Archive FM

The Joe Budden Podcast

I'll Name This Podcast Later Episode 33

Duration:
1h 19m
Broadcast on:
30 Sep 2015
Audio Format:
other

Well ... what most of you were asking for; here are snippets from Joe's upcoming album "All Love Lost" that is out October 16. Joined by Parks, who engineered the album, and Emanny, a huge contributor and featured artist; we discussed the making of each record. If you like what you hear BUY the album. Preorder --> https://itunes.apple.com/us/album/all-love-lost-deluxe-edition/id1039171292 I also ask if you can please take the time to donate, any amount helps, thanks! www.gofundme.com/Devon-Theo/
- If I didn't know that we weren't gonna start so this time, I would park on the street. (laughing) - I did park on it. It was as good as 6.30. - Oh my, he has a car. - I mean, say it's a car. - Oh, we're rolling. - Guess who's gettin' a ride back to Jersey City? - We're rolling. - Me. (laughing) - Can you come see your mom? (laughing) - Did he say we're rolling? - Yes. - All right. (laughing) - Hello. - Hello. - Hello. - Hello. - All right. I will name this podcast later, episode number 33. I feel like 33 is a special number for some reason. - There really is no reason just because it's-- - No, no. Two numbers are the same. - Two three years. - Yeah, of course. - Yeah, that's about it. I feel like it was a side failed episode about the number 33. - Nah, nah. - No? - It's not even birthday, it was all the day. - That's cool. - Let's close them up. - And Larry Bird too, if we're gonna-- - Katie's birthday today. - Talk about why they say-- - Yeah, whatever. I don't care about any birthday. - Yeah. - No. - Um, Amani's birthday was recently. - Let's true. - Hey! - John's birthday was also recently. - That is true too. - Hey. - Mine was in May, what a small world. - Mine was in July, this is crazy. - All right, nobody cares about all of you guys. - There you go. - Inside of mine. Um, so yeah, we are here. Amani and his podcast later. We have a very special edition of this podcast. So much so, that we actually have people filming for some strange reason. Roy just knows a bunch of people that he just invites. - Pretty much so. - They're all very useful to like, he knows a lot of people that do a lot of things. - So we have two people in here filming, so it feels really professionally. - Yeah, and Mottie got her dopest, swishy jacket. - No! (laughing) - Wait a minute, wait, wait, wait, wait, wait. - Wait, wait, wait, wait, wait. - No, no, no, no, no, no, no, no, no. - Time out, time out, time out, time out. Let's get into this for a minute. Roy text us earlier in the podcast thread and said... - Did you guys like the name, I named it, I'll name this cat later. - Marissa, Marissa, Marissa, we're not listening right now. - That's great. - He told us, he said, "Hey, don't forget people "are coming to film." - Right, and you said I'll iron my sweatsuit, and you really did wear a sweatsuit. - I didn't know that. - And I said, I'm holding this thing. - I was clueless. - Read it Twitter. - Yeah, but that's it. - Parks, you wear the same thing every day for the year. - That's true. - And I'm on it, you're in on a job. - And I just said, I wouldn't look homeless. The weather's very confused right now, so I needed a jacket. - Look, what are you doing with this outfit? - I just needed a jacket. That was the only issue I had there, and I didn't want a heavy jacket. - It's very like '93. - Yeah, I like the '90s. - I like the '94s. - Very crazy sexy cool. - Very crush-groovy. - We don't feel it's pony. - What kind of jacket is it? Well, you're used to that. What kind of jacket is this? - World Cup USA '94. - You got that. - You caught it? - I caught it, I caught it. - You caught it. - I thought you guys did. - Oh, that was great. - You got your fucking, your mighty earrings on. - Yeah, I'm back. I had a date today, I got canceled, but I had one, so I'm like back in the groove a little bit. - You were this on the date? - That was gonna be what you were gonna wear on the date. - No, but because it got canceled, I already knew early in the day he didn't come to New York. - So it was- - Well, he was flying in for a day. - He flew him in. - He, all right, all right, fly away. - He lives in L.A. - You blew a flight in a swishy jacket. - Oh my God. (laughing) - He was coming out for some business and the business got pushed to possibly next week, so it wasn't happening. - So you weren't enough for him to fly in any way? - He wasn't, no. - Damn. - All right, everybody. He's gonna be here next week and I'll see him next week. - Well, because he has business to attend to next week. - Yeah. - Damn, honey. - So I saw him when I had business to attend to in L.A. - So he's from L.A. - I'm from L.A. - He's from L.A. - He's from L.A. Yes. What were you guys gonna do? - I don't know, maybe go for a drink or some dinner. - Well, what business could he have out here? - All right, why are we playing Blue's Clues here? We're just- - That's what we're doing. - No. - I was talking about a lovely date and that's it. He's a man of substance, possibly. - You didn't even know what you guys were gonna do. How was it gonna be a lovely date? - Word. - Because he's a lovely person. We've been getting to know each other for about a month and a half. - She fucked him early. - No, I did not, I did not and it's been cool because we were able to get to know each other. - Don't lie though. - And FaceTime. - But don't lie. - I swear to God I have not had sex with this man. - Do you give him a handy? - No! - Wait, so we did- - A comforter probably really fucking gets him. - Who the fuck wants a hand job? - Without having sex with him. - I don't believe that at all. All right, so you- - I told you I'm on a new path. - Oh yeah, you did say it. - Yes. - All right, so you didn't give him a handy. - I gave him nothing. We have done nothing, he met. - No kiss, nothing? - No. - You fucking kissed his head. - You sent him a nude? - In the car. - Yes, send him a nude. - While it was moving. - Oh, I got a nude though. Holy movie, holy shit. - So you guys are definitely fucking next time I see each other. - No. - You got a nude? - No, we're here any time. - Any time my girl sends a nude the next time you see him. - The next time you see me, you're gonna fuck. - No. - Better be. - You can take the whole out the hot 90s every studio. (laughing) - I don't know, that jacket is mad hand job in the front seat, so. (laughing) - Yo, this is a hand job jacket. The hot 90s is up to the jacket. That might be why she's wearing