wants to play on a community college girls team. But now, Elon has made Twitter so toxic that we are bleeding followers and bleeding listeners. It's affecting me now. - Yeah. - You know, there's only-- The only time there's a problem is when it's affecting you. - Right. - And now it's affecting us. - Yeah. - We are back to where we were like three or four years ago, as far as listeners go. - Right. - It's got to be Elon fucking making-- I mean, by the way, tip of the hat to Aubra who put her money where her mouth is and quit Twitter as soon as Elon bought it. - Yeah. - And what the blue sky-- Oh, you blue sky jumpers. - Fair weather, blue weather fans-- - Right. - Blue sky fans. - Exactly. You jump on now that, you know, Elon's gonna-- Well, he's gonna probably destroy our country. But yeah, I mean, it's fucking our shit up. I'm like, what am I doing with my life? Why am I doing this? And I just realized, Griff, if you can't beat him, join him. - Oh, no. Murray. Hey, I've been offered a position. - No. - In Trump's cabinet. - Oh, my God. - It's a new position. Porns are. Donald Trump's put me in charge of all the pornography produced in America. He feels like, and I agree with him, that porn has become-- it's become too democratic. It's like everyone now believes they're a porn star. - Okay. - First of all, what is the definition of it? If everyone's a porn star, what is a star? - Yeah, what is a star? - My job will be putting criteria on who and who cannot be in the porn, because everyone thinks no matter how they look like they can do porn now. - Interesting. - And that's not how it's going to work in Trump's America. - When we go to see King Diamond, when we talk about the various shapes, we see we're not like, this is a porn star in the making. - No. - You get like one fetish star. You get one odd shape to be a porn star. That's all you get. And then everybody else looks exactly the same, the same flat hair, dead eye look. - Yes. Yellow blonde hair. - Both hands. - Fake tits. - Yeah. - Fake lips. Fake everything. We're going to bring it back to the fucking '90s. - Wait, are you describing the '90s? Now what's the '90s fake look? - I thought it was Jenna Jamison. Wasn't it? That was her like era. - I don't. Fake tits. Yellow blonde hair. - Oh. I thought we were describing porn today. - Fake lips. - Did it change? - No porn today is fucking everybody's fucking into porn. You get wherever you want. You can get it. - Oh, yeah. - That's just too much variety. - Oh, there's too much variety. - Well, it's Stormy Daniels. There you go. - Oh, yeah. - We know what Trump likes. So I'm bringing that back. And if I do a good job, I might be podcasts are, and I'll definitely be cutting the fat on these podcasts. Because there's way too many that need to go. - Who's the first to go? - I don't know if technically they're podcasts, but that YouTube show that we watched, where they're just sitting and working around to take an IPA. - Yup. - It's getting rid of them. - You know what? You belong in a Trump cabinet, because your first line of action is the people I spite most, God. - They don't, I don't spite them at all. They just deserve to exist. - They don't. Not in this platform. - So, yeah. I'm going to be leaving the show. I mean, it's bittersweet. I don't know. I could go on a bigger and better thing. I think we've done all we can do with this show. I think I'll be better without me. I think you're going to, I think I was holding you back. - You're, you know, Murray. - I mean, what are you going to do? Well, how do you replace your replaceable? - It's very easy. - AI? - No, it's very easy. I've been using AI to record you for the last five years. I've got a neural link set up in your brain. That kick cat you ate a couple weeks ago? - Yeah. - That had a neural link chip that went into your brain. I'm going to install the neural link chip. - Chimp? - Intimatically. And it's going to be like you never left. - Well, if you got to do what you got to do, I mean. - Honestly. - I thought you would start like auditions, maybe, or... - No. - You got, you're not going to... - No need. - So you're not going to give any of our guests a shot being a co-host. - Our guests are great, but, you know, mattingly is already here. It's convenient. - That's true. - And we're all just creatures of convenience. My mic stand is falling over while we're trying to... - We're not doing it on a normal day. - It's everything's off here. - Yeah. - Well, are we going to say why everything is off? Enough about me. I love you guys. I'll see you on the other side. I'm done. - All right. - Again, it will be like... - I'm going to do this one episode because I feel like I've obligated. - It's okay. There's no star attached to this movie, so people won't watch or listen. - Yeah, exactly. - And then... - People are listening to begin with. - They'll show up next week. Apparently you won't be here for our big Joe Coleman episode. - No. I'm handing it off to him. Maybe he could be your next co-host. - He might have to be the next co-host. - Yeah. I mean, people like him more than they like me. I know that much. - Well, enough about me. - He gets naked more often than they do. - That's true. - Well, people actually want to see him naked. - That's true. - Yeah. - So enough about me. Why are we doing recording on a Monday afternoon, or usually Saturday afternoon? - Yeah. - Why are we doing that? - We've kind of alluded to it. I was down in beautiful Austin, Texas, had to get away from the old Michigan place for a while there. Had some PTO that it needed to use. I have a cousin down there, so, you know. Match made it happen. - Have a place to stay. - Have a free place to stay. All I had to do was spend, it was like $120 to get a rental car for four days. - Is that good? - It's like nothing. - Oh, okay. - Yeah. - I don't know. - I don't go anywhere. - Thank God. - He's in office now, 'cause gas-- - No, he's not in office. - Well, no. He's in office. Except when he does bad things. - He's like sleepy Joe sleeping, so he just went into the oval office and pushed him in a corner. - Exactly. - They're getting shit done. - Just like when Biden did anything that he'd say, "Actually, Obama did that." So gas down there is only like two dollars. So he's even cheaper to fill the tank. - Real America. - He's already fixing everything. I went and got some street tacos. They scratched out where it's at $5, and now each taco, $2.22. It's a perfect price for a street taco. So, Austin, Texas. - Austin. - Beautiful. - Yeah, we have connections there now. - We do. Dense's fuck was not expecting that. - I hear that, yeah. - Freeways on top of freeways. These fuckers were just-- - It's like Mega City One, basically. - It was like Mega City One in a lot of ways except they don't have the tall buildings. - Mega City One. Once you get down-- - Well, definitely, there is a Mega City Two, which are-- they do have cowboy judges. - Oh, interesting. - Yeah, they have cowboy hats instead of the helmets. - Oh, wait. So they have a visor still? - No, they just have cowboy hats. - Nice. Interesting. When did that come to be? - That was like in the '80s, Judge Dred. 'Cause there's Mega City One, which is like the East Coast, and then there's Mega City Two, which is like Texas. - Oh, okay. I never knew about Mega City Two. - Yeah. It doesn't-- well, I mean, that's Judge Dred just to business occasionally. - Yeah. - So this was definitely not a vacation I put my whole heart and soul into. It was just kind of like, I need to get the fuck out of town, and so I did it. So I could probably-- - That's looking for him, but yeah. - I could have put some more shit together. I went and saw a younger band, and you know, we-- I've gotten mostly to shows with you recently. - Yeah, so the audience is at the '40 to '60s range. - Yeah. - The-- - The-- - The girl of the Mosh. Everybody-- - Were there any mouth guards at this younger band? - No mouth guards. - You'd get your old men didn't show up. - A lot of furry headband ear things happening. - Is that part of the band? - No. - Is it a furry band? - No. - Why were they doing that? - I don't know. I think it's just how the kids like to dress nowadays, and that's how I interpreted it. A lot of '90s. - A furry headband. - Yeah. - I don't-- - I don't get it. - I wear hair bands. - Yeah, hair bands, yeah. - Yeah, hair bands. - Yeah. - That's not what we're not talking about. Boys and hair bands. - The literal hair band on your head. - Thanks for-- - Thanks for explaining that. - A lot of-- they're really into the '90s baggy fits, so a lot of baggy outfits happening there. But it was also like-- the band I was there to see is kind of like a modern weird punk band. - Really cold. - They're called Snooper. - Snooper. - Yeah. - Okay, okay. - Pretty weird. Pretty cool. I dig them. - When in Austin, Texas, if they happen to be there, I went to Emos. If anyone's familiar with Austin, you probably know Emos. I guess it's an established-- - Is that the Jim Cornett pizza place? - No. That's like Emos with an "I." - Oh. - This is like Emos with an "E." - Okay. - Yeah. - Oh, the club is called Emos. - The club is called Emos. - Do they play Emos music? - They do. - Oh, God. - I just told you. I was there to see a punk band. - I was there to see a punk band. - That's not a punk. - And then it was bookended by like-- - Emos and punk. - I understand that. - Well, you said, I said that Emos, you said, I told you, I was there to see a punk band. - I know to prove that you are wrong with your thought. - I just asked. - And I just told you. Twice. But-- - I'm so glad I'm leaving. - Anyway. - Matty Lee is licking his lips over there. He's so ready to take over. - Well, yeah. The seat's warm. You can take over anytime you want, Matt. - Matt has no personality, so he's about to take your personality on. - He's excited about that. - See, this is why I'm never worried about AI when it comes to this show, because I don't even know what the fuck I'm going to say from time to time. So there ain't no way-- if the fact it'll be like a Star Trek situation where AI is going to take over, and then they try to like simulate us and it explodes. - It's going to explode. - Riff doesn't know what he's saying while he's saying it. So there's no way AI is going to fucking do anything without you. - Our friends with the show have had to meet me or talk to us. You know, after a recording, they soon get to learn that. - It's not an act. - I start talking and I'm like, "Where did I start this?" And I wish I could blame it on drugs and abuse or anything, and it's usually like one and a half beers. Maybe two. - Yeah, back to Amos. - Amos, pretty cool. It was sandwiched. My punk band sandwiched in between like two kind of more like dance electronic bands, which was interesting, so you did have a lot of like the fish nets and like-- so it was 90s fits, people wearing ridiculous clothes with little furry ear headbands going on, and then you had like people dressed like they were going to a neon house show or something, rave or something like that. - Yeah, that's a 90s thing, yeah. - So it was a bizarre fact. This whole new future of like, "I got a beer while I was there." - Well, of course, you're in Texas, you gotta drink a beer. You gotta drink beer, and they are a cashless place, so you know, you gotta do something. And then, yeah, they're the future. - I wouldn't think they would be. I think they would all be about cash. - I want-- - Like they just gave you a quart of oil. - Yes, just cash everything. I hate this future of like, "Oh yeah," and then the tip machine, and they throw it around, you know, twist the tablet around at you, "Oh my God, it's so fucking annoying." So it was like a $12 tall boy, and it was like, "Okay, well, I'm just getting one, so I don't care," whatever. And then it's like tip, and it's like, "Okay, usually I give a dollar for a drink," or whatever. The tablet doesn't have an option for a dollar. The first tip option was $3, then $4, then $5, and I was like, "I'm not about to fucking tip you." $3 to get me a can of beer and hand it to me. - Maybe that's why gas is so cheap, you gotta pal these too. - So I've tried to punch in $1, because there's nowhere to just be like, "Here's a dollar." I guess I could have just thrown it on the counter, but still, it wouldn't work, it wouldn't accept $1. So I had a fuck, I just hit the button, I was like, "I gotta get out of here, I'm losing my mind." - You didn't see the band? - No, no, no, no, I gotta get away from the cash register, so I just hit the lowest tip amount I could give them, which ended up being like $2.50. I tipped $2.50 for a man to turn around, grab a can of beer, and hand it to me. Texas, emos, cash, go back to cash, you're fucking everything up, I'm cash bars, man. So that was an, you know, apparently they have this infamous six street that's full of fist fights and shit. I went down there, and there was nobody there. I went there on like one side night. There was no moisture, it was my heaven, no moisture to be found. - I'm here to dry heat down the tugs. - Very dry. - Was it very hot? - It was actually like 75, and then the nights were down to like 62, which is kind of funny because I am a cold human being. You know this about me, at least you do, pointing at Murray. Not mad at me. - Cold hard, it definitely, but yeah. Go away, man, anyway. So I'm up there, and usually, you know, 60 degrees, I'm like, yeah, I'll probably pop on a sweater for that. I was outside with all these fucking Texas boys, and they are like huddled under a heat lamp, like lizards holding their hands up, and I'm standing out comfortable. I was like, what is happening? When did this happen? - I'm the app, I'm always hot. I got a health fire in my fucking bed. - Get a health fire. - I'm fucking, I hate, I hate the eat. But they did try, my cousin did try to take me out for a nice Texas evening, and this is the real juice of the- - Authenticity. - Authenticity. He's out in beautiful, he's not quite in Austin, he's a beautiful Flugerville. - Flugerville, right next to Houderville, yeah. - That's all right, that's all right, yep, across street from Margaritaville, and they want like his other coaching buddies wanted to take me to an authentic Texas dance bar. - And dance bar? - No, yeah, that's what everyone keeps saying, I was like oh yeah, I keep forgetting line dances and other Texas things, but no, it was kind of more of like the, I don't know, what was he doing, he just fucking do a circle, it was like a roller rink situation, it was like a roller rink situation where the people were like kind of like dancing in a circle and they were- - Mashing? - Yeah, they were