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Greasepaint and Stage Lights Radio Show
♪ To lead all your worlds ♪ ♪ Swallow your pride ♪ ♪ Open your eyes ♪ ♪ Try to lead all your worlds ♪ ♪ Swallow your life ♪ ♪ Open your eyes ♪ ♪ To hide all your pride ♪ ♪ To lead all your things ♪ ♪ To build a new move ♪ ♪ From the cloud to the cloud ♪ ♪ To the cloud to the cloud ♪ ♪ Where I'm supposed to go this time ♪ ♪ Here in the next week hours ♪ ♪ I'd love a sunflower ♪ ♪ Where I'm under me ♪ ♪ In love with love ♪ ♪ Love with love ♪ ♪ Love with love ♪ ♪ Love with love ♪ ♪ Love with love ♪ ♪ I'd love a sunflower ♪ ♪ Where I'm supposed to go this time ♪ ♪ To lead all your love ♪ ♪ To lead all your love ♪ ♪ I'd love a sunflower ♪ ♪ And to lead all your things ♪ ♪ To love ♪ ♪ To lead all your things ♪ ♪ And to lead ♪ ♪ In policies to lead ♪ ♪ For a ripple FM ♪ (upbeat music) - Welcome to this week's Grease Paint and Stage Lights. (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music) - It's time for this week's lyrical challenge on grease paint and stage lights. - So before we get the lyrical challenge, I just want to say, Alistair, nice to have you back. - Very good to be here. Thank you. I mean, how did, how did the Charlie and the Chocolate Factory go? - It was brilliant. Thanks very much indeed. We had a whirl of a time, wonderful week, near sold out audiences for all eight performances. And the reviews have been fabulous. So thank you everybody that came to see the show. And thank you to our reviewers as well. - You had two Charlie's that right? - We did. - We did. Noah and Sienna, and they alternated. They had four performances, each brilliant, both of them. I, I, very different, different dynamics with each of them, but both absolute superb couldn't, couldn't make a choice between them, wouldn't ever dream of doing either, but they were, they were fabulous. - But it's quite nice to have them and bring their own sort of spin to that part, isn't it? - Absolutely. And the other thing that was, worked really well was that we made a conscious decision only to cast a child as Charlie. All the other children, the bad children, were adults. So as an audience member, you can not like all the others and not feel bad about it. - Yeah, that's a good, that's a good idea. - Absolutely right. - Yeah. - And can I also say that the umpalumpas were fantastic, very clever. - A lot of people had wondered how were we going to do them. I think there are certain, certain ways they might have been done in the past that are wholly inappropriate now. And we had 18 umpalumpas on stage, and they were all puppets strapped to our feet, to our legs. - But what was good about it, they were different hats and things. - The umpalumpas had three costume changes during the show, the puppets. - So there wasn't separate puppets, they had to costume change the puppets as well. - They costume changed the puppets, yeah. - Wow, that's so much fun. - Yeah. - They were lyrical challenges to detail. - Yeah, that's it. It's made up well. A lyrical challenge. - Thank you, yes. So we're going to give you a few lines from a song. All you've got to do is identify the song and the show that it comes from. So here you go. In me, you'll find things like guts and nerve, but not the kind things that you deserve. That's a nice one for this one, can you? - Yes, isn't it? Yeah, it is. - Yeah. - Go again. In me, you'll find things like guts and nerve, but not the kind things that you deserve. If you know what it is, it's musicals at btinternet.com mark. ♪ Scroll back in hand, chief's home in the early morning ♪ ♪ Waving goodbye with an innocent minded smile ♪ ♪ All I watch her go with a surge of that well-known substance ♪ ♪ And I have to sit down for a while ♪ ♪ The feeling that I'm losing her in forever ♪ ♪ And without really end to you in the world ♪ ♪ I'm glad whenever I can share her laughter ♪ ♪ That funny little girl ♪ ♪ Swipping through my feelings all the time ♪ ♪ I try to capture every minute ♪ ♪ The feeling in it ♪ ♪ Swipping through my feelings all the time ♪ ♪ Do I really see what's in her mind ♪ ♪ Each time I think I'm close to knowing ♪ ♪ I try ♪ ♪ Swipping our eyes ♪ ♪ Her and me at the breakfast