it. - No, he's not even here. - Okay, okay. Enough about Mottie fucking jerking his dude off. Damn. I lost what I was saying. - I lost track the equitably. - All right, the weekend. Oh no, it's a special edition of the podcast because my album is gonna leak soon, so I figure. I wanted to play my album and actually discuss it by track with parks, parks is here, what are parks? Andamani, Amani is here, what up, E? - Hello. - I wanted to do this with them weeks ago and Rory kept shutting it down and he always had some fucking white people logic as to why it shouldn't happen and it made sense so we just didn't do it. But the album's gonna leak, let's guess a leak date. (laughing) - How you saying when it's on leak? - It's gonna leak. - Hold on, let me pull out my kit. - Let me pull out the 29 signal now. - When does E1 ship it? - Still probably a week before. - Probably a week before, yeah. - I got it leaking. - I got the six. - I got it leaking Tuesday. - Wow. - I got it leaking Tuesday. - Tuesday would be. - I got the eighth. I got Thursday, October 8th. - I got the six. Six is pretty solid. - The six is what, Tuesday? - Yeah. - Yeah, I'm rowing this evening. - I'm just trying to be different. It probably will leak Tuesday. - Yeah. - I'm gonna go on the eighth. - Early next week selling a spell, right? - Yeah, I think so. Although I don't know what, since they changed the release date to Fridays, I don't know what that, if that changes anything. - The shipping date didn't change though. - Do we know that? - I don't know. - The albums are gonna come out a different day. The shipping date. - Can I be the first to say, I don't really like the Friday release date? - I don't either. - Well, everyone gets paid that day that has a job. - I don't care. - I literally don't care. - It doesn't make a difference. - It doesn't, but. - I don't like it. - Yeah, have we seen sales go up? So, I mean. - I don't know. - No, you're robbing artists of more sales time. - Literally the same thing. - I don't think it is. People keep telling me that. How? - Friday to Friday. - It's not Friday to Friday. - It's Saturday to Friday. Just like before. - If an album comes out Friday, they didn't change when sound scan comes out. - Yes, they did. - No, they did not. - Yes, they do. Now the charts are released on Sunday night. - Them bitches come out every fucking Wednesday. - No, they don't. Now they come out on Sunday night. - Oh, I see numbers every Wednesday. - Well, maybe you're looking for them when they are published on Sunday night and the reports are on the blogs on Mondays now. I do these reports every week. - She's got a very serious look in her face. - Yeah. - And serious. - And she's got that jacket on. And she fucking gives handies and handies. - She can make the best face ever. - She's not fucking, she's not credible. - Oh, that's her handy face. - I don't know why handy is the funniest word ever to me. - I'm fucking, she fucking banging on the desk. - I know what the fuck I do now. - No, they're handy. - They're handy. - It's natural. - It's natural. - Oh my God. - She's the greatest. - Yo, miney, Mikey, big. - Okay, all right, let me let you know. - Oh, come on. - All right, we're off of my handies. But I don't like the release date being Friday. And Tuesday just felt like a better day to me. - Yeah, me too. - That's it. But yeah, so I got a League of Next Tuesday. So today we're gonna do track by track, but not before I talk about some things. One being summer madness, which just occurred. Summer madness, five, shout out to Smack. Shout out to bees, shout out to everybody over. You are all the good people over there. Much anticipated battle between Lux and Clips. (snoring) Yeah, yeah, yeah, that's about right. Yeah, yeah, I'd say that was right. That was kind of a snore fest. - I didn't see it yet. 'Cause everybody said it was a snore fest. - Yeah, I'm cool. - I mean, it just wasn't, you know what? This is what I find. I find that with the battles that are highly anticipated, i.e. Lux, Clips, me, Hollow, Mook, Lux. All of them outside of Lux and Hollow, which was an amazing battle in retrospect. All of them shit is like, they just don't live up to 'em. - It's kinda like the same with the fights though. - Yeah. - Yeah. - The fights be the same way. - Yeah. - And this patient kills it. - I mean, you missed a lot though. You missed a lot, Lux said a lot of dope shit when you went back in. - No, he was great. I'm one of the very few people that have him winning. I get that it's a, listen, first of all, Clips is the people's champ right now. He could fucking, he's like-- - Yeah, he had the crowd with him. - He'd like battle rap fucking Drake, like he could just fart on stage. - Well, he was what Mook used to be. - Used to be? - Mm-hmm. - I mean, outside, no, no, no, I ran before the Iron Solomon battle, Mook was the people's champ, and then I think after the Solomon battle, people were like, "Yeah." And then he announced the Lux shit and he came right back. - I think Lux thing is after the calico shit, you just hit your peak. - That's hard to live up to. - And it's hard to live up to. - That's hard to live up to. - It is. It was right place right time. - That's the best-- - That's the best-- - The story was incredible. - That's incredible. - He was still probably my favorite battle verse. - Yeah, you can't top that. - And I think he, Lux is probably too nice for the audience that's listening to him. - That's true. - That's true. - So if you're not catching what he's saying, then you know what I'm saying? - He's too nice for me sometimes. It's hard to catch the way he's, like he's so intricate as rhyme patterns and all that shit. It's hard to catch all that. - Well, that's why I couldn't understand when people just watched it one time, and we're picking a winner. I was like, "These two, you gotta watch." At this point, I don't wanna see Lux battle no more. I may agree with you. - He's not that though. I don't like his shit goes over everybody's head. - I mean, I do, but I wanna see him battle. - Nobody else, who else is there? You gotta look like this. Lux's last three battles were Clips, Hollow, and Mook. That's fucking impressive. - Yeah. - Mm-hmm. - It doesn't get much more impressive than that. - Did he battle, sir? - Unless you go to Hollow, no, Lux didn't battle. Surf, Hollow battled, sir. Hollow did surf me, Clips, and Lux. - Yeah. - That's a nice four. - So, and what can you say about Mook? - Mook hasn't lost around in about 15 rounds. - My mother murdered Mook. - Thank you for that