mashing. - We're really in mouth guards at this place, like bedazzled mouth guards. - Every third person, every third person. - Safety first. - Safety first. And so cover charge, my butt, like the people I'm going there with are all wearing sweat pants and they're just like we come in here all the time in sweat pants and the guy's like no. He's like we come in here with shorts on, he's like well shorts are acceptable, he's like shorts are acceptable, but not sweat pants. - I kind of agree with the place, sweat pants are the worst, they're the worst. - I agree, I don't go out of public and sweat pants. - I don't even, I don't even, I don't even own a pair of sweat pants. - Oh wow, that's impressive. - I never liked them, they're just, to me that's the, that's the pants for slobs. - What are your lounge pants? - Not that, I just, whatever I'm wearing, I mean it's just like look, nobody will go Tim, you're a very fashionable guy, I know that I understand that, but I'm never looking like a slob. - Sure. - I'm always looking together. - Yes. - Sweat pants are slob pants. - They are. - It's like you can't even give a shit about themselves at all. - I'm just kind of surprised, like you're having an off day, it's cold, you're just like, well I wake up and pop the jeans on. You don't have like a nice cotton pair of pants that you would not consider sweat pants. - Nope, no, I'm not being serious, I have no on any sweat pants. - I'm not trying, I'm just-- - No, I mean I guess, I mean if it's when it's cold out I might wear my pajama pants, but I'm not going to leave the house with them. - Okay, pajama pants, okay. - And there are no cookie monsters on it, that's the international white trash chick outfit. - Sesame Street, 'cause sometimes you get the Elmo. - I like the stuff, no, it's like Elmo's in 30 and that's the easy-- - Oh yeah, it's always sprayed at the bottom, because it's like, oh she wears this out a lot, or they wear this out a lot, 'cause yeah I've seen plenty of folks out there and they're like trashy, sesame street pajama pants, man. So we're getting, well they're getting denied, I look like a normal human being. I almost always wear a button up and pants and everything, so the average is like, you can go in, great Charlie Daniels mustache on you sir, it's like, thank you sir, a lot of sirs happening, a lot of people-- - What can they have respect on sir? - That's right, not for people's rights, but you know-- - Oh no, they, oh my god, the amount of times I heard the chant, your body, my choice in that bar was-- - Do you hear a lot of sir and ma'am? - Oh no, I don't think I heard any of that. - Slippin'. - Slippin'. - So they eventually get in by just saying, we're in here all the time, why are you-- - What, by the way, can we say what the name of the-- - Mavericks. - Mavericks, that's an illusion that what drift is going to see, this mavericks. - If you really want-- - Think about that word for a minute, all right, and go back to your-- - If you really want to follow along, Flugerville, Austin, or-- - Flugerville, Texas, right outside of Austin, Mavericks. - The hottest bar in Flugerville. - Exactly how you would expect it, go look it up on Google Maps, you'll see the dance floor, you'll see the fuckin' key third been playing on the TV in the background. - Okay, so how did they get in? - They managed to get in just-- - 'Cause the one guy just said, we come in all the time like this, and then he was like, "Oh, oh, okay, you're regular?" - Yeah, okay, mine as well. - Come on in, y'all. - So he said, "Come on in y'all," and we came on in. But I love good people spectating. That's a great topic for me. - Were you wearing your fringe? - No, I didn't bring the fringe out, though. - Why not? - I know you were going to Texas. - I know that would have been too heavy to pack, though. That's a big jacket. That thing is, that's a good jacket. - How many opportunities do you have to wear fringe in the proper environment? - I know. I've told people, like, I hate that I don't have just the pure confidence to just wear that all the time. Maybe when we go see Uncle Acid, I'll wear that. - That'd be a perfect place. - That'd be a perfect place. See that, right? - Uncle Acid. - Yeah. - So I'm just immediately swept away. I'm overwhelmed by bodies, and people, and faces, and slick back hair, and leather vests. I was like, "Am I going to stop-- - Don't you all see of Austin? Did you show up? - I did. - He is from Texas. - I did not see Stone Cold, but I was like, "Am I going to see Branscomb somewhere around here?" - Oh, my God. You imagine? - The turquoise. - Oh. - The turquoise jewelry. - It wasn't. I'm being truthful here. It wasn't until I was dropping on my rental car and getting on the plane. I saw a Native American man wearing all turquoise, and I was like, "Oh, yes! That's the Texas I wanted. I wanted to get a selfie with him. I've never once asked for a selfie. I wanted to be like, "Sir, can I please have a picture of you with you?" - He went, "No, pale face. You will not steal my soul." - Yeah. He did. - No. - He's Mexican? - He just said it. - They're all the same. - He said it in every language. - Well, if you can put up a paper bag, tell me to go, "Maxican, that's the graph. Not me. I love all of God's children." - Just beautiful Texas folk dancing in circles, slicked back here, bass, old men, young men, dudes that are like, "Was there a mechanical bull?" - No, Murray. - Then you are not in a real... I saw it over in cowboy. You are not in a real Texas sh*t kicker. - What shock was there unmanned by the name of Dalton, making sure nothing untoward is happening? - I'm glad you pointed out Dalton and his position, his role. - Cooler, cooler. - Cooler. - Cooler. - I was looking out for the coolers. I was looking out for them. I was looking for the guy with the white shirt, tucked into blue jeans with maybe like a strong cowboy boots, a blazer. - A lot of cowboy boots, everyone was wearing that one. - Oh man, I couldn't spot one cooler. I saw some dudes who were like, "I don't know, meh, midders, not coolers, not hoders." They sucked. So Mavericks improve your cooler game. This is... What do they call it? There's supposed to be uplifting criticisms here. - Your bar wasn't that constructive. - Constructive. Thank you. Your bar... It was Friday night, your bar wasn't packed, get hotter coolers. - Is that confusing? - Get hotter coolers. - Oh, that's awesome. - Okay. - So I didn't realize that Texas swing this way, but you had four foot eleven short kings and they're dancing with f*cking like six foot tall women out there and they were not a couple. They were just like, "I'll dance with anybody." It's cool. We'll get up close on each other and we'll do this f*cking thing around the circle. - Don't she do. - Welcome to God. Old dudes with young girls, young girls with old dudes, wait I did that the backwards way. Old women with young dudes like, I was impressed and then it started, then I was like, "Man, I was so wrong. Texas, you know, this Austin area, you always hear about Austin being weird and everything." And that's when it was like, I'm finishing up the second beer and I'm looking down. - How much did you tip on that one? - Thankfully, people paid for that one so I don't know how much tip went out there. My sight goes a little bit lower and I'm starting to notice a trend, Murray. A lot of handkerchiefs. - Handkerchiefs are bandanas. - Well, we were in Texas, so probably bandanas, right? - Yeah. - Do you think bandana? That's what they would call it? - Yankees say handkerchiefs. - Yankees? Okay. A lot of bandanas. Orange bandanas. I've never seen an orange bandana in the wild. - Is that like I want to f*ck Trump? - I don't. Oh boy. You might be right. - Well, yeah, they did overwhelmingly vote for him. - Yeah. - Orange bandanas, purple bandanas, we've seen yellow in the wild before up here. - Oh, yeah. A lot of people up here. - A lot of pee people. Maybe the warm piss and the cold nights. It's good for some people. I saw a f*cky charms out there. - Whoa. - I was not expecting that. - It's, you got that I made it off. F*cky charms is a thing. - My extreme thing, but it's a thing. - My cousin, I was watching the f*cky charms guy head into the bathroom. My cousin's like, "Hey, I'm going to go take a piss." And I-- - No. - You might vomit. - You might want to wait a few minutes because-- - Yeah. - He had a spoon in his hand. [laughter] - You don't know what we're talking about. You really got to listen to our cruising episode. We break down what a f*cky charm is. - Oh, my God. You didn't even-- - Beware of a man with a f*cking check with a plaid bandana, that's all I'm saying. - I don't think you talked about the spoon incorporation of the f*cky charms. - No. How are you going to eat a f*cking bowl of f*cky charms without a spoon? - I thought this was some kind of like bobbing for apples situation. - I mean, if you're a f*cking degenerate scumbag, you're a gentleman, you'll eat with a spoon. - If you're in a pinch-- - See, now you really got to listen to the cruising episode because it's an eye opener. - So you were basically in the Texas equivalent of the Ramrod, what you're trying to say. - What had opened my eyes to the rest of that evening, Saturday morning while I was going around, I was just like, "My God. This is the gayest place I've ever been." - Isn't it always that way? - It might be. - The places that are the most concerned with that kind of stuff are also at the same time the most gayest. - Guys, clearly when you go into your mavericks, your dance bars, your line dance bars, you guys can let it all out, you can be a flamboyant-- you all look flamboyant as f*ck. I know the guys were trying to look tough as sh*t, no, you guys are like-- - They're with their bedazzled jeans, no, no, no, no. - Oh my God, there was some, there was some. - Yeah, I know, yeah, I know the type. - Guys, I know you're trying to look tough as sh*t, you look f*cking gay. And we're cool with that, like obviously. - Yeah, we do, we're just talking about cruising. - Just lean into a little bit more and just get to know that these gays are pretty cool. I mean, if you want to suck a dick, they'll probably be down to f*ck you. The gays have a lot of fun, they have a lot more fun than the heteros do. - Yeah, they're more open. - Yeah. - Literally and figuratively. I mean, if you really want to go wild, walk in the path and f*ck charms. Really blow your mind. - Yeah. - That's doing the ropes course. - But it was a good time, it was a good time. - So you got to see, well, they say Austin's weird, I guess, you saw the weirdness. - Maybe. - Austin is weird, how f*cking weird is, Flugerville? - Flugerville. I mean, I was-- - I think, look up the other urban dictionary, a Flugerville might be something, we don't even know about it. Maybe some German word for some shy stuff. - Yeah, I just got Fluggered. - Yeah. - But Murray, this is-- - Yeah, all right. And then we wonder why no one listens. We just went on for 50 minutes about bullshit instead of this movie that people want to hear. - Yeah. - So all right, we'll get to this f*cking movie, and I want to talk about this movie a little bit. I want to extend this intro. I saw this movie when it came out, '86, I think it came out '86. Oh, I enjoyed it. I didn't say it on the second view, I haven't seen it in decades. Up on the second viewing, I still enjoyed it, I didn't enjoy as much as I remembered it. I have to say, Simpson's nailed it, mid-80s, America fell in love with Australia. - Yep. - Thanks to Crocodile Dundee, Paul Ogan. So the sexy Brian Brown, he was going to be the next big, so he was the Glen Powell of 1980s. - Oh my God. - And then I'm watching-- - Is that why there was so many tidy whitey shots? - Yes, yeah. I was watching it, and I'm like, I get why this guy didn't have a career because he's not a very good actor. - He had nothing. - Uh, he, I think, and I'm like, I now I know why they hired the girl to be assistant because she's even worse. The assistant was the worst actor I've ever seen. - Her line reads were f*cking terrible. - Yeah, like-- - Every time I watch, it was like, it's that ADR, like-- - Rolly! - And he hated her, Brian Denny, great as always. - Brian Denny, that was the, you were asking me about it, and I was like, who's this guy? 'Cause he was f*cking great, and you were like, Robert Denny. - No, I said Brian Denny, Robert Denny is. You're almost making using, Brian Denny with his mustache, Robert Denny. - Okay, just so prominent, he had his own name. - Okay. - But yeah, I feel like, we talked about, and this movie made us, it got a sequel. I mean, I like, the premise is great, I think. - That's a good idea. - Talk about movies that like, need to be remade. I think you could remake this movie. Maybe have a star come, pal. And lean in more into this, but you didn't do enough, I thought, with the special effects. Like, if you could come up with some cool kind of tricks with using FX, I think it would be a better movie. - It would be cool if they did, and I'm glad my-- Now we can't do anything, everything's like, hold on, let me get on my computer and I can fake this guy out. They were doing practical effects. - Yeah. No, no, what this movie should have been, it should have been less modern mechanic and more old school mechanic, more thought out, more time to develop, like, how am I going to stage this whole scene kind of thing, as opposed to this movie wanted to be an action movie, which is what the statham mechanic ended up being, like, there's no brain to that movie, there's barely any reconnaissance. - I just saw a clickbait article today, actually, about how mechanic two, statham's mechanic two, is like, in the top 10 most popular streaming movies right now? - Of course it is. - I watched a little bit of it, and we're going to do it eventually, because it's that bad. - Oh, but, yeah, I don't, like, what's wrong with you, American? Now I kind of get what happened with the election, right? - Oh, yeah. - Do that news. - Yeah. - A little Polish woman on the plane next to me. Little... - She off your broken. - She's young. She's like, I don't know, she looked like she was maybe 30. She watched the beekeeper, the whole movie. And then I... - I see, I don't know, like, the griff lies to me all the time. I don't even know if he's just kidding, or he's being serious. - I'm not. - About 60 minutes in, I kind of liked that it glanced over, because I was like, is she really... And she was dead asleep. - Of course. - Action movie. - We're gonna put, typed up our review, put a little ear plug in her ear, and this subliminally made it enjoyable for her. That's the only way you're gonna enjoy