table ♪ ♪ Barely awake ♪ ♪ I let precious time move by ♪ ♪ Feeling when she's gone ♪ ♪ There's that old man and holy feeling ♪ ♪ The sense of view I can't deny ♪ ♪ What happened to the wonderful adventure ♪ ♪ The places I have applied for us to grow ♪ ♪ And I think I'm close to knowing all that we did ♪ ♪ The most we did ♪ ♪ And why I just don't know ♪ ♪ Swipping through my feelings all the time ♪ ♪ I try to capture every minute ♪ ♪ The feeling in it ♪ ♪ Swipping through my feelings all the time ♪ ♪ Do I really see what's in her mind ♪ ♪ Each time I think I'm close to knowing ♪ ♪ She keeps on roaming ♪ ♪ Swipping through my feelings all the time ♪ ♪ Sometimes I wish that I could freeze the picture ♪ ♪ And save it from the funny tricks of time ♪ ♪ Swipping through my feelings all the time ♪ (upbeat music) ♪ Let's go back and find ♪ ♪ She leaves home near me more and more ♪ ♪ Waving goodbye ♪ ♪ With an absent mind ♪ Get in touch, visit our website greasepaintandstagelights.co.uk (upbeat music) ♪ Eight years ♪ ♪ Eight years ♪ ♪ That's how long I wasted on him ♪ ♪ That's all I'm through ♪ ♪ Albert dear to put it sweetly ♪ ♪ To hell with you ♪ ♪ What did I ever see in him ♪ ♪ How could I ever get involved that way ♪ ♪ Now that it's over I can smile and say ♪ ♪ What did I ever see in him ♪ ♪ Boy I was way out on a limb ♪ ♪ Now that my feet are on the ground again ♪ ♪ Now that my senses haven't found again ♪ ♪ What did I ever see in him ♪ ♪ Is he tender ♪ ♪ No he's not ♪ ♪ Is he thoughtful ♪ ♪ No he's not ♪ ♪ Am I crazy ♪ ♪ Once he got that I found so damn appealing ♪ ♪ What did he ever do for me ♪ ♪ Well to be honest he was sometimes nice ♪ ♪ But still it wasn't worth the awful price ♪ ♪ It was rough from the start ♪ ♪ Broken days, broken nails, broken hearts ♪ ♪ How did I ever, why did I ever, what did I ever ♪ ♪ Oh Miss Alvarez, don't be so upset ♪ ♪ I mean all men can't be like that ♪ ♪ Every single one of them ♪ ♪ Oh they're all the same from puberty to senility ♪ ♪ From Ben Echdarnell to Mussolini ♪ ♪ Do we need Ben, no we don't ♪ ♪ Do we want Ben, no we don't ♪ ♪ Will we leave them, no we won't tell me ♪ ♪ What did I say back for ♪ ♪ What did we ever see in them ♪ ♪ How could we ever think that they were nice ♪ ♪ Take it from us we paid an awful price ♪ ♪ It was rough from the start ♪ ♪ Broken days, broken nails, broken hearts ♪ ♪ What did I ever see ♪ ♪ In his ♪ ♪ That's a good song isn't it ♪ ♪ What did I ever see in him from Bye Bye Birdie ♪ ♪ And before that you heard slipping through my fingers from Mama Mia ♪ ♪ I love that song ♪ - Oh it makes me cry. - Yeah. - It's a great song. - It is. - Now obviously coming up to the busy period because it's going to be the festive season shortly, December's coming. - Yeah. - What ideas have you got for Christmas songs? I know that the typical ones are white Christmas and we need a little Christmas, but... - Yeah. - What are the obscure ones that are off from new shows now? - Oh new shows. - Oh gosh, new shows. - Well I mean old shows. I like Christmas children from Scrooge. That's always a lovely song. - Right. - And obviously 12 Days to Christmas, which I love from She Loves Me. I love that song, that's great. But neither of those are new. - No, no. So have you got any ideas? If you've got some ideas for a Christmas festive song we can play in December. Please send them through to Muscles@btinternet.com. Thank you so much. (music) (music) (music) (music) (music) (music) - I don't know about thunder, we've had a lot of snow. (laughter) - Crazy, did you wake up in the morning and open the curtains and think, what did that come from? - Yeah, I didn't expect it at all. - I woke up about half past five, six o'clock, looked outside and it was just a bit gray and wet. Went back to sleep for an hour, got up again, everything was white. - Yeah. - Crazy, absolutely crazy. - Yeah. - You heard the lovely piece of music from the musical and it was called The Nightmare. So before we actually get into our expert's questions, how to at 22 for this week please? - Oh yes, after at 22 this week, yeah, it's quite interesting, it's from Chaplin. Now I don't know Chaplin at all, so I'm quite looking forward to hearing these. We're going to