brilliant influence. - No problem. - You know what I tell when you have absolutely nothing to add? You just come in with some real dumb shit. - That's the best from his battle at Mills. - I was one of the few people that liked Mook against Solomon. People hated that battle, I enjoyed it. - That battle was one of the worst battles ever. - Well, no, no, on Solomon's behalf. I thought Mook was saying some shit. I didn't need to hear five rounds. - No, that definitely was cool on that battle. - Yeah, but yeah, I thought that Lux won, but outside of that, both of them bitching about the coin, so it was too extra for me. - Oh my gosh. - It was too extra. I could have done without all the antics. Now, on the other hand, Surf, I'm not Surf, Calico, and Tay Rock, I really enjoyed. I really enjoyed that battle, I think, to Tay Rock won, but I just like aggressive niggas. I watched that last night, Tay Rock is quickly becoming one of my favorites. - Yeah, which is funny because I used to hate Tay Rock. Me and him actually got into it on Twitter. Yeah, 'cause I said it was horrible and wack, and why would anybody fucking, everything, he's nice. But I was wrong, I was wrong, and I said I was wrong, and I apologize to him, and he's definitely one of my favorites now. So, Summerman has occurred on official, got fucking three-old, that was horrible, 'cause I was there for the official dragging of jazz, my girl jazz. - Oh man, she killed her. - Yeah, hustle got fucking official out here. But anyway, so what else happened? Summerman has happened, something else happened that I wanted to discuss. I don't fucking remember. - I feel like, funny enough, you said there's a lot of shit that happened, I don't really remember. Nothing happened. - Nah, it was a busy week. It was, but because my memory is like a piece of shit, I don't remember at the moment. - But, I don't remember shit. I saw that Drake calling, saying something funny about Meek again. - Yeah, I was staying over that, that was story line. - Drake and Future's album's number one, Fetty Wap's on pace to do 115K. - Oh, Fetty Wap got- - He got him on a motorcycle accident. - That's what happened. - Yeah, that wasn't cool, that sucked. - Why is Fetty Wap on a motorcycle accident? - And listen, he pulled a J Williams. - No, I do think, you know, he should've had a moment of celebration, and you know, a moment to actually enjoy the fact that you got an album out, but that's not the way to do it be. Not in a motorcycle in Paterson. - Well, this ain't his first time riding a motorcycle. We see him one more time. The day after the album comes out be, you don't need to be in your hood, right? - Oh yeah, yeah, yeah, yeah. - I mean, you don't need to be in your hood period. - I'm sure that wasn't JPP's first time lighting a firecracker. (laughing) - So, I mean, I don't really wanna hear that shit. - It's just, you know, not cool that he didn't have a license, or insurance, or registration, or anything. - What's a license? - No, it's not cool that the bum-ass cops gave Fetty one of the fuckin' most poppin' artists out there, delete fuckin' citations. - I mean, track me, my dude. It's not the Lord, Lord, my nigga. I mean, track me and my way. He says some fuckin' messages. - Yeah, I got four records in top 10. - I got four records in top 10. (laughing) - Or one and two. - Yeah, six, seven, eight, eight, six, seven, nine. I don't fuckin' you give it 'em three tickets. Fetty watch it be riding around Paterson on a motorcycle with one eye. (laughing) - I mean, what the thing about? - Yo, I just wanted to make sure he was okay before I made any jokes, but there was a blindside joke somewhere in that-- - I didn't have a million dollars. - I mean, he does have a driver's license, so he does have enough visibility in his one eye to be able to operate a moving vehicle. - Yeah, he cool. I mean, that's cool. I just don't want you. I mean, the day after the album comes out, you should be somewhere else. - No, I know that, but I'm just combatting your jokes about it. - Yeah, get some quizzes on it. - He's a million dollars a day. - He goes somewhere nice, man. No, you got a nice couple dollars after his last couple months, man. - That's not a tweet to say that. I can't see he didn't see the car coming. - He's working. - Oh, shit. - Come on, man. - I know, I know, I know, I know. That's really immature, but some of them stupid, immature, ignorant jokes are fucking horrible, but they're funny sometimes. - That's hilarious, but I'm going to hell for laughing. - Well, my seats are ready. - Listen, I'm pretty sure he sees some of that shit in Laugh 2, though. - He got him. - I mean, he makes his own jokes about his eye, too, and shit like that. - Yeah, it's cool, man. - He said his eye weren't seeing eye-to-eye when it happened. - Yeah, fuck it. - You gotta be able to laugh at yourself, and let's just be clear, I'm sure these jokes are only being made in light of him being okay. - Yeah, that's true. - Yeah, if he weren't, you know, I'm not dead. - Thank God that he really is okay, though. That would have been horrible. - That would have been really bad timing. - Yeah. - I wanted to ask, do you think now that that actually is going to benefit his sales because of the A, publicity, and B, sympathy purchases? - I don't think that someone who has had that many singles in the top 100. - Would have even mattered. - Yeah, I don't think it's going to be so well anyway. - I'm surprised that I was only doing 115 or whatever you say. - Well, we're going to see, well, the funny thing is those forecasts came based off the first day numbers, and that was prior to his accident, so we will actually see what the difference is. - Shit, well, I'm feeling good for work. - Yeah, it is good, but consider it. - You have four top 10 singles. - Yeah, that's crazy. - I did expect a little more as well, but. - Yeah, I would think you would do a little bit more. - That sounded about right. - That sounds cool to me. - Four top 10 singles is crazy. - I think it's like the Beatles, really other people that did that. Like, that's crazy. - Yeah, but look at the image. - Listen, I get it, the time that we in, it ain't really much to come back. - Oh, he's a singles artist. - You know what I mean? He's writing about that, too. - You have singles artists, and you have artists that you want to hear albums from. I don't think that he cemented his spot enough for people to want to hear a complete album from him. That's number one, number two. We've heard most of the album. - Right, it was crafted to be