the beekeepers listening to our review of it. - That's all right. - All right. That's my piece. I just wanted to say it's an interesting premise. If we're gonna remake movies, this would be a good movie to remake. I think especially the Glen Powell in it. I think he's over with it. I think the arrow Glen Powell has passed his griff, because the new hot boy name is... I don't remember his name, but he's in the Gladiator II, he's gonna be the new guy that we're gonna be pushing. - Oh, okay. I think I saw a picture of him. He's got curly hair, and that's all the rage. - He's a plain white guy. - Yeah, probably from Australia, because we keep pushing Australians, because the problem is America keeps producing Timothy Chalametes, like we don't have manly men in America anymore. - Yeah. Like, you know when I was talking about over styled hair, Timothy Chalamet has over styled hair. - And then the other guy, Jeremy Allen White, or whatever his name is, the Bear Guy. - Oh, yeah. - He also has like that over style. - Yeah. - Yeah. - In that show, he's supposed to be like a male nourish, work all the time, doesn't have time to eat, smokes, non-stop, and the actor is fucking ripped. - He played him on Eric, yeah. - Yeah, so he's like fucking Jack in the show. - Yeah. - Yeah, it's just funny how they cast these people. - Well, it's like they did the Penguin TV show, Colin Farrell playing the Penguin, and he's completely covered in prosthetics, and like, can you just hire a fat ugly guy to play this rule? Like, I'm sure it would be a nightmare, having to spend like four hours a day having this shit put on your face. - I know. Like, they're trying to be-- - And I guarantee he's going to win an Emmy award, because they're probably not. - He actually played an ugly person. Bravo! - They just make a new award, call it the Charlize Theron Award, the gimmick award, and give it to the person who's beautiful, played an ugly person. - Right. - And give us weird people again. - Yeah. - I want a weird fucking person to live there, because-- - There's so many weird people that are not giving a shot anymore. - We go and we see these shapes, put those shapes back in our movies. I want the shapes of the movies. - And we're saying this is too beautiful, man, like, we know we're too-- like, we're too beautiful to be in movies. So we want to give these roles to the lesser people, the ugly people, the shapes, if you will. - That's right. They try to cast me in an extra-- I was just supposed to be in the background, that's the whole fucking scene, and so they're like, "Sir, you cannot be here anymore." So that's the power we have, that's all it's trying to do. I'll tell you what, there's going to be an influx of ugly people in the Hollywood, because I'm kicking them out of the porn world, when I become porn czar. So you're on notice, ugly people in porn. Nah, I haven't. - Well, I think you need to kick us over to a fucking frame, because we're gonna-- - Oh, all right. - What a 40 minute-- - And then we went away, no one listens. All right, everybody. Get ready in a world of illusion, a world of fantasy, a world of F. X. - Raleigh Tyler is an FX man, the movie's master of make believe. [screams] He can show you a thousand ways to die. - Wake up! Cut! Great special effects. - But now somebody wants Raleigh Tyler to do it for real. - We want to stage a fake assassination, Raleigh, and we want you to supervise it. - Who's the we? - Justice Department. - I'm a special effects man. I'm dealing make believe. I'd like to keep it like that. - We just thought that we might be able to utilize your particular genius to help us out. - And what if someone takes a shot at me? - You are 100% protected. I give you my word. - That job that guy wanted me to do? - I gotta do it. [dramatic music] - But someone else is writing the script and casting him as the killer. - I haven't done anything. - What if he put in real bullets? - Is he the weapon or the victim? - Is it murder or is it FX? - Welcome back, globeys. We're rolling into this movie. We got the rain falling and we're rolling into a fancy restaurant. - See a mysterious character in a trench coat and a fedora walking into this restaurant? We see tanks of lobsters. Those are going to blow up. You wouldn't have tanks of lobsters. There's like a dozen tanks of lobsters. - I know. I know. Too much lobster. - You know when they say make America great again, I think this is what they're talking about. What happened to our restaurant just full of lobsters? They're so expensive nowadays. They used to be street food, they used to give lobsters away and that's what Trump's going to do for us. - Now I feel like I wasted my vote on Kamala. - Yeah. So it's like a mobster scene. It's like we're like, "Hey, what?" I thought this was 1986. Why are we in 1936? What's going on here? - Right. - And they come up to a woman, it looks like Madonna from the material girl video and she's like, "Hey, Harry, don't kill me. I didn't mean to fuck you over like that." - I was just out of here. It's business. It's not pleasure. I'm just doing my job. - And then you see a shot of a tommy gone. - And cut, scene. - Well the woman also gets shot and then flung through like a doorway. So there's a lot of, I understand from "Revity" we need to cut to the chase, but you wouldn't shoot this in one shot, the scene. You shoot the acting scene and then you shoot the stunt, which isn't technically, I guess it is technically a special effect, but it's really stunned. - It's a stunt. - It's more of a stunt. - And the actress would not be doing this stunt. It would be a stunt woman. - Yeah. The main FX in this scene was the squibs going off. - Exactly. And so yes, the woman gets killed, killed, and then you said, "Cut, great job. Who's working on that biomechanical Freddy Claw?" - Thank you. I was gonna say, this is very reminiscent to new nightmare, but that's when people listen to us. - It is. One month ago. - This is where I made our hero Roland Raleigh Tyler, who is the greatest special effects guy in the world. Everybody wants him. - And he is going full Dan Campbell, he's going over his team, "Good job out there boys. You bit those kneecaps. You got that lighter. That's right. - That's fucking crap mate. - Grit boy only. You brought him off the Vegemite. That's a healthy fucking koala mate. - All right, I'll tell you right now. The second movie rolls over on Tooby. I was taking a little bit of a nap, yes. The end of this movie put me to sleep a little earlier, and I wake up and he's trying to oppress a girl with his clown, and he's like, "I want you to meet my friend. I'm going to take him to TV in America." Guess what his name is? - I gave you 12 guesses and they're all wrong, so what was it? - Bluey. - Yikes. - And he is Australian. - Murray. - So you're saying FX2 inspired. You know what, since I am leaving the show, I'm going to leave it in the middle of the show by this point. I want to give our flowers again, to show how powerful this show really is, even when people don't listen. A little movie called Obsession Tastes for Fear, which no one knew about. First of all, I'm not going to take full credit, because our girl Cerise was the one who recommended that movie to us. She's like, "I know you're a big road warrior fanatic, Virginia Hay, from Road Warriors in it. You might want to check this out for your sex level, so I'm going to give her her flowers." But it was our amazing review that now that movie, we watched on YouTube for Fox Day. It was that fucking shitty VHS rip. - You couldn't even see the Warriors face makeup in that movie. - 4K Blu-ray release. Right after we did it. - Right after we did it. - Yeah, the timing's a little coincidental. - So all you Obsession fans, your Obsession should have been with us, because we made that happen. - You're welcome. - You're welcome. - Yep. - I can't remember any of those promos, because remember, we made that promo reel with the warrior. - Oh, well. - I flew to a rocket ship. - Oh. - Okay. - I can't remember. - You had to go next to it. - What does it hit to do with anything we're talking about? - Because we were talking about Obsession, and didn't you say the warrior was in it? - No, he was in it. - Ultimate warrior? - No. - No, you don't even remember the fucking movie. - No, I don't. - We're moving on. - Ultimate warrior was at it. - Because you don't listen. - That's why I'm leaving, guys. This is why I'm leaving. So there's a goof hanging out, and he's like, "Hey there, my name's John Liner. I'm a movie producer. I would like to offer you a job." Sorry, my fucking, I'll bug it up. That's what they say, and I'll straight up bugger it up. I don't know what that is. - This is why we need to get rid of the foreigners. Sam Raimi could be doing this job. - Oh, yeah. He did a great job. Special fucks he will do, too. - Exactly. And yet, this Raleigh T-fingers. - Raleigh T-fingers. - You knew I was about to say that. Raleigh T- I've been-- - Tyler, not Taver, whatever that is. - I've been fucking up so hard at this episode, all right. - Shocker. - Shocker. - Still on Texas time. - Still on Texas time. That's right. I have an hour behind. But yeah, clearly, this should have gone to Sam, and it's got to come into play later. So he's like, "No, I'm sorry, my ain't got time for that." But hey, he wants to see something really cool. And he hits a cigarette and he puts it out on his wrist. That's going to come into play later on. - That's all right. - Pay attention to that. - All right. - That's the check-offs wrist, I think. - Check out the-- they do call that. Next day, yeah. - And then what we learned, that the woman, the actress, the stunt woman, the victim, is the girlfriend of Raleigh. - Yes. - She drops this line. Nobody cares about actors anymore. Oh, people care about our effects. - Oh, my-- that was-- - Oh, okay. Hamfisted, is that a thing? Because this is hamfisted as fuck. - Somebody's getting fisted. - Someone's shoving a hand down your throat. - I feel like I'm getting fisted. - Yeah. - Next morning, we see that they've just fucked Ellen and Raleigh. Ellen is the woman who said FX. - Yeah. - And-- She's doing her vocal warm-ups. She's being the classic annoying actress girlfriend. Let me prepare your coffee. He lives in a course in a band and factory that he has the whole floor of. Of course. It's like a studio apartment. He's turned it into a studio apartment. Which would be like even back then, I'm pretty sure this is New York. Is it in that way? Yeah. It would be a thousand dollars. Oh yeah. He can live this. He works in the movie business. He can afford it. All the movies he was a part of that the guy's claim are these nobody's movies. He's always like, "Yeah, I barely could get a copy of this on VHS. I had to figure a butthole on her abridged to get a fucking rip of this movie." So she's like getting ready for her audition. He's just chilling in his fucking tidy whities. And so he goes home. Back to the, were they fucking at his place or her? Yeah, he was at his place, right? I thought they lived in the same place. No! She had her own apartment. Oh. And I think yeah, they were at his place because there's like all these like fucking dummies. This was definitely his play. Special effects shit everywhere. He's got a monster that guards his door at Chubaka Monster. You're right. They weren't living together, but she was just there. Well, yeah, they're just dating. She's staying the night. And so she goes off the work. She's, you know, doing her fucking vocal worms and all that and is out the door, puts his coffee on for him. And 11 o'clock rolls around and that's when Lightner. Lightner is supposed to show up. So he's kind of stirring a little bit. He gets the doorbell ring. He can't go. This is so low budget where he lives. You can even buzz people in. You have to give him your keys. Opens a window. It's tidy whities. Just sticking his dick out in the breeze there. That's how he got the job. Chucks his keys out for Lightner. Yeah, come on up. Bro, because he wants to show off his effects. That's why he didn't do it. Brubner. So, Brubner. Brubner. Like Governor, but you're my bro, Brubner. Is that what they say in Australia? Yeah. So he goes up, opens a door and Chubaka flies out at him. And he's like, "Life day no." And he's just like, "Hey, special effects might." So we're going around. We're touring his whole apartment. Oh my God. And these are actually, he had a picture of Lucio Fulch's zombie on his wall. I recognize that. Oh, nice. There was, I forget the one is another movie. And there's another movie. It's a John P. Ryan movie. But he said it was something else, but I know it's a live, I think it's called. It's something else. He was a little baby monster. That's a John P. Ryan movie. And he's like, "Oh, and this and this." He knows all the fucking Raleigh shit. He's like, "You know, yep, we all find my eye." And so then he's like, "Oh, Lightner, can I get you like a Coca-Cola or something?" You keep calling me Lightner. That's not my name. It's Lipton. Martin Lipton. Oh, does that mean you want some tea? You know, it took me ten minutes to get that joke. Yeah. It's unbelievable. And so he's like, "Yeah, I work for the Justice Department. I'm not a movie producer." I, you ever heard of the Witness for Location program? Of course not. Call that mate. I think I got here. I killed a bunch of people in Australia. Who do we got leading the Justice Department these days? Is that Gates's job? Because thank God they got this guy working for him. And he's just like, "You know that big monster, Nicholas DeFranco? He's a rat. He's a stool pigeon. He's going to turn tail on the mafia and they want him dead." Yeah. So we came up with this little plan. How about if we do a fake assassination on this guy? The mob thinks he's dead. And then he can testify and we can put all these people away. Raleigh is just laughing at this whole idea. It's preposterous. I'm in the movie bed. I don't have enough time, mate. Ron Rake. Well, yeah, eventually he gets over his laughter. He's like, "What kind of time frame are you thinking I'm working on here?" Oh, you got one week. But it'll be 30K cash non-taxed. One week doesn't somehow expand if you give me more money. I don't have the time to stage this. You are the greatest special effects man in the biz. I personally vouch for you, Raleigh. You can do it. I'm sorry, Mike. When, like, I ain't enough time to fight against assassination. Yeah, we might like grazes air or something in one week, but you ain't going to get any blood splatters. You know this isn't quite the full effect of the Trump administration because they would have said, "All right, we're taking a green card away from you." So he's like, "Can you just hear out my boss, Colonel Mason?" "All right, I'll listen, but I'm telling you, one week." So he meets where he goes to Mason's office. He's done a little bit. I don't remember if he did his own research. Was he early adapter? Yeah. Because they give him, like, some newspaper headlines. And he's reading through them all, and he's just like, "Wow, this guy's a scumbag for 40 years." And now he's just going to get away with it because he's going to provide you guys with, you know. When Mason explains, he's like, "We got bigger fish to fry. All right, there's worse people than we're even going to put away thanks to this guy." This is a little more morality in just the- Morel dilemma? Morel dilemma here. So he's like, "Sorry, Mike, come to it. Thanks for the mating bar, come to it." So he leaves, and they go, "Oh, you know what? Lifton, you got McKinnon's number." He's probably would do a better job anyway. We don't want no limp, dick, under siege. Venomite eating motherfucker to work on. Venomite? Venomite eating motherfucker to work on our special effects. We'll just go get that fucking McKinnon character. He's actually the best. He worked on, uh, deadly prey. Excuse me, Governor. You say McKinnon? I hate that motherfucker. He's a fucking kangaroo fucker from way back. Give me 24 hours, think about it, and I'll get back to you. So Raleigh returns home. Yeah, Ellen is already there. She's just wearing a slip. Nighty kind of outfit with a blazer over it. Sawting two shrimps on the Barbie, of course. That's how he likes it. Just do it. Got a little hibachi. Oh, and he comes in and he's all moping. She's like, "Oh, what are you moping about?" Whoa! What the young mop? That was last. I am jet lagged. I'm jet lagged. From a two hour flight. Yeah, it's like fucking, uh, day like savings time for you. You know, you gotta just get a coke. So she's like, "Why are you moping? What is this?" And she's picking his little cheeks up, his face cheeks. Not his butt cheeks, people. And he's like, "Ah, no, that's fucking up." So they fuck. He wakes up, he's got that post-knuck clarity grip. 3M, that's the best kind of post-knuck clarity. 