play, life can be like the movies and what only love can see. - There we are. - We're looking forward to hearing those. - So if you know more about Chaplin than we do, send it through. Please come use calls@btinternet.com. Question number one for Ask the Experts, that's coming now. - Now it's time to ask the experts on grease paint and stage lights. - Okay, you ready? - Go for it. - Yes, go on. - We'll get these this week and I'll tell you for a while at the end. Question number one was, in the musical Annie, what is the name of Orphan and his dog? - Sandy. - Sandy, there we are, well done. In the musical King and I, it is set in what country? - Cyan. - And what David Essex, oh what a circus came from which musical? - Evita. - There we are, I told you. - There you go. - Gosh. - Do you want me to confess why you've got those? - Go on in. - I forgot to do our experts questions this week, so I didn't have a chance to go scaring through the darks. - That's fine, you did read the difficult questions. Oh, that's nice to think that we know that. - Well, also, it's nice to help you every now and again. - Thank you very much. - It's very disillusion when you were getting them wrong. - And in conclusion, today will probably be our last time altogether like this. So I hope when things get too real out there, you'll all look back and think of this time, this place, because for us, and I hope for you, these high school days were truly happy days. (cheering) (upbeat music) ♪ Goodbye, great skies, hello blue ♪ ♪ There's nothing in hold me when I hold you ♪ ♪ Feels so right, can't be wrong ♪ ♪ Rockin' and rollin' all night long ♪ ♪ These days are all ♪ ♪ Oh, share them with me ♪ ♪ These days are all ♪ ♪ Happy days, happy days ♪ ♪ Today, happy days ♪ ♪ Early, high, high, happy days ♪ ♪ Saturday, one a day ♪ ♪ Groomin' all week with you ♪ (applause) ♪ These days are all ♪ ♪ These days are all ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Let's go on. ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ ♪ Rockin' and rollin' all night long ♪ Grease Paint and Stagelight loves a great show tune, like this one. ♪ I used to think it might be fun to be ♪ ♪ Anyone else but me ♪ ♪ I thought that it would be a pleasant surprise ♪ ♪ To wake up as a couple of other guys ♪ ♪ But now that I've found you ♪ ♪ I've changed my point of view ♪ ♪ And now I wouldn't give a dime to be ♪ ♪ Anyone else but me ♪ ♪ What a day fortune smiled and came my way ♪ ♪ Bringing love I never thought I'd seen ♪ ♪ I'm so lucky to be me ♪ ♪ What a night suddenly you came inside ♪ ♪ Looking just the way I hoped you'd be ♪ ♪ I'm so lucky to be me ♪ ♪ I am simply thunderstruck at the change in my luck ♪ ♪ New at once I wanted you ♪ ♪ Never dreamed you'd want me to ♪ ♪ I'm so proud you chose me from all the crowd ♪ ♪ There's no other guy I'd rather be ♪ ♪ I could laugh out loud ♪ ♪ I'm so lucky to be me ♪ ♪ What a day fortune smiled and came my way ♪ ♪ Bringing love I never thought I'd see ♪ ♪ I'm so lucky to be me ♪ ♪ What a night suddenly you came inside ♪ ♪ Looking just the way I hoped you'd be ♪ ♪ I'm so lucky to be me ♪ ♪ I am simply thunderstruck at the change in my luck ♪ ♪ New at once I wanted you ♪ ♪ Never dreamed you'd want me to ♪ ♪ I'm so proud you chose me from all the crowd ♪ ♪ There's no other guy I'd rather be ♪ ♪ I could laugh out loud ♪ ♪ I'm so lucky to be me ♪ ♪ I can't believe you're on the town here ♪ ♪ on grease painted stage lines before that was ♪ Sorry, I've been so far in drafting. This one. Lucky to be me is one of the favorite songs that I've sung on stage. Oh, really? No. All right, well, I played Gaby in "On the Town" probably about 20 years ago now. And it's full of arpeggios up and down the scale all the time. Very lyrical. Lovely song. It's a beautiful song, it is. I mean, what you interrupt him for? Oh, because he's passionate about the song. He loves the song. He loves the song. So sorry. That was lucky to be me, that Alistair's passionate about from "On the Town". And before that was "Who's Soy Now" from "Return to the Fit and Bids" and we had "Happy Days" with "Happy Days". So was you actually in that then or what? Yeah, so it was about 20 years ago. We did "On the Town". When