something. - No, I'm as good. - That was good. - He went project like yours. - The records I hadn't heard, I didn't know. - It should be good. It's a bunch of fuckin' stuff. - It is, no, it's dope. - It's 17 song songs for sure. - Now, what I will ask you guys is this. With the type of year that he's had, just like we were just saying about Luxe with his calico battle and the bar that he set for himself. - Right, it's a crazy bar. - Do you think that Fettie has set the bar extremely high for himself? How do you follow up this type of year? It's been an amazing year. To me, like he hasn't showed any signs of slowing up. So, like, I think he's gotta just come right back though. - And he hasn't done his first headlining tour. He hasn't done a lot of, there's a lot of first that he's still going to have is gonna come from different avenues. And then-- - It ain't been that much time though. - All of that. - Yeah, it's been less than a year. - I mean, that's true. - Yeah, no, it's been about-- - It's been about, yeah. - Flex started to spin in track queen in January. - Whoop-de-doo, track queen out in September. - Yeah, but that's when it started picking up Steve. - Yeah, that's when it started booking Sheldon. - It's been less than a year. - I'm like, really, I'm really moving. - I'm afraid a guy like that might start to bust his load a little bit too quick. - I was worried about that when he was putting singles out every three days, it felt like. - Yeah. - But-- - But he's still doing that, I think. But they all still work, so I was like, damn. - Yeah, it took him forever to-- - Well, it's a moment, it's also a moment thing, too. - I will say, I think people, that sound right now, that's coming from him, in this moment, sounds really dope to us. - That's true. - I don't know if in the next, by next summer, we still gonna wanna hear that sound. - Well, let's remember-- - It's a unique sound, though. - I was gonna say, yeah, it's a very unique sound. - In his bio, they compared him to Nellie, and so we haven't had him a lot of-- - Let me ask you a question. You think that's a unique sound? - That's the dumbest. - I think it's a unique sound. I think production-wise, it's very similar, but the way he actually, like, you can hear what he's saying, as opposed to some of these other guys that are popping that I'm not gonna name. And there's another-- - Well, I'll name one. - Go ahead. - Because recently, if I'm just freestyling, which I am, Migos had a nice little run, where it seemed like everything they put out just bubbled in a club or on radio. - I'm a little too kids. What's that, Ray? - Ray's from work, I don't know what you're saying. - They had a nice little run. - They're dope too. - They had a nice little run. - They're still doing good, they just got off a big tour. - Yeah, I mean-- - They were at the level of Trapqueen, like Trapqueen was a fucking smash. - International. - Smash. Taylor Swift is bringing fucking Fadi out. - Well, Trapqueen was the biggest record of the year, in my opinion. - Yeah. - It's one of the biggest records in the last couple of years, I mean, really, to me. - And I think having a melody changes that from Migos and a Ray Schmerta. It appeals to more people when it's something that you can hum and you hear it immediately and wanna sing it. - Oh no, dude is definitely talented. - Yeah. - Dude is definitely talented. - So I think that separates him from a Migos run and a Ray Schmerta run. - I agree. - I think he gives you that feel that all the other guys are doing, but it's more appealing to like a broader audience. And I don't really see him falling off really particularly. That's me personally. - I don't think he's gonna have four singles simultaneously. - I mean, yeah. - He currently has. - Well, he doesn't need to. - But I think from now, all he needs is like one to ride him out for like six to eight months every time. And I think he could deliver that without a round one. - Well, listen, when he come back around, he better come back super strong. - That's why I say he's gotta come back quick. 'Cause he like, you gotta keep riding this way. - 'Cause that sound like he doesn't really appear to have too much versatility artistically. So, there's always that sound. - It's always so much. - It's over. - Well, come back implies that he went away for even a week. - Well, that's true. - That's true. - He's gotta be, he's gotta be cheesy. - Again, it's still bubbling, like again's about to move now. And 679 still hasn't done what he's gonna do. - And 678 is still out there. - Oh, I love that. - Favorite record from him, actually, so. - I was gonna buy the album until I saw it. Drake wasn't going to my way. - Oh, for real? - Well, Drake never signed off on that to begin with, I don't believe he ever-- - But why do it that way? - But see, he, that's what Drake does. - Arbery. - Like, I'll help you to the point where it's like-- - That's some bullshit, Arbery. - Yeah. - No, he signed a-- - No, not really. - No, that really-- - Sign Tuesday. - That's not really bullshit. Not really bullshit. - I mean, it helps at the end of the day. - No, that's not really bullshit. - How not so? - Tell me. - Me just getting on your record, it helps point blank whether it's on an album or not. It brings more attention to it. - Yeah, but I mean, that is true. But let's not act like, you know what I mean? - That's like when future first came out. - I'm gonna help you walk. - And he didn't do this video. He did the verse on what's, what's the-- - Yeah, just 20 more times. - Yeah. He did the verse and then he didn't appear in the video. So it's like, I'm gonna help you to an extent. He did the same shit like-- - But that helps Drake too, though. - That helps Drake. - Yeah, and that's why he does it, though, it's for himself, really. - Well, Jay's known for doing that too. - Yeah, but you got it. - Jumping on a nice wave. - And Betty has always said, like, yo, I respect that he ain't even have to do all that. He reached out to me, asked me, can I freestyle on your record or not? - When I saw Drake, what's my call of governance ball? He did that record. - Yeah, so he did record? - As he should. - And it's wrong, like, he recorded it on some shit, but like, you know. - And then he-- - Well, Bob, the only thing above me about that was he threw it on SoundCloud, unmixed, unfinished, like, cut Monte's verse off, just like, put it out there. Like, if you're gonna do it, at least make it a little nicer. - You just say, you cut out Monte's verse. - Yeah, but like, but not even like, not even