3M, most post-knuck clarity. Goddamn right it is. And he's just like, "I can do this fucking job." "I can do this fucking job." The only thing they got wrong about this is he should have gotten out of bed, stared off at a streetlight for five minutes, looked over at the phone, and then the neck, it should have just cut to him hanging up. He calls, he doesn't call Mason, he calls Andy his assistant. Yeah. The worst actor in this movie. Oh, she's rough. And he's just like, "You know, and then I thought this was coming into play, but I don't think it does." He's like, "Oh yeah, 'cause what he uses later on." He's like, "You got this radio receivers on." You know what I mean? It's like, "COS I do, Raleigh." It's 3AM. Yeah, I'm gonna get that right now. Yeah. I'm trying to sleep. You can still sleep. Me and the lobby. She lives in like a retirement home. That's what this looks like to me. I don't know. She goes to her building, that's a dorm man, so she must be living pretty well. Got a dorm man, for fuck's sake. And she's asleep with the shit that he needs in the lobby. And this is it. Oh, he's showing that they had a little playful kind of relationship because she's wearing a robe. He takes a sash off a robe. Dorm and watching all of this. I know. He doesn't know who their relationship is. They have a relationship. Right. It's like kinky. You know, and she ties her feet up and then he leaves. And there's no pay off. She didn't like get up, fall on her face or anything. I know. This scene really was just like, Raleigh's just kind of a fun dude. These guys trust each other. So the next morning, Lipton shows up at Raleigh's place. And this time it gets interesting because he-- Did you notice there's a lot of griffing going on in this fucking room? Yeah, of course there is. Because Lipton-- He gets the key off the window again. You have to assume that. Yeah. Because he lets himself in. Only this time he's expecting the Chewbacca monster. Right. He walks in and then he turns around and fucking Raleigh's hiding behind the door. Yeah. He gets a few steps in. He doesn't turn around. He just hears the click click of a gun on him. And then Raleigh just opens fire on the motherfucker. Or does he? Yeah. He opens fire on Chewbacca. That's right. And we see-- He fires one at Lipton, and Lipton falls down like he got shot. And then he turns back and he's like, "I'm not hurt." And then-- He does four in the gut and one in the head. That's the perfect kill. Yeah. To the Chewbacca. And we see the Chewbacca's bleeding. And he's like, "Oh, fuck." And he's showing off his skills. He's like, "It's his squib work." Right. And he shows up that there's a real radio receiver that you need to make him go off at the right time when he goes in sequence with the gun. Yeah. Some of the pacing of this movie? Fantastic. I don't know how it ended up being like an hour and 48 minute movie because it seems like we're just like flowing through this shit because they're ready. They're just going to go down and meet with Nicholas. And DeFranco. So, first of all, Raleigh takes photos of him for every single angle. I don't know why he needed to do a full body. I think this is a set to show off FX. Yeah. People came to see FX. Yeah. This is very Murray. Stay with me here. We didn't do this one officially on our own show. This is very dark man. That's true. Yeah. You know, I've told that I would not enjoy a deprivation chamber. I wouldn't freak out in it, but I would not enjoy the experience. Yeah. I really would not enjoy the experience of getting a mold made in my face. Yeah. I don't know how long it takes to do that. But if it was like an hour, I would freak out. Having that my whole face encased in like blasters. Did you watch? There's like that X trilogy movie that's kind of more recent. Ty West movie. I haven't seen them, but I know what you're talking about. They're pretty good. I think you should watch them. If you actually... I have X. I think I bought it from second and short. It's also on Mike's plex. What is it? Yeah, exactly. Yeah. Yeah. It was it. Rambo! Rambo! Rambo! Rambo was it on there. The first Rambo movie. Mike's got Rambo 2 and Rambo 3 and the 20... You know what the comedy is? It's Brian Denny. What do you got against Brian Denny, Mike? What the fuck was that? I had someone requesting Rambo and I said my buddy's got every fucking movie. You don't have first blood? That's Rambo 1, right? First blood? Yeah. I was shocked. I was stunned. I'm sorry, Mike. What's this got to do with X? Oh, there is a scene in Maxine. The third installment that I think would be you. Okay. That's all I was hoping you had seen it so we could do a thing with it, but... Yeah, it would've been rough for me to have my face encased in the semester. Yeah. But he does it and we get a mold of DeFranco's face, played by the great Jerry Orbach, who I believe was the first cop on Law & Order. Yeah. I've never seen an episode of any Law & Order, so I can't wait. They did Elle Frank in him, too. They took some pictures of him, like, hovering over. We didn't think it'd be fun. You got to have fun with these situations. So they finish up. They vacuum seal off a face of his. So, you know, he's got it. He's going to get the prosthetics ready. So, as Lipton goes, like, "Hey, I need the photos and those negatives back." He took them to Frank. That's right. They give them back. Yep. We're just building up the whole thing here. We go over to the next morning and Mason's telling Raleigh that they need him to take that... This is Lipton's boss taking Raleigh out for a little walk around the city and he's just like, "Look, you're the goddamn best there ever was." We just met Mason. Mason just met him. But he's like, Lipton can't do it. He's a bitch. He's a bitch. Too much time in the movies. You, sir, are the real artistes. What need you to do it? What, Mike? I can't fucking do it. I need at least two weeks. Two weeks? I'm gonna shoot a motherfucker, bloke. Right. A fuck. Where do you want me to do all this at? Well, you're gonna do it in a restaurant. It's, don't worry. There's no, it's all staged. Everybody in the restaurant's with us. And the sweet and the deal, he gives him an envelope with that sweet 30K in it. He's like... They really didn't... I mean, sure, everyone's got a price, but they didn't really put a pressure on him for money. It's just like that's... He doesn't... He doesn't... He doesn't for the love of this FX. It took the fucking... A mechanic thing to make him bite. Yeah, yeah. Two things from money. That's true. I mean, the whole... Like, crux... I've never heard of any FX guy, which is him in one assistant. Like, that's all... That's his whole fucking thing. That's it. That's how good he is. That's when they brought him from Australia. What do they call that? I forget what they call that. So, he's nervous, but he reluctantly agrees to do it. The FX guy, it's a fucking other rainy night. They're in his FX van, like, a couple blocks away from the restaurant prepping DeFranco. I got it. The pacing? Incredible right now. Because we're already getting ready for the big stage skill. Why? They're doing all they had to do was do, like, some body squips. Why did they have to have the head squips? I don't know. Because they put this... Like, first of all, obviously... You could... There's no way you could make it look realistic, that realistic. Because, obviously, when you see DeFranco later, it's just him without any makeup. But the idea is they're putting some weird contraption, like, Magneto mask on his forehead. There's so many wires. There's so many nodes. There's so many things happening. You would be terrified. And, yes, it's supposed to be staged, but it's like... If you're a staging... But you can kill some of them by shooting them in the heart. You can just have squibs on the chest. You don't need to go through all this shit. Right. But... If you're staging it to this degree where you don't have any... The whole idea is you have innocent bystanders in there to be like... That shit was fucking real. Like, you have to have a half and half. And... Oh, my God. So, like, DeFranco's goofing around at it. Because they're putting, like, a fake torso on them. And they're putting the shit in the prosthetics on his face. And... Lipton, of course, is being the audience. What is this little contraption you got on his belt here? Oh, that's a radio. RADIO! I got a pacemaker in here. Right. And he's like... He's like, "Don't worry. It won't do anything." And he's like, "Hey, I'm not good for my life in your hand." You're willing to put my life on them? And he just flicks the fucking thing. He's like, "See? It didn't do anything." Yeah, his... Raleigh's joke was like, "I guess I am willing to rest your life on that chance." Well, there are you, and Lipton's fucking with the gun. Yeah. And Raleigh notices that, but he thinks nothing obvious. He's like, "Oh, he's just checking it out." And so... Yeah. So now we know he has Nicholas DeFranco as a pacemaker, and it's not gonna be affected by the remote radio receiver. So he's all doled up and sent off to the restaurant. He's got the bust all hanging out in the FX, Raleigh does. And Lipton's like, "Okay, I need you to give me the bust." He's like, "I put a lot of fucking time and effort in it. I kinda wanna keep it." I wanted to fuck this. I'm gonna draw out a hole in it. My God. Put some watermelon in there and fuck it. He was gonna make a whole series of sex toys by the mold of that face. Who hasn't wanted to fuck Jerry Orbach in the face? I mean, it's a lot of people's fantasy. Not in my world when I become porn czar. That's for Bowdoin. That's for Bowdoin? No Jerry Orbach fucking at all. Who is the allowed face fucker? Look, it's in a working process. Progress group. I just got the other day I got the fucking call. From Trump himself. No. I didn't have to talk to Elon because I said, "I will not talk to Elon." He fucked up the Twitter thing. Okay, but maybe I can ask you a probing question here. Maybe you're willing to talk a little bit. I mean, is the face you're looking for to fuck? Is it gonna be like a hideous face that you hate? Or are you thinking like, "I want a beautiful face for someone to pick their genitalia in?" Yeah, 'cause we're... This isn't about hate. The whole... Trump's campaign was in about hate. It was about love, love for America. Sure, sure, sure. So no, we're not gonna fuck ugly faces. So you're talking Kid Rock or something? We're getting rid of all the alien dick dildo shit that apparently is popular. Yeah, yeah. Dragons apparently have dicks that girls want to fuck. Okay. It's not just dogs anymore. We're ending all of that. Louis is gonna be banned from our country. Oh my God. I won't say that much. Say no more. I know you're working with Dolph Lundgren. You're gonna have all his dick just immortalized. Everyone's gonna have a Dolph in their drawer. What you have to say is maybe... He's not saying and he's not denying. If you could see there's a little twinkle in my eyes, I say, baby. You know, people don't listen, but we still get the whispers in the mail. I need to see your boy's eyes. And it's just like, come. Fuck on. Or lady. Or they. All you are. All you are. Our dream of a magnificent seven in a kingitache case will become reality. We will finally get Charles Bronson's sex pack. We've all wanted. Government issued? Of course. Government's gonna pay for this. Every taxpayer, every legal born in the USA taxpayer will get a brunch long in the mail. Holy shit. Alright, I wasn't so sure about this Trump administration. Murray thought you were breaking hearts. Everyone's realizing... Breaking something, but it ain't hearts. At the one hour point of this episode, everyone's like, "Actually, American needs Murray to leave the show for the better of the country." Yeah, you do. Why am I saluting? Because you love your country. So, Raleigh's laughs. She disguises just a fucking burnt-round mustache. She puts on. That's right. He had a good, he had a good French jacket that he wore in there too. If you want to look like a maniacal killer, you definitely wear French and have a mustache. So, alright, now it's still raining. Raleigh's outside the restaurant. He takes a moment to take a deep breath. He's like preparing himself for this. He walks in. The Franco by himself is slurping on those shrimp. He doesn't even have a private booth in the back. He's a big mob boss. Sitting across from the bar, people are like scooting. Do I give him the butter, the nut? I