you were a teenager, sort of. So what's one of your favorite shows that you've actually been in that you think, yes, I would really love to do this over and over again. If you had to do it for a whole year, which song, sorry, which musical would you pick the pair of you? I'd pick him to the woods. Really? Yeah, definitely. Oh, wow. Okay. Do that till the cows come home. For rock place. For what place? Because it's so funny in the first act and so awful in the second act. Oh, right. So which part would you be playing, Julia? I'd probably do, well, I've done "The Baker's Wife" and I've done "Grandma". I'd like a crack at the witch. Right, okay. And you, Mr. Woodgate, I'd like to play "Shoverland", the "Baddy in Scarlet Pimpinnell". Really? Yes. Which I played. And I'd love to revisit that and play that again. So the pair of you would be quite happy to do those shows for a whole year in those parts. Yes, definitely. Wow. What would you like to do with your wife? If you had a choice, someone said, "Do you've got a whole musical for a whole year?" Let us know. It's musicles@btinternet.com. You're listening to Grease Paint and Stage Lights, playing all the great songs from the best musicals. Musicles. And I'd like to say that you're listening to the song. 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You can't unhear Angela Lansbury, can you? When she started singing that last bell, I thought, wait a minute, my brain went into overload. Another question for you, because this coming to my head as I hear a piece of music, that last little phrase of music, you would, if you heard it, just that phrase, you would know where it'd come from. Give me another example of a little phrase from the end of a song that you think, oh, I know what that would be. Put me on the spot now, aren't I? That's very much on the spot. Yeah, let's think about that and come back to it. We'll do that in just a minute. Yeah. Still to come, we've got some music from two Strangers, Carry a Cake across New York, and then we've got our two at 22, which is two songs from Chaplini. ♪♪ ♪ There is a castle on a cloud ♪ ♪ I like to go there in my sleep ♪ ♪ Arjuni floors for me to sleep ♪ ♪ Not in my castle on a cloud ♪ ♪ There is a room that's full of toys ♪ ♪ There are 100 boys and girls ♪ ♪ Nobody shouts or talks to loud ♪ ♪ Not in my castle on a cloud ♪ ♪ There is a lady all in white ♪ ♪ Hold me and sing the lullaby ♪ ♪ She's nice to see and she's soft ♪ ♪ Too touch, she says, comes at ♪ ♪ I love you very much ♪ ♪ I know a place where no one lost ♪ ♪ I know a place where no one cries ♪ ♪ Crying at all is not allowed ♪ ♪ Not in my castle on a cloud ♪ ♪ Glamis, castle on a cloud ♪ ♪ And I've given you probably three and a half minutes to think about ♪ ♪ One song, I just want one song where you hear that last piece of that song ♪ ♪ And you go, ooh, I know what it is ♪ ♪ I can think of a few big ones ♪ ♪ Like the end of tomorrow for a manny ♪ ♪ Okay, yeah, so I'll let you have that one ♪ ♪ Yeah, so you know that's tomorrow for a manny ♪ ♪ Yeah, yeah ♪ ♪ Mr. Woodgate, you look more sort of ♪ ♪ All right, let's go on ♪ ♪ I think both the beginning and the ending of it ♪ ♪ If you heard one day more you'd know from the last two beats ♪ ♪ Yes, definitely ♪ ♪ Yeah ♪ Now, if you've got one, let us know. It's musicles@btinternet.com. And don't forget, if you've got a suggestion from our tour at 22, we just need two songs from one show, please, to send them through to musicles@btinternet.com. But we want to have a bit of a reflection upon it, don't we, Mr. Woodgate? We don't want it just to be two songs. No, we talked about this a few weeks ago, and we're going to get it off the ground very, very shortly. So, two songs by one performer from different shows that they've been in. So, it sort of will showcase two very different characters that one person has played across two different musicals. And we've hesitated on this because we came up with this idea, literally put the mic up and said it, not realising. It's actually quite complicated to do, isn't it? Yeah, it takes a bit of time putting into it. To make me absolutely know names as well, I can think of a few people who, in completely different shows, will sound