like, not even like, sorry, Martin. - Sorry, Martin. - We're saying, we're gonna get these jokes off. - No, no, no, no, no, for a reason. - But it wasn't even, I'm trying to-- - Marissa, Marissa, Marissa, Marissa. - No, no, no, no, Drake, and say, take me off these jokes off. - I'm talking about he let one day go. - All right, we're trying to tell jokes, Marissa. So pardon us while we get our jokes off. Hey, Monte. Check this out for a second. You my guy, right? Just go sit in the corner, let me get this Drake run off. Yeah, I mean, that's what Fenny should've told Monte, right? I don't think anybody was too upset. - That's it. - Let me weigh this here. - I'm sure Monte didn't say a word either. - Do I get it? - But he was completely comfortable with his man getting a Drake-- - Anyway, I get this new fire, Drizzy verse, I didn't even know what to add? Or-- - I suck at my pub, though, right? - Monte. - But listen, Monte's verses the one that plays on radio. - Yes. - So I wouldn't even be mad. - That's what I'm saying. - It's my statement because I wasn't done. - We don't care. - I care. - All right, listen, check this out. - No, we can still hear. So you guys won't get rid of me back. - I'm giving you the mic back, but we're moving from this topic now. Okay? All right, here. Don't make me take it from you again. All right, yeah, 'cause we're not that invested. Fenny Waff's album is out. Go get it, support a fellow Jersey artist. It's dope. He doesn't need any more. Push, fuck. He's got 20 singles out there. (laughing) Anyway, so what are we doing? - I should show. - Are you going, is Rory going to DJ? - I am. - Oxcore God. - Okay. - It's got the existence. - Now, how should we do, why do you have my album? - You have the real final mixed ones. - I do, I do. I have the right one. - All right, now, should we be speaking before these records or after these records? - I feel like after, because they have to hear the words to un... (humming) - I feel maybe after. - Also, we didn't prepare on what snippets or verses we want to play. - You're playing in a fucking order, you're playing all of us first. - No, no, no, no, I'm not saying the order, we go trackless, I'm saying, but what particular verses in each record that we want to play? - That's too much. - It's still in from the top. - Don't get from the top, all of us, man, come on. We'll talk after, end during. (laughing) - Oh, yeah, beautiful music, beautiful music, beautiful music. - Awesome, that sound okay? (upbeat music) - Of course it sounds okay, it's my album. (laughing) - Of course it sounds okay, I mixed it. (laughing) (laughing) ♪ Just when I thought I can't dig any deeper ♪ ♪ Said my last show was fresh and they dig when it's deeper ♪ ♪ They ain't see what I see, I guess my vision was weaker ♪ ♪ They bought me to hear me so we could skip all the features ♪ ♪ I'm like, walk me up with the pitch ♪ ♪ Show us an English name since they ain't want to hear French ♪ ♪ Ain't want to hear words, ain't want me with Kirkko ♪ ♪ They ain't want to hear me happy ♪ ♪ Now they looking for her, show they'll hate it before they hear it ♪ ♪ If they think it's commercial and so they patiently waiting ♪ ♪ For my fortune's reversal, check it, check it ♪ ♪ It's like ever since Pandu's past took the high road ♪ ♪ And watched everybody underpass ♪ ♪ Truth be told, God been looking out so much ♪ ♪ That I feel guilty when I ask him for more ♪ ♪ Then I do it like this shit ain't never happened before ♪ ♪ This is all a wild land on my bathroom floor ♪ ♪ Hold up, I'm just asking him, give me strength to grow up ♪ ♪ By now I'm sick and tired of laying in my own throw up ♪ ♪ It's a given, then self-pity hits me and I start to feel like I don't deserve to be forgiven ♪ ♪ Like when you can't think, talkin' when you don't drink ♪ ♪ But sneak around your own kitchen 'cause you gotta get a swig and I got issues ♪ ♪ You eatin' vodka or settle some ♪ ♪ Well, ain't that the pie call in the kettle one ♪ ♪ I know niggas so broke that they in bezel funds ♪ ♪ Too busy waitin' for a chance that ain't never come ♪ ♪ But this is bigger than having a debt ♪ ♪ I mean, I can't stop my brain from imagining death ♪ ♪ Then out the clear blue sky, cry random tears used to it ♪ ♪ Me and depression been attending for years ♪ ♪ I suffer from self-doubt, put a crib on my feet ♪ ♪ If there's a god, this would be the perfect span to appear ♪ ♪ I'm not a street nigger, never claim that sport ♪ ♪ And some of that trainin' thoughts insane had to abort so ♪ ♪ So people say I changed, I believe I should ♪ ♪ If I even saw the goldsoil, he's been a lead to hoods ♪ ♪ He ain't a hood ♪ ♪ None of this should be a shock to y'all ♪ ♪ Logic said if you still did, that's enough to y'all ♪ ♪ Since you won a nigga first, it's from his dream ♪ ♪ Love's gone, deal way, once we left America's thing ♪ ♪ But your love comes, you try to stop ♪ ♪ Stuck you in my heart, it's not dope ♪ ♪ I don't give a fuck up ♪ - You just made it look out of here, Rory. Tryna feed it with your dad and profession. - No, no, fade out. - All right, well Joe left to go smoke a cigarette in the middle of his-- - Are you serious? Is that where he went? - Of his album, Snippets. - Come on, Joe. - So, Parch, is there anything you can tell us about this record since you were the engineer of this entire album? - I mean, I think Joe would better start it off so you can tell us where you came from. - Oh, nice to meet you, join us while we play your album. - All right, we are backed up and I'm back. All right, what are we saying? - We're talking about the first record. - We just faded out and-- - Had the ill, typical button fade out. - So that was, well maybe it's typical. So that was all I've lost, that was the first title, title track and the very first track and the intro and all of these things. That record didn't start out as the intro. I don't think I had that in mind when I made that album, but when I made the song, but because we made it so early in the process-- - That was one of the first songs we did, I feel like. - Yeah, it was. I got to just vent on all of the fuck shit that was going on and there was a lot of fuck shit going on at the time. There was a lot of no love lost backlash. There was a lot of slaughterhouse, turmoil. There was a lot of random women in and out of my life. That was great. We covered all the bases on that one. So it made sense that we started with that one. Shout out to Jared, Dark Knight. - Dark Knight. - Really did an amazing job with that one. And of course we had to let the guitars rock at the