mean, they're knocking his silverware over his shit because it's a condensed little aisle. And he's just like, "No problem, no problem." He's a mob boss. He's supposed to freak out. He's supposed to have the fucking booth in the back. No. This is the worst staging ever. It's fucking the Justice Department. I didn't even-- Not under Matt Gates. You see? God, I didn't even realize how bothered I was by this seat until we started talking about it. This scene makes no fucking sense. This mob boss wouldn't be hanging out here. So, he walks in. They give a little nod to each other. A little wink. And then Raleigh just opens fire around. Four in the gut. One in the face. That's right. And it works perfectly. The squibs go off. People are flipping out. Raleigh runs out. There's a car waiting for him. He jumps in. And a driver in the front seat. And Raleigh's like, "It went perfect, mate." What was that plastic on all these seats back here? They're screeching around a couple corners and everything. Lipton's like, "Oh, my God. I glad everything went great." But Lipton, I'm so sorry. And he pulls it-- Raleigh, I'm so sorry. Oh, yeah. Raleigh, I'm so sorry. And he pulls a gun on him. No loose ends, Raleigh. There's a struggle. The driver gets shot in the face. The car crashes. Lipton gets knocked out. Raleigh escapes. He makes it over to a payphone where he's got to call up Mason. And he's like, "It's all fucked. I killed him. I did the job. But it's all fucked. And Lipton pulled a gun on me. What the fuck's going on?" Well, at this point, I don't think he knows that DeFranco is dead. I think you think it's still just the-- Oh, no, no. He's saying I did the thing. He's like, "Why is Lipton trying to kill him?" But why is Lipton trying to kill him? And Mason's like, "What? This sounds highly irregular. Don't worry. Stay. Where are you?" Well, yeah. I think he mumbled out like he must have been on DeFranco's payroll. And so he's like, "Where are you?" And he's like, "Oh, fucking no, my." He's like, "The corner of four is fifth and 11th and 12th, so he's on humble avenue." And he's like, "I know where that is. Stay where you are." And he's like, "All right." And then we get a little jump scare. T-t-t-t-t! Are you done with the fucking payphone? He's like, "Let's this other guy." He just happens to be wearing these same outfit as Raleigh's. Everybody used to wear raincoats back in the day. It was raining. Technically it was raining. And Bert Reynolds, mustache. And, yeah. A fringe rain jacket is bizarre. I mean, I did like his reaction. Because Raleigh's playing like you would a real guy in this situation. He's freaking out. Yes. He hides behind like in a doorway. And then we see a cop car drive up in this fucking open fire on this payphone and slaughter the guy inside the payphone. They did kind of like after they shot him, like take a second to look at him. Did they get out of the car and look at him? No, he's in a drive-by. Yeah, they just like kind of looked at him and they're like, "Oh shit, that's not Raleigh." And so they just drive off and they radio in like, "Oh, we shot the wrong guy." So now he knows that Mason is working with Lipton. So now we cut to the more. This is where we meet our finally some real characters here. It's a great Brian Denney because and Gordon from Sesame Street, aka Willie Dynamite, is playing his boss. No, shit. And so they're taking the case and Lipton is brought in to identify because he was the one handling DeFranco's whole case. And he's like, "Yes, that is DeFranco." Right. So I was like, "All right, so now we know that." And he's like, "This guy killed him." We're going back down to those rainy streets where Ellen, Raleigh's girlfriend, is getting out of a taxi. She's trying to get up into Raleigh's place. No, her place. He went to her place. Because he knows they would go to his place. That's why he went to her place. This makes way more sense now. You're dead on. I just, yeah, I didn't put that together. Good call. So they go up to her place. He explains what the fuck happened. He's freaking the fuck out like you would. And he's like, "Fuck man, the police were in on a police car. Shout out that fucking guy." She's pouring him a glass of vodka on the rocks. And she's like, "Just keep cool." He's like cops. Yeah, he's like, "I think I fucking killed that guy." And he's like, "I remember watching Lipton fucking with the gun." Right. He must have swapped out the blanks for bullets. All right. And she's just trying to calm down. Just drink your drink. It's okay. Nothing is fucked here. And just whisk them off the bed. What's this fuck? Guess I'm posting a clarity. That's right. Exactly. I know. Get out of those tighty whiteies. They're stopping one. I found one. I think we were talking about the, I think it was episode three. We're talking about underwear. Sure. Like, what do you do? Like, why do people want used underwear? I was watching a movie. Oh, Jesus. Oh, that's nice. Called Killer Workout, AKA A Robicide. Oh, yeah. Yeah. And they had a scene where one of the girls was like Griffin. And the men's locker room. And she opened up a guy's locker, pulled out a jockstrap. And then she just starts stretching it. Like, she's not sniffing or anything. She's just stretching it. Like, fascinated by it. And then she gets busted. Like, her boss walks in. What are you doing? Oh, God. That's like nothing. And then it was just like, so maybe that's what they do. They just stretch out, see the elasticity of the panties. And that's what they do when they want used underwear. That's fantastic. Like, maybe I'll buy some of these for somebody in my life. Yeah. She wants to see, you know, how much they get stretched out. Maybe she's into giving wedgies. I don't know. She wants to see. That's Murray. We're putting way more thought into this than anybody should. All right. So they're getting some of that post nut clarity going on here. We're coming over into the next morning. And it's a whole new day. Sun's shining in. Alloys is like, I got to figure it out. Go to the paper. Woodward of Bernstein. Yeah. There's no fake news in 1986. No, in 1986, the news was on the up and narrow. Up and narrow? You mean the straight and narrow? Straight and narrow. There's the one. Up and arrow or straight and narrow. That's Cockney slang for straight and narrow. Up and arrow. Up and arrow Mike. It's Chuckney slang. Sun will believe us, Raleigh. And she says that she goes to open the blinds and is immediately shot in the fucking heart. She's got him amp. He's like, you know what? You're right. I was just freaking out. I believe in the system. I was freaking out last night. The press has my back. We're going to do this. We're going to bust this case. And you're going to bust my nut girl. And she gets up. I'm going to draw the shades so the neighbors can hear us. And bam. Shot. Raleigh freaks out as you would. Yeah. So scrambling. I just got to say. I just got to say, Murray, I'm so sorry. We've seen this scene before. Wingshauser did it so much better. Oh, of course he did. Ryan Brown is no Wingshauser. No, I mean, I don't want to ever see a man in his tighty whiteies. No. But. Well, we didn't because wings was totally stark naked. Oh, that's right. He was burlesque. He was that bathtub in the middle of the room. He burlesque a whole scene and you never saw that way, Daniel. Oh, he's got a laser disc, you do see. Oh, yeah. Well, you see the tip of it scraping the ground. All right. I left a mark. So he hides like underneath the window. He grabs like a mirror out of her purse, looking, looking, can't spot anybody. Meanwhile, that sniper guy is down below getting ready to finish the job. So he's walking up to their apartment. And they have one of those like backup truck noises hooked up to the front door. So he opens up beep beep. It's so loud. It can hear. And then he has a guy coming up the stairs. So he's like, I got to prepare for somebody coming into my house. Got to say early adapter to the adapters on a gun. Because this guy had a stupid gun with a laser scope and a super silencer on it. It looked like a video game fucking gone. Oh, yeah. This is what the Justice Department regulation. Well, sweet Trump. He's lurking around, griff in the place, sniffing and griffing. sniffing and griffing. And then there's like this alcove like up with books, like million books. And Raleigh's hiding behind this. I don't even need to really quick leaps out to the Superfly SWAT on them. And I like the fact that he got the shit kicked out of him by this guy, which would be real life. Yes, I appreciate it. Like there's. Overall, I thought this movie was boring. But there's some shit they got very right. We talked about it. The FX. I think they set him up pretty poorly throughout most of the movie. But yeah, some of this shit they get very right in this fight. Very right. Because they did. He gets the jump and yet this guy recovers because he's probably trained to fight. Yeah, because he ties the guy's hands by his back with a telephone cord. And then he goes to finally check on Ellen. Guy gets up and starts fucking him up with his hands tied behind his back. He does a leap and then gets his arms out from behind him. Yeah. And he's beating the fuck out of Raleigh. We're fighting across the kitchen. They have an island burner set for the stovetop. And so you guess somehow gets turned on. There's fire here. Because Raleigh was making tea. Always making tea. Lifting, of course. And so Raleigh's desperate to throwing shit at this guy. And then he finally grabs, he's about to have his face pushed into the fucking burner. Raleigh grabs an iron on the fucking counter and hits him in the head and knocks him out. So now we cut to Mickey, the partner of Leo, Brian Denny's character. Calling in. They've got another body. Yep, they're calling up Leo. We see this is like the, you know, shorthand. We realize that this is a slob who just lives for his job. Because why? Because we have Chinese takeout just piled everywhere. And he's right next to his fucking bed. And his head's covered. He answers the phone without even uncovering his head. He's like, "Ugh, Leo here." And it's like, "Got another body, Leo. Get on down here." Now, one of the things that bothered me about the closed captioning, which I think they got it correct. But it said, "Green Street, like the color." But it wasn't spelled like the color. It had the E at the end of it. Maybe it was Chalkney. Would that confuse you? If I said meet me at Green Street, like the color. And you're like, "They don't put an E at the end of Green Street. I got lost. I thought this was the wrong street." Maybe. Maybe. Well, there are a lot of green streets. There are a lot of E's added to Austin streets that confused you. Is that why you're having so much issue driving? That was why I was having a lot of issue. You would go to like-- So many silent E's. You would go to Humboldt. And it would have an E at the end of it. I was like, "Why did you guys just put E's on the end of everything?" Leo arrives on the scene. They got the Chalk out, the Chalkney outlines. We learned the Assassin's name is William J. Adams. And Leo, he's pointing out everything they're doing wrong. They're like, "Well, she got shot here. Well, why is she on the bed?" Because fucking Raleigh put her on the bed. They're like, "Check her." Yeah. Why is this like catnip for fucking American viewers? Like, the one detective who comes in and goes, you know, he gets the rap from the underlings and he goes, "Well, why is she on the bed?" And he looks like the genius in the room. So many of them-- Because every American thinks they can solve-- It's like the whole cold case thing's so big. Every American thinks they can solve a fucking murder crime. True crime and all that. Yeah, yeah, yeah. So, okay, we got a name. William J. Adams. We got to take the Assassin. We got to take this info back to the database with a real fucking Magic Heavens. Where we meet, I think it was the Secretary from Ghostbusters was working for the cops. Mechanic 80s glasses. Yeah. And they got a little flirtatious relationship, Leo and her. Marissa, I think, was her name. Yeah. Their relationship was fantastic, though. Like, the most plutonic, just like, we just want to get our fucking-- Be good at our jobs and take our vacation, you know? I want to put in my eight hours to be good at it and live my life. Leo puts on his little reading glasses. Perfect reading glasses. Yeah, we learned Jesus typing it up. She's like, "Get this, Leo." This Adams guy was a cop. And then he's like, "Well, but get this. There's no information on it for the past five years. We know what that means, people. Black ops. We don't know that shit." Yeah. Because it says, "Not applicable. You cannot look into this guy's database." And then Leo's like, "Why can't you? It's reopening." It's reopening. I'll prove. Go ahead. Do it. Like, he would be me with a computer guy. Like, do it then. Just make it happen. And we also get a little, we learn. This is a Murray edition, so you gotta help me out with this. Yeah. She's like, there was four fingerprints found at the scene of this crime. The landlady, which you'd expect, that she owns a building. She found the body. Oh, okay. I was gonna say, wait. Does that mean she was just in there griffing around? No, she heard the commotion. Oh, okay. Ellen, the woman who was murdered. Adams, who we know is the assassin, and then a mysterious set of prints. Who could that be? Murray, you might say, who could it be now? Oh, yeah, good. Mickey happens to walk in. Hey, I've been checking out, like, any, like, you automatically think when a woman's killed, it's the boyfriend or the husband. So he's like, yeah, I was looking back. This chick-a-riga, whoa. She's been, like, fucking around. All bunch of guys. But the latest guy is some fucking, awesome fuck from, like, the FX guy. Right. Leo's like-- The Croc Dundee craze continues. Like, the Aussie fucking sensation. You guys probably an ugly fuck, but he's got an accent, so this chick wants the fuck home. Why couldn't she get a good American? FX guy, like, McKinnon? Like, McKinnon or a Sam Raimi? He's not an FX guy. He's a director. He does it all. Okay. Cut back to Raleigh. His only friend left is Andy. So he calls her up. He's like, I need the Green Makeup case. Me, me at the Bow House, like, at Central Park or some shit. And we get to see that Mason, this is Lipton's boss, an old, cranky, you know, white dude, is getting chewed out. Him and Lipton are getting chewed out. But, well, they're not getting chewed out. They had a-- They meet up with Murdoch, who's put on the case for Ellen's murder. Because remember? And DeFranco. Mason