exactly the same. Oh, yeah, absolutely. We've defeated the object a bit. Well, we'll do that, and let's see how we get on. So, it's two or 22, if you've got any ideas, turn them through. Chaplain's coming next. It's been a while since we hadn't used from you. Since your picture left the frame. Dad, it's been forever since I heard from you. I mean forever since I heard from you. I didn't even know you knew my name. Dad, you spelled it wrong with that's alright. With me, I never dreamed that you would write to me. And then this invite just appears. Dad, I can't believe I'm in New York with you. This time tomorrow I can talk with you. How can I catch you up on all these years? I got mostly bees and seas in my GCSEs. I got measles, mumps, and chicken, pox, and celiac disease. I slept with Alice Matthews who was in the air above. There was several weeks at least I was sure I was in love. Dad, have I held a candle high for you? Have I waited all my life for you? Should I feel the way I feel? And mom, she never had a little word for you. All my life I've heard of you. Can it be that you're alive and real? Do you still have all your hair? Are you still a millionaire? Do you live in an apartment? Fifty stories in the F's and just show for dripping Bentley. Let's go meet and get your wife. I don't want to sound too keen. But where have you been all my life? Maybe I can spend the day with you. All the afternoon away with you. At the wedding I could sit with you. To the fountain, to the shish, with you. Maybe we could kick a ball together. Remind me so about it all together. Catch a game and grab a bee together. Hug it out and share a tear together. Watching Terminator two together. Eating chicken vendor two together. Singing carols round a tree together. Watching Terminator three together. Grilling burgers to their fun together. Sharing everything we've learned together. Think of all the time we've learned together. Have to rule the time we want. Together. Dad. I can't imagine what I'll say to you. I've got a million things to say to you. Can I take a breath and say to you? Doctor. Her name was Lola. She was from Tulsa. Yeah. Just arrived Grand Central Station. Two suitcases in hand and a dream in her heart. Just arrived track 17. All the way from Tulsa, Oakland. Nowhere. Where's my chauffeured limousine? Where's the marching band? Just in time to take the town. And all my knees are shaking. I'm making my stand. It all starts now. I can see my name in neon. I won't allow any cloud to rain on me. Don't ask me how. But before too long, I'll be on some my key. You're your boss. I'm just arrived. Just arrived track 17. All the way from Tulsa, Oklahoma. Though I'm still a little green. When I left, I left my past behind. I can't imagine here I am through the sun. They broke streets like they kid. They all make fun of this one of our kind. It all starts now. Look who's currently appearing. These girls are wild. All the magazines are green. I'll take my bow. 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They're auditioning for Southwest in Big West. ♪ ♪ Life can be like a movie ♪ ♪ The perfect in every way ♪ ♪ You can write your story ♪ ♪ Keep making the past the way ♪ ♪ We're so happy and pleased ♪ ♪ And the dogs don't mean to please ♪ ♪ Life can be beautiful ♪ ♪ Life can be sweet ♪ ♪ Life can be like a movie ♪ ♪ And if you're used to stealing ♪ ♪ It's the limbering on the street ♪ ♪ We have a feast too ♪ ♪ Can't be all right ♪ ♪ The only cops you'll find here ♪ ♪ Waking the beat are just the key stones ♪ ♪ They're running by ♪ ♪ Look at the life you've found here ♪ ♪ Far from Mulcan internal lane ♪ ♪ The weather is always my year ♪ ♪ 'Cause we tell the sky where to make ♪ ♪ Beautiful faces rolling along ♪ ♪ You give no one less ♪ ♪ Life can be like the movies ♪ ♪ Give you empty ones you please ♪ ♪ All the chains are in the dry blood ♪ ♪ Playing here at the drags ♪ ♪ An infinite body is being ♪ ♪ Money is common in life with 16 ♪ [upbeat music] ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ You're in the middle of this week's Two at Twenty-Two. ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ (upbeat music)
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