end. - John's Jeremy. - Shout out to Jeremy. Of course you have to purchase the album to hear that because these niggas just hate us. (laughing) So yeah, anything you guys want to add about that one? - Shiffaya B, that first verse. - There we go, thank you, E. - The first verse is one of my favorite verse on the album for sure. - Interesting. Me and Amani have been going back and forth about our favorite verses on the album. I never really looked at the first one to that. - I didn't even-- - Yeah, that was dope. - Maybe because I've heard it like a thousand times. - Yeah, I mean, we had it so long. We probably recorded that solo like-- - Don't tell them what's over here. Don't tell them what's over here. Don't tell them what's over here. - Well, everything else on the album is new. - No, everything is new. I mean, it's dope. - Yeah, it's all new to them. - I mean, sure, you probably played that shit on the dam. You're straight anyway, so they probably know how old it is. And nothing is that old, it's not that old. - Yeah, thank you, Parks. (laughing) - That plugged his mic. (laughing) - What song is after All Love Lost? - We had Amani on All Love Lost, until he was fucking bitching and complaining. - I think he still got some backgrounds, isn't it? - No, my backgrounds are still in it. - Are they? - Mm-hmm. - I thought those were mine. - He's got backgrounds on nothing every song in the Halloween. - Why are you mad? Why do you know what I'm doing? I'm gonna be featured on the record. - Okay. - Amani is trying to distance himself from me. - No, I'm not trying. I'm trying to... - Wait, I thought you were on him. - Me and Jada Kiss. (laughing) - No, no, no, no. - No, what happened is... - It's reference. - No, what happened is, I wanted to step aside and contribute in a different form and not have people look at me like... - He's still very much contributed. - Like the hook guy. - Yeah, I'm not, you know. - Yeah, he contributed a lot. So he's there. I thought those were my background vocals. - They are too. - You're in there a little bit. (laughing) - Park, anything that I sing on, Park's just fucking phases it out completely. - This is not true. - I'll let him do that. Just to keep him happy and get rid of it. (laughing) - Or he turns it all the way down and I'm hip to it. - I'll keep the lozener. - Oh, thanks. They're all loz. (laughing) My eyes are loz. (laughing) - What is a... - You should definitely skip broke. - Broke is the next record, but everyone's heard that. So I need to play that one. - We can skip broke. - Playing our part is next. - Playing our part. That's actually the next track available if you have the pre-order. - But fuck that shit, we gonna play it here, bro! - Oh, come on. Make them pre-order this shit before they can hear it. Come on. - Yeah, pre-order the album now on iTunes. - Yeah, but if you listen to it and you like the song, - Play it the first five seconds of that shit and cut it off. - Why? - That doesn't make any sense at all. I don't understand. - Play the fucking shit the same way we just played the last one and if you have the pre-order, you will get the whole song. That doesn't take a rocket science is here. Rory doesn't... - You got it. - What did you really play it? - Rory didn't want any music to ever be played. - 'Cause I want you to so fucking out with Joe. - Yeah, Joe got a weird... - A weird business, Savvy B. - No, we'll talk about that later, too. But yeah, we'll talk about that soon, too. - Oh, 'cause Joe cares about his fans. I just happened to have one name. - Man, fuck the word. - Like the best friend I have money, man. - And play the fucking songs. - Well, yeah, it's for you guys, it's fucking executive decision-making skills. - That's right. - Yeah, we got beautiful music right now. - You wanna put a drop? - Oh, by the way, that is my ooze. And when you're the person singing on this, that's me. - They actually make the song. - I try, I try. - I thought that was my ooze. (laughing) - No, we turned your shit down. (laughing) ♪ I'm in a clarity ♪ ♪ I've been misleading you all ♪ ♪ Giving you happy ♪ ♪ I've been misleading you guys ♪ ♪ I've been raising a trail and leaving casualties ♪ ♪ Damn it ♪ ♪ I've noticed myself ♪ ♪ It's apathy ♪ ♪ So letting go became music ♪ ♪ Grabbing a hold ♪ ♪ That's the hardest ♪ ♪ I know our expiration date ♪ ♪ Soon as we started ♪ ♪ You come around and you feel safe ♪ ♪ While you a target ♪ ♪ You feeling like I let you inside ♪ ♪ While I'm guarded ♪ ♪ It's genius and arrogant things ♪ ♪ Like it's modest ♪ ♪ The past insanity glance ♪ ♪ Had the logic ♪ ♪ The pin's up ♪ ♪ You know all of it is stipulated ♪ ♪ Watch and learn how emotions get manipulated ♪ ♪ Now you and Diane need to help you to fit them ♪ ♪ Made to think you did it to yourself ♪ ♪ Speaking of rest and peace on to blame me ♪ ♪ I'm not even anything that wasn't on that cam ♪ ♪ But back to you beauty ♪ ♪ Let me address our low movement ♪ ♪ You in therapy but I don't see the improvement ♪ ♪ Or whatever you mean ♪ ♪ Give me damn name ♪ (laughing) ♪ You want to ponder with the fuck that we know it ♪ ♪ Let me ♪ ♪ Watch my words again ♪ ♪ You easily got one of the best ♪ ♪ Pussies that I ever been inserted in ♪ ♪ You real kind ♪ ♪ Real sweet ♪ ♪ Real nurturing ♪ ♪ It ain't time to link me ♪ ♪ I told you just keep coming ♪ ♪ You put on men in the box, I ain't one of 'em ♪ ♪ Funny girls, you got all the answers and none of 'em ♪ ♪ You only dated three men so I'm scared of you ♪ ♪ 'Cause with no point in reference ♪ ♪ What the fuck are you comparing to ♪ ♪ You good one minute psycho to next ♪ ♪ No longer letting it ride too much jekyll and high ♪ ♪ Then you sub-tweet for weeks ♪ ♪ Pissies that and you proud and grown ♪ ♪ They really need that sort of mess in my life ♪ ♪ But ♪ ♪ You evade you old too ♪ ♪ I can throw my emotions ♪ ♪ Yours controls you ♪ ♪ You bright enough to know ♪ ♪ When you get in bullshit for me that's repulsive ♪ ♪ How do you not know this ♪ ♪ And then we go on a separate way ♪ ♪ Just a link back on better days ♪ - If he'll turn that shit up to the fucking minute. - Turn the fucking song up, man. - Not pretty order. ♪ Are you good ♪ - I love the hook for the hood, man. - Let's just look, let's just look for the hood, man. - You like it? - What is it? - That's a homie. - It's a snippet. - No, it's not, you can start fading down. - It's six minutes long. - What are you talking about? - Yeah, that's cool, we don't yell over this whole shit. - I mean, you guys are gonna talk over the whole shit. - Right. - Yeah. - So you can't