and Lipton are part of some organization we don't understand. Justice Department. Right. So they're just somewhere in our bureaucratic system. Murdoch, however, is a New York detective or something. Yeah. A murder happened in New York, so he gets the case. Right. And so because, yeah, they have to-- Even though Leo was the guy who brought DeFranco in to rat him out, that's why Leo wants the case, because he has his personal business with this. Right. He's got a personal-- But it was given to Murdoch why? Well, I will learn, because all great cops are loose cannons. They play by their own rules. You learn that. Why was Murdoch here? I can't think of the reason why. Because-- Was it the William Bradley? No, because he's there because this was supposed to be a staged assassination by the Justice Department. So he has to talk to the Justice Department. Like, what the fuck happened? Okay. So he was there understanding that it was staged and they fucked it up. Yeah. Right. Okay. Right. And can they explain the situation to him? It will also be staged, but then-- Lipton is eating shit. Yeah. Yeah. Well, yeah. He's like, you-- what the fuck? You fucked up, Lipton. And then Murdoch's like, I guess he really did fuck up. Well, thank you for your time. You know? I gotta leave. I gotta chew this man out. I'm gonna bend him over my desk, but you cannot watch this. And he's like, I don't want to see it. And he walks you out. You see a purple fucking bandana hanging out of his pants. I don't know what that means. I can't remember what that means. Was it purple or is it lavender? It was lilac. Lilac. Oh, God. See, the bandana code is so fucking intricate. It's so tough to keep in our brain. And then, as soon as he leaves, they giggle like schoolgirls. He bought it. That's right. All right. Outside is Murdoch's leaving. Leo's like, hey, Murdoch. I see you got the case. That's my case. I know this. I gotta have this case. You shafted me. Goes up to fucking Willie Dynamite. He's like, come on, Jake. What the fuck? You know I'm part of this case. You're a loose cannon. You play by your own rules. We can't have that. Little regulations and rules. He's like, you got me there. I don't do those. Yeah. Hold his hands up. Cross. Hands tied. You know what you got? You know what you got. All right. We cut back to Andy. She's in Central Park. She's gonna go to that boat house. That's right. You see fucking the man hunter himself. Tom Noonan is fucking. I'm shocked you recognized him. You don't recognize anybody. I fucking love Tom Noonan. It's connected to New York, everybody. Also, man hunter. But I love his man. He's also, I believe Frankenstein in Mike's favorite movie. What was that? What was that? Wolf man got mad. Monster squad. Monster squad. Oh, he's Frank. I believe he's Frank. Oh, my God. Tom Noonan is fantastic. He, his character name is Varek in this movie. We'll call him Noonan. Please do because the Noonan's needs it. So he's watching Andy. Andy goes into the boat house. We were thinking it's gonna be real boat house. No, apparently there's this pond where you can rent little boats to float on the pond. God, I'm so bothered right now because I'm like, there's no Tom Noonan's in our world today. You know this? This would be a Glen Power Roll for some reason. Some nondescript fucking beautiful man instead of Tom Noonan and his weird gangliness. I'm sorry. So Andy, she finds the boat house and rushes into it but Riley's been watching out the window and he's like, there is a tall creepy man following you. Probably Tom Noonan if I could tell it, right? He's like, what man? Here's your makeup case, Raleigh. What? Where? Who's following me? Shh, shh, shh. And he's like, whisper in her ear. She was like, got it. And then she walks out, Tom Noonan and goes, hey! It's a beautiful Noonan day. Noonan day? No, that's not like special. Riley's got a rifle pointed at you. You don't want to die. Take this boat, put it in the pond, they'll talk to you. So Noonan takes the boat. He just gives a nice healthy bow to her, which is a great level off there. From her screaming, like, I don't know how to act. To him just taking the boat and nodding, Tom Noonan, expert. So he's like, I need to talk to him. So he goes over to put the boat and suddenly out of the boat house, like a fucking bat out of hell, cuz Raleigh, oh, that might! He pushes him into the pond where he's, he's flummoxed, you can't get out. They run to, like, the fucking bridge. We're thinking the bottles are getting warmed. They apparently use this underground system. We don't know about that. Under bridges? You know about the bridges. I know all about the bridges. The Jeff bridges, the under bridges, the over bridges. I don't even tell you about the skyscraper bridges that are happening right now. I don't know what these people are doing these days. Lloyd bridges? Lloyd bridges. Thank you. I always forget about Lloyd and that he doesn't deserve it. It's fantastic. Bow bridges. Bow bridges. I'm not as fond of him, so I leave him out for our reason. He doesn't have that great rock star here that Jeff is. But, I mean, we've talked about the 8 millimeter underground scene and that connects to the same connectivity network that's going on underground, all these bridges. Tom Waits song about it in the song "Underground." That whole song is about fingering buttholes under bridges. Go listen to that Tom Waits song. So they're hiding underground. Up back to Leo and his partner Mickey, they head over to Raleigh's place. You see a door cracked open. You can't help a griff. Man, when I see a door cracked, look, this is a real story. All right. This is me and I can figure out why I'm leaving the show. This is about, I'll get it in 90 seconds. When I was down in Milwaukee, I was trying to find various antique stores and everything. I was ready with Milwaukee. I know who lives in Milwaukee, you fucking cunt. Red letter media are fucking... They're probably like... I did a trial. Tell any ways to fucking... Deep Six are a show. Two years into our show, I was like, Murray doesn't have it. I got to get with these red letter media guys. They got the sauce. Well, you're quitting on me. They got the sauce. I need to fucking dip my toes in that shit. So I went out there. I'm not a cackle. I learned it from him the best. So I was there. I pull up my Google Maps. I find this place. It's like, yeah, that's an antique store. So I'm going to go in there. It's a fucking house. I walked into somebody's house. And it was like a staircase that led up. And you still grift. I don't went through it. I walked in. A dog steered me in the face. I wish I were kidding about this. Well, me and in your defense, Rochester, I don't know if they still have it. They would have houses that were converted into like businesses. Yeah. So it can't give me confused. Yes. And so they had a placard out over their light. Like, I don't know, a sign out over their building door and everything. So it threw me completely off. And I started walking. And I was like, this looks like a house. And then when I met face with the dog, I was like, I need to go. There you have it. When everything goes wrong. When Griffin goes wrong. So they knock at the door first. And they're like, that's not like a Chewbacca to you. Get your guns out. Could be a person to cut her here. They bust in, Well Chewbacca is a person of color. They bust in, they know they see out to some stupid FX shit. Mickey's like, hey, this guy's great. I love these movies. Yeah. And then Leo's like, guys probably serial killer. If you like horror movies, you're sick. Gotta be. Gotta be. What are all these weird instruments over there? Is that a branch long? Is that a fucking Dolphlong? But hey, we're here. So let's have some Griffin. That's all right. And they start Griffin throughout the place. Oh my God. And he's like, yeah, he starts with horror movies. You know, you want to reenact this shit in real life. This guy's the killer. He's close. He had to get bored by, you know, or maybe he needed to be inspired. I've met a few artists in my day. They need inspiration. They need the muse. So maybe he thinks motivation right there. As they're leaving, because the case is close. This guy's the killer, obviously. Right. They know Leo's checking out the package on Chewbacca. You know, gotta compare. And then he's like, hey, wait a minute. Well, what was the shooting pattern on DeFranco? Uh, Florida, the gut wanted a head. Get over here. That's pretty big dick. Don't look at that. Look at this. Yeah. And he sees it the same shot pattern. They're like, hmm. Something interesting is happening here. We're going to go in and cut over to Riley on Humble Avenue. Right. Humble Avenue. We're all the poor people left. It's always about Humble Avenue. I told you to go. I told you to pull any at times about Humble Avenue. And he's just like, he's got the green makeup kit. So he's like, all right. He's with Andy. Like we gotta get sneak around. We know what we look like. I can't do this anymore. I gotta go into action again. And, and he, he's just not showing homies up. And he's like, I got an idea. Aqua Long. Perfect disguise. So he dresses up like guy at the cover of Jet Throw Tails Aqua Long. He does. No. You're 1000% correct. I have that album. And then I didn't know this in New York. The releasing of the palms every morning. Like they come up merged into the depths. Dude. I love this. In my short while in New York City, this is, this is what happens. Uh, I didn't realize the great to open that way. There's an electric clicker. And of course he's got all kinds of radio dials on him and he just pushes the button. Like Cody Rhodes. He just ascends from that's just for us. So, uh, New York hobo is basically chuds. Yeah. The animalistic hobo under dwellers. I love it. They walked out and there was a hot dog cart right there. And you could see the prices. Did you notice the prices? It was only the prices. 75 for 75 cents for a hot dog. Can you guess how much a hot dog with chili sauce was? Dog quarter. 85 cents. 10 cents gets you chili sauce. That's really people. Under Trump's America. That's coming back. We're getting our 85 cent chili dogs again. And the Detroit, Michigan area. That's our, that's our life stream in the winter time especially. So now he and Andy are perfect. The sky is null. We'll find them now. All they had to do for Andy was just smear some shit on her face. Like they're doing for y'all. She already looked like a fucking bag away over here. So Leah goes back to Marissa and wants to learn, get any news on this. Adam, did you open the file? I did. I typed in open and it is open. This is very close to my line of work. So I was very excited to see some of this shit happening. And I love what happens here in a second that I'll talk about. Sure. She's like, get this. That Adam's guy. He's working for the Justice Department. Right. Well, what other agencies are under the Justice Department? Can we find this out? And then they're like, no, no, not that. WP. Oh, Murray. Sorry. You got it. This is my job. You got to do the command and hands. And that opens the folder, which releases the files. And that's when we start seeing and he's reading. We get to see the Justice Department agency. Bridges. Buttholes. Leon. And job. And what do you think? And we're thinking NPR or something affiliated. And he's just like, no, that doesn't sit right with me. And then it's like, of course, witness protection. Regency. Something are relocation. I think I'm going to go talk to that witness protection. Okay. That's what it was. I got to go talk to a little guy named Mason. You did it, babe. Thanks. And she's like, have a fucking my tie on me and Jamaica, baby. So he heads over to Mason's and this is again who Murdoch, the detective, he's supposed to be on the case was talking to. And he seemed, you know, took whatever shit they gave him and said, all right, sounds like it works. That's right. So now we got Leo, the guy who really wants to solve this fucking thing, like, oh shit, we got to lead. I got to go over and talk to Mason about one William J. Adams was it? Yeah. He's like, well, I'm working kids. He's working the Allen case. So he has some jurisdiction and he's like, I couldn't help but notice the guy who was found in the, in the room, whether it was dead, he's worked for you guys. Yeah. Names, Adams and he's like, Adam. I have four thousand people who work underneath me. I've hit on a lot of them. I've fingered a few of them. And I just got to tell you, this name doesn't really speak to me. And they slap a file on them. Oh, Adams, oh, no, this man was a floater. The cops are giggling. They're like, cops speak. That's when you shit and you flush and then it comes back. He's like, well, sorry, and justice department is totally different meaning. It's totally, it's basically a guy a freelancer. He's a, you know, we just, we bring him in, do a job and then this is a thing. Oh, is he like actually good then? If he can afford it. Oh, no, he's the fucking worst. According to his job performance, it's the worst. I think we let him go. We haven't worked with him for a while. Compromised, terrible, terrible attitude. Fucks everything up. Kills multiple people. But yeah, we kept bringing him in for a while there. We haven't brought him in in a while though. So Leo's like, hmm, okay. All right. I believe him. All right, Mickey, let's go. Soon as he walked out the door fucking masons on that phone to lift it. Or I think he calls Lipton in. He's just like, they don't know a damn thing yet. We're getting out of here tonight. Organize it. So as Leo and Mickey are walking out, Leo's like, that fucking guy's so bent. He's so full of shit. They had brought up Adams being killed, of course. Your agent Adams was killed and the guy was like, how? The partner's like, well, we don't know. That's how Leo shut him down. And so the guy was like, you do and you don't know how he was killed. And so now that they're stepping outside. He didn't even bring it up. That was the whole issue. Well, they didn't go into depth on it. Well, no, that's the thing. His whole point was he didn't even ask how. He just said, oh, yeah, he's dead. Whatever. Right. Like he didn't want to know about Leo's case. Yeah. Yeah, yeah. Mason is what Murray's talking about. Didn't ask for details. They came up, but he just allowed it to skip over. He was like, because Mickey's like, it sounded good to me. He's like, you hear about somebody you know killed and you don't ask how. Come on. That morbid curiosity we all fucking have. This guy's fully shit, man. He's got to be bent, which was Leo's word for it. So Lipton, it gets a call from Raleigh from a pay phone. Of course. And we've seen this scene a million times in movies across the years. Lipton. We still need to do this. What's up? Keep someone on the line. What was the appropriate time? I don't know. I think you never had to do that, but we just believe that. You've seen so many movies. Yeah. Like you need X amount of time to create tension. Urban myth. You know, it spread. It worked. Yeah. So of course, Mason goes keep him on the line long enough, goes back to his office and Lipton does a good job. I feel like this is the first time we've ever seen this because while he's on the phone with Raleigh, he gets another call from Mason. And Mason goes, he's in the building. He's calling from inside. Go down to the lobby. They go down the lobby and they see did a nice little thing where he took two pay phones and taped them, the receivers together. And he's calling from another pay phone into the pay phone that's going into the other pay phone that's going to Mason. It's a great FX. That is fun. I will give them that. That was a cool little bit. And they're like, God damn that. But then Mason, like we got it. Well, he rips the phones apart and Lipton is able to talk to Raleigh. Which one are you on here, Raleigh? And Raleigh's like, didn't you pay me for my particular genius? And I think he, yeah, he gives him a location to meet him at. Well, Mason, no. Yeah, he does give him a location, but then Mason's like, that's bullshit. He's at this place. Oh, okay. Yeah. And so what happens is the goons, they say a fucking noon and they send out to that location. They think he's at. Oh, okay. And Lipton goes out to the location he was told to go to. Right. Okay. And so Lipton gets in his car and fucking, do, do, do, do, do, do, do, do, do, do. Aqualong leaps up, puts like a shoelace across his throat, starts choking him. It's fucking at Raleigh. That's right. He's going to drive him all the way to the wharfs. To a bridge with a lot of holes or you can get warm, but I think it was the same bridge that, uh, from to live and die in a lay or whatever that, you know, I'm glad. Yep. Freaking. It's a freaking bridge. If you've ever seen one, so they stop under a bridge. He tells Lipton to get out. They open up the trunk and he's in there where she belongs, pull her out. She's horrible. She's horrible. And he puts Lipton inside the trunk, he's like, I ain't going to tell you shit. Fuck you. It puts him in there. And then he starts doing the melachi crunch on some fucking pylons that are holding the bridge up and he's like, Oh, tell you anything you want because he wants to know where they're keeping DeFranco. Right. Are they? I don't think he doesn't know DeFranco's he is still under the auspices that Frank DeFranco, he accidentally killed DeFranco and he's been framed because remember he was telling Ellen and we might have missed that, uh, he was telling the Ellen that, that Lipton guy was freaking around, freaking is on my mind, was fiddling around with the gun and he thinks he might have actually killed DeFranco. So he's thinking he accidentally murdered a guy, uh, he wants Mason's address, isn't that it? Uh, yes, because it says right here in her notes. Are you? I want Mason's address. Okay. He wants to talk to Mason. So meanwhile, Marissa is still working on the fucking, uh, computer shit. She calls Leo back in. That's our database master. Right. And she's like, get a load of this. I looked up the social security numbers of all these guys that, you know, are involved this thing. Cause I guess, uh, new one and got arrested and his gun friend got arrested sometime in between this. Oh, interesting. Okay. Because they had, they had, they had their social security. She, she had both their informations pulled up and, uh, Leo was just like, I don't know what I'm looking at here. And she's like, look at the social security numbers, sequential. Yeah, the consecutive and he's like, and then get this. Because he's like, he's like, this is the part. This is the part that bothers me because, because it goes, Oh shit. Can you get William J Adams name on there too? Could you split screen? All of that. And she goes, that's impossible. What? You got two? You can't get three. And then he goes, well, we're going to have to remember it. Can we write it down? And she goes, no, let's go to the other computer. Oh my God. It's the silliest fucking thing. So they go to the other computer and they just memorize the numbers. Well, well, you'll say you'll be me. That's genius. Yeah. You know, and then he's like, what did I think of that? Well, I didn't. And then she clicks it up. It's one committee. They took one second to do it. They're asking like, Oh, like, I love it. I love it. All these goons have the same social security, well, not the same, but that's natural. Yeah. And he's like, all right, there's some dirty shit going on with the justice department. That's right, Leo forcing his way into Mason's place. He's demanding personal information. So now we got two characters demanding Mason's personal address, because they and the secretary is like, oh, he's out for lunch. Can you wait? I don't have time for that shit. I'm a fucking cop. I need this info. And then a Karen's like, uh, excuse me, sir, lieutenant Murdoch has already been in here and has that info. You'll have to go talk to him. So Leo heads back to the precinct, bus into Murdoch's office and he's like, give me those files. He's like, this isn't your fucking case. This is my case. Give me those fucking files and he just fucking grabs a guy's neck, dying of strangling them and shit. And he's like, all right. Here. He's got a fucking edge in this game, man. So he's walking out with the files. He's feeling great about the world. And he gets informed that they found Raleigh's fx truck and impound and impound now the police impound. So, uh, Leo's like, watch that fucking impound. His partner, Mick, he assigns to go watch the impound. So he's sitting in his car watching that. Meanwhile, we see Raleigh and Andy sneaking in. They got the fucking wire cutters. They cut through the fence and they get into the van. He's like, put some smoke bombs all across here. All right. Wally. And she had to, I mean, she practically was fucking Joey from fucking Friday 13th. Yeah. She was. That's when it started, when he fuckers turned on us. Turn on us. Why did you turn on us? Yeah. All we do is fucking give you free fucking entertainment. I know the world sucks, but that's why you need friends more than ever. So she's like, she's back and she's like, ah, okay. And she grabs the smoke bombs and she starts putting them around. And then Mickey is like, you know, just reading the fucking newspaper, like half watch it. And then giant explosions are going on. And he's like, I told you the smoke bomb. I like, I got the big bombs and then they jump in the fucking truck in his take off. They try to rush out. Of course, Mickey sees them because they are in a giant truck wagon that says FX on the side in New York City. Like it's staying that a little bit. There's a little bit of a development in the Leo story. And he calls up Mason, he does get his phone number, DeFranco himself intercept Nicholas DeFranco, the mob boss that's supposed to be alive, alive slash dead, you're like, based on how you believe, what's his name, Raleigh, because Raleigh thinks he's dead. Uh, yeah, we find out he is in fact alive. And so Mason snatches the phone away from it. It's Raleigh. Not, not Leo. Yeah. And he's just like, you son of a bitch, you're dead. No one can hear your voice. It ruins the illusion. And then all it all sinks into place for Leo, he's like, I got these motherfuckers. So Mason's like scream at DeFranco. You fucking idiot. That was the cop. That wasn't the fucking, you know, Raleigh. And he's like, ah, don't worry about it. So we'll go back to the FX truck. We're doing all car chase. We're going through all your right is New York because we do clearly pass by the ramrod in the district. The meat packing, then the fudge packing district, the fucking bandana district. And you know, we're seeing all the New York is beautiful. You know, New York in 1986, it was real, man. They did. For gentrification. They did crash through a truck, a forklift with boxes full of bandanas. And you saw the bandanas. Let's tell it ended. Yeah. Because Mickey crashes into it and then they just fall on him and we get a little laugh. Yeah. No. So they're going through like, we get a shot where Mickey's like, we're in the meat district. So like he's running, going through a whole like fucking line of like a thousand fucking sides of beef. They're flying everywhere. I think they, we have Andy drops like grease on the fucking street. So the other cops crashed. They give up. They're like, whatever, we crash. We don't. You're right. I don't get paid enough for this. Right. Mickey's still following them. And he's like, Hey, do you have a Nelly shirt thing, Raleigh and then we see the turn of corner and then Mickey turns a corner. There's a fucking body lying in the street. He fucking slams on the brakes, almost hits this body, but it's just Nelly, the fucking dummy that they use of their FX and then we get a nice little scene where top following behind Mickey hits his car and it crushes the fucking dummy. Mickey thinks it's a human being being crushed and we all laugh. So Raleigh and Andy are just laughing over their fucking antics. They got away with everything as they usually do. And Raleigh just starts going, oh, oh, oh shit, stops, puts the car in parking on the side of the road, gets out and then she gets out with them. What is it? What is it? What is it? Raleigh. He jumps back in the driver's seat and takes off. Of course that would fool someone as dumb as Andy and then you think, Raleigh, you son of a bitch. You motherfucker. And that thankfully is the last we ever see of Andy. Did you show up in the sequel? I hope not. I did it. Three minutes of it, enough to see the bluey scene and it blew my mind. Okay, we're cutting back over to Leo. He's just shoot up. I willy dynamite. Willy dynamite. Because he's over extending his, you know, he's like, it's Murdoch's case and you fucking tack to fucking fellow officers. There's like three other suits in here with them and it is a tiny office. It's like when we bring somebody in to record a Joel Coleman, if you will, and he is just fucking towering over us, casting a huge shadow on him. And Leo is like, you don't understand, Jake, the Frank was alive. I just talked to him. No, we're not going to do this. This isn't your case. You're fucked, dude. You're going to be suspended. I'm going to have to ask you for your gun and badge. We've seen this scene a million times. So Leo hands it over, but he's like, you can't do this. Yeah. This is my life. He's broken. And we saw how he lives. He's got no wife at home. He's got no kids at home. He's just got a lot of takeout leftovers just littering everywhere. He's very one with the bullet, whatever that guy. No, he doesn't even have a wife. He's chasing. He's just got the litter. Right. And he hands over his gun and badge and then he just hands in his face. Yeah. And captain comes over, Willy, and he's just like, hey, man, I know it's fucking hard. It's just, we've got bureaucracy happening here. You got to follow the rules. And this is a good moment because Willy is a compassionate captain and he's like, get in here. And he's like hugging on him a little bit, like, hey, it's going to be okay. You're going to come back. We're going to straighten this all out. Leo wipes a tear from his eyes. Thank you, sir. Walks out. Jake turns around and all his boys, they're laughing at it. What? He's like, he took your gun and badge. Check your jacket. And I love these have a laugh and he's let him do it. They're like, let him do what he needs to do. Yes. I love this. They're just like, fuck it. He got me. And we see a scene where he's driving away and he pulls out fucking Jake's badge and he's like, yeah, he's like, I'm a captain now and he puts it. All right. Now we're at the Franco's hideout. There are guards everywhere. It's like a mansion out in the suburbs and Raleigh pulls up in his FX truck and he's ready to use his FX to the greatest FX. Thank you. Great. Great. And this is where I think we could have had a little more imagination when it comes to FX. It's a reverse home alone because it's not his home. He breaks into it and starts setting up traps everywhere. So I parent this he has hooked up to a car battery. He just has like these clamps. He puts on the metal gate. I didn't understand. He had a roller brush. Yes. So he had like some kind of copper contraption. No, it was just literally a roller brush. I understand that, but I think there was some kind of metal happening there for the circuit tree to happen. I don't think there was. I think it was literally just a fucking thing. But that's what it would need for this to work, right? Well, I mean, it is. I don't know. It's technically metal. But how did he have rubber gloves on? Why was he not getting shot? Right. When he placed it, unless he like, but what did an arc? I don't fucking know either. I know it just bring a dead person back to life. And here is the idea, folks, is that he's setting up a contraption from one of the guards and then he's got to make squirrel noises off to the side. That's a squirrel noise. Like, I guess I got, he's a avid squirrel watcher. Right. And so all at the same time, he presses his face into the gate along with his hand that grabs on it and shocks him. Look out. He's told he can't. There is a weird contraption hanging right in front of him. And he's like, I'm just going to stick my face in position. He literally sees the fucking alligator teeth, thinks I'm the fucking gate and gets shocked. And okay. So he's dead. Well, I think it like kind of arked inside the house and they're like, Oh, fuck, what's going on here? Because it was a power surge. Well, they're on edge because they know fucking, you know, Raleigh knows or Leo knows. So they, they're, they're waiting for the choppa to come pick them up. So they're like, go check out, see what's up with Roy. So the next guard goes out and he says a balloon. It's it now. It's it. And he goes, we see a balloon. He got a fucking grab at graph. I mean, you got to look at it, put it up to your face, rub it on your fucking hair, make it stick to the wall. And just, he's about to rub it out his hair, blows up in his face. Apparently, I don't know what was in that fucking Ajax. I don't know what, but it fucks this guy off. That's the problem. I mean, especially when you have a mustache, I'm like, can my mustache here stick straight out? Let's do it. So now everybody's freaking