just rip it. - This copy was intended for. (laughing) ♪ For me it's breaking your heart ♪ ♪ Yeah ♪ ♪ You're on my own bad track and we're playing the star ♪ - Man, faith that shit out. - There we go. - Damn, we can't even mouth who it is now because we have cameras and shit. - Yeah, who's true. - We all know who it is, besides you. - Oh, fuck you guys. I'm gonna tell them to do it. - All my friends know. (laughing) - The next song is-- - And I do know. - Next song is "Man Down." - "Man Down" is the next song. - Oh yeah, yeah, "Man Down." Playing our part and "Man Down" were late editions. Half of this album was late editions, I would say. - True, yeah, yeah. - "Man Down," "Man Down" I just felt was really needed. - Some hip hop shit. - Yeah. - Bars, or bars. - I wish you could skip straight to the third verse. - The aggressiveness, would you like to skip straight to the third verse? - It could, I think. - Tars on the chorus. - Do you have any idea what time frame that might be? - That's what I'm like, yeah. - No, but if you turn your volume really down on your laptop, and then you just forward about two and a half minutes-- - Good fate, I'll do a little thing. - Yeah, yeah. - Yeah, yeah, yeah, yeah. - I don't know, man. - I can teach this guy how to do this here. - I think that's a good spot to start. - You have to fucking lift it up, yeah. - You have to lift it up, yeah. (upbeat music) ♪ Hey, hey, hey, hey, hey, let me, let me, let me again ♪ ♪ Yeah, yeah, yeah, yeah, let me, let me, let me again ♪ ♪ Let me, let me, let me, let me again ♪ ♪ It's ugly, let me, let me, let me again ♪ ♪ Bitch, you don't expect ♪ ♪ Let me, let me, let me, let me again ♪ ♪ I'm still a stone in my business ♪ ♪ What they think of me again ♪ ♪ When we talk about skill ♪ ♪ They just love me again ♪ ♪ I don't know, I don't know, I don't know for the kill ♪ ♪ They just tell me again ♪ ♪ But I was born for the start ♪ ♪ I mean, it's normal to know ♪ ♪ Maybe they wanna know a whole day more than one of me ♪ ♪ Now, now, now, now, now ♪ ♪ I'm wishing this was a dream ♪ ♪ Maybe it's broken, it's mirrored ♪ ♪ Well, I could change your door ♪ ♪ If I blow, I'm smoking the mirror ♪ ♪ It's been such a long ride ♪ ♪ Wishing hours on the side ♪ ♪ To get caffeine, pill to stay awake ♪ ♪ Be sure I'm priced if I buy a regard ♪ ♪ How they yelled at the pigs ♪ ♪ Gave them all my cashy, wouldn't have had to sell that sick ♪ ♪ Shout to Bobby Castina ♪ ♪ Let her know that I love her ♪ ♪ But she wasn't liable, didn't got it same as a mother ♪ ♪ Maybe I'm a dick in this door ♪ ♪ When I blink, I get though it's a bullet shake in the door ♪ ♪ And tape a ramp, shins Porsche, see it damaged my heart ♪ ♪ I be writing gifts, car to get the prep out of his car ♪ ♪ And get his hands off the bar, tail stacked in a missile ♪ ♪ See, we losing a lot, I won the kiss and she can't ♪ ♪ I still miss through the sky ♪ ♪ Chris Blyde, Robin Wales, still to this day ♪ ♪ I'll bring nobody ever feel that way ♪ ♪ Too many men go ♪ ♪ Go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go ♪ - Hey, these niggas be hating on greatness. - Come up like a Tars like that ever again. - You cut off the good. - I was going to cut off like a Tars, man. - I was listening to E, he told me to do it. - Yo, pre-order. - Cut off my fucking guitar. - I agree. - Oh, whatever. - Proud of my guitar. - Um, yeah, that was-- - I played a lot of guitars in the song. - That was great. - Did you really? - Yeah. - Go Parks. Parks on the Tars. (laughter) - I just dropped my Kenny Colonel. - Actually, you know what, the second verse in "Man Down," though a lot of people won't mention it when the album is released, that's one of my favorite verses on this album, personally. One of, I don't know if it's in the top. I gotta figure out what my top three or top five verses are. I know what number one is. - Oh, number one is easy for me. - I know what number one is easy for me, too. - Yeah, I know what my number one is, it is. - And I know what my number two is. - And I know what my number two is. - Yeah, definitely. - Yeah. - That's my favorite, and number two is third verse on where do we go? - Damn, I like the moral too much, too, to really cut all the verse up. It's hard to pull one verse to itself. - It's funny you bring that up, that's the next record. - Oh, that's perfect. - That's perfect. - It's funny that you say that, though, because I love a mortal so much as a whole. - Yeah, that's hard. - I couldn't pull a verse from it. - Well, I agree. - I think a mortal's the most important record on here. - I don't know about that. - Important. - I think it brings that album together. I think it's well-placed to metal, and it brings everything together. - A mortal is such an amazing record. When I think of a mortal, I just always go back to, again, a mortal was one of the earlier records that we did, and the second verse that I had was really whack originally. - Yeah. - Yeah. - It was a really-- - He's already-- - What was I doing? - I don't know. - Yo, you know what it was? I heard this flow, and I did the flow on the first verse, and we laid it and hit it out the park. - Then you tried to stand it out. - And you tried to stand it out. - I left it, and it was a train wreck. - Yeah. - And Parks was trying to find the nicest way to tell him. - Yo, now Parks and I, we haven't had that many moments in the studio where he's had to say, "Yo, fan." That verse right there. - Yeah, nah. - Nah. - One minute, brother. - But that original second verse to a mortal. But now, but you know what? I think the last eight bars was the same. - It wasn't the words. It was the way you floated. - Yeah, it was horrible. - But we fixed it. - We fixed it. - We fixed it now. - And it's amazing. Shout out to vinyls and Boy Wonder, who charged me fucking my whole budget. You know what's funny, man? The fucking... A mortal was... That's how I know a mortal was such a great song, because they charged me one of the prices where it's like, "Eh, do I need this song?" - No, no, you need it. - Yeah, I need this song. - I might be wrong, but I think a mortal was the first song we did. It wasn't the first one. It's the first one maybe that made it. - No, no, no. I really... 