out. They're like, come down. The chopper is coming. Don't worry about it. So Raleigh sneaks into the house and when meanwhile we see Leo driving off, he's outside. He's like, all right, this is the location. I got it right. He drives by, goes to the gas station on the road and puts in the call for backup. Right. Like a good cop would do. All right. So Raleigh's fucking with the wiring. He cuts the alarm. And then he starts fucking up with some fuses because he, they labeled it well, which I've never been in a house that labels it correctly. Not even my house. Yeah. Yeah. And we have circuit breakers now, but still not label correct. Yeah. So they are labeled accurately and he knows exactly the room they're in, so he is just fucking with them. Yeah. And they're like, all right. So now we got noon in and one another goons like, go find this motherfucker. He's hitting the fuses. Go get them. So Raleigh is. Okay. I, I know what happened. You gotta, I can see why you got confused by this trip. It was fucking weird. I know. Okay. Let me explain. Please. So first he's got this little radio. It sounds, it sounds like, uh, like something rubbing like rubber together. It's like, it's like a sound effect thing. He puts on like, uh, uh, yeah. It turns it away so you can't notice it and then he breaks another one so now they know where he is. Yes. Okay. So what happens is he hides in a room. Yeah. They go up and they're searching the rooms. He goes, he makes that fucking noise. So is there, when they get to his room, they go out and check and then he goes back into a room. They already checked. Okay. So he's hiding in there and they're, so they're checking more of the rooms and then what he does is he has like this, uh, tripod with a mirror like thing that goes from like ceiling to floor. Right. So the idea is one of the goons is, is in one of the rooms that's behind where he has the mirror. Okay. He is on the other side of the hallway. Noonan is inside in between both of them. Okay. So he's in one of the rooms in between them. So what happens is, and of course, the ridiculous thing is, you know, if you're going to, we, we have to expect noon is going to look at the one side instead of looking at the side where he really is. Right. That's the, that's the bullshit, but what happens is he walks out, he thankfully looks at the little FX that Raleigh put up and he sees the reflection of Raleigh. Meanwhile, Raleigh's on the other side of the hallway. His goon buddy is behind the thing. Microwave timing. Exactly. And so he opens fire and kills his buddy. And then he sees Raleigh, I think, down the other side of the hallway. So he runs that, Raleigh puts a trip wire across noon and falls and then he just beats the shit out of noon and it was something. It doesn't take much. You could just basically bong them on the back of the head, like a, like an infant hood and then knock noon and out. Man. Okay. So with all the chaos going on and everything, DeFranco is just like, you know what? Went in Rome. You know, we got chaos all around you. We got fucking suitcases full of guns. I'm just going to bust one of those bad boys out. It's the 80s. Give me one of those hoozies. That's right. And he points the gun at Mason and they kind of have like a little tense moment. Yeah. They just like chill the fuck out. Everything. The chopper is coming. And then we hear like you hear some noises because there's all these doors that go off to the outside of this room. Yeah. And they hear it and he just opens fire. And then one of the doors opens and it's Raleigh and he's got bullet holes in them and he's just a window. Yeah. That's the only room. Right. And they're like, we got that motherfucker. So like, let's get out of here. And then they go to like the back door. Thankfully, they go to the door that Raleigh needed them to go to because that's the one that's rigged up with some more probably the same fucking paint roller contraption is. The home improvement doesn't work in the reverse. When you're setting traps for people coming into your home, it probably works. The reverse doesn't work that well. How do you know? It's home alone. Not home improvement. Oh, no. Is it home improvement? No, shit. Okay. It's been a long week. So and thankfully the first guy out is DeFranco with his pacemaker. So he touches the door like he's splatting his hands against the door. He's like, right. Which is what he needs. And we get some nice old school just carto animation like fucking electricity on his hands. Right. And he's like dying. And he's like, the key, the key. Give me the key. And he's like, you're going to save me right. Just give me the key. And he hands him a key off his Guido chain with the crucifix. That's right. And then Mason just let's die. Old blood mother fucker. Raleigh steps out and puts a gun on Mason running off with that key. All excited. And Mason turns on. I was like, don't you know what this is, my dear boy? This is the key to a vault in the Swiss Swiss bank account. Yeah. Y'all know about those. Of course, 15 million from all the fucking money that DeFranco's earned being a fucking criminal. He was not only is he a fucking rat. He was siphoning off shit from the fucking family. That's right. And we here from outside the cops have arrived with Leo and they're shouting out, surrender yourself some walks outside in the next minute and he's like, come on, Raleigh. It's all yours. You just let me go. And Raleigh's like, huh, I don't mind. Let me let me think about that. And he puts the fucking gun down on the fucking table, yeah, walks away to think about it. Mason's like, I could be this stupid. He grabs the gun. He's like, you're looking for these might and he pulls out bullets. Or how about this? Crazy glow, hundred and one on the oasis and he's like, what? And he crazy glued the gun. So now Mason's hands are glued to the fucking gun. So he just pushes him off the door. And well, we know out cops, this, you know, they still third ground. They still third ground. Because he literally says, no, no, it's not what you think. And they just open fire. They do. This wouldn't fly today because we know about this situation or written houses and such. Yeah, they were just like, come over here, my dear boy. I know you have a gun and you're brandishing it at all kinds of people and shooting it. Leo enters the house and he sees Raleigh laying there dead. And he's like, I guess case closed. Everybody's fucking dead. Wait, is this guy Raleigh dead too? Yeah. Cap, we lifted his arm three times and it fell. He's shy. He's dead. Yeah. All right. So we cut to Raleigh's put in a body bag, taken to the morgue. That's all right. And then we see the body bag open up and we see he's got rubber neck, rubber wrists. Yeah. You can't feel that's a call back to the cigarette. So you thought that wasn't going to make any sense? Yeah. I was like Murray was wrong. This doesn't come up again. But no, there it is. It comes up again. Everything comes back around. Perfect plan. He sneaks out a window. He's ready to start his new life because he's got that fucking key. He's got $21 million. Turns a corner. Leo waiting for it. Gone pointed at his head, going somewhere, buddy. Let's have a talk. Next thing you know, they're in Geneva and we see the Franco walk into the fucking bank, open up the key. Do you even need that? I mean, I thought there was a whole point of Swiss bank accounts. They were secret. It's not like, yeah. So you could just, as long as you had the key, you could just get your shit. Yeah. That's what I thought too. I didn't understand this. Ocean's 11 bullshit happening here. What? FX. We need one last FX. We needed one last FX. So they get in the car to get. I mean, I like the fact that Leo like needed his career is over, like he didn't like get his job back. I like this too. I like this too. And they're like, hey, I guess we'll split it. And we see it seem it's like he's literally wearing a DeFranco mask. He pulls a fucking like fucking Tom Cruise emission of pasta. He pulls off a face mask instead of just like prosthetics. Yeah, it's. And he's like, I had to do it one more time, like FX. And then they just fucking high five and drive off of it with an arranger over. And this movie seriously got a sequel. I guess sequel. What process? Well, probably. I mean, it probably cost nothing to make. And then it was like surprise hit, even though it was full of FX. Was it? It wasn't. A couple of squibs here and there. Right? Yeah, I mean, I remember being better known as a kid. Yeah. But you know, maybe this is why I'm leaving because I just lost it. I don't have the touch anymore. You need somebody new. Maybe I'm going to hand it off to somebody better than me. Mattingly. No, I was thinking more like your special, your special guest. I'm not part of the show anymore. It's, it's, it's, it's your, sorry Thanksgiving episode next week. Thanksgiving is coming. I guess you're thankful I'm leaving you motherfuckers. So we're handing it off. Whenever we do, it became a tradition, I keep saying we, I know, you got to stop. I got to stop. Are you going to France? Is that why you keep saying we? We. We. Uh, it became a tradition, I think just last year, I don't think we did it before that. Did we? Oh, no. I thought we did. I thought this was the third year. Maybe it's the second. I thought the year before was time cop and I don't think he was. Oh, God. You might be right about that. I don't know. It's that whenever we, we did Stallone last year, you're going to do a Schwarzenegger this year. Cause we, we have, and we have a muscle guy. We have to have our muscle. We don't know what it's like to be a fucking God like Stallone and Schwarzenegger. We need to see it through his eyes. That's right. Joe Thunderlats, genetic jackpot, tan lantern. You name it. He is it. Coleman will be in the studio with Griff. I hope it works out. I think you guys could be a great team together. I'm working on the bigger and better things, greener pastures. I'm going to save the country. That's right. Maga. Maga. All right. So what we do is, I don't know why we do this because we cannot trust you guys. Put up a poll. Everything's given because we're giving thanks to you, the listener, not many of you left. The ones that left you go fuck yourself. Yeah. All right. That's because you left Twitter and like, we don't exist, even though we've been doing it every Wednesday for five plus years now for no, almost seven years, almost seven years, weekend. This is why I'm leaving. This is why I'm leaving, Griff, because like weekend and week out, we never took a break during COVID. Who the fuck was there for you guys? I think we put on episodes for the two weeks I was gone in New Zealand. We did because that's how crazy we are. We have this work ethic where we say we're going to do something. We do it. We don't fucking bail on you guys. That's what intimidates people though. When you're actually somebody does something, go get her. Yeah. Because they don't like that. And we would not consider ourselves go getters, but we're not. We barely put any effort into the show at all. We put it into what we would do if we actually did put effort into it. What would we do if we put effort? Maybe we would like try to farm out more like, I don't know what we would do. I don't know what you're going to do. But we picked some Schwarzenegger movies for and oh my god. Sometimes I'm like, do you people listen because they're like, my favorite Schwarzenegger movies. You got these for. We did those. We did every, we've done every 80s Schwarzenegger movie minus predator, which we explained we weren't going to do until we did every sequel. And now we're just down to the two alien movies, prayer versus alien movies, and pray the last one. I think we've done all the other ones. Okay. And you know what? You guys get to have to fucking earn our trust back in order for us to give you some, a gift like predator. With Joe Coleman. Yeah. You better earn it. Joe Coleman is going to lose his mind for that movie. So the choices were, and this is where it gets kind of foggy because I told you Schwarzenegger was my fucking dude in the 80s and he's still my dude. I kind of lost. I kind of did what you guys did to us with Schwarzenegger in the 90s. Yeah. Kind of lost my way. It makes sense. It makes sense based on the names you were reading to me. Right. So these were the four movies we picked, Leipit, Terminator 3, Kindergarten Cop, True Lies, and the Last Action Hero. Now I'm going to give you, I'm going to count down from the lowest percentage to the one. Please do. Talkingly with only 10% of the vote, by the way, only 49 people voted on this. Like I usually expect people who don't, you know, there's so many people who just want to give their opinion. Yeah. They're less than, but they want to give their opinion. Right. Right. Right. We always get about 49. We never get 50. At least it's consistent. Yeah. So we know that at least there's 49 real fans out there. It's just like America. It's like 50% of the people actually vote. Right. So. Terminator 3, I got 10% of the vote. All right. So just following that Kindergarten Cop, 18% of the vote. I mean, based on our vibe, that makes sense. So except for Terminator 3. We're left with True Lies and Last Action Hero. Oh, Jesus. Both movies, two hours plus. No. And the winner, I must say, I'll have to say the winner because we'll know what the other winner was. Yeah. The winner was by one vote. You ask people think voting isn't important, literally won by one vote. And I went out of my way. Hey guys. Fucking few hours left. If you like Last Action Hero, go there. If you like True Lies vote here. The winner by one vote with 37% of the vote. Arnold Schwarzenegger and James Cameron together again in True Lies winner by one vote. Last Action Hero came in with 35% of the vote. I'm glad I won't have to watch it because I'm going to DC right. I'm right. I'm going on a private plane right after this record. It's part of my front lawn. It's a fucking everything up actually. So Thanksgiving episode, which I'm sure you won't listen to anyway, Joe Coleman will be back. We'll be talking some True Lies. Manning but we'll be talking some hard truths about some True Lies. You won't. The Manning bot will be though. So yeah, so it's bittersweet grip. I don't know what to say. There's a lot of lost for words, I mean. I'm not lost for words. As soon as you step on that plane, you're fucking dead to me. You piece of shit to walk away on this show after we've bought it over years, spent several hundred hours together staring into each other's eyes for you to just walk away on me.
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