'Cause we did this back in, when "Pream Studio" was, and headquarters. All of "Lost" was done out in our total. - Yeah, I'm saying the ones that made it. - Yeah, but I think... - Wait, I really... - If I can remember correctly... - Or you think this was the first song we... - I think this was the very first complete song that we did for the album. - That's yours. - I could tell you that, but I don't know. - I don't know if I... - If it's not the first, it's the second. - Yeah, it's one of them. - There was a couple that were half-finished that we didn't ever... - Yeah, we got the fuck out of here. - And then there's a couple that ended up in different places. - Oh, yeah. All right, so let's hear him wortle. - Okay. - I'm on the hook singing, but I'm not featured. Thank you. - You're welcome. - You might as well be featured. - Tell everybody what you want. - Do you have album credits? Like a little... - Oh, hell yeah. - I just know both of us. - I just know both of us. - I was missing, what if the passion was gone? If we truthfully speaking, never saw her last and it's slow. - He doesn't even know. - If the words didn't rev or whatever. - I did not forget it. - FYI! - Yeah. - Yeah. - I'm the living nail. - What's that? - Guess what? - Never pay no money under the codes. I'm thinking it's so complex, simplicity can get lost. What if everybody was real and I wasn't surrounded by frauds? The moral of that is so priceless just 'cause I know what it costs. Lookin' back them, they have a problem, I had it. Never got 'em retracted, I combated, problematic. Every problem I've had it, but that's just the way the cards fell. Hard felt, but can you be cheated if guard dealt? Fuck shit, only regret that I had. It's ever been regretful, I mean they all try to kill me. None of 'em were successful, a few I knew for some years. Some never met me and tried, but you can't kill nothin', it's ready to die. - They say I'm in my own way, own way, and that's fine. I'm just living my own way, own way like I can't die. They can move my car, my soul, and my take is tough. ♪ The hell I breathe in the ground below ♪ ♪ No way, no way let 'em all try out ♪ ♪ That's how we fit ♪ ♪ We can't open it for real hard ♪ Word, it's a cigarette-type act, y'all. ♪ That's how we fit ♪ Hold on, hold on, let my vocal ride outta here. I turned you up in this one. I had to ask you to do it for me. Please don't lose her, you're dead. Yeah, I gotta start takin' some of my vocal credit too. I'm up in that piece. Oh, remember S-L-B. Remember S-L-B. - Well, you got used to that side pain. Your vocals on a necessary pain were great. - On what? - Unnecessary pain. - Yeah, they were real great before Parks turned them all the way down. And then I hit 'em and said, "Hey Parks, I need these up." And then he sent it to me down still. (laughing) - Parks is amazing, man. - A plug-in I use, man, I love it. - Yeah, yeah. (laughing) - Something happened. - Something happened, I don't know. - What is the next record? - What's the next record? - Love 'em, I'm good. - I love this song. - I thought we were gonna do that last, no? - No. - We're goin' in order right now. - But didn't he wanna play the whole song? - I said, "You know, are we doin' the first verse?" - You know, yeah. - I just wanna play the third verse. - I wanna play the entire song. - Now I wanna keep you to buy that song. - Yeah. - No, I wanna play the whole song. - Let's just talk all over the whole song. - No, I wanna play the whole song. - That song is eight minutes long. - Great. - Let's play it. - Let's play it. - Parking's only good till eight, 14. - Yeah, let's not wait till the end of the show, because I wanna talk at the end of the show. I do wanna talk still. - Yeah. - Let's play "Love, I'm Good." "Love, I'm Good" is produced by A-RAP. - Hey, Coron. - You know, and Coron, shout out to Coron of SLV. - Why do I keep sneezing? What the fuck am I? - 'Cause you blessed, bro. - You know what happened, bro? - With "Love, I'm Good." I, we went to Detroit to do, um, to work on the "Slarter House" album, and when we came back, I said, you know, because you, you, you gettin' different. Sometimes you can hear a beat in September and not like it, and you'll be really into that same beat in January. So when we left the, um, when I came back home, you know, A-RAP always sends me a million beats. And I said, you know what, just to be sure, let me listen to these beats that A-RAP said. And sure enough, I heard this beat, and I said, why didn't I rap on this beat? And we went right in immediately, and it just so happened that at the time, I don't know, I wanted to change this first verse, but in retrospect, I'm really glad that I didn't, because it makes all the sense in the world on this album. - I kept telling him from the jump he kept saying, listen, if you don't leave that fucking verse alone, man, that's one of the best verses on there. - Reoccurring people, people really do enjoy that album. I mean, that verse, a reoccurring theme on this album and a lot of these records, naturally would be one woman, but two hip hop. And that's addressed on the first verse, so we'll let this play, uh, play this. I can talk over the intro still. Shout out to Asia. - I'm about to say, you're gonna shit on Asia's intro? - Shout out to Asia, who, I'm not even speaking to Asia right now, but, but Asia is one of my friends who has absolutely no idea what love is, so we just asked her to go in the booth. We asked her to go in the booth, and we said, hey, the defined love. - We got a great intro. - Yeah. - Yeah. And shout out to parks. Did you rearrange this? Cause on the first one, I didn't love it. But now I love it. - Yeah. - You didn't love what? - Her talking. - Her talking in the beginning. - Yeah. - On the first one, yeah. - Cause I just took a lot. I just, just go. - Yeah. - First of all, let's be clear. - First of all, let's take credit for everything in here. Hey, parks. Did you paint this wall? - I did rearrange this wall. - I did rearrange this wall. - I was really like this way. - How did you come up with this? - Word. Let's get into it. Asia ended up having a pretty good studio voice. - She does. - Yeah. - Because Asia sounds like me. Like, she sounds like the girlfriend. - I don't quite. - If I was a girl, this is how I was found. - I know what love is. I don't know what love is. But I just don't know if I know what it is. - That is because of the relationship. - Why is this so hard to find? - Because when you're in love in a relationship, you guys have to compromise. You guys have to kind of concede to one another. - It's gotta hit. - I don't think I've ever really done it for anybody. - I'm trying. - I'm just never successful at it. - Why don't I know what love is? - I don't know what love is. - Because I'm just not there. - Sometimes I wonder if I'll ever really find out. 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